Fixed my little round sunglasses. Cannibalized the arm from another favoured, but less-mendable pair. Filed it down until it fit. Screwed it in place. The copper wire is to prevent the arm from swinging out too far. Those are functional spirals.
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@iminamanu
Fixed my little round sunglasses. Cannibalized the arm from another favoured, but less-mendable pair. Filed it down until it fit. Screwed it in place. The copper wire is to prevent the arm from swinging out too far. Those are functional spirals.

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I was today years old when I learnt about what those symbols in Aboriginal art represented I honestly can't believe we never got taught that, even when I was studying art. I always assumed they had meaning but no one [no white person] had ever bothered to mention it. I'm glad I learnt something new today.
Yeah, I think a lot of people tend to look down on Aboriginal art because they think it's a form of abstract art that is just lines and shapes but almost all of them tell a story. Sometimes it's a very obvious story, such as the emu dreaming where the waterhole flooded, and sometimes it's more symbolic.
the circle in the middle is a waterhole/dam or billabong. The squiggly lines coming out of it are small rivers. the dots represent the earth but because they are in neat lines, it almost feels as if they have been flattened by the flooded water, especially as the vector lines draw out from the waterhole in the middle. the emu tracks are heading toward the waterhole, and the three lines in the middle are marks left by their tail, implying that they are wading through the mud to get there.
It's a birdseye view of a moment just after the waterhole floods and afterwards the emus go looking for food.
It's Interesting, because the original artist D. J. Ross was from Yuendumu which is in central australia, so this would have been a rare time that there was enough rain to flood the waterhole.
Dreaming stories, kinship links, sacred rites, keeping track of biodiversity and songlines are some other topics covered by Aboriginal art.
In the same way monet painted the middle class and the local landscape in the late 1800's/early 1900's Aboriginal people also paint the average lifestyle of our people. It just looks different.
For example, this picture shows a LOT of activity. The men at the top left of the picture are doing a cultural burn near and around a sacred site, the women at the bottom left are digging for food. across the river, on the right the people are preparing food and in the center, two people (presumably elders) are preparing for a ceremony.
I wouldn't say these all happened at the same time, more that this was a common undertaking over a set of time.
it takes time to understand and not all symbols are the same in all areas, but once you do understand them it becomes easier to see the story being told.
So yeah, I hope this gives you the chance to look at Aboriginal art with new eyes
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These paintings were created using bouquets I bought from women at the market and wildflowers I picked myself in the woods. Every single flower and painting was approved by my cat.
Every time, I tell myself I have enough flowers, but as soon as my gaze lingers on them, the urge to paint them pops into my mind.
One more
I won't publish the ask (they asked me not to), but I thought I'd still answer it publicly!
no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.
when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.
an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).
advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.
this isn't meant to discourage anyone from seeking out writing as a career! however, there is a reason that many authors have alternate jobs with writing on the side. or, you know, rich spouses.
this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!
buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....
if I can offer one alternative to pirating: asking your library to stock the book also helps authors, and doesn't cost anything. the only downside is the patience required.
OOPS yes, @stjohnstarling makes a good point! everything I'm saying is from the perspective of traditional publishing, but it's a very different game if you're a self-published author
I will also add that this is why pre-orders can make a HUGE difference to authors - because if there's enough hype, publishers can pull more levers to build that momentum and reach more readers to help authors earn out their advance faster.
Trad publishing contracts person here to co-sign everything in this post. If you want to support an author you really like but are broke as hell, then you can buy their book when it's discounted, buy it used, borrow it from a friend, or use the library. The first step as an author is to get your book read, not to get it bought. The important thing for you as a reader is to spread the word about how good the book is so the publisher knows the audience is there even if sales aren't spectacular. Piracy of books, especially books from small/indie publishers, means the publisher will print fewer copies of their next book, and sometimes if it's an ongoing series the next books in the series will be canceled, either to be replaced by a book with a different premise or they'll cancel the contract for the next books entirely. The "hack" where you buy the ebook or audiobook and then return it for a credit also takes money directly out of the author's pocket since those payment/royalty systems are set up differently than if you were to buy a book from a bookstore and return it. In that situation the bookstore absorbs that loss, but returning the ebook means the money gets clawed back from the author's advance or royalties and they'll have to earn that back.
