Danibug727

I made some #savetheacolyte flyers for anyone who would like to hand them out during cons 🥰 If you have the opportunity to print them out and share them with the lovely nerds you meet, I'd be over the moon ❤️❤️❤️

Link to the petition:

change.org/p/renew-the-acolyte

Link to the letter-writing campaign:

Just something sweet. Discord was talking about hands a lot.

Bonus content:

The way Bryke discusses them reeks of misogyny. They literally said in a room full of young teens that girls who ship Zutara would end up in abusive relationships because Zuko's a “bad boy”. Their overall behavior towards the ship, and to some extent Zuko, screams of misogyny.

The way Katara's possible role in the dynamic is framed by antis reeks of misogyny. The portrayal of how Aang feels towards the possibility of those two being a couple, both in canon and in fandom, reeks of misogyny.

Very interesting that the first scene they share on the left is completely inverse of the last scene they share on the right, but they keep their positions on the screen.

Starts with him extending his arm with hostility on blue background, ends with her holding him for support on red background.

The best part is that neither scene is forced nor engineered from the other, and you might not even notice if you don't go to check.

Bonus:

Rest in Peace, Tony.

I'll always remember your smile.

...as cats!!

I really enjoyed this series, the choreo, the lightsabers, the chemistry between Qimir and Osha, her turning to the dark side... so much potential!! I wish we could have a 2nd season but...

Ugh can we just let people enjoy different things without throwing so much hate? Some comments I've read criticizing The Acolyte are just too much... Sure, you can dislike it, but the hate is just childish and pathetic.

but would Azula have targeted any other member?

i actually don’t think so.

Azula is calculating, manipulative, and an expert on how to upset her brother. She reads and analyzes each and every thing that he does. 

When Zuko shows up in the Catacombs Azula doesn’t know whose side Zuko is going to choose. Her face says that she’s calculating his next move. 

And then Zuko decides to attack Aang. 

Azula’s satisfied smirk says she’s pleased, but not that she was necessarily expecting it. But look at Katara, she’s actually kind of surprised that Zuko went after Aang. And then the fight ensues. 

I’ve said it before, but Zuko doesn’t attack Katara until Azula is in serious danger. She sincerely thinks that Katara is about to smash her into the ground. Why is that? Very little manages to unsettle Azula; this is probably the most frightened we see her up to this point. Being at Katara’s mercy scares the crap out of Azula, even after Zuko seems to have chosen Azula’s side against the Avatar. 

Maybe she doubts Zuko’s abilities, maybe she understands Katara’s power. 

Or, maybe she doesn’t think Zuko will try to stop Katara. 

But then Zuko does step in to break Katara’s hold on Azula. He doesn’t strike Katara, even though he has a clear shot at her and it would be the more strategic move. He only breaks her grip on Azula. 

Another calculating look from Azula. Yes, her brother came to her aid against the waterbender. But did he attack her? Not quite. Attacking Katara directly would have accomplished the same goal as severing her water tentacles, but Zuko chose the option that wouldn’t harm Katara. He had just gone after Aang relentlessly, but he hesitated to use such violence against Katara. Azula wouldn’t fail to take note of this. 

And Azula hears Katara angry with Zuko. Thinking he had made a change, become a better person (by Katara’s standards). Azula would be able to gather that something had taken place in the Catacombs when they were together. Azula’s the one who put them in there. 

The next time Azula sees her brother he’s joined up with the Gaang. During this fight she’s only really gunning for Zuko. She could go after Sokka or Suki in an attempt to upset Zuko, but she doesn’t. Azula doesn’t see the value in sending either of them careening into the boiling lake. 

The next time Azula sees Zuko, she sees this. They’re both falling to their deaths and it’s the waterbender who is up in the saddle, reaching out to Zuko. The same girl who had thought Zuko had changed before he chose Azula’s side in Ba Sing Se. The same girl that Zuko had been trying not to harm last time they fought. 

She’s the one who isn’t clinging to the saddle for safety, but risking toppling off the bison to save Zuko. 

And Azula says interesting indeed. 

Azula doesn’t witness this ^^ particular tenderness, but she sees a flicker of it when these two turn up for the Agni Kai. 

That’s why we see the “I know more than you do” smirk when Azula takes aim at Katara. She has spent her whole life finding ways to hurt Zuko. She knows that Katara in particular is a weakness for Zuko. She saw it when they were in the Catacombs. 

