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“I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete, ne'er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually–the system of coding, the way villainy and queerness become a kind of shorthand for each other–I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.”
—
“Dream House as Queer Villainy” from In The Dream House by Carmen Maria Machado
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whenever i see someone lambast a piece of media for portraying a character getting away with bad behavior instead of getting narratively punished, i have to laugh because that’s literally the hays code. it’s not hays-code-esque or hays-code-coded, it’s just straight up the hays code.
S13 lucifer mesmerizing bc he's so unrelentingly lame gross annoying & uncool. charisma suck. I just can't imagine anyone enjoying his presence on any level. he's like human 4chan. & I like this👍 I just like his smallness. exhausting faucet of Marvel movie quips and sleazy faux-affability and itchy compulsive irony. he is such a known entity. I like the whiplash of Ultimate Monstrous Deceiver -> loser edgelord 'failson' with the caveat that his loserdom doesn't blunt the terror of his victims. banality of evil. sometimes your rapist, Satan who tortured you for a hundred years is pathetic and boring and derivative but that doesn't make you any less raped and how the fuck are you supposed to deal with that? when the monster who ate your life is a gimmicky comic book villain who won't get off the stage?
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2. The Delectable Negro: Human Consumption and Homoeroticism Within US Slave Culture by Vincent Woodard
3. "Abolitionists turned the tables on Europeans by accusing them of being cannibals when they ate sugar tainted with the flesh and blood of slaves."
4. Zombies (which I would class as cannibals, since they were human and need to eat humans to live) have a root in Haitian folklore and represented enslavement.
adding that, if you can find it, cannibal culture by deborah root is about exactly this. the way the white western world is a hungry, destructive force that cannibalizes non-white cultures and creates wealth and status through the cannibal colonization of those cultures.
here's the intro
i almost think there's an essay in bell hooks' black looks about this too? yes! just checked, there's an essay called "eating the other"
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We learn that the closest Ruben has ever felt to someone was through sexual violence, which he then goes on to enact on Niall their whole lives. He sought intimacy with him the only way he knew how, awakening Niall's sexuality perhaps in a similar way his own was. Irrevocably linking the two things. Conflicting attraction and revulsion. But there is love there under it all. At the heart of this relentless conflict, lies a love story.