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look at her peaceful

anna daliza, artist bio, 2021

The local Malagasy people are dealing with extreme poverty and food insecurity, with nearly half of children under five years old suffering from chronic malnutrition. The local people have always subsisted on hunting wildlife for food, and as Madagascar’s wildlife population declines, the people who rely on so-called bushmeat to survive are struggling more and more. People are literally starving.

Our conservation team thought about this a lot. They had initially intended to focus efforts on education but came to understand that this is not an issue arising from a lack of knowledge. For these people it is a question of survival. It doesn’t matter how many times a foreigner tells you not to eat an animal you’ve hunted your entire life, if your child is starving you are going to do everything in your power to keep your family alive.

So the vets changed course. Rather than focus efforts on simply teaching people about lemurs, they decided to try and use veterinary medicine to reduce the underlying issue of food insecurity. They supposed that if a reliable protein source could be introduced for the people who needed it, the dependence on meat from wildlife would greatly decrease. So they got to work establishing new flocks of chickens in the most at-risk communities, and also initiated an aggressive vaccination program for Newcastle disease (an infectious illness of poultry that is of particular concern in this area). They worked with over 600 households to ensure appropriate husbandry and vaccination for every flock, and soon found these communities were being transformed by the introduction of a steady protein source. Families with a healthy flock of chickens were far less likely to hunt wild animals like lemurs, and fewer kids went hungry. Thats what we call a win-win situation.

This chicken vaccine program became just one small part of an amazing conservation outreach initiative in Madagascar that puts local people at the center of everything they do. Helping these vulnerable communities of people helps similarly vulnerable wildlife, always. If we go into a country guns-blazing with that fire for conservation in our hearts and a plan to save native animals, we simply cannot ignore the humans who live around them. Doing so is counterintuitive to creating an effective plan because whether we recognize it or not, humans and animals are inextricably linked in many ways. A true conservation success story is one that doesn’t leave needy humans in its wake, and that is why I think this particular story has stuck with me for so long.

(Source 1)

(Source 2- cool video exploring this initiative from some folks involved)

But on top of that, you know who the most ardent conservationists are once security has been achieved? The people who had once been forced to poach or slash-and-burn to survive. You know who’s great at tracking down gorilla poachers? Ex-poachers. Who’s good at understanding and advocating for people forced to do these things to survive? Ex-poachers. Who can convince others to take a chance on finding a better way to survive? Same answer.

The former illegal fishers are now sought-after experts, because they know how to spot the arapaima and tell juveniles apart from adults. They get to keep practicing the fishing skills that were passed down to them. The actual process of fishing is easier because they can work together and don't have to sneak around. The profits are higher because they can sell the fish openly to restaurants and to the public. The fishing organization members make sure that other people in their communities don't fish illegally. And the numbers of arapaima keep going up and up, so there's plenty to go around even as more people join the fishing organizations.

If you click all the way through to the report from the conservation org that started the fishing organizations project, there are quotes from fishing organization members:

"We built a second house and I'm putting my oldest two kids through college on the money we get from fishing."

"Nowadays you have young people walking around with pockets full of cash saying "I got 6,000 from fishing this year!" It used to be you wouldn't even get 50 reais of pocket money."

My new and absolutely normal i swear obsession is hand routed, or otherwise free-form, circuit board layouts.

this is the me of good luck, now you have good luck

Did you hear that? That's the story I just wrote. Yes, yes, I know we had a bargain. I just said I'd write it, I didn't say I wouldn't tear it up! It's all in little pieces now, Walter, and I hope to do the same for you some day!

I am your worst fear//I am your best fantasy. After Donna Gottschalk.

Franz von Stuck Sensuality 1891 oil on canvas

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

Einstürzende Neubauten in New York, Dancetaria, 1984/02/23

tumblr user 2: actually you can drink whatever you want all the time

tumblr user 3: yee and water is icky :(

tumblr user 4: I literally can't drink plain water as I'll instantly start throwing up, some people's bodies simply can't process it, you can't make blanket statements about what's good or not good for someone else's digestive system