Finished Down Cemetery Road S1 and just saw there is a S2 approved. Yay!
P.S. Lover her coat!
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@yorickalas
Finished Down Cemetery Road S1 and just saw there is a S2 approved. Yay!
P.S. Lover her coat!

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OP's take just boggles my mind.
AI hasn't even been around for that long. Did they forget how to do their own work the moment they embraced AI? Uninstalled the "think for yourself" patch?
If AI disappeared tomorrow and you can't do your job because your company has made it impossible to work without AI, then that's on them, not you. For anything else: You did fine without AI before, you're not useless without it. Your skills will come back to you. And if you survived thanks to AI because you never knew how to do it right in the first place? You can learn to. Your own skill and know-how won't always be valued the way they should - especially not by techbros - but nobody can take them from you.
Hear hear. It really does seem like some people have forgotten that they - hopefully - managed to keep their lives together and do their jobs 3-4 years ago without AI crap.
And sure, some people WON'T be able to do their jobs without AI - like the people who make their living peddling "vibe-coded" apps and stuff - but... forgive me if I don't offer them the pity they didn't have for artists or translators when AI was putting THEM out of work.
it's healthy for academics to have professional feuds. enrichment activity
Holy shit. "The demese ef the Ne'enderthels: Wes lengege a fecter?" published in the Science magazine
short but sweet
Bless this ad.

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NO you absolutely WANT your PLASTIC SURGERY procedures to be done by a PLASTIC SURGEON.
As in someone who is specifically trained in it and does it every day.
Someone who is not specifically trained in pleasing cosmetic results and not actively practicing pleasing cosmetic results is how you get horrifying cosmetic results
I cannot tell you how many episodes of Botched I've seen where someone with a mangled nose job says some shit like "My dentist did 2 for 1 rhinoplasty...."
Feels like an important clarification from prev
I have had a rant brewing for awhile now and this seems like as good a place as any for it:
The "plastic" in "plastic surgeon" did not get here to mean "cheap and fake."
Plastic, the word, predates plastic, the material. The material was named for its noteworthy quality.
"Plastic" means "shapeable." Workable, moldable, malleable, et cetera.
When the first reconstructive surgeries were being pioneered in the 19th century, working absolute miracles like restoring whole faces to girls and women who'd caught fire tending to their kitchen stoves, among a multitude of other devastating conditions, it was this miraculous reshaping that gave the surgery its name: plastic surgery, the shaping surgery.
Time passes, and plastic, the material, is developed, and goes from fantastic modern wonder material to byword for cheap imitation; plastic, the surgery, expands from reconstruction to aesthetic finicking, Barbie is introduced with her unrealistically-proportioned plastic body, and the phrase "plastic surgery" goes from indicating "the reshaping surgery (what a marvelous thing)" to "the fake face/fake tits/fake nose surgery (how vulgar and deceitful)."
Same phrase. Entirely different connotation.
Just sayin'.
You want the reshaping. Go for the plastic.
People seem to think of plastic surgery as for cosmetic purposes only. Kids getting plastic surgery is considered a sign of the fall of society. I got three plastic surgeries before I was 10. I was born with a facial birthmark that actually caused malnutrition as a baby (couldn't latch on) and a speech delay (couldn't put my lips together to form sounds). I was also treated as a pariah by fellow toddlers who were scared of me, which I think caused the social anxiety disorder I have today. My mom literally searched the country for the right surgeon. We had to take a week to go up to Boston Children's Hospital each time. The surgeon is famous in medical circles for the things he did for kids like me. Plastic surgeons are heroes.
comicfury continues to reign supreme as the only webcomic platform that understands it's a webcomic platform
making an extra post because the tags aren't good enough
here is all the reasons why you should use comicfury (if you aren't already) :
pretty much full control over your custom site design. if you're an HTML/CSS nerd you can go as crazy as you want with it. but for those who aren't so code-savvy, there are also simplified built-in design tools so you can create a unique site for yourself and your work. reject homogeneous minimalism design of bigger platforms, embrace tradition of mid-2000's kitchen sink site design (if that's what you want, that is).
