THIS SONG IS FUCKING AWESOMEEEEE🔥🔥🔥🔥🔥
HOW THE FUCK DID YOU DO THAT THERES NOTHING THERE
hi
Legitimately good example of how thorough you need to be to protect private information
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸


Discoholic 🪩
RMH
🪼
art blog(derogatory)

Product Placement
styofa doing anything

Kaledo Art
Aqua Utopia|海の底で記憶を紡ぐ
Sweet Seals For You, Always
Today's Document

❣ Chile in a Photography ❣
NASA
Claire Keane
seen from United Kingdom
seen from Greece
seen from Singapore
seen from United States
seen from Algeria

seen from United Kingdom
seen from United States

seen from Indonesia
seen from Brazil

seen from Germany

seen from Türkiye
seen from United States
seen from United States

seen from Singapore

seen from France

seen from Ireland
seen from Türkiye

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seen from France

seen from Finland
@failsaint
THIS SONG IS FUCKING AWESOMEEEEE🔥🔥🔥🔥🔥
HOW THE FUCK DID YOU DO THAT THERES NOTHING THERE
hi
Legitimately good example of how thorough you need to be to protect private information

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Vanity Fair's largest photographic profile covering the British theatre titled “Empire of the Stage” for the November 1995 issue. Lord Snowdon was tasked with photographing these theatre luminaries, flying back and forth between Britain and New York to capture these shots.
The cast of characters featured: Sir John Gielgud, Helen Mirren, Jonathan Pryce, Jeremy Irons, Fiona Snow, Vanessa Redgrave, Sir Alan Bates and son Benedick, Adrian Noble, Richard Eyre, Cameron Mackintosh, Gillian Lynne, Sir Andrew Lloyd Webber, Trevor Nunn, John Napier, Sir Alec Guinness, Paul Scofield, Sir Ian McKellen, Sir Anthony Hopkins, Sir Derek Jacobi, Ben Kingsley, the cast of A Midsummer Night's Dream: Stella Gonet, Desmond Barrit and Alex Jennings. Tom Stoppard, Harold Pinter, Stephen Rea, Jude Law, Patrick Stewart, Richard E. Grant, Alan Rickman, John Hurt, Leo McKern, Alan Bennett, Sir Peter Hall, Nicholas Hytner, Simon McBurney, Stephen Daldry, Richard Olivier, Jonathan Kent, Roger Michell, Sean Mathias, Katie Mitchell, Sam Mendes, Matthew Warchus, Nick Ormerod, Declan Donnellan, Julia Ormond, Kenneth Branagh, Rupert Everett, Rachel Weisz, Julie Christie, Phil Daniels, Alan Cumming, Paul Rhys, Joseph Fiennes, Rupert Graves, Simon Russell Beale, Michael Gambon, and Natasha Richardson.
I need to stop replying to “how do you make friends in your 30s?” threads because all my answers boil down to “you have to want to know people instead of have friends” and I don’t think people wanna hear that
It’s like. People can tell if you don’t really like or connect with them. If you aren’t truly enamored with someone you will have a hard time coming up with activities to do together to deepen the friendship. Because you don’t really like that person that much.
“i’m autistic” = 👍
“i’m a little autistic” = mark of the beast for annoying people
“touch of the ‘tism” = punishable offense
cartel style execution
everybody follow me down the old woman yuri rabbithole
nobody followed me do i gotta do everything myself around here.

