For a moment it seemed like she was actually considering what he was saying. Then — out of the blue — she burst out laughing "You're such a fuckin' dork" and he'd be damned if it wasn't the most beautiful sound he had ever heard.

Wanted to make a fake screenshot of Räme being actually genuinely happy.

the last time I reblogged this post right before I got a great job, in a permanent work-from-home position, with benefits, retirement, and a salary literally 3x what I was making before, doing something I really like. 

So you know. 

So the cardinal of Avignon sent the bishop of Cavaillon to do something about them. In front of a huge crowd, the bishop sprinkled some holy water into the waters of the port and told the dolphins to begone. Whereupon the dolphins indeed turned tail in terror and fled, and were never seen again.

So to avoid the creation of a cockatrice (or basilisk), the rooster was tried, found guilty, and burned at the stake along with its egg. A huge crowd was present.

The “rooster” in this case was likely a hen that had developed male characteristics (it happens).

Her piglets, however, were judged to have been innocent of the murder, and so were returned to the owner, with the caveat that he had to surrender them to the law if they were later found to have eaten any of the boy.

Not to be confused with a whole bunch of other, similar porcine trials.

domestic cats, on the other hand, do know how to make friends. they are friendly to the point that lots of feral cats live in colonies— the females hang out together, even raise kids together, and the males like to spend nonsexual time with their baby mommas. they groom each other, play around, and have a particular tail position to signal to one another— straight up with the tip curled— that they’re friendly and happy to see each other. cats learned how to be chill with each other in order to take full advantage of human food sources: an ancient granary supplies enough rats for a lot of cats, as does a modern lady with a big bag of frisky bits, so it would be a waste of time and energy for any one cat to try and stake the entire foodsource out for exclusive use. less fighting means more eating and resting which means a longer, nicer life and a lot more kittens. 

so this stray cat, she obviously has no colony if she’s wandering around and sneaking into zoo enclosures, so she’s like ‘hey! there’s food here! what up, other cat, let’s be friends, let’s be friends and share that food’. and the bobcat is like ‘??????’ because actually wild cats are pretty cautious about initiating hostilities and anything new and aggressive makes them very worried. and the domestic cat is like ‘haha cool, ok, we’re friends now, big guy. no problems.’ and the bobcat is like ‘????? well…?? ok?’ and then they are friends. 

the super interesting thing about most wild cat species is they don’t really have the capacity to make friends on their own, especially outside of sibling bonds, but, if someone comes along and does all the friend-making themselves, they’ll totally roll with it. zoo cats can get really attached to their caregivers— or, in this case, a very confident little calico demonstrating exactly why her species has been so darn successful over the last nine thousand years . 

LOOK

A VIDEO OF THEM GROOMING AND HEADBUTTING EACH OTHER!!!

RADISHN’T: Prithee, which one of you had planned to tell

Of diff'rent flavours gained by simple act

Of brewing tea with water hot, not cold?

MOTHMAN: Egad! you poured the water cold? Wherefore?!

FROG: An answer from you, Radish, I must beg.

RADISHN’T: Indeed I did, dear friends - why does this shock?

Without the guide of others I assumed

That heat was merely added for the sake

Of expediting this solution’s brewing!

Half a decade I have spent, or more,

Not questioning this worldview I had made.

In fact, I am myself a bit surprised

That you might think that I, your dearest friend,

Might have a patience of sufficient stock

To wait until a pot of water boils.

FROG: Three minutes overtaxes patience so?

The microwave will beep when it is done!

CATS'N: My friend, this answer vexes me the more!

Can it be true that thou dost boil by nuke?!

FROG: Are you in turn, my friend, so shocked to know

That I have not the patience, like our Root,

To boil upon the stove our favour’d drink?

CATS'N: It takes less than a minute!

FROG: On what plate?

Perhaps your dinner cooks atop the sun?

CATS'N: How long can take your stove to fill the task

Of boiling but a single cup alone?

FROG: In minutes?

CATS'N: Yes!

FROG: I counted seven, once.

CATS'N: Perhaps you ought to have your timepiece checked!

If on a middle heat you place the cup

You soon will have the scalding drink you crave.

