FEQinhell

This is a lovespoon. They’re found in several cultures worldwide, particularly in Scandinavia, but most famously in Wales (that photo is a Welsh lovespoon) and, from at least the 17th century, they were given as gifts by a suitor to his intended lady. They’re supposed to be carved from one block of wood, and decorated with various symbols which have slightly nuanced meanings, all basically a variation on ‘you’re rad, want to get wed?’

Because marriage in poor, rural parts of Wales was often more akin to cohabitation at the time (i.e. you didn’t really have a big ol’ legal ceremony, you just sort of said ‘we’re married now’ and shacked up together) a lovespoon could act as a wedding ring of sorts; you’d put your goshdarn heart and soul into carving it and you’d give it to the dame you sought, and if she accepted the spoon, then you were essentially wed, or at least bound together in a meaningful way. It’s assumed that they were initially supposed to be at least somewhat functional, because people did in fact eat with wooden spoons back in the day, but they’re now purely decorative. And hoo boy, can they be decorative. These are some of the ones on display at St Fagans Museum:

Nowadays, they’re generally mass produced, and tend to look more like this:

There are many different ways a character is conceived. You’ll need one of these things to start with:

name—you heard one that sounded cool to you, either the meaning, the pronunciation, or the ideas it brings to mind when you hear it. 

look—you saw or imagined a character with certain physical features or garb, someone new and interesting that you want to know more about.

profession—you’re interested in exploring a certain occupation within a fictional setting and what kind of things might happen during the work day.

lifestyle—this can include profession, but it’s more about who they are (or who they pretend to be) at all hours of the day/night.

archetype—you want to explore a character who is the sidekick, villain, mentor, or some other archetype within a story.

From there you shape them into a three-dimensional person with these aspects (which in themselves can inspire a new character):

family/friends—the people who raised, supported, and cared for them (or didn’t) at different points in their lives and thus affected their personality.

culture—the lifestyle of the community they identify with which can include shared customs, traditions, beliefs, foods, entertainment, etc.

skills—stuff they’re good at, but also stuff they’re bad at because both are important for you to know.

backstory—the combination of big experiences that shaped them permanently and that they might think about on a regular basis; a loved one dying, a successful career, a big mistake, and/or a long-term illness.

experiences—individual events that shaped who they are now, but aren’t really a big part of their life story; that time they had their first kiss, played their first sport, encountered a wild animal, and/or learned to cook their own meal.

traits—inherent aspects of their personality that can be their strengths and weaknesses depending on how they improve on or neglect them; they are very kind and compassionate, but easy to take advantage of and are sometimes overly fussy.

beliefs—their driving force, their purpose in life, the reason they get up in the morning and continue to exist.

personality—the combination of skills, beliefs, and cultural norms that make them an individual based on their experiences and upbringing, as well as inherent traits.

Now, the reader does not want to know all this stuff on the first page. In fact, the reader might not need to know much of it at all. You do, and what you include in your story should be primarily stuff the reader needs to know with just a sprinkling of other character information. Some books might give the MC’s entire biography in the first chapter, but even Charles Dickens knew to save the best details for later.

These bullet points work for all characters, not just your main protagonist(s). A writer doesn’t need to know every detail about every side character, but it helps to think of each one as a whole person. Makes the writing feel more authentic.

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underpaid server: 

His solution to this problem?

He talked Disney into giving him his own Publishing Imprint so he can find and promote authors from THOSE cultural backgrounds who want to write those kinds of books.

“ Our goal is to publish great middle grade authors from underrepresented cultures and backgrounds, to let them tell their own stories inspired by the mythology and folklore of their own heritage. Over the years, I’ve gotten many questions from my fans about whether I might write about various world mythologies, but in most cases I knew I wasn’t the best person to write those books. Much better, I thought, to use my experience and my platform at Disney to put the spotlight on other great writers who are actually from those cultures and know the mythologies* better than I do. Let them tell their own stories, and I would do whatever I could to help those books find a wide audience! “