sometimes i read hollanov fic and believe in love and then i open a dating app for one (1) minute and realize im wrong
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@hyphenemdash
sometimes i read hollanov fic and believe in love and then i open a dating app for one (1) minute and realize im wrong

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my favorite thing about the “you like them? girls?” scene is that not only has shane hollander not thought about girls in [redacted amount of time], he hasn’t thought about anyone in [redacted amount of time].
mr “i can’t tell my parents im gay without telling them about you because my entire sexual history, and maybe sexual identity, is tied up in ilya rozanov” mr “ilya rozanov is so fundamental to my idea of sex and sexuality that even when i try to fuck other men it feels like something’s not right” mr “you haven’t fucked anyone since we last were together? me either thank god on my god”
i love these emotionally stunted down bad dweebs so much
reblog if i'm allowed to slide into your dms with an "i love you so much!!!" with no preamble or context
okay okay how bout this: reblog if ANYONE (including me) can slide into your dms with an "i love you so much!!!" with no preamble or context EVEN IF WE'RE NOT MOOTS AND/OR HAVE LITERALLY NEVER INTERACTED BEFORE
as a queer person who grew up with conservative parents and one of those parents died when i was young
i know in my heart that there’s a small part of ilya that wonders if his mother would have accepted him
we hope. because they loved us, and even though their deaths were complicated, we believe that their love for us would have meant more
but there’s a small part, one we bury, that is not sure
I see a lot of shane humiliation kink fanfics -which is fine whatever floats your boat- but I personally think that Shane is text book praise kink. He wants to be good, and wants to be told that he’s good. Every choice he makes throughout HR and TLG is just him trying so hard to please everyone and get recognized for it.

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i have come to the conclusion that wyatt hayes is who hayden pike thinks he is
so brave and so correct
Irina is a smart and curious child with big dreams. She gets into figure skating. She’s good, she wants to be the best. In her late teens she gets a boyfriend. He’s good at first, sweet, but soon starts getting jealous and controlling. Every time she’s not with him, she has to tell him what she’s doing and with whom. She stops going out, she gets more and more isolated. She’s with him all the time. It’s not enough. When she arrives 5 minutes later than the agreed upon time, he accuses her of cheating and hits her.
She’s 19 now, she hasn’t been with him for almost a year. She’s doing better. Her mother asks her if she doesn’t want to start going out again. She means well. She’s so beautiful. She meets an older man. He isn’t as sweet as her first boyfriend was, but look where that got her. He treats her well and clearly cares about her. He works for the police and is well connected. He’ll protect her.
She’s 20 now and pregnant. She wanted to try figure skating again. Or maybe go to college. Grigori keeps calling her a silly girl. He tells her she only has to make him look good. She’s so pretty. She just needs to not embarrass him. Can’t she see how the other wives behave? How is it so difficult to organize a party? Doesn’t she have everything she needs?
Alexei is born and she’s so tired. She doesn’t know what she’s doing wrong. She wants her mother but Grigori barely lets her see her. Alexei is a difficult baby, she thinks. He cries all the time. She can’t get him to eat. She can’t get him to sleep. She has barely slept herself. ‘How is this so difficult for you?’, she hears, ‘every woman does it.’ She dreams of disappearing.
Alexei finally sleeps for a few hours and meal time is easier now that he eats solid foods. She likes spending time with him. But he needs her too much sometimes. There’s something in him that reminds her of Grigori. She doesn’t dwell on that; she can’t resent her own child. She dreams of having her own house, of skating, of going to school again.
Grigori thinks she spends too much time with Alexei. He’s a big boy now, he shouldn’t need his mother so much. He starts getting jealous of his own son. She leaves Alexei crying sometimes; it’s better that way. She needs to pay attention to Grigori.
Alexei has a fever and Grigori tells her to get dressed; they have a party to attend. She tells him no; she will stay and take care of her child. He grabs her, locks her in her room, and reminds her of her place in the house. She can hear Alexei crying, a weak cry. She starts screaming and banging on the door, she has to get out. Something breaks and she can’t hear Alexei anymore. Her throat is raw from screaming when the door is open. ‘You will remember what I can do.’ She doesn’t say no again. She starts thinking of her plan to leave, she will try to take Alexei. She will be good for now.
She’s pregnant again. She can’t sleep; she can’t eat. Alexei is acting strange, has more tantrums. He’s cruel sometimes, he keeps reminding her of Grigori. She can’t have another son. She will not survive all the crying and sleepless nights. She keeps making monsters. She mustn’t think that. Alexei keeps asking for her attention. Grigori reminds her she needs to spend time with him; she is not to lock herself with her child again. She needs to leave. Her life is over. She will never escape now.
The moments she has alone, she keeps talking to her son. Ilya, she will name him. He’s her only comfort now. She begs him to please help her. He can’t be difficult. She will do her best to protect him, but he has to be good. She tells him her fears, she confides in him. She’s terrified. ‘Please don’t be like your brother, please.’ She loves Alexei, she does. ‘I won’t survive if you are like him.’ She will need to find a way to leave.
Ilya is born. He looks like her. He’s a sweet baby, nothing like Alexei. He eats when she asks. He sleeps through the night. He never cries. She worries about that sometimes but when she looks at him, he looks well. Big eyes focused on her. He’s starting to smile now, every time he looks at her, he smiles. She can’t help but smile back. She continues to talk to him, tells him all her worries, asks him to help her. He’s all she’s got.
Alexei is getting more difficult now. He never stands still, always running, always breaking things. Grigori doesn’t like that, tells her she doesn’t know how to raise him. Alexei gets in trouble in preschool, he’s hitting other kids. The teachers say he’s a cruel boy. Grigori makes him change schools. She wonders if they were right, if whatever is wrong with Grigori, whatever is wrong with her that makes her hate her own child sometimes, has been passed to him. But then she sees the way he is with Ilya, so gentle, so careful, always making him laugh. Ilya can’t take his eyes off him, always trying to copy him. Ilya’s first word is Alexei’s name. Ilya is like that, bringing the best in everyone.
guys i just experienced my first moot dm kinda nervous
The first time Shane and Ilya go to Ottawa pride, Shane doesn't really want to. But Harris has been talking about how its one of his favorite days for weeks and Ilya lights up like a little kid every time it comes up, so Shane is going.
So is Troy, who seems equally enthusiastic, so at least Shane isn't alone.
But he still worries when he sees Ilya all decked out in a rainbow tank top that has to be at least a size too small. He glances down at his own outfit, something he'd wear any other day, and asks,
"should I change?"
Ilya cocks his head and goes "do you want to?"
And Shane doesn't have to answer he very clearly does not want to.
"I just worry that-"
"that people will not know you are gay? I think I can help with that." Ilya smirks and grabs Shane's ass. Shane shoves him away but he's smiling.
They meet Harris and Troy in a parking garage a few blocks from the parade and Shane comes close to laughing because Harris is wearing a flag as a cape and Troy is wearing jeans and a centaurs t shirt.
"see?" Ilya says "you can wear whatever"
"I actually have something for you," Harris says, and hands both Shane and Troy a baseball cap with the terrible centaurs pride logo.
"they were a limited run and they didn't sell well," he explains. Shane gets why. But he likes the hat. It feels manageable.
The parade still doesn't quite feel manageable. He can already hear the crowd, and he knows, just KNOWS that in just a few minutes, for better or worse, all of their attention is going to be directed at HIM. That's where it always ends up.
"Shane?" He hadn't realized he was staring off into space until Ilya brings him back to earth. "We do not have to go"
"you really want to," Shane says.
"yes," Ilya shrugs, "but if you turn this around," he starts to turn Shane's baseball cap backwards, "I won't be able to resist taking you home and fucking you."
"Ilya! This is what does it for you?"
"You do it for me, Hollander"
Shane turns the cap backwards and grabs Ilya's hand. "Let's go see a parade"
"you are trying to kill me?"
"maybe!" Shane laughs.
and what if i say that “competitively affectionate post-outing” hollanov is my favorite flavor

