♡

To The Substitute Art Teacher - Jordan Bolton

My dad has 4 half siblings and two step siblings. They're all a decent bit younger than him. When I was a teenager, we went to a family reunion, and I realized something—my dad did not respect his siblings. He looked down on all of them. He saw them as fuck-ups and overgrown children. My dad had the American dream: well paying management job, suburban house, wife, and three kids. My aunt and uncles did not. Excluding my aunt, none of them were married or in serious relationships. They hadn't really settled into long term careers. Several of them were working the kind of jobs that get called "Unskilled labor." So he looked down on them because the youngest one was in his thirties (and several were much older), and yet none of them had "settled down" into what he saw as lifelong, permanent careers and relationships and lives. He was polite to their faces, sure, but I heard how he talked about them behind their backs, to my mother.

And then a few years ago, we visited his brothers again for Thanksgiving. And I realized something again--he respected them now. He saw them as equals. Why? Well. All of a sudden, every single one of them had serious, committed romantic partners. They didn't even need to still be with those partners—one of my uncle's fiance passed away from cancer before they could marry—just having had one showed that they matured into a real adult participating in society. In fact, at one point, my aunt was telling my mom about how one of my uncles was no longer living in an apartment she owned, but instead, after having a steady girlfriend for about a year, he moved in with her. And my mom literally said to my aunt, "wow. Look at that. He finally grew up."

One of the lines that frequently gets repeated about anti-aspec sentiment is "why would anyone hate asexuals/aromantics/etc? They aren't even doing anything." And that's exactly it. In the eyes of amatonormative culture, we aren't doing anything. Adults are supposed to do things. That's how you become a member of society.

This is what's so fucked up about "nothing that requires the labor of others is a human right".

The labor is already being done under capitalism. The laborers are already being underpaid under capitalism.

When you propose removing the greedy profiteers and paying the workers a reasonable wage, people call that "slavery" while they have no problem with the current system.

It's a yellow bittern! They are very creechur.

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

please note that yes many of these are concepts that exist elsewhere and a few are even taught in fiction writing classes but TvTropes just does an amazing job at displaying the range of things that can be done with them

legitimately so much of the terminology I use to talk about storytelling, and even think about it in my own head, i learned about from TvTropes

Willing Suspension of Disbelief

Watsonian vs. Doylist

Trope Tropes, for all the ways tropes are used, deconstructed, subverted, and played with.

The Oldest Ones in the Book, which is basically my favorite thing on the entire Internet

Punk Punk, for -punk subgenres

Sliding Scale of Silliness vs. Seriousness, Sliding Scale of Idealism vs. Cynicism

The Weird Al Effect is a fun one

Chekhov’s Gun, Chekhov’s Boomerang, Chekhov’s Skill, and further variations

Law of Conservation of Detail

Law of Conservation of Normality

Anthropic Principle

Word of God, Death of the Author

Sliding Scale of Fourth Wall Hardness

Mohs Scale of Science Fiction Hardness

Genre Savvy

Flashbacks and Chronology breaks down all the ways you can handle chronology in storytelling

Show, Don’t Tell is a very good breakdown of what is showing, what is telling, and how both can be used effectively.

Lampshade Hanging

Noodle Incident is just fun imo

Genre Title Grab Bag

Fridge Horror

Rule of Cool, and also Cool of Rule

The Smurfette Principle

The Hays Code - not a trope but a very good breakdown of how the Hays Code affected storytelling in film

The TikTok Team is back again with a Tag Wrangler Hear Me Out Cake.

Nothing's ever simple anymore. I'm constantly trying to work it out. Who to love or hate… who to trust. It's just like the more I know, the more confused I get. I believe that's called growing up. I'd like to stop, then. Okay? I know the feeling.