Ingram, John Henry, Flora Symbolica: The language and sentiment of flowers, (London: 1869).

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@jaeminjammin
Ingram, John Henry, Flora Symbolica: The language and sentiment of flowers, (London: 1869).

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you know even aside from the VERY warranted criticisms of Joanne and her despicable politics I think everyone's been really wondering what the fuck there is to do with this enormous HP series on HBO other than beat more money out of the dead horse. like, what is there to explore that hasn't been covered by the generally well-received and inarguably iconic movies? what fresh interpretation of the story justifies all that?
and I do not have to hand it to them, but I will say that I never in a million years could have guessed that one of their hot new character reimaginings was going to be taking the head of the blood purity house, the guy who torments his students beyond reason on a regular basis, the guy who has a specific hate-on for the protagonist because he wanted to fuck that kid's mom, the guy whose hair and nose are frequently remarked on to emphasize that he's a unpleasant and creepy-looking motherfucker—never would I ever have guessed that anyone would have come up "hey, what if that guy was Black?"
and they went through with it! deranged! and you can't even chalk it up to any notable effort to diversify the series or anything; I've checked! this cast is still white as shit! as far as I can tell this is the only Black person employed by the entire wizard school! whole rest of the staff, white as hell. couldn't even pretend they gave enough of a shit to cast any other Black actors or other actors of color. just made the biggest shithead there a Black guy and patted themselves on the backs. truly everything Joanne touches is so seething with bigotry it's unreal.
it's like JK looked at all the bigotry in her series to see if she'd missed anything and realized she'd forgotten a scary Black man 💀
this post has the dubious honor of spawning one of the most genuinely braindead replies I've seen in over a decade of voluntary confinement in this clown fiesta of a website, which is a person expressing doubts that the British even known about the Scary Black Man stereotype and then doubling down by suggesting that British people are only scared of the Romani (not the term they used) because you need to actually know about something to be scared of it, which seems to imply that they think the British might not have anti-Blackness. what is it like to live in the world knowing so little about anything at all.
any tips for developing discipline? ive been going through life on a lackadaisical hedonist build but ive got a bunch of mysterious problems that i may or may not be at fault for
Bothers me when the distinction between Witch and Wizard is drawn according to gender. The Witch/Wizard distinction is one of class. Wizards live in towers and have cursed artifacts. Witches live in shacks and have crooked teeth.
Both witches and wizards can be evil, of course. But when a witch is evil they turn you into a frog. When a wizard is evil they try to tear a hole in reality or raise an undead army. You don't see witches doing that shit because they're working class.
The witch is looked down upon because they are competition to the hierarchical work of wizardry; they present an alternative to state monopoly on magic.
Absolutely. Witches perform folk magic--you'd never catch a wizard getting overly preoccupied with practical magic like soothing ulcers or curing the flu, but witches are always brewing up stuff for those kinds of reasons.
Magic is like programming. When it's seen as practical and tedious, it's "women's work." When it's seen as academic and intellectual, you get a huge salary and an audience with the king.
"so why aren't there female wizards" because of sexism, duh. Women have been shut out of magical academia the same way they have been shut out of so many other kinds of academia.
Maleficent was absolutely an evil wizard. She has a castle. She has a staff. She shouts "FOOLS" in an especially wizardly way.
Mad Madam Mim was every bit as magical as Merlin, but she didn't have ambitions of--or access to--power. She's a witch.
The story of Cats is that in the 1930s, the famous poet T.S. Eliot wrote a book of cutesy little cat-themed poems for his godchildren
And then 40 years later, Andrew Lloyd Webber found a lost cat poem that T.S. Eliot had cut from the cat book for being too sad for children, and ALW was like “woahhh. A cat….that’s sad. That’s deep, man. I wanna make a musical out of this”
So the producer assigned to the project was like “okay, I guess you could maybe read these cat poems as a satire of 1930s British society? We could probably do something sort of interesting with that, I’m thinking a cast of about 5 and–”
And ALW was like “no. Forget the satire. Also I want a cast of dozens and the most advanced special effects technology ever seen on stage. I’ve taken out a second mortgage on my house to fund this”
And the producer was like “wh– you– wh– do you even have. a plot”
So ALW got a bunch of actors and writers and artists together and they holed up and did cocaine workshopped for 5 weeks, and at the end of it they emerged and said “the plot is that a bunch of cats are having a dance contest for the right to take a ufo to cat heaven :)”
and then it made 2 billion dollars.
You know how the best genre of rock song is “There’s a Wizard”? CATS is good because it’s two and a half hours straight of “There’s a Cat”, which shares a lot of the same musical DNA.
Though curiously, the “There’s a Cat who is a Wizard” song is actually the worst one in the whole play. It’s not great on its own, but it’s REALLY not done any favors by the song right before it, “There’s a Cat Who Has Done Every Crime Ever And Everyone Is At Least A Little Horny For Him.”

