my brain, stomping it’s feet: i wanna use one inconsequential negative experience to spiral into an echo-chamber of self hatred!!!
me, stirring my tea with my little plastic knife: no, we don’t do that anymore
d e v o n

★
official daine visual archive

ellievsbear

PR's Tumblrdome
Aqua Utopia|海の底で記憶を紡ぐ

Discoholic 🪩
taylor price
Game of Thrones Daily
todays bird
RMH
noise dept.

shark vs the universe
untitled

JVL

Janaina Medeiros
Misplaced Lens Cap
Cosmic Funnies
NASA

seen from United States
seen from Latvia

seen from Malaysia
seen from United Kingdom
seen from France
seen from Netherlands

seen from Türkiye

seen from Türkiye
seen from Iraq

seen from Philippines
seen from Canada

seen from Ukraine
seen from Ukraine
seen from Brazil
seen from Morocco
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from Türkiye
@jayykesley
my brain, stomping it’s feet: i wanna use one inconsequential negative experience to spiral into an echo-chamber of self hatred!!!
me, stirring my tea with my little plastic knife: no, we don’t do that anymore

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
It's my cat's birthday (anniversary of me getting him) so I told him the story of his life while petting him real good
Highlights include:
For your first two years (when you were small) you lived in a foster home with people who raised you into a very polite young man. Two is like you plus me, that's what two is.
Some people adopted you before me and they called you Timmy (which is a stupid name) and they returned your ass almost immediately because you were so annoying at that age.
Like think about how annoying you are right now at seven years old, but way worse.
I'm better than them though, I don't call you Timmy and I wore earplugs to bed for three years because you love to scream at bedtime. Earplugs are like when I roll over and go back to sleep even when you are yelling so so so loud.
I got you at a time in my life when I was really sick (being sick is like when I'm up late because I'm throwing up and you are a very handsome good boy who sits with me) and they had to put me asleep for a procedure. A procedure is like what happened to you when they put you asleep and took your balls away.
Now you've lived with me for five years. Five is like the number of toe beans on one of your feet. When I clip your nails five is when we're halfway done. But we're hopefully not even halfway done with how long we get to be together. I'm gonna have to figure out new ways to help you count.
Actually I've decided this is a poem
Behold, King Stefan's castle. And in yonder topmost tower, dreaming of her true love, the Princess Aurora. But see the gracious whim of fate. Why, 'tis the selfsame peasant maid who won the heart of our noble prince but yesterday. She is indeed most wondrous fair, gold of sunshine in her hair, lips that shame the red, red rose. ageless sleep, she finds repose. The years roll by. But a hundred years, to a steadfast heart, are but a day. And now, the gates of a dungeon part and our prince is free to go his way. Off he rides on his noble steed,a valiant figure, straight and tall- to wake his love with "love's first kiss"...and prove that "true love" conquers all!
SLEEPING BEAUTY 1959, dir. Clyde Geronimi, Eric Larson, Wolfgang Reitherman, Les Clark
I saw a post like this recently so I'm making a classics version
Spin the wheel. This Greek mythological figure is trying to kill you
Spin the wheel again. This Greek mythological figure is trying to protect you
Are you surviving?
100% no, my corpse is desecrated
100% no, but I am given a proper burial
Yes, but with major injuries
Yes, but with minor injuries
100% yes, not a scratch on me
Other (explain in tags)
Piece of advice to all writers who need a cover but don’t have the money to hire an artist: use the public domain.
Online, you can find quite a lot databases for photography in the public domain that you could use (always check their specific rules regarding commercial use), like Pixabay, Unsplash, or Pexels.
But, even a tad more charming, there are also hundreds of thousands of paintings in the public domain. If the artist has been dead for over 70 years, the image is (typically) in the public domain and can be used however you want it. This is not a new concept, big publishers like Penguin and the Oxford’s World Classics do the same!
