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"I'm Dorothy Gale from Kansas"

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shark vs the universe

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sheepfilms

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@devilneph

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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talks with my friends who are going to kink parties and having t4t orgies and doing petplay and then goes to sleep in my childhood bedroom and dreams of the snow, and rain
from @timeflow -
[image id: black text on a white background that reads "your friends are all living their lives and having fun and exploring their sexuality together, but their lives almost feel fictitious and fantastical - yes they're doing all this but all that stuff is just an ideal, that's something you only hear about others doing and never get to access it for yourself. you talk to them about it online to try to get a taste of it, try to live vicariously through them but that's not going to replicate their real experiences. they (adults, experimenting with sex, connecting with people like them, mature enough to live their own lives) are on a different plane to you, you who is still back in your childhood bedroom, disconnected from the adult world, feeling like you haven't finish your teenage years yet. you have a lot of close friends but none of them are close to you. while they are out doing things you occasionally daydream about doing in some distant future, you're sleeping alone in your bedroom. and you're dreaming about the snow, and rain" /end id]
Tumblr Sexyman Contest 2026 Final Round
Senshi (Dungeon Meshi)
Ryland Grace (Project Hail Mary)
Mr. Ant Tenna (Deltarune)
Tenna art by @9Aaaalt29 on twt
âAnd if youâll give me 40% of the MOST POPULAR VOTE, Iâll give you my SPECIAL REWARD... A yearâs supply of NON-GLOOBY SLIME!!! Never or BARELY used!!!â Tenna concluded his speech with a huge smile, jetting his hands up in double peace signs.
The crowd roared in confused enthusiasm as Tenna gave a gracious flurry of low-FPS bows, pausing only for the occasional stink-nose at his audience plants who werenât throwing enough 3D roses.
Eventually, the room fell silent. It was Senshiâs turn to speak.
He puffed out his chest, took a long, sweeping look over the audience⌠and shook his head.
âI can see not all of you are eating properly.â
The crowd murmured with embarrassment.
âI donât know who needs to hear this, but itâs time to take the turkey out of your icebox. I have seen the ingenious technology with which your people store food... and I have also seen the waste which results from such convenience.
âThe food you take had a life. Beasts grew fat on the grass of the field, plants grew from the sunâs rays, and mushrooms grew from minerals in the cracks of caves. And yet, it sits in your iceboxes, collecting moisture until it perishes.
âEat what is given to you. Because its life will make you stronger, too.â
Without another word, Senshi left his podium and stepped away from the stage. The crowd murmured in confusion. âIs he really like that?â somebody said. âI only remember reblogging the photosets of him tripping and showing ass.â
--
Back in the Green Room, Tenna wrung his antennas nervously.
âY-y-you think they liked me!? They HAD to!! I mean, I donât know what Asgore was thinking, getting that weird haircut and running that food waste campaign, but⌠YOU thought I did good, didnât you, Kris?â
Laios nodded aggressively, a streak of blue face paint peeling from his forehead.
âYou did AMAZING, Tenna! By the way, now that weâve seen all your insider campaign secrets, do you have any more videos of Susie? Especially her tail... If I could get a look at that, I could finally tell if sheâs a dinosaur or --â
THWACK. Fake antlers butted Laiosâs head.
âLAIOS?? Werenât we dressed up to help SENSHI???â Marcille hissed, gesturing awkwardly with her hooves.
Suddenly, Tenna turned to the two adventurers.
âHey, WAIT a second. SOMETHINGâs not right here...â
Laios and Marcille held their breath.
âWhere the heck are my POINTS!?â
Just then, the door opened. Chilchuck took one step into the room, whistling and holding a large bag.
Everyone turned to him.
Chilchuck paused, took a step backwards, and closed the door.
âCHILCHUCK!!!â yelled Tenna.
âHow come Chilchuck got to stay Chilchuck!?â yelled Marcille at the same time.
--
Meanwhile, in outer space somewhere, some guy was making out with a rock.
I love this text post so I drew it
Jasmine Vine, lead programmer of Hollow Knight & Silksong just transitioned!! I'm so happy for her!â¤ď¸đłď¸ââ§ď¸
her bluesky header & icon are so cute too đĽ°

