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i love you foils i love you gothic doubles i love you clones i love you alter egos i love you twins and false identities and shadow selves and reflections and ghosts and eidola and puppets and masks and
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The concept that married people live longer is interesting. I'm sure there is some merit to the idea that if you're married there is someone there to nag you about going to the doctor, but I think much larger factors are having the finances of dual incomes and access to an immediate support person.
Surgeries require having a designated person to look after you. Many injuries require driving to somewhere like an emergency room which can be hard to do if you are the one injured. If you're home with the flu, it's hard to tell when it's bad enough to go to the hospital without another person checking on you. And if you pass out it requires another person to find you like that to get medical aid.
You can prop it up as the benefits of marriage, but I think there's a much deeper discussion to be had about how we've built society around marriage as an inevitable conclusion and neglected to build support systems that function outside of romantic pairings.
thinking about this further, people often cite this as a sort of See It's Better To Be Married and mostly accept it as a fact that being married is better for you overall and proceed to breakdown why marriage leads to longer lives. Instead I think we need to be looking at why the system is failing single people and what we could do to close that gap. What structural societal changes can we make to help single people rather than treat it as a Well Obviously foregone conclusion that everyone will eventually pair up.
It's not Why Are Married People Healthier? It's Why Aren't Single People as Healthy? And then actually examine the causes rather than hand waving it away with whichever stereotype of being single or half remembered memory of the last time you were single in your early 20s.
"Instead I think we need to be looking at why the system is failing single people and what we could do to close that gap."
I am single, and I live alone, and I WANT to live alone. This should not preclude me from getting whatever healthcare I need, when I need it, but it does.
[image description: a photo of Hailee Steinfeld and Michael B Jordan on the set of Sinners. they're both covered in blood, smiling at the camera, holding up peace signs. end id]
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i think there is something to be said about this wave of white women made media that is so surface level with an underlying racist and/or insensitive bias and that refuses to engage with criticism. i'm talking taylor swift's the life of a showgirl, emerald fennell's wuthering heights, colleen hoover, the acotar series and booktok in general, etc. whenever you dare to raise concerns about the superficiality or the questionable writing or the treatment of poc in those pieces you get shut down with a "it's not that deep" or "let women have fun". this weaponisation of misogyny to justify slop made for mass consumption, especially considering how wide spread it is becoming, scares me quite a bit. to quote princess weekes, "the girlypopification of anti-intellectualism" is truly concerning, and i do believe it is linked to the rise of far right movements worldwide. if you refuse to engage with what you are being presented with, and exclusively consume brain smoothing content "for fun" then yeah you do become more susceptible to propaganda. it is that deep.
Examples of a Brocken Spectre, a phenomenon where a personâs giant shadow appears magnified onto clouds miles away. The shadow from the sun behind the person creates a halo, giving it an angelic appearance. This mostly occurs on any misty mountainsides or cloud banks, and can even be seen from aeroplanes.
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hii! here's my other piece from the zine Sing It Like The Kids That Are Mean To You (created by @thrashbeatles and laid out by @birdloaf, get your physical copy here (when its in stock) and your digital copy here)
Pete Wentz is, in many ways, the driving force behind Fall Out Boy, and he is a biracial black man. It is no surprise, then, that blackness is ever-present within the bandâs art, through genre, through lyrics, through politics. Letâs talk about how race colours their work.
           To start, black genre influences are scattered throughout the bandâs discography. The album art of Take This to Your Grave is an homage to John Coltraneâs iconic album Blue Train. Infinity on High is filled to the brim with funk, soul and R&B influences on songs like Iâm Like a Lawyer with the Way Iâm Always Trying to Get You Off (Me & You) and This Ainât a Scene, Itâs an Arms Race. American Beauty/American Psycho was an experiment in emulating mixtape culture, filled with samples and electronic beats, and getting its own remix album, Make America Psycho Again. M A N  I   A drew its influence from dancehall and reggae, especially on Sunshine Riptide and HOLD ME TIGHT OR DONâT. They havenât been shy about incorporating black genres into their work, and in fact, it seems to be a staple for them.
           Additionally, Pete Wentzâs lyricism in and of itself is in fact heavily influenced by black art, and one could argue it is quintessentially the work of a black poet. In his lyrics are strategic plays on words, inversions and remixes of classic phrases, and an endless stream of cultural references, all akin to the wit and flow of a rapper. Think lines like âIâm a painter and Iâm drawing a blank,â or âYou take the full, full truth and you pour some out.â Indeed, in his words youâll even find braggadocio, a staple in hip hop, though his comes with a helping of self-deprecation, like in the line âSigning off, Iâm alright in bed but Iâm better with a pen/The kid was alright then it went to his head.â This is arguably a feature which endears so many people to his work, and it is the one which shows his blackness most evidently.
           Finally, while Fall Out Boy itself is not an overtly political act, the band has at times used their music to espouse black politics. In Youâre Crashing, But Youâre No Wave, the lyrics tell the story of Fred Hampton Jrâs conviction for aggravated arson following the 1992 LA riots protesting the acquittal of the police officers who murdered Rodney King. The song Novocaine also deals with black politics, being inspired by the murder of Trayvon Martin and primarily about the corruption of and threat posed by the police to black youth.
           The core idea behind Fall Out Boy is to make music âfor the kids who feel like they donât fit in anywhereâ. When that sentiment is espoused by a man who grew up as part of the only black family in his neighbourhood, it gains a whole new meaning. Fall Out Boy is, in a very real way, for niggas.
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