When you use such images, always make sure that 1. the painting really is in the public domain (sometimes the art itself may be in the public domain, but the photograph you are using to see it is not!), and 2. that it is an appropriate image. Sometimes, an image may look innocent and fitting, but would actually cause irritation, like accidentally using a painting of siblings for a romance or using a controversial image for different reasons.
Some places you can find art in the public domain (always double check!): National Gallery of Art, Artvee, Public Domain Image Archive, and most websites of bigger museums.
[Prompt Calender: April 23rd, World Book and Copyright Day]
Your cover will look so much more professional and interesting if you use public domain imagery rather than AI.
Your hard work deserves thoughtful presentation.
Also check the Wikimedia Commons. Alot of Public Domain stuff there!
a clarification: if something is in the public domain, that means nobody holds the copyright on that thing anymore. this is not the same thing as the thing being available for anyone to use as long as they follow the rules.
the entire reason photographers put their work on places such as Unsplash and Wikimedia Commons is to make the photos available for anyone to use as long as they follow the rules. each photo being helpfully labeled with what the rules are, which on Unsplash is usually either (a) "pay for a license", or (b) "free with attribution for non-commercial use, but for commercial use, pay for a license". note that non-commercial use of a category b photo is still a licensed use, it's just a different license.
on Wikimedia Commons, many photos are in the public domain, thus available for anyone with no rules to follow. the rules on the rest vary, but Wikimedia Commons requires those rules to include that modified versions of these photos must also be available for anyone to use and modify. again, that's licensed use. that's the copyright holder saying it's available for anyone to use, here's the rules. anything in the public domain, there are no rules because there is no copyright holder.
I would be very surprised to learn any images available on Unsplash are in the public domain.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
what I really like about all these vintage couple’s portraits is that there is a very certain romatic decorum kept up – certain themes and poses – which, while of course being the mainstream preferred view of couples repeated throughout many studios, are just… so nice to look at.
this staged affection, a mix of theatricality and intimacy, the couple holding still for a couple of moments and now immortalised in a very set sequence of embraces and kisses. there is a charm to it even when I can’t tell whether this was a genuine couple portait or just actors hired by the photographer.
the kiss on the bare shoulder (eyes perfectly averted), the cheek caress, the piano and the violin, the interrupted embrace, the woman tilted back as in a half-stopped dance…
I simply must torment you a bit with these, let us see some of my personal favourites! (part one due to the image limit)
let us start with the kiss on the cheek (eyes averted! oh the pose! these were taken between 1910-1940)
or the nearly opposite energy (how daring!) of the kiss or caress with direct eye contact (1910-1930)
and then the innocent – yet so flirty – classic of the park encounter! (1890-1920)
and then the famed kiss on the bare shoulder – what an idea, what a vibe, such intimacy! (1910-1930)
and oh, I am not done, look at this – the adoration of the woman! look at this expression, this pose, this decorum! (1910-1940)
and then some of my favourites from the more playful or direct category, enjoy (1910-1930):
and, at last (thank you for still being here and witnessing my recent fascination with vintage polish photography) my three absolute favourites outside of any particular categories (1910-1930)
just look at her. just look.
everybody look at my cat being scuncht about it
my mom crocheted a lil geode for me and it RULES, so now you have to see
vintage heart locket pngs request ˚₊‧꒰ა ♡ ໒꒱ ‧₊˚
send requests .ᐟ.ᐟ જ⁀➴ ✉
yes, thanks for checking in