Two minutes, in a mug upon the plate

Or even less, if you should have a pot.

FROG: You cause me tears - is this how thou dost live?

You place upon the iron stove a mug?

A mug, ceramic, filled with water cold?

How do these flames, though medium in height,

Not shatter like a glass this fragile thing?

Surely, then, your kitchen is bewitched

With magicks far beyond the mortal ken!

(The FOUR realise they have wandered into the THRONE ROOM. The ROYAL COURT watches with fascination.)

The fact that nearly every line is so metrically considered- near perfect iambic pentameter witb the occasional trochee for emphasis, but usually retaining a strong sense of rhythm nonetheless. And then the king comes in at the end, so wound in his disbelief that his response is reduced to prose.

And the even better thing about this is how easy it would have been to structure the king’s line into iambic pentameter: it is effectively already said as such because of the way wizardlyghost has phrased it, yet they haven’t!! They did not break the line, rendering what, by all typically of both Shakespearean canon and other periods context should be the character with the most command and authority in the whole play. If there was ever a more effective way to convey a genuine “what the fuck??”, I know of it not.

But it gets better!! Shakespeare regularly uses meter in order to represent class divide; the nobility usually speak in iambic pentameter, save for a few particularly chosen moments (e.g. Lady Macbeth’s descent into madness, Othello’s realisation of Desdemona’s “betrayal”) or just lines where Shakespeare needs to suggest high emotion or when a character is lost in thought. Supernatural characters like the fairies in A Midsummer Night’s Dream and the Witches in Macbeth usually speak in trochaic tetrameter, an inversion of iambic pentameter. Lower class characters, particularly those used for comic relief (usually under the influence of alcohol), speak with no structure at all: their language is plain prose. Therefore, if this is a conversation between these types of characters, as the prompt from silvergirachi suggests, why the hell are the characters speaking so eloquently???

Now, this is Tumblr. It is subsequently logical to assume that this may have merely been a humorous recreation (and a very good one at that) of the Shakespearean style in a way that is widely recognisable to an audience that may or may not have read a great deal of Shakespeare, which is understandable. However, logic is boring so I’m going to probe further into this to the point where future historians will look to this as an example of overanalysing.

The inherent eloquence of the characters here suggests an unusual subversion of the roles typically assumed in Shakespearean comedy. This could be interpreted along two major avenues: firstly, that the rhetoric displayed by the speakers is fundamentally representative of how truth can be expected even from the most seemingly pointless or ludicrous discussions. Furthermore, it could suggest that it matters not how well constructed your speeches are: if you talk bullshit, it’s going to sound that way despite your attempts to hide it.

This is similar but not identical to the second avenue of interpretation: there is the implication that the noblemen in the play are in fact the comic relief characters, therefore implying that the “common people” of the play are the ones whose influence, though not expressed in such a highly spoken manner, makes a lot more sense than whatever the hell this is. If this was a real Shakespeare play, I would call it a subtle exploration into the innate corruption of the rich and powerful. Well done, op.

Character Ideas:

Character creation masterpost

Character Alignment Chart

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How to create a character for an online or tabletop RPG (also a good guide on creating characters in general)

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How clothing affects a character’s personality

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Amazing site with an endless amount of naming resources

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Another name masterlist

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Yet another names masterlist

Creating Background/backstory:

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Why you should write non-human characters non-conforming to the gender binary

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Character Interactions and putting your character into your world/story:

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Characters who are scientists and writing about them doing science

Describing what different voices sound like

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Writing friendship interactions that are platonic

Why having one character knock their friend unconscious to prevent them from doing something is a bad idea

Advice on shipping OCs with canon characters and what to avoid doing

Sweet Polly Oliver and Sweet on Polly Oliver situations (think of Disney’s Mulan for an example)

How to write multiple viewpoints/juggling a main cast of more than 4 to 6 characters

How to make readers care about your morally gray hero/anti-hero

On platonic OC and canon character relationships

How to avoid Godmodding in RPs

When it’s cheap to kill off a character

Writing dialogue

Things you shouldn’t do to canon characters

Avoiding purple prose in writing and RPs

Slang resources

Dialogue tips

Websites to chart your story/plot/character relationships