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hi miss wabbit can I use the anxious bunny from this post
https://www.tumblr.com/taffywabbit/785658669201260544/what-if-a-creature-was-both-strange-and-hilarious
As an emote for my discord server :)
sure! i isolated it and exported it as a square for you, and i also did the "me when i am funy" one while i was at it, cuz i still had the original transparent lines for both of them.
anybuny can feel free to grab these for personal use as emotes and stuff if they want! (credit is appreciated but obviously there's not always a great way to do that with emotes lol)
actually here i ALSO made a version of the funy one with text because it makes for a pretty good discord sticker that way, if anyone also wants that. seemed like a good idea to me, since this is a genuine emotional response i have on a regular basis when people enjoy my jokes (that was the context for drawing this in the first place, months ago during a drawpile/voice call) and it would be convenient to be able to use it regularly
me tongue-deep in a sandalwood candle: đ¤¤
the tjmaxx employee loading a fourth tranquilizer dart into their blowgun: i need backup
We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife
Ok listen I get that people tagging posts with men is a rule of physics on this hellsite but it's kind of bizarre how badly some of you have failed the assignment on this one. A generic male protagonist archetype who is a man is nothing. That's just the normal cliche I'm talking about subverting. What?
Like if you are For Serious headcanoning your blorbo as a trans woman I am kissing you on the head. But I KNOW most of you are not doing that. Come on. For one dollar name a fictional woman. No being a loser does not make him a woman try again
whenever i look into a historical monarch who doesnât get talked about much and is just kind of a blank spot in my understanding of the historical narrative, 95% of the time what i find is pure white hot blistering capability. a pencil pusher for the ages. a 39 year reign with no more than three hours of sleep a night. there arenât any good stories from his reign because he systematically caught and stopped all catastrophic good stories before they could start. you shrimply must respect it

