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shiv and roman don't sleep around with people in their social class of fellow billionaire nepo babies. kendall dated naomi who is basically his girlfailure version on paper. shiv with both nate and tom are men a social class below her who are strivers, and roman with tabitha (a fun time party girl who previously fucked around with both naomi and tom but ultimately isn't wife material in their circles, which is ironically why roman almost proposed) and gerri, a woman who worked her way into the highest levels of corporate but certainly not a billionaire or silver spoon.
shiv does flirt with billionaire mattson, same with roman and the fascist presidential hopeful but in both cases it's rooted from a place of wanting proximity to power than considering someone as a genuine romantic partner. if I had to guess why, I'd take a stab at that shiv would think she's better than others in her social class who are happy to coast on the family name while she works a real job in D.C., while roman is too full of self hate to stand someone in the same position in life.
anyways this train of thought was inspired by wondering which succession sibling would fuck hunter biden and its kendall roy whilst on crack
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hi everyone im a blonde bisexual looking to terrorize the local club population which should I go with
MEG STALTER: I also feel very jealous of whoever he works with next. And I said it's specific to us being a duo. So if I saw Paul with some funny fat girl, I would start to be sick to my stomach and I feel like I would start maybe not texting him back. Maybe I feel like I would be mad at him and I would feel like I would be upset with him and I would maybe start unliking some of the likes that I've given him online. PAUL W. DOWNS: If she's in another comedy duo, I am committing vehicular manslaughter. I am absolutely not even just saying…I am doing damage to the world. I'm upset. [x]
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aurghhhh i wish i had a 24 hour gym i need to run or punch something right this second. i’m just like him (#myshane) and also her (tiktok girl who does tae bo to prevent nightly panic attacks)
JENKINS: I feel like the first 80–85 minutes or so of the film is the telling of a story where the characters are advancing in age: eight, ten, twelve years of age at a time in each chapter. So we’re rapidly building this portrait. For example, the two longest shots in the film are when Chiron is in the parking lot outside the diner. He pulls up in his car, gets out, puts on his shirt, combs his hair, and then starts walking across the parking lot towards the door. Then there’s the shot of the door’s bell ringing that shifts to a gliding camera shot. It’s a very Hou Hsiao-Hsien–influenced shot that is a camera movement perpendicular to the action in one continuous moment. Then there’s that close-up when Chiron sees Kevin’s face for the first time and then we match it. From that point on the character has been built and now the character has to finally make a choice. He must decide who he is going to be as the film shifts into real time. I think the diner scene really resonates with people because you’ve grown so accustomed to the character advancing through time but now Chiron has to sit there opposite someone who’s actually allowing [him] the space. The world is always projecting this idea of who a black man is while there is always the performance of black masculinity. You see Chiron dealing with that over the course of the film. Then he walks into Kevin’s home, the diner, and Kevin dominates that space but in a very tender way, a very gentle way. So, you’re right. This is when the cycle of questions begins but they are never asked aggressively and there’s never really a single or direct answer to these questions.
one step ahead: a conversation with barry jenkins
via Aika Flores on Instagram

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