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Ok go off NBC.
Please bro
on the eve of pride i was given sophie nélisse in a suit as the lesbian old gods have blessed me
emotionally vulnerable post (if you are mean i will cry and you’ll be responsible for that)
the last time i shitposted on this app about my favorite queer ships i was deeply in the closet. so much so, that i thought the devil was tempting me away from god via johnlock, and i was really a strong soldier for not making out with girls at summer camp
now i’m out, comfortable both in my sexuality and gender, and posting about my hollanov bbs (and roselana of course), and the world is so dark and terrible and shitty sometimes, but there are glimmers of starlight every day
If you take nothing else from this remember that Hudson Williams and Connor Storrie are proof that in a year your entire life could be different

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i just saw this post about ilya sobbing over encanto and then realized that coco would have come out right after the cottage (cottage = july 2017 | coco = november 2017) so obviously there are only two options
1. ilya sees it on a children’s hospital visit or when it comes on tv eventually and cries so hard he throws up. he tells no one, because even though he loves shane and shane loves him, they’re still jocks who have a hard time opening up about emotions outside the sanctity of the cottage
2. (my hc) shane sees it first. maybe babysitting the pike kids, or maybe he hears about it in the locker room from the dads. and he calls ilya immediately to say he cannot, under any circumstances, watch this movie. which of course makes ilya *want* to watch the movie, but shane is so fucking serious ilya cannot be alone when he watches it. so shane promises him that if he doesn’t watch it alone, they’ll watch it together at the cottage after the end of the season. and he does, and they do, and ilya spends the entire evening ugly crying into shane’s lap. and shane gets up the nerve to finally steal svetlana’s number out of ilya’s phone and texts her asking if she knows of any pictures of irina in moscow that she can steal for them to hang up in their home
the more i think about Shane's relationship with clothes, the more i realize that he never really got the chance to develop a personal style at all.
he wears athletic wear because he has to. he wears the jersey of the team that drafts him. he wears the socks and jewelry his sponsors pay him to wear. he wears whatever outfits the stylist lays out for him.
and to some degree, that's a relief, a responsibility taken from his already overflowing plate. but at the same time, it's another way in which he's disconnected from himself.
clothes are one of the most common ways people explore and express who they are. their taste, their personality, the image they want to present to the world. but shane never does that. his clothes are always chosen for a purpose, and that purpose is almost never self-expression. Another part of his identity that he never really dares to explore.
so let's bring in undressing for ilya and, especially, his habit of carefully folding his clothes. Sure, a big part is his autism.
but if shane's clothes represent all the versions of himself that were constructed by other people, then undressing becomes more than just getting naked. he's deliberately removing those layers, one by one, and carefully putting them aside.
the folding is what makes it so fascinating to me. because he's not tearing those layers off or discarding them carelessly. he's taking his time. acknowledging them. putting them away with intention, almost like a form of self-deconstruction. Allowing himself to peel them away intentionally. He's not actually doing it for Ilya, he's doing it for himself.