Let this whole town hear your knuckles crack

taylor price
DEAR READER

tannertan36

Kiana Khansmith
dirt enthusiast

pixel skylines
NASA

PR's Tumblrdome
almost home
Keni
Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
AnasAbdin
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
wallacepolsom

Janaina Medeiros

seen from Estonia
seen from Taiwan

seen from United States

seen from Czechia
seen from France

seen from Türkiye
seen from Saudi Arabia

seen from Spain

seen from United States

seen from Türkiye
seen from United States
seen from Malaysia

seen from Israel

seen from China
seen from United States

seen from Germany
seen from United States
seen from Iraq
seen from United States

seen from Türkiye
@deanhadley
Let this whole town hear your knuckles crack

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In your eyes were all the colors that the rainbow forgot
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to be empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
I read this so very long ago and it remains one of my favorite story. So I am reposting to remmeber it.
“I asked chatgpt-“ yeah well I asked John Darnielle and he told me a story about seven people, two houses, a motorcycle, and a locked treatment facility for adolescent boys.
Our boy “the fake trans ally” is back! Everyone wave!
There was a subreddit that popped up on r/all for me recently called r/HarryPotteronHBO, a post about some characters that had just received their casting announcements for the new HBO Harry Potter show.
I was intrigued to see what the discourse on that sub would be regarding J.K. Rowling’s politics, and was confused when there wasn’t a single word about it…
…until I saw the subreddit rules.
One of their rules states that discussing her politics is not allowed, with the following explanation:
“To maintain a welcoming and inclusive environment, this subreddit does not allow discussions about J.K. Rowling’s political beliefs, public statements, or involvement in real-world political or social issues.
This community is for fans who want to discuss the upcoming Harry Potter series on HBO and the wider universe including the books and films. Conversations about the author’s personal views often lead to division, heated arguments, and discomfort for members who simply want to enjoy the world of Harry Potter.
We recognize that J.K. Rowling’s political commentary has affected how many people engage with the franchise, and understand that her activism has negatively impacted transgender individuals. However, this subreddit exists to focus on the fictional world and to give fans of all backgrounds a space to enjoy that world without being drawn into broader political debates.”
- Rule 10: Discussions Regarding JK Rowling's Political Views Are Not Allowed, r/HarryPotteronHBO
Obviously, this is a load of horseshit.
If you’re literally saying, “we recognize that we’re promoting the work of someone who is actively harming a marginalized community buuuuut…”, feel free to stop right there and begin reflecting on why you value your entertainment more than the lives of other people.
You know she’s harming trans people. You know she’s using her wealth to do it. You know promoting her new show will add to her wealth.
You know your promotion of the show is harming trans people.
The rule begins with, “To maintain a welcoming and inclusive environment…”
There is nothing inclusive about promoting content that harms marginalized communities, especially when you recognize that the content is doing harm. You don’t have the ability to say “I had no idea!”, you’re literally acknowledging that she’s doing harm.
Just say what you really mean. Just say that you don’t care about trans people.
I’m more mad that you’re pretending to be inclusive.
Listen, I loved Harry Potter growing up, I did! I was the same age as Harry as the books came out and it was touching and fun to read.
…but sometimes we need to decouple ourselves from things we used to enjoy when they cause harm.
In the case of Harry Potter, it’s not like there aren’t other fantasy book series out there, there’s plenty to choose from! If you’re still consuming Harry Potter content in 2025, just admit that you value your nostalgia more than other peoples’ lives.
At least you won’t be a liar.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
That one youtube comment is right. It is vital that you sit in the dark with the windows open and listen to born to run. It is so angry and beautiful and desperate and shattering and glorious. And the night feels endless.
"What made you follow your mutual" I don't know. I don't remember anything. In my mind we were mutuals at birth. Since the dawn of time. The start of the earth's spin
woke up this morning, rolled over, and very confidently tried to blow out my alarm clock like a candle. absolutely no precedent for that.
Ebeneezer in 1742 wakes with a start as for some reason he has put out his guttering candle by slapping atop it ith the palm of his hand. His hand is burned and his nightgown and cap are spattered with hot wax.
Fascinated by the perceived necessity of an Equivalent Exchange
still believe that one of the greatest bits of all time was on January 6th, 2021 when. well. you know. and twitter was understandably an echo chamber of panic and fear and Justin McElroy just tweeted a selfie with a filter that was like “have a delicious national spaghetti day” followed by 3 tweets that were like “fuck. i’m sorry. i don’t know how to delete scheduled posts” and as i type this two years later i’m laughing
a belated delicious national spaghetti day to you all
Did anyone check in on Justin to see if he had a delicious National Spaghetti Day?
guide 4 teens
tell the cops nothing
tell the paramedics everything
ur eyebrows are fine

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
little miss awful body temperature regulation is taking his hoodie off again
little miss awful body temperature regulation has put his hoodie back on
awful back body has his hoodie little miss on put regulation temperature
stop that put my words back normal style
🐌✨ get snailed! 🐌✨
snop snat snut my snords back snormal snyle
i'll fucking do it you son of a bitch snop snat right now
🐌 you cannot snill me in a way that snatters
escargot.......
sometimes i hate being an emo music liker. what do you mean i am screaming crying throwing up over a song called Monica Lewinskibidi
john darnielle in possum by night voice ONCE MORE UNTO THE BREECH! (big beautifully timed drum strike)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Getting emotional about The Mountain Goats again, must be a day ending in y
but it just struck me that Possum By Night is one of those rare cases where I'm not being a pretentious art weirdo, insisting that it's actually a metaphor for something really deep and that's why it gets me
No, it's the opposite; John Darnielle looked at the humble possum and went "This is a beautiful and remarkable creature; she deserves to have a song written about her."
That's why it makes me cry, that's why i sing it to myself like a hymn. What a beautiful thing, to exist in the same world as a possum going about it's business by moonlight.
Nothing compares to the anxiety of the first upload except for the anxiety of uploading the final time. It was an absolute pleasure to make something again and I sincerely hope you all enjoyed it.
This was the story we wanted to tell and I can't give enough credit to everyone involved that made it possible. The list of thank yous is incredibly long but I wanted to take time to single out two people in particular.
Tony for being on site and in the trenches with us. Absolutely the best script supervisor we could have had! This project easily would have taken twice as long without him!
And of course Troy for taking my vague, wild idea and fleshing it out to something substantive and compelling (not to mention knocking the editing out of the park, as usual!). Rosswood would not have been half as good if not for his dedication, passion, and talent. Well done, my friend.
Alright that's all, folks.