celestial chimes

broadly speaking, there are two different ways to organize labor. there are business unions, also referred to as trade unions, the more conservative mode of labor organizing that has been recuperated into capitalism. why it's deemed as a lesser threat is obvious once we consider its historical exclusion of women, people of color, and so-called "unskilled" workers, as well as its long collaboration with government and businesses at the expense of workers, especially the more radical ones. its ultimate prize is short term gains, such as higher pay, typically via the contract; long term transformative/revolutionary political projects are absent in its aims.

revolutionary unions, on the other hand, are explicitly hostile towards capitalism, with the end goal of instituting socialism always in mind. as one of their newspapers reminds us, "momentary phenomena must not blind us to our ultimate aim."

hard promises has some pretty clear cut references to the latter kind of unionism — mayer quotes and names eugene debs, who in 1905 established the industrial workers of the world (iww), a well known revolutionary union.

its hostility to all proponents of capitalism can be seen by its assessment that —

MAYER: The problem is, Jack, that the working class and the hiring class got nothing in common.

the kiss

The Hunger Games, Actual Teen style!

On the left, 15-year-old Josh Hutcherson.

On the right, 16-year-old Jennifer Lawrence.

-Haymitch Abernathy was 16 when he won the Hunger Games, and the Capitol attempted to force him into prostitution as they did with Finnick and many other popular victors. He refused, and in retaliation, they gradually killed off everyone he loved one by one—his friends from home, his family, his girlfriend. He began drinking heavily at a young age to deal with the trauma of the Games, the loss of everyone he’d ever cared about, and subsequently having to continually relive the trauma of the Games in mentoring roughly 50 children, two each year, whom he’d then have to send to their deaths in the Arena. 

-The Capitol also attempted to force Joanna Mason into prostitution. She, too, refused, and like with Haymitch, the Capitol retaliated by killing off everyone she loved one by one. She alludes to this in both the book and the movie version of Catching Fire, not flinching when she enters the Jabberjay area of the arena because there’s “no one left” that she loves. The movies don’t really explore this, though, while the books do more exploration both with everything the Capitol has taken from her and the lingering effects of her PTSD from her imprisonment by the Capitol. 

-The only reason Peeta and Katniss weren’t forced into prostitution was because the Capitol was too invested in the “Star-Crossed Lovers from District 12″ narrative. 

-Also, Katniss spent the latter half of her first Hunger Games deaf in one ear and had to have her middle and inner ear reconstructed after the Games—the explosion at the Cornucopia permanently fucked up her hearing in that ear. She’s able to hear again after the surgeries but never quite the same. 

-And Peeta had a prosthetic leg! He was severely injured while fleeing the “Mutts” at the end of the Games and was bleeding out from his leg by the time he and Katniss reached the Cornucopia. Katniss gave him a tourniquet using one of her last two arrows to tighten it. Doing so saved his life, but by the time the Capitol doctors took them out of the arena, the leg was beyond saving and had to be amputated. Katniss finds this out in their “post-Games” interview with Cesar Flickerman. 

-Just generally the movies glossed over or completely cut a lot of characters whose experiences in the games left them physically disabled (Katniss’s partial deafness and Peeta’s lost leg being cut entirely, Beetee’s spinal damage from the forcefield leaving him wheelchair-bound being largely kinda glossed over) or with PTSD (Katniss and Peeta’s PTSD isn’t really explored that much, Joanna’s PTSD is pretty much skipped over entirely, Annie’s barely in the movies at all, Haymitch’s entire backstory is cut, the fact that Finnick is basically just constantly putting on a show and barely holding it together under the surface isn’t ever really explored, pretty much all of the addiction subplots including Haymitch attempting to quit drinking and Katniss starting to drink at one point and everything related to morphling are cut…). 

-Basically as “rough” as the movies are they sanitized the FUCK out of the Hunger Games and the world surrounding them, and that’s…not a good thing.

