"I feel so normal about him" well I dont. move

Discoholic 🪩


izzy's playlists!
Mike Driver
trying on a metaphor

JVL
hello vonnie
Stranger Things
"I'm Dorothy Gale from Kansas"

taylor price
DEAR READER

tannertan36

Kiana Khansmith
dirt enthusiast

pixel skylines
NASA

PR's Tumblrdome
almost home
seen from United States

seen from Colombia

seen from United States

seen from United States
seen from United States
seen from United States
seen from Switzerland
seen from United States

seen from France
seen from United States
seen from Türkiye

seen from India

seen from Malaysia
seen from United States

seen from Romania
seen from United States
seen from Spain

seen from Türkiye
seen from Netherlands
seen from Italy
@finleycannotdraw
"I feel so normal about him" well I dont. move

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
the best part of field trip experiments is a chance to become THE experiment yourself ;)
every time someone mentions the little prince I almost forget it’s a children’s book because I literally cannot get through the part about being tamed without crying
“To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world…“ But if you tame me, it will be as if the sun came to shine on my life . I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the colour of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat…” The fox gazed at the little prince, for a long time. “Please, tame me!” he said.” Yeah………..
So the little prince tamed the fox. And when the hour of his departure drew near —
“Ah,” said the fox, “I shall cry.”
“It is your own fault,” said the little prince. “I never wished you any sort of harm; but you wanted me to tame you…”
“Yes, that is so,” said the fox.
“But now you are going to cry!” said the little prince.
“Yes, that is so,” said the fox.
“Then it has done you no good at all!”
“It has done me good,” said the fox, “because of the color of the wheat fields.”
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
🫶
maybe it's just the essence of hugh grant but I can totally see phillip as having been divorced with a child or two by the time he met blanc. imagine reconnecting with your dad who had very little presence in your childhood and you find out he's remarried to the real life sherlock holmes. dad this guy has been referenced on snl. he knows royalty on a first name basis. what the fuck.
this also makes my "blanc is phil's last name" headcanon even funnier if the kids didn't change their names to their mothers maiden / step-dads name. getting "like the detective?" for like a decade without knowing that it is in fact the detective who's stolen your name

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
@ perfectunion
Official Post of Massachusetts
You know technology literacy is dying because I saw this meme with 76k likes
F11 the full screen button? You’re scared of the full screen button? F10?? It opens the menu bar???
Computers are so scary what if I accidentally hit F12 in a steam game and it takes a screenshot. What if I press shift + F12 while in word and accidentally save my document 😖
If you had to learn what the F keys on your computer do through me reblogging this post, then I'm glad you did. Computer literacy is not a skill that gets taught anymore, and it is absolutely one that needs to be taught in order to be learned. Don't ever feel bad for not knowing something, but ☝️ don't ever stop learning learning about your environment, the tools you use, and especially the people around you
Never stop learning+ Never stop sharing what you learned
i haven’t been on tumblr for a hot minute. did markiplier fuck ryan gosling?
are those my only options
Kevin Durant is a extremely high tier shitposter who just so happens to also be one of the greatest basketball players of all time
"Legacy points added/deducted" has permanently become a part of my vocabulary