Pre-orders and Amazon/Goodreads reviews are used as a gauge by publishers to predict how many copies they are likely to sell and therefore how many copies they want to print. They want to sell most of what they print rather than print too many and end up with a bunch of copies no one wants that they'll have to pay to store or sell at a huge discount or recycle, which is what happens to unsold books. Most publishers have a limited amount of money and manpower to dedicate to any particular book, so if there's a book building up a lot of buzz, that'll give them reason to put their resources towards promoting that book to get a better return on their investment. If the publisher can't make money off a book or author they'll dump them.
Generally, every aspect of the publishing and book industries, including writers, agents, publishing employees, librarians, and booksellers are overworked and underpaid. Unless you're Stephen King or already famous, you don't make money off of books. We do it for sheer love of the game.
Use your library! Publishers have a whole department dedicated to selling their books to libraries and the author gets part of those sales. Increasing circulation of library resources means the libraries can make a better case to get more money from the government to buy more books that you want to read and they're a place to hang out for free. Libraries are the best gift humanity gave itself, use yours as often as possible.
An anonymous reader quotes a report from TorrentFreak: Several independent publishers have had their books removed from Kindle Unlimited bec
Stop the unfair removal of titles on Amazon — Change the KDP Select Policy!
You are absolutely hurting indie writer by pirating books. This is not the same as pirating popular movies or tv shows. Don't pirate books.

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AI tool use is becoming mandatory for more and more roles at my company, unfortunately including mine, so I've spent the last week or so undergoing training courses and practice exercises for Claude Cowork, and here is my conclusion:
Congratulations, you made a computer that cannot successfully count to ten.
claudd Cowork perfec t size for put personal financial data inside for a\nalysis! inside very Safe and Convenient financ data consume put data in Claude Cowork. Put Personal Financial Data In Claude Cowork. no problems ever in clode cwork because Anthropic is Friend who will take sososo good care of your data trust <3 Cowwork yes a place for a data health data put financial data in cowok mouth can trust claud for giveing good work to data. friend cowork
so as someone who isn't required, how do they know you used ai to do work?
Each person's account is given 'credits' which are centrally tracked and if you aren't using any they ask why not.
Each human body contains a complex community of trillions of microorganisms that are important for your health while you're alive.
I'm working on clearing out some old tabs, and ran across this piece from last fall. The short version is that your gut microbiome and other microbes that accompany you in a series of symbiotic relationships throughout your lifetime persist even after you die. While you might assume that these bacteria and other little beings would perish along with you once you're no longer warm and living, it turns out that they shift gears upon your death, being part of the massive effort to return your remains en masse to the nutrient cycle.
There's honestly something rather poetic about that. Here you've spent a lifetime being the center of a holobiont--a sort of miniature, migratory ecosystem. And these many millions of life forms that you have given safe harbor to for thousands upon thousands of their generations are among the funerary vanguard caring for your remains after you're gone. They pour forth from their ancestral lands--the gut, the skin, and other discrete places--and spread out through even the most protected regions of your form.
And then, just as you constructed your body, molecule by molecule, from a lifetime of nutrients you consumed, so do these microbes go through the process of returning everything you borrowed back to the wider cycles of food and growth and life and death. The ancient halls where their ancestors lived in relative stability are now taken apart in the open air, and their descendants will disperse their inheritance into the soil and the water through the perpetual process of decomposition.
I've always wanted a green burial, and I find it comforting that when my remains are laid in the ground, they'll be accompanied by the tiny ecosystems I spent a lifetime tending, and who will return the favor by sending my molecules off in a billion new directions.
caught her in perfect deviantart oc ref sheet pose
exquisite news from costa rica: the government successfully reversed deforestation. after decades of work since 1987 - with 2021 being the year were first results already showed - the rainforest canopy is now doubled and restored. 💕
“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.

