Misdirect the players' apocalypses with mercy

Touhou Puppet Play ~ The Adventures of Ayaka is a Touhou Project-centric fangame built on the Essentials v21 engine for RPG Maker XP. The game tells the story of Ayaka, a resident of the Human Village, and the adventures she has gotten up to as a result of the Puppet Era that has swept across the phantasmal wonderland, Gensokyo. The game's story is conveyed through three mini episodes, two of which have been released to the public separately, and one episode that was made uniquely for this compilation. The Mansion of Mystery, The Festival of Curses, and The Kingdom of Lunacy. While there is an overarching timeline, the episodes can be played in any order, as they are mostly self-contained experiences. There is also a small epilogue episode after those three episodes have been completed- The Last Adventure. Each of the episodes is roughly 2 to 5 hours in length, depending on playstyle. The overall length of this game is roughly 10~20 hours.

-- Features --​A game without features isn't much of a game now, is it? The Adventures of Ayaka comes with its own features that makes it a unique experience, such as the following:

A Touhoumon game featuring Puppets up to Urban Legend in Limbo!​

A visual style from the original creators of Touhoumon and its spiritual successor, Gensou Ningyou Enbyu, FocasLens, utilizing their Gensou Ningyou Enbu Asset Collection Pack!​

A plethora of music from amazingly tallented groups and individuals: a-TTTempo, Paradarx, NyxTheShield, Midocake, Mr. Unknown, Veloreon, Wookywok, Wanwan, and more!​

Several battles which make use of Lucidious's Deluxe Battle Kit to maken unique and experiences and encounters, as well as more challenging boss fights than standard fare battles!​

I'm sure there's stuff I'm forgetting to list here!​

Peter Pan edited by Anne Hiebert Alton (2011)

(sorry to interrupt joke post but) this is true!

Children not clapping did happen too, (and some were even expected to have hissed, which was later written into the 1928 playscript and 1911 novel). But my all time favourite anecdote about it is from Pauline Chase (who played Peter)'s intro to Peter Pan's Post Bag 1909:

Children love to clap their hands at the play because then they feel that they are really part of it, and you can see them holding their hands poised ready to seize an opportunity. Their great chance is when I ask them to clap their hands if they believe in fairies, and so save Tink's life. But they are very wrathful if any one claps who has the reputation of being a cynic, and once there was quite an uproar in the front row of the dress circle because of a girl who clapped. Those about her pulled down her arms angrily. "How dare you clap," they cried, "when you know you don't believe in fairies!" There was one dreadfully hard-hearted little boy who came to the theatre not to clap. That was his object for coming, and he came round "behind" to tell me so in the middle of the play. His teeth were firm set. "I won't clap," he said doggedly; "I'm not going to clap." And when the time came he didn't clap; above the clapping of all the others I could hear him shouting from a box, "Peter, I'm not clapping."

materialist whose mad at you: you're going to reeducation

A GHOST STORY HAS UPDATED!! NOT GOOD: THE ORNERIEST OFFICE WORKER HAS A GUN

TODAY'S UPDATE: HERE START THIS CHAPTER: HERE START FROM THE TOP: HERE