TERFS DNI
#1 nefertari vivi fan, love stephanie brown and kara zor-el
(she/her)
OPEN TO ASKS!! especially fandom related!!
traditional artist and sometimes digital
feel free to yap with me about anything
love my mutuals
also love doing random unrelated little crafts
love DC(the girls specifically) and always looking for new wellwritten female characters in comics
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I like that Supergirl says itās okay to kill someoneās abuser so long as you donāt let the thirteen year old do it and I like that Supergirl says vengeance will not solve things but neither will allowing a cycle of violence to continue
And I like how Supergirl addresses the real issues and lets the girls be messy instead of "teaching her a lesson" that she needs to be nicer. She is not nice but she is kind!
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
i think it is very depressing that like every aesthetic people try to emulate are of people doing things but they themselves are incapable of being somebody that does things⦠the mall goth 2005 aesthetic revived in 2022 but nobody goes to the mall to be annoying and weird and nobody lets themselves be cringe⦠the cottagecore aesthetic but nobody knows how to raise gardens or live self sufficiently ⦠the dark academia aesthetic but nobody actually reads booksā¦. The obsession of looking like you are a type of person who does something without actually doing anything ⦠the Instagram effect
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I've been thinking a lot about Kara's arc, because while I love it, I couldn't really figure out how to actually describe what it was. I don't think the issue is that her arc was disconnected throughout the movie, but more so it's very much unspoken. It's left up to the audience to pick apart the themes and messaging. Honestly, this is why I haven't been talking much about Kara as a character yet. I didn't really know what to write, because I knew I was missing something about it.
Supergirl spoilers!
We see Kara partying and self-destructing at the start of the movie, and we have a strong emphasis about how she wants to find a home. Then that messaging kind of disappears in the face of talking about what being good and strong can look like. It doesn't have to be warm, and it doesn't have to look soft.
We can SEE Kara internalizes what Rutheye says in the cave, and that it leads her to going back to Clark and seeking a home with him.
I can't find the post again, but I saw someone say that there was no connection between Kara feeling like she has no home, and pushing forward the "you don't have to be nice, but you have to be good" sentiment. The two themes seem disconnected, and that the moment with Clark at the end feels shoehorned in.
What if, and hear me out, Kara never STOPPED seeing the world that way? What if when it comes to everyone around her, she vehemently practices what her parents told her? Instead, she stopped being good to herself. The things her parents told her to be for others, Kara completely removed herself from the equation. Everyone else deserves it, but Kara does not. She tells Rutheye that Clark sees the good in everyone, and she sees the truth. Kara doesn't see the good in herself. She thinks she sees she's too broken and damaged.
She got to a point where she thought she's no longer good, but she NEVER stopped protecting those who couldn't protect themselves. After the family betrayed her and she's still in the house with Krem, she takes a long look at the antidote right in front of her... and immediately leaves it behind when she hears Rutheye screaming her name. Kara sets aside her mission to find Krem's antidote to save the young girls and Rutheye. But Kara stopped seeing that in herself. She didn't let herself see that she's still doing good, and she's still protecting others. She thinks she failed in doing that, but she didn't. She refuses to see it. She stopped seeing the good in herself.
In a way, keeping her distance from Clark is how she thinks she's protecting him, and I think she believes she doesn't deserve him caring about her.
So when Rutheye tells Kara she's not always kind, but she's good... I think it gave Kara the ability to realize that despite how much she harms herself, and damaged she thinks she is, she also deserves to be kind to herself, and to be strong for herself. She deserves to let other people lift her up, and be good to her.
Kara never ever went through a point where she has to learn how to save people. She does that every second we see her on screen. We see how much it hurts her when she can't save the family, despite the fact that they betrayed her. She doesn't even get mad at them. She understands the system they were forced to live in.
This even applies to Clark. Yes, she calls him names, but she is so empathetic of the life he's lived, and you can see how much she loves that about him. At first Kara insults him for being a nerd, but there's such a strong fondness you can see in her expression in the way she talks about him. I think she pushes him away because she doesn't think Clark should waste that on her. She thinks she's too broken for him. He's good. She doesn't think she's deserving of it.