The only reason Katniss and Peeta were saved from prostitution was timing. After their own Games, the rumblings of rebellion had really started to gain traction. All victors have to do a celebratory circuit of all the Districts, but Peeta and Katniss’s celebration circuit was being used by Snow as a “everything’s fine, please don’t rebel, we’re just a pair of teenagers in live” prop tool for Snow to try and supress the rebellion. Peeta and Katniss were much more useful to him as teens in love than they were as prostitutes. Then we went straight from there to the 75th Games, in which Peeta and Katniss were fighters. Between being used to quell a revolution and having the Quarter Quell go the way it did, there was no time for Snow to loan them out to people. But had the timing been different – had there been no rebellion or had Peeta and Katniss not been central to it or had it all been delayed long enough for the post-games celebrations to die out, then yeah, they would have been sold to the highest bidder just like Finnick was.

Cinna puts Katniss in a dress that is consciously designed to make her look much younger than she actually is, so as to play up the ‘teens in love’ angle they’re trying to sell the Capitol.

But the dress also has padding, so as to make her breasts and hips seem larger than they are, since she’s been literally on the verge of starvation for weeks, and wasn’t eating that much before that, and as a result she isn’t that curvy. Katniss is shocked by this, but Cinna explains that the dress was actually a compromise, because the original Capitol plan had been to give her plastic surgery.

Katniss then realises that none of the male tributes grew facial hair in the arena, even though several of them were old enough (note: she doesn’t say that all of them were old enough. Though Rue was the youngest, this suggests that there were other tributes who were young teenagers) and that something must have been done to them to prevent that from happening.

Also, it’s worth considering that Katniss and Peeta probably looked even younger than your typical sixteen year olds.

Katniss makes a big deal about how much they both get to eat at home, but if you read between the lines, Peeta lives off stale bread from the bakery and the odd bit of meat, and Katniss is essentially living the hunter gatherer lifestyle, supplemented by what they can buy from the baker and what they can get from Prim’s goat.

They’re much more well-nourished than the bulk of District Twelve, but Katniss can still easily spot the Career Tributes, because they’re the ones who have always had enough to eat. She’s one of the older (and therefore almost certainly heavier) tributes, but she still gets to hide in trees to get away from the Careers, because she’s significantly lighter than all of them.

Malnutrition tends to push back puberty. Katniss would probably be less well-developed than a modern teenager of the same age.

Notably, we don’t hear about her getting her period— or even wondering about that like she does with the facial hair— in the arena. Which, yeah, could be because of our culture’s habit of viewing menstruation as less kid-friendly than graphic child murder and mentions of prostitution, but it’s worth considering that in real life she might well have not started it yet.

While wearing the final interview dress, even with the padding to give her bigger breasts and wider hips, she says she looks about “fourteen at most”, which even accounting for Cinna’s borderline magical design skills, suggests that she probably tends to look like a younger teen even without it.

I used to work for a call center and I was doing a political survey and I called this number that was randomly generated for me and the way our system worked was voice-activated so when the other person said hello you’d get connected to them, so I just launch right into my “Harvard University and NPR blah blah blah” thing and then there’s this long pause and I think the person’s hung up even though I didn’t hear a click

And then I hear “you shouldn’t be able to call this number.”

So I apologize and go into the preset spiel about because we aren’t selling anything, etc. etc. and the answer I get is

“No, I know that. What I mean is that it should be impossible for you to call this number, and I need to know how you got it.”

I explain that it’s randomly generated and I’m very sorry for bothering him, and go to hang up. And before I can click terminate, I hear:

“Ma’am, this is a matter of national security.”

I accidentally called the director of the FBI.

There was no MS Dos involved. Instead, there was a proprietary type-based OS and an actually-uses-transistors refrigerator-sized computer with switches I had to trip at certain times during the night as I watched the data flow from six pm to six AM on Fridays and weekends. If things got stuck, I reset the server. 

The company handled everything from low-end data (hotel and car reservations) to flight plans and tower information. I was weighed every time I came in to make sure it was me. Areas of the building had retina scanners on doors. 