the site demonstrates its own philosophies through its extremely charming vintage 2000's-era site design. it ain't broke so it doesn't need fixing. if it's too 'ugly' for you and wards you off from using the site, then it's succeeding at what it was designed to do.
forums! remember those??? CF sure does!
full view of your comic statistics over the past month, shown as delicious daily line graphs, separated by unique visitors, web page view, and scroll view.
hosting is free. don't want that pesky 'thecomicseries' or 'comicfury' add-on? all you gotta do is purchase your own domain name. contact kyo and they'll take care of the rest.
you can categorize your pages per chapter, making for an easier reading experience
you can include page transcripts for screen-readers as well as mouseover text
you can enable comments per upload and even manage them so that all comments have to be approved by you before they're shared publicly
archive tagging!!! i.e. you can tag uploads with relevant characters / locations / etc. so people can find specific pages easier on your site.
you can run a goddang BLOG on your comic site so that people can read what you've been up to! or don't, it's your choice!
clear filters for NSFW content. the filters do what they must to inform your audience as intended, outside of that, your comic will not be taken down, flagged, or suppressed in search results just because it contains violence or boobies.
they are strictly anti-AI
they do not make licensing deals with third-party companies, so the only 'competition' you have are other indie creators like you, no Marvel or DC nonsense
you're free to embed ads and/or donation buttons on your site and CF will not take off a single cent of it for themselves.
the front page goes to Recently Updated by default, all the other tabs are simply Popular Now and Popular Overall. there's also a Random button if you want to be surprised with something new. while this might seem like a bad thing for people who prefer custom filtering, this unbiased layout prevents the common visibility issues / favoritism / etc. that happen on other platforms.
but if you DO want to find something new that fits your specific tastes? just use their search bar, unlike on Webtoons it actually does what search bars are supposed to do! within the search page you can pick and choose whatever genre tags you want, and you can filter out major NSFW flags you're not comfortable with seeing.
saving the best for last: none of those features outlined above require paying a premium subscription tier. you have access to ALL the same tools and permissions that everyone else does. you have just as much potential to gain an audience there as everyone else and you are all granted the same freedoms.
COMICFURY HAS A SCROLL VIEW SETTING THAT YOU CAN ADJUST IN YOUR SETTINGS. THE PLATFORM IS ALREADY DESIGNED TO BE CONSUMABLE ON YOUR PHONE. IT DOESN'T NEED AN APP.
ugh man i'm so sorry for popping off on this very innocent and well-meaning bystander but what did i JUST say
when i say it's a webcomic platform that knows it's a webcomic platform
that's it. no asterisk. that's the POINT OF THE MEME.
it is a website for reading and hosting webcomics. there is no app. and that is why it works.
i realize this might just be a consequence of me being Oldβ’οΈ compared to the average webcomic consumer / artist, but do y'all know how destructive phone apps have been and still are to webcomic culture? because not only is developing a phone app EXPENSIVE AND TIME-CONSUMING, but it's pretty much impossible to have phone apps now that aren't managed and funnelled through Google and Apple.
that means CENSORSHIP. and CORPORATE INTERFERENCE. and FINANCIAL INVOLVEMENT. which is entirely opposing to WHAT WEBCOMICS ARE.
as soon as indie sites based around free content develop apps, there's a very clear shift in how that site continues to operate, prioritizing corporate standards and profit over usability and community. because otherwise, they can't justify the creation of the app in the first place, and they can't very well maintain that app on account of how expensive it is to do so.
in fact, i can even attest to this from experience! y'know Tapas? the friendly competitor to Webtoons?
this platform used to FUCKING SLAP and then guess what? they released their phone app. and in doing so, they immediately lost the entire fucking plot. their ad revenue program turned to shit, they started prioritizing their advertising and growth towards paywalled comics over the free to read ones, they started restricting the content that was allowed on the platform for the sake of 'brand friendliness' and most of all, they started caring more about what INVESTORS saw rather than what the average user experienced.