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Every single craft has been paying âThe Passion Taxâ for generations. This term (coined by author and organizational psychologist Adam Grant) â and backed by scientific research â simply states that the more someone is passionate about their work, the more acceptable it is to take advantage of them. In short, loving what we do makes us easy to exploit.
Guest Column: If Writers Lose the Standoff With Studios, It Hurts All Filmmakers
If the phrase âvocational aweâ isnât part of your lexicon yet, stop scrolling and read Fobazi Ettarh:
Vocational awe describes the set of ideas, values, and assumptions librarians have about themselves and the profession that result in notions that libraries as institutions are inherently good, sacred notions, and therefore beyond critique. I argue that the concept of vocational awe directly correlates to problems within librarianship like burnout and low salary. This article aims to describe the phenomenon and its effects on library philosophies and practices so that they may be recognized and deconstructed.
âVocational Awe and Librarianship: The Lies We Tell Ourselves
I see it in every field Iâve ever worked in: publishing, open source software development, higher education. It describes pretty much every industry that relies on creativity, altruism, or both.
@amarocit
I think it is crucial we remember that âvocational aweâ as a concept is two-pronged: it is meant to describe how librarians (& anyone working in a profession often described as a âvocationâ, such as teachers, healthcare professionals, etc) are made âeasy to exploitâ because they are primed not to see their job as âjust a jobâ, and it is also meant to underline a mechanism by which members of those professions will virulently defend their jobs & the institutions they are part of against any critique, most notably critiques that attempt to articulate how those institutions & those professions can be oppressive & violent & perpetuate exploitative & bigoted norms within society:
I challenge the notion that many have taken as axiomatic that libraries are inherently good and democratic [emphasis mine], and that librarians, by virtue of working in a library, are responsible for this âgoodâ work. This sets up an expectation that any failure of libraries is largely the fault of individuals failing to live up to the ideals of the profession, rather than understanding that the library as an institution is fundamentally flawed. [emphasis mine]
& further down:
By the very nature of librarianship being an institution, it privileges those who fall within the status quo. Therefore librarians who do exist outside librarianshipâs center can often more clearly see the disparities between the espoused values and the reality of library work. But because vocational awe refuses to acknowledge the library as a flawed institution [emphasis mine], when people of color and other marginalized librarians speak out, their accounts are often discounted or erased. Recently, Lesley Williams of Evanston, Illinois, made headlines for being fired from her library due to comments (on her personal social media accounts), illustrating the hypocritical actions of her library in regards to the lack of equitable access to information. Although she was advocating for the core library value of equitable access, similar to that of the âConnecticut Four,â her actions were regarded as unprofessional.
Ironically, this focus on the way-s in which librarians et al are âvictimisedâ by our professional context, while disregarding the aspect of âvocational aweâ which is meant to critique all the ways in which members of âvocationalâ professions will close ranks & lock shields against any kind of analysis that does not accept those institutions as always-already perfect, could be considered an example of vocational awe!
If libraries are sacred spaces, then it stands to reason that its workers are priests. As detailed above, the earliest librarians were also priests and viewed their work as a service to God and their fellow man. Out of five hundred librarians surveyed, ninety-five percent said the service orientation of the profession motivated them to become librarians. Another study found that the satisfaction derived by serving people is what new librarians thrive on. Similarly, many Christians describe their religious faith as âserving God,â and to do so requires a life spent in service. Christians often reference Mark 10:45 to describe the gravity of a call to service: âFor even the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many.â Considering their conjoined history, it should come as no surprise that librarians, just like monks and priests, are often imagined as nobly impoverished as they work selflessly for the community and Godâs sake.
We are advocating for ourselves & our rights as workers while emphasising, ceaselessly & with great insistence, all the âselflessâ ways in which we âserveâ our community & how our âself-sacrificingâ âpassionâ for our âmissionâ makes us âeasy to exploitâ. We are not advocating for ourselves by pointing out that a library is just a workplace, that being a librarian is just a job, & that if my cousin who works at an insurance company isnât expected to buy work materials with her own money, to put in unpaid overtime as a matter of course, to accept that her vacation days are basically a fiction, to see her duties inflate constantly with no acknowledgment or compensation, to cobble together part-time positions for the whole of her career, etc, then it shouldnât be expected of us either & really shouldnât be expected of anyone. We are not deconstructing the outlooks that underlie vocational awe, we are reifying them.
What makes us âworthyâ of advocacy & of protection are, specifically, our willingness to âsacrificeâ ourselves for others & for the âgoodâ of the community. This marks us as âexceptionalâ, âdifferentâ from âotherâ workers who are âdifferentâ from us because they are not motivated by âpassionâ (which like, for âpassionâ read âvocationâ), & makes us unable to identify all the points of contact between our experiences on the job & that of a lot of other people in service positions. Our experiences of âexploitationâ (quotes here because good gd, we do in fact have a white-collar job indoors & I think there is something a little obscene sometimes about the ways in which our profession discusses our issues when our offices are cleaned by like undocumented women of colour to whom most of us never even talk & with whom most of us feel no particular solidarity as workers) are not unique & are in fact common across many public-facing industries such as food service or retail - would you believe me if I told you how much overlap there is between my professional experiences as a librarian & that of friends who work the floor at Starbucks or at Aldi? A lot of the manipulative & coercive tactics their bosses use to make them accept job creep, excessive & haphazard scheduling, danger on the job, overmonitoring & micromanagement, but also the pressures they encounter when they take sick days or vacation days, etc are carbon copies of what Iâve seen happen to me & others within libraries. Bosses are bosses are bosses, whether your profession is one that is typically treated as a âvocationâ within public discourse or not; it is not true that the ways in which we are mistreated are completely & wholly unique to us. When we accept this framing, we are essentially positioning librarianship as âset apartâ from other professions, libraries as completely distinct from any other type of workplace & as wholly unique among them, & ourselves as essentially different from other workers, in exactly the way that âvocational aweâ as a concept intends to critique!