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“You must forgive this little exhibition of weakness, Taplow.”
Beyonce, Rolling Stone, 2000
How it feels when someone prevs you
S1E01 → S5E10
Ava’s Connection to Death & Suicide
How Deborah helps Ava choose life
As promised, here is my first of two essays that I will publish before Season 2 premieres on May 12th. The next one will be talking about DJ & Aidan as parallels to Deborah and Ava and how they represent a potential happy ending.
With this essay, I am introducing a new series…to my Ava & Deborah Could Be Endgame series called Why They’re So Important to Each Other. Basically, these are essays where I discuss more closely why Ava and Deborah are so critical to each other’s characters’ arcs.
If you haven’t already, feel free to check out the rest of my Ava & Deborah essay series on this masterpost here or over on A03. You don’t need to have read any of the other essays to read this one, although I would highly recommend my introduction essay as it clarifies what I’m trying to achieve with this series and what to expect. Obviously, spoilers for season 1 of Hacks.
Major trigger warning: Obviously, based on the title please know going into this essay that we’re going to talk about heavy subject matter such as depression, drug use, self-harm, death, murder-suicide, suicidal ideation and suicide. I’m not going to lie, this essay gets dark at times, but I promise I’m talking about this to make a hopeful point. I’m going to be frank about these issues, so just know that going into it. We’re also going to talk about canonical deaths, including a suicide, that happen during the show. Please take care of yourself if you have experiences with any of this and if you fear this may affect your mental health, feel free to skip. But I do promise this is going to be a hopeful essay as Hacks is a hopeful show, so I hope you’ll stick around.
Thank you again @sarahstreep7 for agreeing to be my beta! If you’re interested in reading a fic that talks about these issues, I highly recommend you check out @fleaflofloyd’s story There’s Just An Empty Space (aka Stilted Monochrome). It’s excellent and you should go read it.
This essay clocks in at 12,000 words, so this is going to be a long one folks. Enjoy!
—————————————————————–
While season 1 gave us a good foundation of Deborah’s character arc, her character wound and a sense of where she’ll go from here, Ava is still a little bit of a mystery.
Ava made some progress and we got a view on her flaws, but it’s not yet clear what exactly is Ava’s character wound. In other words, why is Ava the way she is and what is it that she needs to internally overcome in order to satisfy her arc.
Hopefully, season 2 will give us more insight into Ava but I did notice a startling theme surrounding Ava throughout season 1 that could be a clue.
The theme of death and suicide.
Ava & The Specter of Death
In a show with two leads who have a significantly large age gap, it is inherently surprising that imagery and associations of death primarily surround the younger character, Ava.
The two big pieces of evidence that Ava’s arc is associated with death are her first lines are about suicide and the fact that she has 3 mirror characters who all die throughout the season. But before we talk about those bigger pieces of evidence, let’s talk about some smaller details I’ve noticed.
Keep reading

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i highly recommend for women and girls to be intellectually curious and difficult to shame
Toxic yuri save me
Hacks 5.09 The Garden // Gaga: Five Foot Two
Lucia Aniello: There is a Lady Gaga reference in the montage, a line from the Lady Gaga documentary, because you know we actually talk about that documentary a lot in general because it is such an incredible-- it's right before her Super Bowl performance, and you just see her rehearsing and practicing and you see somebody who is so talented but disciplined just like Deborah Vance, somebody who puts a lot of pressure on other people but puts even more pressure on herself and I think that's so true for Deborah.
are you charmed by how pathetic I am

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first and last friend
@cryptotheism
This type of self-deification is a huge element of a lot of 20th century occult practices, especially in regards to Thelema. Which was itself a reaction to the most conservative and fundamentalist expressions of American protestantism. Crowley's parents were members of a very fundamentalist Prot sect. Much of his theology is a response to that cultural milieu.
Like this is part of what Crowley meant by "every man and every woman is a star". It's genuinely interesting to see the charismatic elements of modern evangelical protestantism evolve a similar structure.
Also you could absolutely make an argument that the new age was in part inspired by the 1970s revival of early 20th century occultism, the core of which was Crowley / Blavatsky's writing. These new age elements definitely influenced the more woo-y ideological currents in modern Christianity. So what I'm saying is you might be able to draw a direct theological line from Crowley to Paula White-Cain. Like this could literally be a christianized thelemic practice unknowingly laundered through the New Age. Idk how you'd prove or disprove that though.