and i'm sure that's a heavily biased opinion in which i'm choosing to cast blame on one specific thing instead of all the various things that led to the downfall of this fuckass platform (and i could talk about all those things at length too) but guess what? i don't give a fuck if it IS biased, because i've been there and back and lived to tell the tale and the common denominator in the enshittification of all these major platforms i'm goddamn MEME'ING ON was the phone apps. and most of all, the normalization of corporate involvement which happens the MOMENT you build an app for the Google and/or Apple store.
modern phone apps are NOT about accessibility, they're about money and metrics. that's it.
again, big apologies to the person who left these tags in the reblogs because i know they didn't mean any ill will of it.
but EVERY FUCKING DAY i see y'all complaining that webtoons and tapas are garbage, that they don't let you consume NSFW content without censoring the fuck out of it or removing titles entirely from their platforms, how they progressively tighten paywalls and increase ads to force every last cent out of you, but never ONCE do y'all realize THE CALLS ARE COMING FROM INSIDE THE HOUSE.
comicfury doesn't have or need a phone app for the same reason that AO3 doesn't have or need a phone app. to put it simply - because it's pointless, a waste of money and effort, and it would just destroy everything that's great about the thing that i'm trying to promote to you in the first place.
this is what usage freedom and decentralizing actually looks like. this is what has kept comicfury populated and alive. nothing more, nothing less.
Correcting the Historical Bias Against Domestic Materials
Archaeology has traditionally had a fundamental bias against fabric. Fabrics are after all highly perishable, withering away within months or years, and only rarely leaving traces behind for those coming millennia later to find. Archaeologistsβpredominantly maleβgave ancient ages names like βIronβ and βBronze,β rather than βPotteryβ or βFlax.β This implies that metal objects were the principal features of these times, when they are simply often the most visible and long-lasting remnants. Technologies using perishable materials, such as wood and textiles, may well have been more pivotal in the daily lives of the people who lived through them, but evidence of their existence has, for the most part, been absorbed back into the earth.
There are exceptions, of course, and traces can and do survive, usually thanks to an unusual climate: freezing, damp anaerobic conditions or extremely dry ones. The climate in Egypt, for example, is ideal for preserving all manner of usually perishable things and we subsequently know far more about ancient Egyptian textiles than those from most other regions. As archaeology has matured and diversified, scholars have increasingly looked forβand foundβevidence of fine, complex textiles stretching farther back than anyone would have guessed. Their beauty and the skill needed to make them suggest a very different image of our earliest forebears than the club-wielding, simpleminded thugs of popular imagination.
βThe first cultural device was probably a recipientβ¦ . Many theorizers feel that the earliest cultural inventions must have been a container to hold gathered products and some kind of sling or net carrier. So says Elizabeth Fisher in Womenβs Creation (McGraw-Hill, 1975). But no, this cannot be. Where is that wonderful, big, long, hard thing, a bone, I believe, that the Ape Man first bashed somebody with in the movie and then, grunting with ecstasy at having achieved the first proper murder, flung up into the sky, and whirling there it became a space ship thrusting its way into the cosmos to fertilize it and produce at the end of the movie a lovely fetus, a boy of course, drifting around the Milky Way without (oddly enough) any womb, any matrix at all? I donβt know. I don βt even care. Iβm not telling that story. Weβve heard it, weβve all heard all about all the sticks and spears and swords, the things to bash and poke and hit with, the long, hard things, but we have not heard about the thing to put things in, the container for the thing contained. That is a new story. That is news. And yet old. Beforeβonce you think about it, surely long beforeβthe weapon, a late, luxurious, superfluous tool; long before the useful knife and ax; right along with the indispensable whacker, grinder, and diggerβfor whatβs the use of digging up a lot of potatoes if you have nothing to lug the ones you canβt eat home inβwith or before the tool that forces energy outward, we made the tool that brings energy home. It makes sense to me. I am an adherent of what Fisher calls the Carrier Bag Theory of human evolution. This theory not only explains large areas of theoretical obscurity and avoids large areas of theoretical nonsense (inhabited largely by tigers, foxes, and other highly territorial mammals); it also grounds me, personally, in human culture in a way I never felt grounded before. So long as culture was explained as originating from and elaborating upon the use of long, hard objects for sticking, bashing, and killing, I never thought that I had, or wanted, any particular share in it. (βWhat Freud mistook for her lack of civilization is womanβs lack of loyalty to civilization,β Lillian Smith observed.) The society, the civilization they were talking about, these theoreticians, was evidently theirs; they owned it, they liked it; they were human, fully human, bashing, sticking, thrusting, killing. Wanting to be human too, I sought for evidence that I was; but if thatβs what it took, to make a weapon and kill with it, then evidently I was either extremely defective as a human being, or not human at allβ¦ . If it is a human thing to do to put something you want, because itβs useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then next day you probably do much the same againβif to do that is human, if thatβs what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.β
βUrsula K. Le Guin, "The Carrier Bag Theory of Fictionβ (1986)
Itβs crazy how there is so much bias in how we see the past and the "advancementβ of civilizations purely based on how well the remnants preserve in the climates they were in.