As I mentioned earlier, vocational awe ties into the phenomena of job creep and undercompensation in librarianship due to the professional norms of service-oriented and self-sacrificing workplaces. But creating professional norms around self-sacrifice and underpay self-selects those who can become librarians. If the expectation built into entry-level library jobs includes experience, often voluntary, in a library, then there are class barriers built into the profession. Those who are unable to work for free due to financial instability are then forced to either take out loans to cover expenses accrued or switch careers entirely. Librarians with a lot of family responsibilities are unable to work long nights and weekends. Librarians with disabilities are unable to make librarianship a whole-self career.
We are reinforcing those norms when we focus exclusively on how much we sacrifice for our communities & how âpassionateâ we are about our jobs as the primary reason why our communities should care about what happens to us - when the reality is, what would actually help us is an ability to see & recognise all the ways in which we are not unique, in which even within industries that are not identified as relying on âaltruismâ & âcreativityâ (which like, if you think thereâs no altruism or creativity in working retail or in like industrial soldering or whatever Iâve got news for you, but thatâs a different topic - who is marked as having a âcreativeâ or âaltruisticâ job in our discourse? why is the power plant maintenance worker who gets up time & time again in the middle of the night to solve complex, urgent industrial problems with no standard solutions, using his hands & his intellect & his imagination, & this so that people will have continuous uninterrupted access to electricity, not considered to have a âcreativeâ or âaltruisticâ profession within those discussions?), workers are exploited in ways that will be familiar & recognisable to us. We cannot use vocational awe as a conceptual delimiter between professions because that actually defeats the purpose of vocational awe as a framework. We are accepting & perpetuating the idea that we are markedly & measurably âdifferentâ from other workers, & we render ourselves unable to analyse the institutions we are a part of as perfectible structures which are not ontologically good or even ontologically different from other workplaces but which are, rather, just workplaces, with bosses & employees, & where exploitation will occur along lines and through tactics that are familiar to many, many people across a whole gamut of professions.
I think the essential conclusion is this quote:
It is no accident that librarianship is dominated by white women. Not only were white woman assumed to have the innate characteristics necessary to be effective library workers due to their true womanhood, characteristics which include missionary-mindedness, servility, and altruism and spiritual superiority and piety, but libraries have continually been âcomplicit in the production and maintenance of white privilege.â These white women librarians in public libraries during the turn-of-the-century U.S. participated in selective immigrant assimilation and Americanization programs, projects âwhose purpose was to inculcate European ethnics into whitenessâ.
When we focus on our own victimhood, our own selflessness, our own defencelessness in the face of exploitation, the fact that we are just âtoo good for our own goodâ - what norms are we reinforcing within our profession? What foundational myths are we repeating & perpetuating, & what needs to they serve in us? Where do our loyalties lie, & what, ultimately, are we defending?
My point, I think, made more pithily: âvocational aweâ functions in a lot of professional discussions as a marker of noble victimhood (âtoo good for our own goodâ is really the best phrasing here), when in reality the most prototypical example of vocational awe might be cops. & in their case we recognise the inability to produce or even accept any critique of the institution theyâre a part of as dangerous & violent, not as an indicator of selflessness & meekness especial (while also, rightfully, not being especially concerned with the way in which vocational awe is used & weaponised by their bosses to make them work round the clock, weekends, to call them back from holiday, etc, & not really developing a huge amount of interest in the way in which belief in the police's "mission" most likely contributes to high burnout rates among cops - we recognise cops' vocational awe as something that is first & foremost dangerous to others). We also see how this esprit de corps & stubborn loyalty to both the institution & the concept of policing - perceived as impossible to perfect & always without reproach, both today & historically - become dangerously powerful reactionary forces that are typically turned towards a kind of oppressive âdoubling-downâ, particularly around matters of white supremacy & racism. How would discussions around the concept of âvocational aweâ change if we recognised it as something we have in common with the police?
Pottery sounds terrifying to me. Every post I see is like "Here's this awesome art I made!! Pray for me that it survives The Kiln⢠:')" I don't think I could cope with making art that could quite easily blow up and I have no way of controlling that. You guys are true heroes.
@bazanite you are so correct
LMAOOOO
"I have a problem with my trans son. Not because he's trans, but because he inhaled all our food like fucking Kirby."
just received the best text message Iâve ever had. from my mom
2 pics. no caption
This transition is straight out of a horror movie
@heymynameismolly-jk wow

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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something something extremely sexy when magic users resort to physical violence. yeah i have the power of god and anime on my side but i also have THESE HANDS. i cast Punch You In The Face. i take my magic staff through which i channel the vast energies of the elements and the cosmos and i cast Severe Concussion And Skull Fracture. casting time for xenoglossy too long, chose the quicker route of Stab You In The Throat.
It's the brutal simplicity. The acknowledgment that their target is either not worth it or does not require it. The turning off of the higher circuits required for complicated magic. It's reaching for the backup knife when assumed they were completely disarmed. It's biting someone when they have no other movement left. It's the base humanness of it. Before humans had magic, they had fists and rocks. The lack of barriers; magic has an insulating distant effect simply not available in melee range.
Every day I wake up and remember that the dream smp exists and the internet won't phucking shut up about the green bruh. When will it end?
trends are like fractals and you can kinda extrapolate that dream smp will be âoverâ to most people in 1-2 years.
original post date: Feb 6, 2021 dream smp official ending: Nov 13, 2022 days between dates: 645 days, aka 1.7 years I correctly predicted the ending of the dream smp.