Hajime Kato - Untitled, 1968, oil on canvas, 39 â x 39 â in

⣠Chile in a Photography âŁ
occasionally subtle

Kiana Khansmith
NASA
Alisa U Zemlji Chuda
Not today Justin
i don't do bad sauce passes
almost home
Cosmic Funnies
Xuebing Du
Misplaced Lens Cap

izzy's playlists!
noise dept.
I'd rather be in outer space đ¸

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Product Placement
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Three Goblin Art
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@gothicsynthetic
Hajime Kato - Untitled, 1968, oil on canvas, 39 â x 39 â in

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Svetlana Lunkina and Naoya Ebe in Katlyn Addison's Distorted Familiarity. Photo by Bruce Zinger, taken from Ms. Lunkina's Instagram page.
Jean-Michel Basquiat
Maia Makhateli and Andrea Sarri in the Act II pas de deux from Swan Lake (the "White Swan pas de deux") at the Gala Novara Dance Experience, on June 5th, 2026. Photos by Monica Bragagnoli, taken with her permission from her Instagram.

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If you EVER think Anthony Head is anything less than an angel then youâd best remember that I have always been a huge fan of his and weâve always had a little contact over the years and he heard Iâd come out as Trans and was having a hard time and that I was kind of sad that the photos I had from conventions with him were of me with long hair and no binder and they were all signed to âSarahâ and so he invited me to spend the day with him at his farm and he picked me up from the station and we just hung out and had lunch and he insisted on paying and took loads of photos and had them printed on photo paper the same day so he could sign them to Jay, along with other photos of him as Giles and Uther and he literally spent five hours chatting with me and got all of the pronoun stuff right every time and then he dropped me off at the station, gave me a final massive hug, waved me through the ticket barrier and insisted I message him when I got home so he knew I got back safe. (More HERE)
Anthony Head in Persuasion (2007)
Goodnight, sweet prince
"Amen" (1968) by Alexander "Skunder" Boghossian, 1937-2003, born Ethiopia
Martha Argerich Renaud Capuçon Cesar Franck Sonata
đâ¤ď¸đš

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Kenneth MacMillan, Manon
Mathieu Ganio and Myriam Ould Braham
ph. Svetlana Loboff
Gold wreath with detached stem including leaves and berries
Greek, Hellenistic Period, 300-100 B.C.
Getty Museum
âThe true hero, the true subject, the centre of the Iliad is force. Force employed by man, force that enslaves man, force before which manâs flesh shrinks away. In this work, at all times, the human spirit is shown as modified by its relations with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to.â
â Simone Weil, âThe Iliad or The Poem of Forceâ
Portable Irish harp (Dublin, circa 1820) made by John Egan (Irish, active about 1804â1841).
Maple and spruce.
Image and text information courtesy MFA Boston.
Shirahige shrine, Shiga, Japan ç˝éŹçĽç¤ž.  Photography by HYPO on Ganref

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mermaid 1996 (dir. aleksandr petrov)
âThe tyrant dies and his rule is over, the martyr dies and his rule begins.â
â Søren Kierkegaard, Journals