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
why am i this cat
can you believe
I know this is a silly question but I literally don't know anything about describing environments in writing as in weather or surroundings etc. When do you think it is most relevant to mention them?
I'm asking this as someone who has HARDLY EVER written anything before
HELLOOO!!! THIS ISNT A SILLY QUESTION AT ALL this actually one of the first things my lecturer taught us when i started my uni course!
Describing environments, weather and outfits is one of the trickiest things in a novel/fic because if done at the wrong moment it can take the reader out of the story and break the flow that a paragraph has, SO HERE ARE MY TIPS FOR WRITING SCENERY:
One of the most important things to think about when writing is that a reader is going to be entering a story with pre-conceived ideas and images of everything that will be mentioned inside it. E.g., if the author writes about a 'house' and its innards, the reader will often put in its place an image of a house from their own memories, because of this when an author goes out of their way to describe anything inside that house it will break the flow and immersion that the reader had.
To stop this, you want to describe as little as possible while retaining as much of your concept as you can. What this means, is you need to describe the "vibe" of a room and any important objects inside it.
Examples of this: "The room was cold, damp where rotten wallpaper sagged astray from each wall." Here, we know that the room has been abandoned/is in a state of disrepair, but the readers imagination is not hindered - they are still able to insert their own furniture and layout. The exception to this rule is as I mentioned previously, when an important object lies within the room.
Let's say that a messy room is important to a characters personality, or, that a character needs to pick up an item from a table, or interact with any kind of furniture (as most characters do.) Continue to use this rule, but add to it.
Example: "The room was cold, damp where rotten wallpaper sagged astray from each wall. It's contents, a sofa and a small coffee table, lay rotten with disuse; littered with scraps of old trash and food wrappings. 'Character-A' took a small, cautionary step forward and grabbed at a half melted piece of chocolate from atop of a couch cushion, a grimace settling across her face." Instead of bombarding the reader with a full paragraph description of the room at once, you are slowly feeding objects to them and telling them how they are supposed to feel about the environment. Without hindering the readers imagination too much, you guide them into seeing the version of the room that you want them to.
A key thing to note is that you should always mention how light or dark a room is, as it sets the tone for an entire scene.
When it comes to outdoor environments, there is a lot more freedom to describe and explore your surroundings. Since being outdoors means a character is going to be in a much larger space with less semantic connotations, a reader is going to have a harder time inserting their own images into this environment.
There are two approaches you can take to describing an outdoor environment: The worldbuilding approach or the pathetic fallacy approach:
Example of worldbuilding: "I took a sharp breath, a cloud of condensation forming before my face. A crisp chill filled the air, carried along by dry, orange leaves that rattled across the pavement and stuck to the wet concrete." This scene suggests the story takes place in late autumn/fall or perhaps early winter, it has no relation to the main characters emotion and merely serves as an environmental tool to help the reader understand the time and place in which the story takes place.
Example of pathetic fallacy: "My nostrils flared as I let out a sharp breath, the air before my face fanning out into a sodden cloud. A crisp chill filled the air and sunk itself deep into my bones, it bit at the swollen skin beneath my eyes; delicate from tears freshly shed, and carried along with it dry, brown leaves that rattled across the pavement and stuck to the wet concrete." By connecting the weather to the main character, there is an inherent connection between it and their emotions. Pathetic fallacy uses the weather as a tool to set the mood for the main character. E.g., if it is storming then the reader will understand the main character is upset, if it is sunny the reader will understand that the main character is happy.
SOME IMPORTANT THINGS TO NOTE:
It is always relevant to describe the characters surroundings. There should be a description every time they enter a new room; how in-depth this description is should be dependent on how important the room/environment is to the story - if the room only appears once, then it isn't necessary to give it too much thought, but if it is a room that the character will enter multiple times then you want to be as descriptive as possible so that they can remember it when the character returns.
With creative writing, there are no rules; what I've said in this post isn't definitive and does not need to be followed, if you believe that your work would be best understood if you offered your audience an in-depth description of the environment (something that should most commonly be done if the surroundings are not 'common', i.e., a fantasy world or something wildly specific) then you shouldn't stop yourself from doing that! Writing is all about experimenting and figuring out what works best for you.
Environments shift dependent on the perspective in which the fic is being written in, 1st POV often creates a biased narrative that follows the strict memories of the main character which allows an author to be more creative with the psychology of an environment (an example of this would be the 'Red Room' from Jane Eyre and how Jane's memories of the room paint it differently from how the room really is), while 3rd POV allows a more realistic and direct description.
I KNOW YOU ONLY ASKED about the relevance of describing environments but i lowk went off on one... I JUST LOVE TALKING ABOUT LITERARY TECHNIQUES i get excited, i hope this helps! if you plan on writing anything, you should share it with me i would love to read 👀
Patron Saints of One-Way Trips
had to make the inverse situation of this. lets give it up for time blindness yayyy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Some art about coffee and certainly nothing else
the countermeasure to dehumanisation is not sexualisation. the countermeasure is to treat the other person with respect and dignity actually.
i don't care if you wanna fuck fat people or hairy people or trans people or the elderly or disabled people or whatever. can you treat them like human beings
Evergreen!👇🏾
Race isn’t mentioned in this post, but I’m sure it applies regardless. Take the screenshot in context to both that and the groups mentioned above.