The GREAT DisneyPhantomlover!

i have access to powers and locations that he cannot access independently; he needs my help to navigate the world i've brought him to

i simply found him outside and abducted him one day

there are many cats in the world, but this one is the best and my most favorite. why? because he was available to abduct that morning and for very little other reason.

i have a much greater understanding of this world than him, but he has unshakable confidence in his ability to figure it out and i find that really cute

the power dynamic is fundamentally unbalanced, but i let him have a little audacity. a little combativeness and sass. as a treat.

some humans are needlessly cruel to cats or take them in for a short time before neglecting or abandoning them. but i have chosen to love and guard this one with my life. because i think he's neat.

So at the very beginning of the play there was a scene where Macbeth and Lady Macbeth are at a funeral as the primary mourners. A stretcher is carried on with a covered body. The body was notably very small. They laid flowers on it and Macbeth immediately left for battle.

Now *I* studied Shakespeare in college so I immediately knew there is one single line that implies that the Macbeths lost a child at some point. Most of the time this isn't utilized in productions; it's just a throwaway line, intended to paint just how determined Lady M is for this regicide thing to work and how furious she is that her husband has cold feet. In this production she delivers "I have given suck, and know how tender tis to love the babe that milks me" nearly in tears. She takes a moment to steel herself before saying, "I would while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains pit, had I so sworn" and she very nearly SCREAMED this in Macbeth's face.

Also noted was how the Macbeths looked at Macduff's children. Lady M was clutching her heart, nearly breaking watching them embrace their parents. Macbeth could not even look at them.

At the end of Lady Macbeth's plot, when she is sleepwalking and sleeptalking, she is typically portrayed as speaking to no one or to her husband. However, at a certain point of her monologue she got on her knees, raised her voice to a comforting octave, and began miming tear wiping, hand holding, hair and face stroking, around a child-sized figure. "Wash your hands, put on your nightgown, look not so pale. I tell you yet again, Banquo’s buried; he cannot come out on’s grave." Then she stands and appears to take the child's hand. "Go to bed, go to bed. I can hear knocking at the gate-" then she looks down and realizes that no one is there, followed be the most heartbreaking shriek I've ever heard followed by a full minute of her just weeping while curled up on the floor before she stood up, finished her monologue and left the stage.

Most of the time when the loss of a child is utilized in a performance or adaptation, it is assumed that the child was an infant and lost some time ago. To imply that the child died IMMEDIATELY prior to the events of the play and had been cared for and loved by their parents for a few years adds such a fascinating layer to the desperation to ascend to the throne, Lady M's madness, and Macbeth's initial hesitation into "in for a penny, in for a pound" attitude, Macbeth's fury that Banquo's, not his, children will take the throne, and even Macbeth's eventual demise following a frenzied final battle.

How far will grief push you to fill a hole? How far will grief push you to desperation? And what happens when none of your new pursuits are filling the void left by the one you lost? And what happens when you realize you have nothing left to lose?

Simon "the butcher" who keeps apologizing for not knowing better, for causing harm to the people in the room, for being rightfully angry and lashing out, turning every knob and lever and pressing that damn button because why would it work when he doesn't have any power and why didn't they just Tell Him??

Simon "the butcher" who gets teary and has the look of a hurt child on his face when ava mentions filament station and his voice trembles when he is quick to say "that wasn't supposed to happen"...

Simon "the butcher" who apologizes to the sm-13, an inanimate object, after hitting the console.

115 colonists: okay

governor: ends up spending 3 years in england bc of a naval war with spain or some shit

governor: gets back to the colony to find everyone gone

governer: sees the word “croatoan”, the name of a native american tribe, carved into a post

croatoan tribe: has members and children with blonde hair/blue eyes, pale skin

Here's the cat burglar. She wears comfy clothes and has zero social skills. She has sex appeal but only if you're into a very specific type of woman, and crucially she has zero idea she has it. She probably doesn't know what an innuendo is.

Here's the hacker. He's a Black nerd, and also the most moral character of the bunch. He's a nerd but also not socially awkward; in fact, he's the second best at grifting, right after the person who's been doing it for decades.

Here's the muscle. In his heart of hearts, he is a chef. He is tough and manly but he uses that to look out for the working class and children and everyone else the system leaves behind. He's feared by politicians and he reminds his friend to tip the delivery person.

Here's the femme fatale. She's over forty years old, and she's the one seducing the mark. She's the heart of the team. Her calling is to be a director. She loves attending her own funeral.

Here's the mastermind. He's the only one who doesn't start out as a career criminal. He manipulates his own crew, kills two people after promising them he won't, and takes deals behind their back. He was in seminary school.