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Article. Article every time. Not gonna waste time arguing. 🙂
Article, hands down, no contest.
Also written instructions are way more accessible too! Not every video has captions, and written instructions allow you to read (and re-read) at your own pace.
Scrubbing a video back and forth to catch some important step in a video makes me want to scream!
Unless it's a video tutorial demonstrating a knitting or crochet stitch or a woodshop thing, yeah, just give me the article. If it's demonstrating a hands-on skill I also want to see what I should be looking at and what it should look like, and pictures help but aren't the moving thing. But only in that case.
As a "fuck the pivot to video" old, you can't copy and paste text from a fucking video to make a personal HOWTO, in addition to all the other salient criticisms noted above.
The combination of clear text descriptions paired with clear gifs used by exrx.net makes it an absolutely spectacular resource.
Wish the subtitiles´d kept the Denglish XD
[jazz hands] The Lad
Twenty-one tons of potatoes are up for grabs at Potato Palooza on Monday.
The nonprofit’s set to receive a donation of 21 tons of tubers this weekend from suppliers in the Midwest. Hoping to get the starchy vegetables to people in need, the nonprofit will host a “Potato Palooza” event on Monday in Park Hill. “Anyone is welcome to come. They can bring tote bags, wagons, you could back up your pickup truck if you wanted to,” Hissong said. The event is 9 a.m. to noon at the Park Hill Food Recovery Hub, 6090 East 39th Avenue, on July 27.
This is the dream
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People near Denver, Colorado.
Potato alert. Potato alert.
Free food. Unlimited free potatoes.
Potato alert.
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This concludes this broadcast of the emergency potato system.
☆ official avatar studios concept art ARTIST: Judy Jong

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d10
A few seconds. I looked down for just a few seconds and I ended up being treated to an experience that has permanently warped my sense of reality.
I was driving home after work, I’d had to stay late to help clean up and the sun was already on its way down when I finally got out the door. I’d had a podcast playing on my phone and for some reason it’d randomly paused, so I glanced down for just a moment to see why it’d stopped.
When I looked back up, I was faced with a pair of headlights flooding my vision and I couldn’t even hit the horn before I collided head on with the other car that had drifted out of its lane.
one of the things the atla universe writers can never do properly is write about the entire bender vs non bender situation lol. they consistently have plots where non-benders want recognition and justice because they feel like they're being mistreated by the benders, and the writers always make them out to be the villain. i still think in the original show they dealt with this topic fairly well, but the legend of korra and the movie is where it really just falls flat in the face. both the movie and tlok constantly sideline and neglect their non-bending characters, or just not have any (except the ONE token non-bender!), and then try to act like the in canon non-benders are stupid for saying they're being mistreated. like you are LITERALLY proving their point !!!!!!!! for example, the movie essentially making sokka entirely useless (except giving him a flying bicycle for one hype aura moment which inevitably leads nowhere), and then erasing almost ENTIRETY of it's other non-bending cast, just makes me think, hey maybe the denied have a point actually. i understand that it's a movie and they can't bring in every single side character, but was suki not a part of the main gang by the end of the show? was sokka not a leader, a strategist and eventually a politician? why couldn't we hear sokka's thoughts on the denied? i understand that the denied are violent and have disruptive ways of being seen and heard, but isn't their core principle right? are the non-benders not treated worse?
this isn't even a new point that was first mentioned in tlok. you see it in the original show. except they never spell it out for you. you see it in the way sokka feels about himself, you see it in the way toph initially treats sokka and assumes he's useless because he can't bend. the boiling rock episodes aren't just fun, but they're such good examples of sokka, suki and hakoda, (and mai and ty lee!!!!) who are all non-benders, doing most of the heavy lifting to get them out. sokka with his brain, suki with her fearlessness and dedication to her art, and hakoda with his strength. the atla universe always comes so close to addressing this issue with maturity and dignity and then just backtracks when it realises it can't give it too much time because it isn't as cool as bending. it just makes me angry.