Polycules should be able to trade people like sports teams do
Listen -- you're a good defender and your pussy is fantastic, but that's not what our team needs right now. We're trading you to Greater Boston in exchange for someone who has a car.
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Polycules should be able to trade people like sports teams do
Listen -- you're a good defender and your pussy is fantastic, but that's not what our team needs right now. We're trading you to Greater Boston in exchange for someone who has a car.

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10/25/2006
the office of the dead
illuminated page from a book of hours, flanders, late 15th c.
source: Munich, BSB, Clm 28345, fol. 294r
(source)
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Beaded whimsies by the Haudenosaunee (formerly known as Iroquois), tourist souvenirs crafted by Haudenosaunee women across the Northeastern US and Central Canada during the 19th and early 20th centuries
lürzer's int'l archive (ads, tv + posters worldwide) vol. 1 - 2008
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boy you so beautiful never dim your sparkle

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Isfahan, Iran. 1998. A. Abbas.
it is like. i am deliberately not posting that much about the nolan odyssey because i don't have much genuine interest and i find the whole like outrage theater people do at adaptations to be exhausting and unproductive and often misguided + i don't really care what celebrities are doing. but zendaya's 3000-year-old iranian earrings are like. such an on-the-nose fuck you. like 1. you can practically feel the stylist going "oh, it's old, it must be on-theme!" without really considering that ancient cultures are not interchangeable. but also 2. there's a very clear and important difference between ancient greece and ancient iran, in that there's a reason zendaya isn't wearing ancient greek artifacts on her ears--ancient greece has a cultural cachet that ancient iran does not, by virtue of its position as the perceived origin point of "western" (white) civilization. they are just interchangeable enough that zendaya can wear the artifacts of one civilization to a premiere of a work based on the mythos of another, but just different enough that she can get away with one but not the other.
and of course there's 3. which is that modifying and wearing a cultural artifact of dubious provenance taken from a country the us is actively bombing (and in doing so presumably destroying plenty of historic buildings/artifacts) asserts a certain lack of respect for and/or sense of ownership over that country's people and culture. and obviously this is what makes it seem like such a specifically heinous move.
Really important to note when it comes to (3) that the elite (and frankly Orientalising) appropriation of ancient Near Eastern artefacts as jewellery has a long colonial history. Cylinder seals are these little cork-shaped cylinders with pictoral or written designs engraved on them, and work the same way as a signet ring in that you could roll them over wet clay to leave an impression of the engraved relief on the clay to dry. They look like this:
(Cylinder seal of First Dynasty of Ur Queen Puabi, found in her tomb, dated circa 2600 BC, with modern impression. Inscription: 𒅤𒀜 𒎏 - Pu3-abi(AD) Nin - Queen Pu-abi. Nicked straight off Wikipedia as it's a fab comparison of seal / relief.)
In the British Museum you can find "Lady Layard's jewellery". Austin Henry Layard is a guy whose academic efforts I'm admittedly very indebted to. He was passionate about Venetian and Roman glass and did a great job re-popularising both styles in the UK, but more importantly he was the assyriologist who excavated Nineveh and the Library of Ashurbanipal—where we've found the majority of the Gilgamesh tablets. Pioneer figure in terms of Near Eastern archaeology... but check this out:
This is a necklace Layard had made for his wife. It uses real cylinder seals.
To quote the British Museum's entry on the item: One cylinder seal is Akkadian (about 2200 BC) and four belong to the second millennium BC, but eight are late Assyrian (about 1000-612 BC). Late Babylonian and Achaemenid stamp seals (about 600-350 BC) are used for the pendants and clasp.
Enid later wrote in her diary that, when they dined with Queen Victoria in 1873, it was 'much admired'.
Ancient Near Eastern artefacts, repurposed as jewellery in a set that doesn't give a single fuck about accurately dating them, let alone treating them with the sort of respect you might perhaps expect of items over four thousand years old. Instead they've become a mark of elite colonial status, an Oriental curiosity utterly separated from their historical context. They're 'old'. They're non-descriptly 'other'. Time and place dissolve into an attractive and vague exoticism.
All while the place these seals have been appropriated from is busy being exploited by the very empire this "jewellery" is being shown off to!
So to bring it back to your third point: you're absolutely right!!! And this has precedence dating right back to the start of Western study (and plundering) of the Ancient Near East. It's a carelessness, it's an ignorance of historical context, and it's explicitly colonial.
thank you for the added context!
this is america son you rip that cart til it tastes like pool liner gotdammit
Alec Baldwin clarifies his comment
"I wanted to post a little quick thing about... I was commenting about McCartney and Lennon and the beauty of their relationships and with "these guys were obviously in love", I meant creatively, as dear friends they went through this remarkable period together. I would never in a million light years expand any observation about other people's private life. I would never do that. But of course, this...Daily Beast, TMZ, all that tabloid garbage... And I would never suggest anything beyond that. I love their work, and I was making a comment about their friendship and their collaboration, creatively and as friends. So this idea that I'm gonna...make a remark about their private lives and the details of that is absurd. I would never do that. No matter what information I had [chuckles]...about anybody. Never. It's not something I would do." (You can watch the full video on his instragram account. The rest of it it's just him ranting about the tabloids)
and if i said nolan's odyssey starring no greek actors and with no recognizable aspects of greek culture or involvement by greeks, is the direct legacy of white supremacist colonialism that treated ancient greece as not just the pinnacle of ancient culture, but of an artificially created "european" culture, which white western europeans and their settler descendants, as the new pinnacle of culture, were the sole spiritual inheritors of.

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mayor mamdani do something
this heatwave fucking sucks how am I going to serve my liege like this