Mosaic with sea creatures from the House of the Faun, Pompeii.
will byers stan first human second

cherry valley forever

oozey mess
KIROKAZE

Andulka
Mike Driver
trying on a metaphor

Kaledo Art

❣ Chile in a Photography ❣
Game of Thrones Daily

★
Misplaced Lens Cap

Love Begins
dirt enthusiast
Acquired Stardust
Today's Document
Cosmic Funnies
Sweet Seals For You, Always
Stranger Things
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@ancientrome
Mosaic with sea creatures from the House of the Faun, Pompeii.

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Roman Gold and Garnet Herakles Knot Ring, 2nd-3rd Century AD
Pitcher with trefoil mouth and handles
Roman, 1st to 5th century A.D.
glass
Brooklyn Museum
Pantheon, Rome (by Gabriella)

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spartacus fashion: ilithyia’s draped pink and gold gown in spartacus: blood and sand (s1e9)
Julius Caesar
Andrea di Pietro di Marco Ferrucci Italian
ca. 1512–14
"Ferrucci’s pleasing Julius Caesar exemplifies the delicately ornate, a l’antica style of Florentine sculpture fashionable in the fifteenth and early sixteenth centuries. While the face is strikingly naturalistic and portrait-like, the profuse amount of surface detail seems to disperse rather than unify form and to reduce the scale of the sculpture rather than create a sense of monumentality. The innovations of Michelangelo’s Brutus emerge when it is compared to Ferrucci’s bust. Ten years older than Michelangelo, Ferrucci was described by Vasari as one of those marvelous "sculptors who without knowing at all how to draw on paper nevertheless brings their works to a fine and praiseworthy finish with their chisels." He became head of the workforce at San Lorenzo in 1524, where his expertise in carving marble proved valuable to Michelangelo."
HISTORY MEME — SOME OF MY FAVORITE MALE HISTORICAL FIGURES, 6/∞
GAIUS JULIUS CAESAR (100 BCE-44 BCE)
portrayed by Ciarán Hinds in HBO’s Rome (2005)
During his dictatorship Caesar held supreme power and had generally governed well, bringing in measures that were sensible and statesmanlike and for the good of Rome. Previously the Republic had been dominated by a narrow senatorial elite, whose members all too often abused their position to enrich themselves by exploiting poorer Romans and the inhabitants of the provinces alike. Caesar took action to deal with problems that had been acknowledged as real and serious for some time, but which had not been resolved because of a reluctance to let any individual senator gain the credit for the act. The Republican system was pretty rotten and had been troubled by violence from before Caesar's birth, and civil war from early in his life. He won supreme power by military force, and we know that he employed bribery and intimidation at other stages in his career. His opponents were no different in their methods and were as willing to fight a civil war to destroy Caesar's position as he was to defend it, but that is only to say that he was no better or worse than they were. After his victory he ruled in a very responsible manner and in marked contrast to the senatorial aristocracy-his measures were designed to benefit a much broader section of society. His regime was not repressive and he pardoned and promoted many former enemies. Rome, Italy and the provinces were all better off under Caesar than they had been for some time. Yet if he governed responsibly, his rule also effectively meant the end to free elections, and however just his rule was, in the end monarchy would lead to emperors like Caligula and Nero.
— Adrian Goldsworthy, Caesar: Life of a Colossus
— 𝑮𝒐𝒍𝒅𝒆𝒏 𝒉𝒐𝒖𝒓 𝒂𝒕 𝒕𝒉𝒆 𝑪𝒐𝒍𝒐𝒔𝒔𝒆𝒖𝒎.
𝓟𝓱: 𝓕𝓮𝓵𝓲𝓼𝓪

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A Funny Thing Happened on the Way to the Forum
Richard Lester UK & USA, 1966
Wall painting on black background from the Roman Imperial villa at Boscotrecase, depicting an aedicula and miniature landscape. Artist unknown; last decade of the 1st cent. BCE. Now in the Metropolitan Museum of Art.
Temple of Augustus, Pula, Croatia. One of the two most complete Roman monuments outside of Italy.
Roman, c. 27 BC - 14 AD
Guess who found a new/old show.

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Arch of Janus.
Roman fresco. Pompeii, Casa del Bracciale d'Oro