Zuko is grounded and confident today when they’re fighting. Katara is by his side and apparently she was right about Zuko changing. And Azula sees that Katara has helped make Zuko strong. She’s been there for him. Saved him. Supported him. Encouraged him. Katara was the one who already believed in Zuko back in Ba Sing Se, betrayal aside. 

That’s why Azula wants to kill her. 

I’m going to circle back to something else to prove this point. In The Chase, we see the first time that everyone else unites against Azula. 

Azula realizes then, too, that she is outmatched. And she pulls the same tactic in The Chase as she does during the Agni Kai. 

She goes after someone who loves Zuko, who believes in him and supports him. Someone who believes that Zuko’s strength lies in his goodness. 

Azula goes after Iroh because she knows how much damage it will do to Zuko. More damage than could be done by killing him. It will break him enough for Azula to defeat him. 

Prior to his return, Azula sees Zuko hesitate about taking her side in the presence of two people: Iroh and Katara. Azula has exclusively seen these two as a threat to Zuko siding with her. Azula has seen firsthand that, for some reason, Katara makes Zuko hesitate. 

Azula thinks that she’s going to kill Katara. She doesn’t think for one second that Zuko is going to move faster than lightning to save Katara

But he does. And he has the same horrified look on his face as he did when Azula nearly killed Iroh. Because Azula was right, as usual. 

Azula comes completely unhinged after she hits Zuko because she absolutely intended to kill Katara, not Zuko. (Despite it all, she cares about him) She had calculated that Katara would matter enough to Zuko for her death to change the tides and for Azula to win the Agni Kai. But she micalculated. Again. She hadn’t anticipated that Katara dying would scare Zuko so much that he would die in her place. 

Azula isn’t stupid. Even crazed, she’s calculating. She’s seen evidence that Katara will make Zuko hesitate. Like she knew attacking Iroh would completely distract Zuko. 

There is only one member of the Gaang who Azula has this impression of, and it’s Katara. If any other member of the Gaang had been waiting in the wings I don’t think Azula would have broken the rules of the Agni Kai. She wouldn’t have been able to bank on it being enough for her to take Zuko down. 

But Azula knew that, with Katara, it would be. 

Finally gathered my thoughts on the new Avatar movie, and my only question is: why did this "legend of a fancy, empty fanservice shell" even exist?

The movie was doomed at the execution stage of its concept and script.

The creators had a bulletproof foundation: one of the most masterfully written shows in television history (Avatar: The Last Airbender), the canon comics, and The Legend of Korra, which already showed us the characters aged, with children and grandchildren.

And that is exactly why the idea of focusing on "Aang’s struggles and rebuilding the Air Nation" feels entirely redundant.

1. The Redundant Arc and Zero Stakes

We have already witnessed Aang’s grief, guilt, and pain over his people’s genocide throughout the original three seasons. That arc was closed and beautifully processed. The comics already showed the Air Acolytes, and TLOK put a definitive period on this storyline by bringing back actual airbenders.

Because we already know the future, the audience has absolutely nothing to worry about:

* We know Tenzin and his kids will remain the only airbenders for decades.

* We know exactly how long the main characters live.

* We know the fate of their families.

There are no stakes. Will they die? No. Will the future change? No. The answer is already known, making the entire narrative arc completely empty. We didn’t need a movie-length repetition of Aang’s trauma just for the sake of it.

Merely drawing pretty, adult versions of the characters is not enough to make a good movie. A film needs a core conflict, meaning, and a fresh idea.

2. Fanservice Wrapping, Empty Inside

If we look at this film as a standalone (even though almost the entire audience consists of old fans), it is hollow. The characters aren't explored; their screen time adds nothing substantial to their personalities.

So, why does this movie even exist?

* To force-feed us the Kataang canon?

* To show off Aang’s bizarre, unrealistic new design with a mountain of muscles that makes zero sense for a vegan monk with his lifestyle?

* To make him look like a self-insert of the creators who desperately need to force the audience into loving him?

The creators seem so attached to Aang as their self-insert that they still cannot accept that he never became the most beloved character in his own show.

So adult Aang is redesigned to be as conventionally attractive as possible. Broad shoulders. Huge muscles. Constant shirtless shots. A heavy emphasis on his romance with Katara.

