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you aim, you attack, you lose!
a death note amv. youtube upload here!

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Apparently I started this flipnote 10 years ago. Which is crazy to think about. I decided to dust off my old friend (my red dsiXL) and try again from the ground up on this one.
Now that I barely use this account I have a controversial deltarune take are you ready
Kris being the only human in a monster town as a queer (specifically trans) allegory makes very little sense considering that not only are there other trans people in town (the transfem waitress with a lions mane) but they're not even the only trans person in their class (monster kid is also nonbinary). I obviously don't know the guy but if this was the message Toby fox was going for i think itd really undermine his queer isolation metaphor by surrounding them with other queer people who are treated casually like its not an issue
"Only human in a monster town" is clearly supposed to represent them being a poc and/or foreigner in a predominantly white/monocultural neighbourhood and a transracial adoptee. Like they literally used to wear fake horns to make themself look like their adoptive family. But the average utdr fan is a white lgbt who is incapable of recognising marginalisation that's not focused on queerness and whose understanding of adoption is "found family trope"
I was just reading a book where both POV characters spent much of the time making understandable bad, self-destructive, sometimes unkind decisions, and it got me thinking about how there is a real impulse that a lot of writers have to make their protagonists be good. The writing reassures us that the protagonist really is kind and generous and smart and witty, and if they are selfish it's only in the sort of acceptable "I can't stand to see others hurt" sort of way.
Your characters don't need to go to the extremes that the book I was reading went to (I did find myself yearning for literally anyone to make a good choice), but before you find yourself writing something with the purpose of convincing the reader that the character really is good or smart or selfless, it may be worth pausing and asking whether your character needs to be all of those things, or whether it might serve your story to have them be something else.
I feel like either I'm reading different books than y'all or Tumblr is so deep in its collective love affair with self deprecation that it wants badness, self-destructiveness, and unkindness to be spelled out. Everything I read is just "protagonist encounters events/challenges and people, and stuff happens" without much talk about the protagonist's goodness or badness.
Maybe I'm just missing the point of your response, but it was clear that when I said "the writing reassures us" I didn't actually mean "the narration says 'this character is good, I promise,'" right?
When a character's actions consistently result in the "good" outcome or when they meet some ideal moral standard, when the character is self-sacrificing or consistently selfless or always kind or generous, when even their bad decisions are justified by the story, when they are consistently the smartest person in the room, that is all the writing reassuring us that the character is good, they promise.
I frequently read stories where the character always makes good decisions, where they are the ones who get to say I told you so, where the people who challenge or tell them off are always the ones proven wrong.
This is not about a love affair with self deprecation. It's not about wanting badness or self-destructiveness or unkindness to be spelled out.
But stories are less interesting if the narrative refuses to let the main character face real consequences for their actions, where bad things only happen to them in spite of their choices rather than occasionally because of their choices, where they are always the best and coolest and most special character.
In the book I was reading, by 40% of the way into the book when I wrote this post, the main character had already gotten into two or three unprompted bar fights, was having ill-advised sex, was being kind of an asshole to everyone around him, and had committed a couple of random crimes. These were decisions mostly being made because he was under a wild amount of stress--but they were bad, self-destructive, and sometimes unkind decisions.
And there wasn't much talk about the character's goodness or badness (other than some of the characters being impacted by his decisions wishing he would make different decisions), because it's a novel, not a children's TV show. But the narrative also didn't feel the need to reassure us that his decisions really were good actually, and the character was allowed to make those sorts of bad decisions instead of only making the sort of self-cannibalizing, only-lash-inward-never-outward, perfect suffering bad decisions that many books and fics are so fond of.
Anyway, maybe you do read different books than me. But there is always more than just "protagonist encounters events/challenges and people, and stuff happens.
just made a tier list
If I may add

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It's okay if you're 22 and still sleep with a stuffed animal it's called having the cuddlers spirit and it's actually what gets you into heaven
You chuckle fucks realize Rocky doesn’t say “statement”
That’s not a pattern of speech that he uses. Ever
He does it in the movie because Grace does it Eridians wouldn’t say statement get your fucking head in the game
They say question because question is different from statement if they’re saying question then it’s implied that if they’re not saying question it’s a statement
Getting your brain beamed temporarily into an Eridian body is really weird on the senses. On the plus side, though: there's now so much more of Erid to explore!
or: my own take on eridian!grace! featuring a lot of goofy fluff and some erid worldbuilding :)
Lady in drive through had a bearded dragon sitting on her boobs and she held it up and let me pet it. killing myself canceled
art is not my strong suit but this is my best recreation of what i saw when i opened the window. i have to emphasize that she was supermodel levels of gorgeous

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I think the battle is long since lost on what the “-coded” suffix means, but I (old movie guy specifically invested in queer coding) seem to be unable to let go of how annoying I find the fuzzy popular use of the term. This is probably a flaw in my character.
Coding is intentional, it’s a way of communicating indirectly with the audience through a shared language of signs. That’s why it’s called coding, because it’s communicating in code. It isn’t when a thing reminds you of another thing.
we should bring back the directional (Locative) Adverbs: Hither, Hence, Thither, Thence, Whither, Whence, Yonder, and Yons
lets go through the meanings to better
Hither means to here, so come hither means come to here to this place
Hence means from here, from this place (hence its other meaning of from this idea to another)
Whither means to where? what is the place it is going?
Whence means from What or Where? from where something came (go back whence you came)
Thither means to there, to that place (go thither and do your task)
Thence means to That or there, Thither is the place they will go
Yonder means to Yond (Yond is a form of There but for distance) so it means to that place far away
Yons means from that place far away, from Yence it shall go
unfortunately a couple of these have been rendered superfluous by Grammatical shifts and To deletion, but they are useful for writing if you want to sound cool
Yonder is also fun because its not a native English one its a borrowing from Old Norse hence why it has a different form
the sexiest thing a woman can be is a cringe fujoshi with a very serious day job
fujoshis with serious day jobs have skills and competencies you can only dream of
cough cough spoilers
..you know, i'm not sure if i actually want to compile all my same-continuity phm fics into one series on ao3 (i think if i did that it would imply that they have more connection or more of a narrative throughline than they do), but if i did i'd probably call it the "certaintyverse" or something
actually, curious if anyone has a strong opinion on this? i’m finishing up a new wip and i feel like collecting everything into one fic series would be a helpful way of signaling that they all tie together a little bit (and that if you like one you might like the others). though again idk if i want to imply too much continuity…

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rocky keep grace warm
my super sustainable bmw