Kara had to learn how to save herself, and how to forgive herself for something that was totally out of her control. She had to learn she's also deserving of the grace she gives everyone else. I think that's why she goes back to Clark. He's the person who's consistently tried to make space for her. He always tries to be good to her with as little judgement as possible. But up until the end of Supergirl, she wasn't willing to let herself embrace it. Kara says to Clark at the end, "he's just.... we're just happy to be home." In that moment, Kara makes the deliberate choice to stop excluding herself from being deserving of good, and that she can start letting other people show up for her as well... especially with the person who sees the good in everyone no matter what.
As my therapist has been saying for years, "be kind to yourself." While it's not the exact wording from the movie, I think the sentiment applies to everyone who's experienced trauma, and I believe that's the realization Kara came to through Rutheye's kindness and empathy.
Does ANY of that make sense? I hope it makes sense. Kara's character arc is nuanced as FUCK. I love it.
so you're telling me the fifa world cup is all men? its all men's teams? and so is the superbowl? and all the sports teams that states are known for and make copious amounts of merch for are also men's teams? and only 5 women have ever entered formula one since its inception in 1950 and only two of them were able to compete? and this is normal? its acceptable?
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Help a latino sibling with groceries while they get better
hi yāall, iām sharing my links in case someone can give me a hand with some groceries. iāve been away these past couple of days because i havenāt been feeling so good and i havenāt been able to do pretty much anything these past weeks
anything helps, your sweet messages also help a lot <3 thank you in advance and happy pride month š³ļøāšš³ļøāā§ļø
I love when someone is explaining instructions to a group Iām in and they look at me and it reminds them to say something about using preferred names/pronouns or that thereās vegan food options available. I go by my given name/pronouns and Iām not vegan but Iām proud that I can provide this service
āShe wasnāt a good motherā great are we evaluating this character trait as one of her many facets or are we just damning her for not being the most maternal womanliest woman who ever womaned
the thrilling sequel āheās a bad father but weāre using it as grounds to see him as beloved and a deeply complex and intellectual character that needs to be studiedā
i will not be accepting any james gunn or craig gillespie slander. ABSOLUTELY NONE. after watching gunn's rendition of superman and gillespieās rendition of supergirl, i am absolutely sold on the DC universe. i haven't been into DC before now because of my special interest in marvel, but MAN. they both so perfectly captured the meaning of heroism and the humanity of these "inhuman", invincible superheroes, from clark's emotional crisis over his parents' mission for him to kara's consistent instability throughout the movies. NOT TO MENTION that there wasn't a single moment where clark or kara were sexualized. especially kara! she was such a real and authentic womanāthe ENTIRE movie she was a hot mess emotionally, mentally, and physically. she had depth beyond just being "look!!! girlboss superhero slay!!!! women can be heroes too!!!!!". it wasn't ABOUT that. it wasn't about her gender or her appearance, it was about her decision to be the hero her parents called her to be in the face of personal tragedy. contrary to clark, who decided to be a hero in spite of his parents. idk anyways so i love james gunn and i wanna give him a fat forehead kiss. special shoutout to ana noguiera who wrote supergirl, sheās amazing. OH ALSO JASON MAMOA AS LOBO I AM HIS BIGGEST FAN, IN THIS ESSAY I WILL
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There seem to be a lot of people who donāt understand why Lobo was in the movie, so Iām just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, heās passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Karaās future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
Itās why they both get Ruthyeās spiel, itās why Loboās whole introduction mirrors what Kara was just doing demanding to know about the Brigands, itās why theyāre both āthe ditz from the barā, itās why they both have the gag with the space suit collar.
Itās why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. Itās why Lobo says ālet Ruthye have her revengeā, uncaring of how the violence might haunt Ruthye for the rest of her life. Heās a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didnāt want her to be.
Lobo is Karaās foil and shadow.
I donāt think the movie always executed this well, it could have been done better, but I donāt think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Loboās presence off.
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