During training. they took us through all the procedures. Including the procedures for the red phone. There was, literally, a red phone on the shelf above my desk. “This is a holdover from the cold war.” They said. “It isn’t going to come up, but here’s the deal. In case of nuclear war or other nation-wide disaster, the phone will ring. Pick up the phone, state your name and station, and await instructions. Do whatever you are told.”

So my third night there, it’s around 2am and there’s a ringing sound. 

I look up, slowly. The Red phone is ringing.

So I reach out, I pick up the phone. I give my name and station number. And I hear every station head in the building do the exact same. One after another, voices giving names and numbers. Then silence for the space of two breaths. Silence broken by…

“Uh… Is Shantavia there?”

It turns out that every toll free, 1-900 or priority number has a corresponding local number that it routs to at its actual destination. Some poor teenage girl was trying to dial a friend of hers, mixed up the numbers, and got the atomic attack alert line for a major air-travel corporation’s command center in the mid-west United States.

There’s another pause, and the guys over in the main data room are cracking up. The overnight site head is saying “I think you have the wrong number, ma’am.” and I’m standing there having faced the specter of nuclear annihilation before I was old enough to legally drink.

Seriously, this is legit.

In December 1955, Sears decided to run a Santa hotline.  Here’s the ad they posted.

Only problem is, they misprinted the number.  And the number they printed?  It went straight through to fucking NORAD.  This was in the middle of the Cold War, when early warning radar was the only thing keeping nuclear annihilation at bay.  NORAD was the front line.

And it wasn’t just any number at NORAD.  Oh no no no.

Terri remembers her dad had two phones on his desk, including a red one. “Only a four-star general at the Pentagon and my dad had the number,” she says.

“This was the ‘50s, this was the Cold War, and he would have been the first one to know if there was an attack on the United States,” Rick says.

The red phone rang one day in December 1955, and Shoup answered it, Pam says. “And then there was a small voice that just asked, ‘Is this Santa Claus?’ ”

His children remember Shoup as straight-laced and disciplined, and he was annoyed and upset by the call and thought it was a joke — but then, Terri says, the little voice started crying.

“And Dad realized that it wasn’t a joke,” her sister says. “So he talked to him, ho-ho-ho’d and asked if he had been a good boy and, ‘May I talk to your mother?’ And the mother got on and said, ‘You haven’t seen the paper yet? There’s a phone number to call Santa. It’s in the Sears ad.’ Dad looked it up, and there it was, his red phone number. And they had children calling one after another, so he put a couple of airmen on the phones to act like Santa Claus.”

“It got to be a big joke at the command center. You know, ‘The old man’s really flipped his lid this time. We’re answering Santa calls,’ ” Terri says.

And then, it got better.

“The airmen had this big glass board with the United States on it and Canada, and when airplanes would come in they would track them,” Pam says.

“And Christmas Eve of 1955, when Dad walked in, there was a drawing of a sleigh with eight reindeer coming over the North Pole,” Rick says.

“Dad said, ‘What is that?’ They say, ‘Colonel, we’re sorry. We were just making a joke. Do you want us to take that down?’ Dad looked at it for a while, and next thing you know, Dad had called the radio station and had said, ‘This is the commander at the Combat Alert Center, and we have an unidentified flying object. Why, it looks like a sleigh.’ Well, the radio stations would call him like every hour and say, ‘Where’s Santa now?’ ” Terri says.

For real.

“And later in life he got letters from all over the world, people saying, ‘Thank you, Colonel,’ for having, you know, this sense of humor. And in his 90s, he would carry those letters around with him in a briefcase that had a lock on it like it was top-secret information,” she says. “You know, he was an important guy, but this is the thing he’s known for.”

“Yeah,” Rick [his son] says, “it’s probably the thing he was proudest of, too.”

So yeah.  I think that might be the best wrong number of all time.

