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A Group Which Almost Became Historic 

It's been over a decade since I first read Les Mis, and first drew this, (which still floats around in reblogs, the original post now being deleted with my old blog) and I thought I ought to finish this for Barricade Day. At the time, that illustration was the most ambitious I had ever drawn.

In the last ten years, Les Mis has perhaps felt more pertinent than ever. In Australia, where I live, bigoted, far-right political parties that were previously considered fringe are leading polls on the back of racist, anti-immigration rhetoric. I donate regularly to a charity that supports refugees that is local to me, the Asylum Seeker Resource Center, and am going to do so again today. I encourage you to do the same, either to the ASRC, or to an equivalent charity in your area.

Think, or pray

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A redraw of last year's "think or pray" piece! Textless and lineart versions below:

This one hurt, her work had such a profound effect on my life, thoughts, and politics.

May her memory be a blessing

TRAVELLIN' ON THE DEMETER

THINK HE CAN'T GET YA?

DRACULA

SOMEWHERE IN CAPARTHIA

HE'LL HURL A WOLF RIGHT AT YOUR BEDROOM

BLEH BLEH DRACULA

MENACING THAT JOHN HARKER

It includes:

A digital copy of the movie (with subtitles in 30+ languages via download)

My transcript of the movie (more on that here)

Audio recordings of the movie

A PDF of the book

An EPUB of the book (for e-readers)

The full audiobook

A copy of Andy Weir's doc on Eridians

A copy of Andy Weir's spreadsheet on Astrophage physics (among many other things!)

A draft of the screenplay for the film from 2022

An audio recording of the director's commentary

My transcript of the director's commentary

There is also a UHD copy (that's too big to fit in the drive) here!:

Please note that because of the way that google drive works, some of the subtitles only work if you download the file yourself.

The audiobook, audio recordings, and commentary all have their properties programmed so they (should) work just like songs with a track number, album cover, artist, and so on if you download them.

There are two audios of the movie, one is the entire film untouched and one is that same audio cut up and broken down into separate scenes for convenience.

Additionally, there are two versions of the movie transcript, one with time stamps that match the audio recording and one without. The time stamps (+ their titles from the audio) are outlined in that version, so if you double-click on that tab or click "show outline," they'll all show up and you can pick a specific scene.

Similiarly, there are two different versions of the director's commentary transcript. The first is made to listen along to the commentary, while the second is more intended to be read on its own. The first is a direct transcription of everything that's said (an attempt, at least), while the second is slightly cleaned up for easier reading, meaning things like jumbled sentences and stuttering were removed or reorganised, but nothing has been actually paraphrased. Both are broken down into different scenes based on how their conversation goes, and the listening version includes timestamps. 

The first few seconds of the commentary are missing unfortunately as my US friend who was kind enough to record it for me had some technical difficulties at the start, but the she paraphrased the part that was missed. The commentary starts at that first red shot of Ryland Grace's face in the coma suit 32 seconds into the digital copy.

There's also a google doc with some instructions to follow if any of the files aren't working, which usually happens when too many people try to access or download something at the same time.