Pride Eeveelutions!
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@blindstargazer
Pride Eeveelutions!

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âItâs easy to assumeâ: someoneâs misconception is about to be amiably corrected
âItâs tempting to assumeâ: someoneâs assumption is about to be criticized
âItâs comforting to assumeâ: someoneâs assumption is going to be read for filth
@21st-century-minutiae something for your blog?
The above is explaining three semantically similar statements with different connotations, in decreasing order of prevalence. In the early twenty-first century, native English speakers would understand the connotations implicitly, and would not need the detailed explanation of the above, which draws from the pattern.
In all cases, these statements serve as the prologue to some correction for a mistaken assumption, as explained above.
In the first case, the word "easy" is used to emphasize that the mistake is common, natural, and understandable, and that there is no shame for being mistaken on the given matter of topic. This is a very common turn of phrase.
In the second case, the word "tempting" is used to emphasize that the mistake is born out of some desirable motive. The biases that caused one to form the mistaken assumption as potentially sympathetic to the corrector. This is an less common, but known, turn of phrase, implying a harsher critique.
In the third case, the word "comforting" is used to emphasize that that the only reason someone is making an assumption is because they are coddling their own biases, even though any attempt at thinking things through would prove it irrational. It is the equivalent of accusing someone of sticking their head in the sand, like an allegorical ostrich. "Read for filth" is an idiomatic expression meaning to offer full, unfiltered criticism of something, ripping it apart. This is even less common to use, but the point would be understood as being a prelude to the harshest criticism of the three.
From Veronica Tucker via Pinterest
I love you, vintage gay Pikachu. Youâll find the boy for you, I promise.
I've heard lumberjack is starting to grow on you.......... come on.... join the darkside.....(Humbly requesting a lumberjack doodle)
Ok, admittedly not very shippy, but I like this scene lol
(This is right after The Incident if you remember)

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1/3 drawing v!owen duos đđđ
Yaoi maxxing over here
Thinking about letting you all give me more requests for ships. weâll see.
So what makes a butcher knife more butch than other knives?
The knife itself isn't necessarily butch. It's named that because it's wielded by a butcher, who is more butch than the other food shop owners
Hmm, I see.
What, then, makes the butcher more butch than other food shop owners?
the knife
Hanmerhead shark đЎ
Featuring the colors of the lesbian flag đłď¸âđ
Pride sharks! Happy pride month :D more super cute pride flags themed sharks coming soon đ