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One of my favorite parts of Hadestown is the way Hermes slips so seamlessly between participant and narrator. The fact that he knows from the beginning how the story is going to go, but still plays his part, surrounded by people who don’t know they’re characters in a tragedy. And he plays his part well. Every night, he tells Orpheus, “You want to talk to her? Go on," and every night, he asks, “Just how far would you go for her?” Every night, Orpheus asks him, “ It’s not a trick?” and he tells him, “No, it’s a test.” And every night, when the cycle starts again, when his voice is so broken with grief that he can barely get the words out to tell the audience - the audience that he and no one else has known was there the whole time - “Don’t ask why, brother, don’t ask how he could have come so close. The song was written long ago, and that is how it goes,” when Eurydice appears - fresh-faced and alive, with no memory of what has just happened - to ask, “anybody got a match?” he wordlessly extends his matchbook to her, and lets the story start anew. Someone’s got to tell the tale, whether or not it turns out well.
And still - AND STILL - every night, at the very beginning, he says, “Maybe it will turn out this time, on the road to hell, on the railroad line.”
I can't wait until the proshot comes out so I can tell everyone who's obsessed with tragedy and storytelling, "You HAVE to watch Hadestown," instead of, "You HAVE to listen to the Hadestown soundtrack with the lyrics pulled up in on tab and the wikipedia page pulled up in another."
But for real, if you're interested in tragedy or storytelling or theater or time loops or stories about the power of love or stories about the power of unions, I am BEGGING YOU to listen to the Hadestown soundtrack with the lyrics pulled up in one tab and the wikipedia page pulled up in another.
this girl was showing all the signs of being a secret mermaid so i pushed her into the pool and she turned into a forty foot long mosasaurus which is tbh way cooler
not really sure how to get her out though
for those of you asking why i pushed her into the pool in the first place: i work for a duplicitous small town aquarium and i'm trying to kidnap mermaids to jump through hoops and shit to entertain tourists and make money. fucking obviously. now that i know she's actually a mosasaurus though i Have fallen in pure-hearted love with her
an antihero. to me.

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*slides this across the table* you're going to want to read this
There are Experiences behind this sign
im having way too much fun putting fortnite anims on my new batman model
im having way too much fun putting fortnite anims on my new batman model
He is actually a deer
There is absolutely a platonic explanation for that
But I will also entertain the non platonic for my own edification do u understand

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when I was like 15 we went to Rome and my mum unwittingly piled us into one of those fake scam taxis that was basically a mob car with “definitely a 100% genuine taxi” taped to the window.
anyway I have no regrets bc he drove us around at like 1000 kmph blasting some italian classical music station through pimp my ride subwoofers, blew every traffic light, and at one point stopped in the middle of a ring road intersection to get out and cross 3 lanes of traffic and have a fist fight with what I can only assume was a rival fake taxi driver. he tried to overcharge us but my mum was like ‘no I looked up the journey prices before I got here’ and he was like lol fair enough have a nice trip and rocketed off into the night
this is why I will never support lyft or uber
(via @amandatheangrygirl)
seeing people be like "why did sinners get a vfx nomination" bro there were TWO michael b jordans on that screen!!
That's not on vfx michael b jordan can just do that
i believe the plural is actually michaels b jordan, it's like attorneys general
easy mistake to make: it IS like attorneys general, but actually, since "michael b" constitutes his full given name, it's michael bees jordan