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I know it’s the one thing that is too much for most people, even in the incest rape and murder fandom, but I need to talk about it since no one else is. The scene where Ruben says “he could have just as easily said ‘masturbate’” is actually so fucking important to me. It is a very young child he is talking about - evident in the mere fact that the statement is itself about the child being young enough that he doesn’t know how cognizant the child will be from moment to moment. A child that young is not encountering the word “masturbate” on their own. The scene is brilliant because it can be taken as a joke if you don’t want to engage with it deeply. But I do want to engage with it deeply. I don’t think I am reading too much into it to say that Ruben likely taught some of the children the word “masturbate.” Children that age might masturbate on their own, but they are not going to know the word unless someone tells them. Most adults refuse to give children any sexual knowledge. “Safe” adults won’t because they think that they would be a pedophile if they gave a child basic knowledge about their own body and behavior. An adult that is grooming a child won’t because they don’t want the child to know that sex is sex. Ruben is a person who does not fit into these boxes because of his own childhood sexual experiences. It makes perfect sense that Ruben, as someone who came while being raped as a child, would know that children are capable of experiencing sexual gratification and desire and would find it important to give children words for their own experiences. We don’t know the context of Ruben explaining this - whether a child was masturbating because it felt good or because they had been abused - but given what we know about Ruben’s own history of sexual abuse and his relationship to it, I think it is fair to infer that giving children words so they can feel less like there is something wrong with them is important to Ruben. Ruben says it as a joke to Niall. The audience lets it slide by because they don’t want to think about it. But it’s there. And it is so fucking important to me that it’s there.
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There’s a brusque pragmatism among working class women from certain uk communities/demographics that is exceptionally well represented in the writing of Lori Kennedy. I see her and I think of my mother and aunties and their familiar refrain when asked why they’re not more upset about something. ‘that won’t buy the children a coat’. The family female motto. What use is crying if it won’t alleviate the work that still needs doing. Every woman in my family does the same thing when she’s boiling over with rage. She cleans, silently. Being emotional is a distinctly male luxury, one often witnessed and endured. not something afforded to the women, who had to make sure the children were washed and clothed and the meals were cooked and the house was managed. I think of my cousin, overwhelmed and 25 at the time, crying in her mother’s living room because of work stress. My auntie’s sharp voice cutting through, ‘I’ll not be having you crying in my house on a Sunday evening. If there is a problem, then do something about it.’ I think of my grandmother’s intolerance for any hint of indecisiveness, no matter whether it was about major life choices or what biscuit to choose from the tin. ‘Shit or get off the pot, girl.’ I think of sitting, heartbroken and wounded by a man prone to dark moods, as my grandmother said ‘when it comes to men, you either keep a core of steel deep inside yourself that they can never touch, or you don’t bother with them.’ There’s a stoicism among the women where I come from that is borne of generations of poverty and misogyny and exhaustion and suffering. We learn young that being crippled by emotional distress is an indulgence. Losing your shit is for fellas, with their rages and tantrums and their weeping over footie. The women have to get on with it.
Obviously there has been a lot of discussion about Niall stopping Ruben when he's talking about how he would cum when he father abused him and how those moments were the closest he ever felt to someone. And it's pretty clear that Niall is thinking about Ruben's violence against him and how Ruben is the person he feels the closest to. And how he was never able to acknowledge that to himself let alone anyone else. But what I don't really see being discussed and what I feel is pretty crucial is the fact that Ruben was describing abuse. He was describing abuse from his father and how that was the closest he ever felt to anyone. And Ruben was never able to tell anyone other than Niall about it. And it came after Niall revealed his feelings towards men to Ruben. And Ruben's abuse towards Niall is very pointedly never mentioned by anyone.
Niall himself doesn't even bring it up when pointing out how Ruben referred to him with homophobic insults. He only mentions the words Ruben said. And Ruben wouldn't accept the role he played in Niall's struggles. But then he starts talking about his abuse at his father's hands and Niall is able to handle it at first. He is able to give Ruben comfort and listen. He even calls Ruben his hero. It's not until Ruben starts talking about the closeness he felt that Niall shuts down. And I think entangled with the complicated feelings that Niall has for Ruben (the fear, the love, the desire, the anger) is also the repressed acknowledgement that the things Ruben did to him weren't just brotherly horseplay or banter. It wasn't just sexual either. If the feelings that Ruben was confessing to having were in the context of what both Ruben and Niall recognize as abuse at his father's hands, then Niall would have to acknowledge that what Ruben did to him was also abuse. And what does that say about his feelings towards Ruben even beyond the shame of sexuality? Beyond his repressed feelings towards Ruben in general? So of course it was too much for Niall. And he continued to repress those feelings right up until the very end to the point of his own destruction.
the setting of half man is under discussed imo. im no expert in glasgow gothic but the show's scottish identity strikes me as important. glaswegians are some of the most ridiculed people in the english speaking world and particularly in the 80s/90s it was infamous for it's high rates in poverty and violence. that there's a prestige show airing on the bbc, showing the community in earnest, (that isn't a sitcom or a police procedural) is pretty notable by itself. coming from a similar background, i know that there are certain types of normalized crime that celebrate machismo, and so a lot of ruben's expression is informed and encouraged by the culture around him. as is niall's, it's really compelling to me that niall can't seem to conceptualise a life where he is openly gay and scottish, that his freedom hinges on emigration. and yes a big part of him wanting to move to oxford is to move away from his immediate circle of perception, but like i don't think it's a coincidence that the only openly gay man as of episode 3 is a brown immigrant. the gentrification involved in a shift from glasgow to oxford is a pretty sensitive area, that you can't have a scottish success story without settling down in england first. gay iconography, at least in early 90s britain, being associated with this kind of posh lifestyle that doesn't coincide with those in the estates, excludes glaswegians from a relatable queer identity. his ma's gay and his girlfriend's woke so there is literal proof under his roof that this is a life that's possible, but that the jury would like a thug more than a fag is a reflection of how homosexuality is viewed as an outsiders sport. i expect that when we see niall and ruben in contemporary scotland, there will be a reflection of how that mentality has drastically changed over the years and how queerness is recognisable across classes and counties. i don't know if this is something they'll ever tie together/make explicit in the text. but it's there. to me.
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I went back home before I came here. I found my dressing gown on the floor in my office. It smelled of someone else. I couldn't place it. - Ruben Pallister, Half Man
this show was so insane every other episode they would be like sam winchester is like a house that burned down he’s not even alive he’s falling apart i’ve invaded your brain and i can’t believe you live like this you’re a mess you can handle an unholy amount of torture because you’ve been tortured so much already your soul is like a crumpled old receipt at the bottom of god’s purse
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