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absolutely love this shot where rose is watching her home planet die off after five billion years and the doctor is just slaying off in the corner
Same image
Is this anything
If I was making an Overwatch-esque fighting game I'd have an interaction mechanic that changes based on the characters relationship. The simplest version of this would be like, a proximity stun effect with a cooldown that plays a unique voice line depending on the pair-up, but the more ambitious version would have 3 different effects;
Threaten, which gives a damage boost and/or increased crit chance to the attacker
Plead, which gives you a decrease in damage, or possibly some kind of armour.
and Flirt, which would be the stun.
This would give a strategic advantage for players who know the lore, as well as being a way to characterize both individual characters and their relationships. Like, if you have a character who usually Pleads, the one guy they Threaten says a lot about them. And two characters having different interactions (as in, A Flirts with B but B Threatens A) tells you a lot about where they're at - and gives players an interesting challenge, where they can theoretically cancel out/counter each others interactions if they know what they're doing and can get the timing right. You could also potentially change interactions if you have an evolving story, and use that as a way to rebalance the game.
This would probably be hard to balance in the first place and might difficult on an esport level but I just think it'd be neat.
Also if I was making an Overwatch-esque fighting game the premise would be that assassination was made legal, but since regular murder is still a crime assassins have to be, like, super obvious about it. People start wearing costumes and adopting stupid gimmicks so it's obvious at a glance that they are doing a Perfectly Legal Killing and not a murder + people won't clock them and freak out when they're just buying groceries with they're blood money.
Obviously public figures start upping their securities and it turns out the people most willing to fight weirdos in costumes are other weirdos in costumes. So characters can be on either the Assassin or Guard team for any match up without it being weird because this is just everyone's day job, but behind the scenes there's interpersonal drama and maybe some political intrigue going on. Mostly drama though.
I was actually gonna draw a bunch of fighting game OC's a while back but then I got Way Too Deep into rendering the first character and never went back to my other sketches. Anyways here's a character I call The Clown Car.
[ID: A digital illustration of a polka-dotted clown car with a face and comically elevated suspension. Three clowns are popping out; Sorry Face (they/them), a purple and yellow clown in a dress shirt and tie, is hanging out of the right side window with a shotgun; Silly Face (he/him) A red and blue clown in a tutu and suspenders, is popping out of the roof on a spring loaded platform with a tommygun; Scary Face (it/its), a green and orange clown with puffy shorts, arm socks, and a bikini top is lying down on the left door, which has lowered like a drawbridge, holding a revolver. End ID]
The Clown Car counts as one character and every time you attack a different clown pops out. I can't decide if it's funnier for it to be high damage and high skill floor so all the serious gamers Git Good at it or if it should be the easiest newbie friendly character so tons of The Clown Cars are rolling around every match.
(also yes I was playing a lot of Balatro at the time. whatever)
From imdb: âDuring the filming of some scenes for The Princess Bride, the weather became markedly cold for Robin Wright Penn. Andre the Giant helped her by placing one of his hands over her head; his hands were so large that one would entirely cover the top of her head, keeping her warm.â
comic by Box Brown :: via flickr.com
This is so sweet how can I NOT reblog this.Â
Dâaaawwww.
All of the behind the scenes stories about Andre the Giant were adorable like this, Apparently Wallace Shawn is deathly afraid of heights, so he was freaking out while they were doing the scene scaling the cliff and Andre was like âit is okay, Iâll keep you safe.â thereâs a behind the scenes thing on the DVD and everyone is choked up and misty eyed when they talk about working with him.
Andre the Giant was a radiant human being.
Iâm so glad he gets to go down in history as everyones favorite giant. What a legacy!
It should be known that when he got back to wrestling after the movie came out he was constantly pulling other wrestlers into the locker room where he had a tv set up with a copy of the movie so they could watch. He was desperate for the guys to see it and he really wanted their honest opinion on his acting.
I love the shit that the cast says about Cerrit out-of-game because all together it's completely insane.
Marisha described him as "very debonair in his own gruff way". Travis said he'd snack on a rabbit he saw on his morning walk. Sam named him a moral center of the party. Aabria was convinced he would kill Laerryn, but her PvP plan was mostly "run away" and "cry" because he's too good at killing mages. Brennan and Travis highlighted that he is untouched by the corruptions of the ageâbut still failed to stop the end of days through inaction. Sam said he was perfect and flawless; Lou responded he was a bad dad (Travis agreed), but Sam and Aabria protested. Travis said he barely noticed his marriage was slowly falling apart before the campaign. Aabria hoped he lived in Niirdal-Poc after it all. Brennan said that the decisions to make him interested in Vespin, a genuinely good person who failed to act, and a father with children in the city were important for narrative structure. Sam felt that his small dog would chase him most. Travis pitched him as Jor-El, specifically the part where he gets his kid to safety before dying in the collapse of their home. The entire table is extremely proud they worked together to make sure he escaped and survived. Brennan and Marisha called him a final girl. Travis implied that he can cook well. Brennan said if he was a cheese, he'd be sharp cheddar.
but above all, one must not concern oneself with the opinions of people who censor the word fuck

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since itâs pride month, throwback to this beautiful cover and this wholesome interaction between two icons
Remember when Lil Nas X beautifully explored his sexuality, seduced and killed the devil to the banger of all time, and instead of cheering on this openly gay and proud Black artist for his artistry and fighting back against respectability politics, suddenly said respectability politics was all the Queerest Place on the Internet cared about? Hm. Wonder what happened there.
Anyway I miss him and hope he's doing better with his mental health đđž
Like say what you want about "bad queer representation", but this was the song that made me openly and happily accept that I was bisexual. To see him up there Black and beautiful, making music that I love, absolutely killing it? Yeah. You couldn't tell me shit. This man made me proud to be out. "This will make them think we're evil for being gay" hey newsflash dawg-