A civilization that built structures out of stone is assumed greater than a civilization that built structures out of wood or some biodegradable material
This makes me think of Rivercane (Arundinaria spp. our native bamboo which was almost wiped out in colonization similar to what happened to the Bison) and how it was used universally by the peoples of the Southeastern USA for every tool, structure, furniture etc imaginable: bedframes, waterproof mats for roofs, backpacks, sieves, shields, torches, sharp splits for quick-and-dirty butchering knivesβ¦
when the spanish first came here randomly roaming and murdering people all over the place they reported that the country was so populated that you could be in one town and see the smoke of the campfires of other towns on the horizons.
now bamboo by weight is stronger than steel, and Rivercane is one of the stronger species of bamboo. Bamboo-working in southeastern USA pre-colonization was crazy advanced. And you could use a split of Rivercane as a butchering knife in a pinch, and you could also use sharpened pieces as arrows without a stone projectile point at all. So there were all these useful objects and tools and constructions that were able to simply biodegrade away.
So people nowadays often assume there was hardly anybody here before white people showed up just because they donβt see all the constructions and temples and stuff.
Whatβs even crazier is you DO see the constructions all around you, literally the town I live in was built on top of an Indigenous town and many roads around it and leading to it were Indigenous roads.
(And there were quite a few stone constructions, but colonizers have been running wild all over the place so long that theyβve been knocked down and you literally couldnβt identify the ruins unless you thought βhey wait these stones donβt belong here, they had to be quarried and brought hereβ And in a lot of cases the locations of such ruins are not popularly discussed because looting and desecration of Indigenous sites is such a huge problem if anybody knows.)
(itβs so crazy actually in the history of Kentucky specifically like historical writers in the 1800βs had this theory that indigenous people had replaced this ancient civilization of white people that built all the stone stuff and made all the pottery and things. but now that the remnants are no longer as visible, the most popular falsehood is that NO ONE lived in Kentucky and it was just βhunting grounds.β which is not true. its like people want to believe anything except that indigenous people were and are indigenous to this place)
Heh, wife and I met at a party where we got into a discussion about the Tarim basin mummies in China and how the fabrics there, the weave and thread, clothing patterns, etc were very similar to the bog finds in north western Europe, which meshed with philological studies I had been reading up on and how similar proto-Celtic languages spread out of India, with branches going west and east.
Metal use somehow never entered into it.
op disabled reblogs but I think the point still stands
reminder that the books themselves also suck ass actually. there's an entire plotline endorsing slavery. the one character who advocates to end slavery is bullied and made fun of. the one slave who doesnt like being enslaved is bullied and treated as an outcast. the bankers are the picture of racist stereotypes of jewish people. the one asian character is named fckn Cho Chang. the worldbuilding SUCKS. fuck harry potter and fuck rowling. stop giving her your money.
Don't fucking go see this shit
Characters of the Marvel Cinematic Universe β³ Ned Leeds

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Elton John
I heard you like Elton John so hereβs Elton John drinking Elton John with Elton John.
This guy's illusions are great
SPIDER-MAN: HOMECOMING 2017, dir. Jon Watts

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hgtv show hosts: we made this dark disgusting house into a nice bright warm cozy masterpiece
the house:
needs a pop of color . . . I think some red accents would really give it that homey feel :)
β β