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
everybody in the notes like:
This is the single best video of a loon I've ever seen. Do you people realize how rare it is to see them that close? How rare it is to see them in that shallow of water? Incredible catch.
i think grace being the first and final tester for the biodome because he's the only human they have is a little funny. he mentions to rocky one time that the sea carries the wind and rocky's like hm. okay. will fix for grace :) and then the next morning he wakes up and steps outside and immediately gets blown away like a piece of napkin on a moving car with the windows rolled down because he forgot to mention how strong the wind should've been
HJFKWGHJGHJWFGW
OK well ill just keep putting jesse pinkman into my chemical romance until something else comes up
I'm not saying the author's perspective must be treated as paramount in media criticism, but sometimes the most reasonable analysis of a text on its face genuinely is "the author is universalising an experience which they possibly do not realise is not in fact universal".
Sometimes the answer to "why is everyone in this media So Fucking Weird in a way that doesn't seem to be connected to any of the work's broader themes and is never textually interrogated in any meaningful way?" is because the author genuinely thinks that's how people operate.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
you need to do a little dance in the kitchen. it is vitally important for your health that you do a little dance in the kitchen. you understand
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
This is an important concept, but the piece is written by AI.
There are a number of tells, but this is an excellent example to talk about em-dashes, which people often either take as permanent AI tells or run the other way and say "humans use em-dashes and that's why AI does, too! they're not tells!" Both are kind of right and both are kind of wrong.
What you'll see if you look closely at this text is that it ONLY uses em-dashes. Every time it needs to put in some kind of break or set off some text, it goes for the em-dash. There are no phrases in parentheses. There are commas, but only in places where the absolute rule is to use a comma (like in a series, for instance). There is one colon, again placed where the absolute rule is to use at (at the top of a list). Whenever there's an option, where a human writer would be actively making a choice about what punctuation to use, the AI defaults to an em-dash.
On top of that, look at the content. The AI bot people are obsessed with feminism, ironically. I suspect it's because very basic feminist narratives about women pushing back against barriers or doing something heroic are popular and gets shared widely. So, first of all, you should be on your guard when you see a "what this woman did CHANGED HISTORY!" kind of piece. (I wonder if the twitter/tumblr trend of BUCKLE UP history posts has affected the AI ...) And then you should check out the specific claims.
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
I can't find this anywhere else. The paper "The Matthew Matilda Effect in Science" doesn't talk about photos! The Wikipedia page doesn't talk about photos! This Smithsonian article doesn't talk about photos! Her piece on her career in Writing and Revising the Disciplines (2002) (good read) DOES mention photos, in that she got the Mount Holyoke archivist to send her a few from the 1880s showing women doing scientific work as a nice illustration that "epitomized" what she was already aware of.
Rossiter started with textual primary sources that documented women as named individuals contributing to scientific discoveries. The idea of her being confused by photos is a hallucination.
Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There's definitely something to be said about the framing of this bit as shocking!!! but since I'm talking about facts and sources, it's clear to me that the AI recognized the botany-Wellesley connection from the paper but could not parse that the reference was to a female botanist who taught at Wellesley. There is also nothing in the paper about Vermont geologists, so I have no idea where the AI got that; I would suspect it's another hallucination attempting to create a pattern from the first reference.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing. Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams. But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
Again, back to the mysterious photographs. But the rest of this text is an issue as well: what Rossiter describes in the paper is not a complete absence of these women in any official documentation, but that these women were amply documented and known to be working within the scientific community and yet did not receive public credit or awards. It's not a complete smothering out, but a sort of complacent back-burnering, which is too nuanced for the AI to be able to handle when told to "write a post about the Matilda effect that will get engagement on social media". She didn't prove that discoveries attributed to male authorship actually had women involved and only she knew their names: she collected many stories that people already knew of overlooked/underplayed female scientists and put them together to say, "This is a pattern and we should have a name for it." Some of her examples were even recent enough (1970s-80s) that she was able to point to a feminist backlash.
And again ironically, the AI itself engages in the Matilda Effect by presenting this whole thing as utter silence -> Rossiter gets curious -> the case is blown open. Rossiter actually refers to the work of other female historians and social scientists! In fact, she started this line of research after noticing the female biographies in American Men of Science when her housemate, Cynthia Thompson, recommended that she keep track of them.
Her research helped restore recognition to scientists who had been erased: Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick. Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize. Nettie Stevens, who discovered sex chromosomes—received little credit. Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed. And countless others whose names had nearly vanished.
Rossiter did not claim to be rediscovering these women. She refers to Franklin and Meitner as having been famously denied credit, in fact! Meitner specifically is "one of the best-known examples of the phenomenon". Stevens she uses as one in the list of examples in the paper, and Payne-Gaposchkin actually just gets a reference at the end that's doesn't even tell you the specific field of scientific study. (To be fair, there may be more about them in her other publications.) This was not about Badass Historian of Science Tells the Establishment What's What. Everybody knew about the concept of female scientists being publicly ignored as collaborators by 1993 — and women's history as a field had been around for 15-20 years. She was not working in a vacuum where nobody else thought that it was important to study these topics until she forced them to see the light.
Please, please, everyone, be on the lookout for bad feminist history written by AI. If you're not with me on the tells and hallucinations here, then at least be on the lookout for bad "feminist" history regardless of the source. If it sounds like it's sensationalizing, it probably is.