
@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap

â
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me
will byers stan first human second
DEAR READER
let's talk about Bridgerton tea, my ask is open

JVL

çĽćĽ / Permanent Vacation
noise dept.
Not today Justin

tannertan36

Janaina Medeiros
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@joudama

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More of you need to learn about these âď¸
remember when websites were written on purpose, and not generated by autocomplete in the instant you run the web search? anyway, unrelated, this webpage purporting to relay expert knowledge on which plants are safe for my snake's tank just told me I would know if he was biting them and getting irritated because he would start pawing at his mouth.
i mean, that sure would be a sign something was wrong
the plant that makes you grow extra legs
I really recommend the TĂĄin BĂł CĂşailnge to anyone looking to get into medieval literature because it's a great story, brilliant poetry (I read the Carson translation, and the way he translates the roscada sections are beautiful) and the backbone of the Ulster Cycle, but it's also just really fucking funny. It has a very slapstick yet dry sense of humor that provides just enough comic relief to make the dramatic moments of the story even more impactful. Genuinely I laugh out loud every few pages. Go read it.
You can't make this shit up

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what if we all explode
This very production of Orpheus & Eurydice is now available to stream, free, for the month of June.
aint it crazy how everyone is famous nowadays and yet I dont know who anyone is. there are countless people that will have more followers on instagram than the population of Sacramento and no one I know irl has ever heard of them
I love the idea of a roomba topography map being the jumping on point for a liminal horror story. House of Leaves II: Roomba.

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There is a sadness in that there are next to no new in depth lore discussions or content following DA4. It ended up extinguishing the fires that kept it going. Questions, speculations & fun theories gone. Change is wonderful, but it has to be coherent & respectful to the og creators & artistry.
Instead there are two camps one devoted to defending Veilguard and the other saddened & frustrated Dragon Age fans watching their favourite IP be so deliberately reduced to nothingness.
Itâs like they wanted so badly to wrap up all the mysteries still left from Gaiderâs original plans so they could go in a new direction that they forgot to leave anything for people to talk about. They were so busy trying to set up a clean slate that they left nothing behind for wonder and speculation.
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And that was achieved by erasing pivotal plot points, established cultures and characters from the narrative in this past games in a manner that legitimately did not make any sense.
But wait! They kindly let us design our past protagonist, even had an option for who they romanced but it doesnât matter at all unless itâs that one guy. And theyâre either a sad wifey or a sad comrade. Also no they donât get closure, no they have no agency, and yes they were written last minute by a totally different team in an redemption ending for that guy and everything was his faultâŚbut he was also a slave bound to his master but she did nothing wrong, they tried to tell him to chill but he didnât listenâŚbecause everything is his faultâŚexcept that guyâs redemption ending is him being freed from his masterâs service which makes him stop being âŚsmug?
Bright side is your former protagonist gets to give up their entire life and go to jail with their beloved, because thatâs the fate they deserve also theyâre a mortal and canât actually survive thereâŚ
Oh and that guy? Yeah, we (the writers) threw him in a cupboard and heâs basically powerless with zero followers because he upsets the creative director and protagonist self insert for a myriad of very mature and rational reasons, and he also thinks villains in medieval fantasy fiction are manosphere podcastersâŚ
Source: Veilguardâs narrative design interview

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There was a massive shift in how our culture understood morality when, after World War II, the general public realized âjust following ordersâ was not an excuse for crimes against humanity. Now we need another moral shift in which we decide, as a culture, that âfor the benefit of the stockholdersâ is not an excuse for anything.
We kind of need to relearn the âjust following ordersâ part again