✨ ffxiv job stones - healers ✨

Then they try to back-track and say things like “Well you already speak perfect English so it’s fine” and I’m like “My grandma didn’t speak very good English when my grandparents settled in the UK from Finland, what are you trying to say?” 

And they’re like “Well I’m sure you’re grandparents had useful jobs and weren’t just sponging off the system.” like… nah, my grandma mended clothes and my grandad sold garden sheds, they weren’t exactly brain surgeons 

“But they…” just admit it, it’s not white immigrants that bother you, I doubt Americans go on marches protesting the Canadian undergrad students who overstay their visas or all the germans and scandinavians who just rocked up in the Midwest one day and decided to call it their own.

The debt collective has issued it’s first warning on a bill on my name and I have no way of paying for it whatsoever. Due to the severity of the state of my mental illness, I’m currently waiting for a doctors appointment so I can apply for other methods as a source of income, but it could take weeks if not months. I do have some help from my family regarding a place to live, for now at least, as I wait things out, but I’m unable to pay my debs (that are very much growing), as well as standard stuff like my cellphone bill, medication, medical bills. not only that, but we have very little money for food this month, and the upcoming months, and I wish I could do more, but I can barely walk out of my apartment without getting severe anxiety, feeling as though I might faint at anytime.

I would truly appreciate anything, and to please take care of yourselves first and foremost before consider helping me.

goal: 0/500$

I am not a lawyer, but I can decently interpret legalese and, being as I also suffer from tl;dr syndrome and assume others may as well, I took one for the team and went through the updated TOS for the post+ accounts and highlighted (what I understand to be) the most pertinent information, which ultimately comes down to this:

You cannot monetize copyrighted works (aka charge and earn money from fanfic, fanworks, etc) and if you do decide to put your fanworks behind a paywall via Tumblr, when you are inevitably sued, Tumblr will not protect you and will not defend you and you alone, personally, will be responsible for whatever monetary damages said lawsuit results in.

If anyone is a lawyer and knows I've gotten any of this wrong, please do not hesitate to correct me/this post.

Screenshots taken from Tumblr's TOS (updated 7-21-21), Stripe's Account Agreement, and the post+ FAQs.

1. Your paid account will not be hosted by tumblr; it is routed through a 3rd party.

2. By signing up for a paid account, you're entering into an agreement with Stripe, so in addition to Tumblr's TOS, you are also bound to Stripe's TOS.

3. Stripe, like Tumblr, will not defend you or protect you against any lawsuits.

4. Furthermore, you may end up owing Stripe money (indemnify = compensate)

5. Tumblr's TOS specifically states that you can't put any content on your post+ account that violates any laws, including laws that protect intellectual property rights of others. This is super important, because Tumblr's post+ FAQ also states that you can post anything that you would regularly post on tumblr, which I'm sure many will take to mean that gifsets, fanworks, etc are fair game, since all of that stuff can be posted on tumblr now. However, the difference is, you're not making money from the fanworks you're posting or reblogging now. Once money enters the equation, the game changes.

Tumblr is making it seem like any and all content goes for post+ accounts, knowing 90% of this site is fanworks. This is not true and you'll be opening yourself up for lawsuits if you charge for fanworks.

6. Tumblr further disclaims any and all liability in any legal issues.

We do, however, want to address the main concerns we are hearing:

Fanfiction & Copyright Infringement

Basically, the process works the same as it always has. And yes, the following information is coming to you straight from a lawyer:

We fully support Creators sharing their fanfiction and fanart on Tumblr. We encourage sharing creative work of all kinds on the platform.

Fanfiction and fanart are frequently considered fair use and we support our Creators’ fair use rights. Monetizing fan work does not necessarily mean that it isn’t fair use.

Any content posted on Tumblr, both free and monetized, should follow our Terms of Service and Community Guidelines, which prohibits infringing the intellectual property rights of others. Whether a piece of fanfiction meets the requirements for fair use varies depending on the work. Intellectual property rights holders are in the best position to decide if they think a fanfiction or fan art violates their rights. If they do, they can use the normal Tumblr DMCA process to identify content for removal. Creators can also take advantage of the normal counter-notification process if they believe the content was misidentified as infringing.