The message feels almost painfully obvious:

“Look at him. This is the hero you’re supposed to love. This is the man you’re supposed to admire. This is the man Katara is supposed to be obsessed with.”

Seriously, it felt like watching a high-budget fan-animation for a mediocre Kataang fanfiction. It is so primitive and cheap how Katara throws herself at Aang’s neck in almost every scene, completely stripped of her independence. Worse entirely, Aang risks her life for the sake of his own elusive, idealistic hopes, making him the absolute worst partner imaginable. Then again, knowing what a terrible, neglectful father he turns out to be in TLOK, his toxic selfishness here isn't even surprising. What is surprising and deeply frustrating is how the creators force Katara to blindly love THIS and submissively accept whatever crumbs of attention or respect he throws her way. Once again, Katara is reduced to being a mere appendage to the Avatar—a disservice they already started in TLOK.

3. The Nerfing of the Gaang

The rest of the characters fared no better.

Everyone feels like an extended cameo rather than actual living characters.

* Sokka:The brave warrior who wasn't a bender yet stood tall against firebenders amplified by Sozin’s Comet is gone. Instead, we got a cowardly, quirky inventor making stupid jokes. He’s a parody of his former self.

* Toph: Completely useless to the plot. She is just there.

* Zuko: Just a pretty cardboard cutout who lost all of his signature charisma. He isn't even necessary to the plot. Not to mention the sheer stupidity of the writing: the literal Fire Lord, ruler of an entire global empire, is casually piloting a zeppelin completely alone—no crew, no royal guard, as if he has absolutely nothing to manage in his own country. And watching the Fire Lord personally repair a ship... God, it looked so incredibly braindead.

The creators literally removed his chest scar and gave him zero meaningful interaction with Katara.

The authors' eternal fear of the Zutara fandom is honestly getting hilarious at this point.

It is especially glaring how they tried to deflect attention: "Quick, let's throw in some hints for Zukka, and let's have a half-naked Zuko catch Toph!" It’s a desperate attempt to distract Zutara fans, as if stuffing the movie with "cute" Kataang scenes wasn't enough to stop people from even thinking about Zutara. They feel so deeply uncomfortable with Zutara's mere existence that they have to forcefully shove Kataang down our throats while aggressively trying to erase any trace of Zutara.

4. What We ACTUALLY Needed to See

Instead of retreading old ground, the movie could have explored the massive blank spaces in the lore that actually lead into the future we know:

* The Birth of Republic City: Show the first rise of social inequality. Show how Aang failed to solve this issue, leaving it as a heavy mistake of the past Avatar for Korra to fix.

* The Bloodbending Ban: Give us a real story about why Katara had to ban it. Show us why it couldn't even be adapted for medical use. The canon ban still feels unconvincing—sub-bending is potentially useful, and even lethal lightning-bending wasn't banned but redirected for the public good.

* Characters with Unknown Fates: Give us someone to actually worry about! Where is Azula (did she redeem herself or is she still a threat)? What about Ty Lee and chi-blocking leading into the Equalists? What about Mai?

* Suki's Tragedy: Address the theory that Suki died young. It would perfectly and tragically explain why Sokka ended up alone and never started a family—losing two girls he loved could be his personal curse, making him close his heart to risk.

* Kanto: We could have been introduced to the mysterious Kanto as Toph’s future love interest—someone serious, with a personality resembling Lin, so the audience could see something familiar in him.

* King Bumi: Even showing old King Bumi sacrificing his own life to protect the heroes would have been better, so that the name of Aang’s firstborn finally received a powerful emotional justification.

But no. Instead, we wasted time on things that had already been said.

The Bitter Truth About the Creators

It is glaringly obvious that the people who made ATLA deeply emotional and complex were missing here. It was Aaron Ehasz and the brilliant room of writers who gave the original show its soul, layers, and emotional maturity.

On the backbone of that collective work, Bryke built a sequel franchise that proves once again: on their own, they simply do not know how to create something truly great.

It’s a shame so much money and years of work were wasted on this hollow fanservice. People will not be analyzing the depth of this movie years from now like they still do with the original ATLA. Because there is simply nothing to analyze.

zutara x pride and prejudice

I will definitely color this….eventually…💙❤️

Need to rewatch 10 Things…

There is no "well what would you have wanted him to do?" argument because the events that happen and Aang's response to them are all crafted as part of a narrative.