Once again, I am not a lawyer, but here's my interpretation (again, anyone who is a lawyer please correct me if I'm wrong) of the above post (because I think it's deliberately misleading):

Basically, the process works the same as it always has. And yes, the following information is coming to you straight from a lawyer: We fully support Creators sharing their fanfiction and fanart on Tumblr. We encourage sharing creative work of all kinds on the platform.

Emphasis mine. This is worded very specifically; Tumblr is not supporting or encouraging you to sell your fanworks. They are not encouraging you to charge for your fanworks. Share =/= sell.

We encourage you to share your fanworks

means

we encourage and support posts and reblogs containing copyrighted works, but we're not telling you to SELL ANYTHING, so if you do, then the consequences are your problem.

Fanfiction and fanart are frequently considered fair use and we support our Creators’ fair use rights. Monetizing fan work does not necessarily mean that it isn’t fair use.

I think this is irresponsible wording bc it makes it seem like you have the right to charge for copyrighted works if you claim that your work falls under fair use - but how many of us actually know what fair use means? And if you don't know what it means, how can you use it as a defense by claiming your work falls under it? I'll be honest, I don't really know what all "fair use" entails but when I looked it up I found a pretty straightforward and thorough explanation that cleared things up for me.

From this article on fair use, published by Stanford Libraries:

In its most general sense, a fair use is any copying of copyrighted material done for a limited and “transformative” purpose, such as to comment upon, criticize, or parody a copyrighted work. Such uses can be done without permission from the copyright owner. In other words, fair use is a defense against a claim of copyright infringement. If your use qualifies as a fair use, then it would not be considered an infringement.

So what is a “transformative” use? If this definition seems ambiguous or vague, be aware that millions of dollars in legal fees have been spent attempting to define what qualifies as a fair use. There are no hard-and-fast rules, only general guidelines and varied court decisions, because the judges and lawmakers who created the fair use exception did not want to limit its definition. Like free speech, they wanted it to have an expansive meaning that could be open to interpretation.

Most fair use analysis falls into two categories: (1) commentary and criticism, or (2) parody.

Emphasis mine.

Translation: You can share your fanworks (we're not telling you to sell them) and if you get in trouble, you can claim "fair use," and if that defense doesn't work because fair use isn't applicable, we will not protect you from whatever legal ramifications you face.

Whether a piece of fanfiction meets the requirements for fair use varies depending on the work. Intellectual property rights holders are in the best position to decide if they think a fanfiction or fan art violates their rights.

I'm just going to say Anne Rice and leave it at that.

Okay, I'll say more than that. Many authors, creators, etc won't hesitate to, at the very least send you a cease and desist and, at the worst, file a lawsuit against you. This is why it's so important that AO3 is non-profit and you can't link to or mention your ko-fi, patreon, etc - because many ip rights holders do not consider fanworks to be fair use and will go after authors (or artists, etc), so AO3's legal defense rests on "nobody is making money or profiting from this."

What Tumblr is doing is removing itself from any responsibility here by saying, okay, even if what you post isn't considered fair use, it's fine unless the person who owns that intellectual property decides to come after you, in which case, again, we are not going to protect you.

Tumblr went out of its way to say their statement on copyrights came directly from a lawyer. All this means to me is that Tumblr got their lawyer(s) to word their side in a way that protects them from any legal liability while still encouraging you to profit off of copyrighted works, and they're trying to make it seem like a lawyer has said this is fine, but that is very much not the case.

everyone knows what this is

ey you lil shits

lets just talk about this here cookie recipe

this shit

is 

the

BOMB

HOLY SHIT

I JUST FINISHED THIS AND WOW IT TASTES AMAZING

YES

WONDERFUL

Use one spoon white sugar, and one spoon brown if you have it.

After microwave, before noms, add vanilla ice cream.