Some people: I love zutara's platonic bond! Not everything has to be about sex!
Me, watching Katara putting her thumb on Zuko's lip in the catacombs: now suck on it.
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Some people: I love zutara's platonic bond! Not everything has to be about sex!
Me, watching Katara putting her thumb on Zuko's lip in the catacombs: now suck on it.

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Hey guys
More NATLA Thoughts...
Yes— Seeing Aang look so dejected just by hearing Katara defend Zuko’s good heart is really painful to witness, and that is the point.
It’s a carbon copy of the same sentiment the cartoon did, where the audience is there to sympathize with Aang and his long-suffering heart. In Natla s2 we have seen the anticipation of him wanting to confess his feelings to Katara. He’s been “waiting and listening for the right moment to strike” when it comes to laying his feelings bare to Katara, and it’s the appropriate theme to Season 2 in general.
But here’s the thing I have an issue with at the precipice of Season 3; Aang feeling lousy at the idea of being friend-zoned shouldn’t shift the narrative to now put Katara in a position to suddenly “look at him differently” and reciprocate his feelings after he wakes up from his lightning coma. To me, that’s not great writing— Add to the fact that, in this version, Katara hasn’t shown any real affection for Aang (not even a kiss on the cheek) or considered him as a potential BF even after spending 24/7 quality time together for 1-2 years.
I appreciate how considerate and respectful Aang seems to be about Katara as a friend here… but Aang’s sense of dejection doesn’t still obligate me to root for Kataang. As much as Aang is the protagonist who clearly has a thing for Katara in s2, he is also very much aware of the reality that Katara is finding some purpose in her life that is a far cry from just being The Avatar’s Girl. Aang also noticed how Katara naturally gravitated to Jet and Zuko… complex, good-hearted edgy boys with war trauma.
The story doesn’t need us to see Aang suddenly slumping his shoulders like a child again, plotting to get the girl with a muttering of “well I could be the Edgy Boy…” (to which I say ‘oh no Aang… honey, just… no. 😆). What the story needs is Aang learning to make peace with Katara’s agency and how she actually might not be interested in him as a romantic partner… and how it’s wrong for Aang to expect that from her— even as the Avatar. 😌
The idea of having Aang defeat the FireLord in s3 and become a fully realized Avatar… surrounded by his “found family”, and accepting that he has the biggest responsibility to the world with his entire life ahead of him to look for True Love… would be such a refreshing ending to me.
It would be great to see Aang actually demonstrate to Katara that he truly does feel lucky having her as a close friend… supporting her own growth as she goes off to help more people and change the world her own way.
This kind of ATLA ending would speak more volumes to me than a “guess what! I like you back!”-wedding-coded-makeout-session between two young teenagers. I can also see how the writers/showrunners are planting the seeds about Katara developing a genuine passion for healing techniques, and that’s ok — it’s being written organically rather than as a half-hearted default career path (like what LOK did 😖). Katara also seems to gravitating towards combat and humanitarian aide with the Kyoshi Warriors and Civics with world leaders and I love this for her. 😎
No, nATLA Katara is not quite as combative, tenacious or hot-headed as OG ATLA Katara, and that’s okay. The writing and development and agency for the character is what really makes the difference here and it has me still rooting for a character who deserved so much growth and exploration. Bryke didn’t seem to consider Katara as anything beyond being Aang’s defacto therapist, baby-maker and side-hustling healer. 🤷🏽♀️ I’m glad Netflix gave Katara some independence and agency.
“Stop criticizing Katara’s adult narrative just because she primarily chose motherhood. Raising kids is an honor, and she raised the Avatar’s kids!”
Every time I hear someone say this about Katara, I imagine it in the tone of fans who believe big career goals and motherhood cannot coexist, and that that a woman choosing motherhood is forfeiting their big career goals (sometimes even their identity) to focus all of their energy on the kids, and that still wanting those big dreams for yourself is selfish when you have kids to take care of.
I also imagine that people who say this are fans who saw Katara as the character always helping Aang with his physical/mental/emotional struggles as well as other people everywhere she went, and so she would easily transition into full-time motherhood as an adult because she was so naturally gifted with it already. These are the fans who tend to overlook the emotional labor Katara had to internalize due to her being “that mature voice” and “pillar of inner strength” for so many people at such a young age… not really having someone who understood her darker side or helped validate her feelings. Let’s just leave Zuko in The Southern Raiders and shipping out of this.
What I want to discuss… is why is Katara the only character praised by fans for choosing to raise kids in her adult life rather than for other things she accomplished?
Toph, for example, grew up as a single mom, raised two daughters of separate fathers, and she STILL managed to take her bending abilities to whole new levels by opening a metalbending academy and becoming chief of police for the entire Republic City well into her 50s. She was still active and involved in her career and served in criminal trials while still having two girls at home (Katara was not even present in Yakone’s trial, despite that he was being tried for Bloodbending… a crime Katara herself had deemed illegal.)
Zuko also took parenthood seriously, raising at least one daughter (whether or not a mom was in the picture is still TBD) and even in his elderly80s, he definitely seemed to show up to big events with his daughter and was protective of his daughter’s safety in the world. And oh yeah. Zuko was also the FireLord, who spent time reconstructing an imperialistic country and changing the views of so many generations of his people… he raised a dragon named Druk… and was active in overseeing Republic City.
Let’s also not forget that Aang was a father to the same kids he had with Katara, and yet he isn’t praised for choosing fatherhood over anything else he did. LOK tells us that in fact, he actually favored Tenzin over the non-Airbending kids, and the other airtemples didn’t even know Avatar Aang had other children outside of Tenzin. Did Aang dedicate time to raising Tenzin when they went on all those field trips? I like to believe so, but Aang also had lovely and willing Air Acolytes everywhere he went that would probably tend to Tenzin while he did important Avarar work. The narrative here doesn’t give us much of a positive outlook on how Aang was a dad, but that’s okay… because we as fans like to praise the other bigger important things Aang did like build Republic City.
While Aang, Toph and Zuko were continuing to build their legacies through their character strengths, sense of worldly knowledge, and incredible bending talents… in LOK, we only hear about Katara’s focused on healing (something she certainly didn’t want to be known exclusively for), despite the fact that The Greatest Healer in the World failed to heal Korra (twice!). We also hear how Katara was determined to make bloodbending illegal, and yet in LoK, bloodbending is still running rampant and elderly Katara doesn’t seem to be bothered by that. The Katara we see in the SWT (who’s just as elderly as Toph and Zuko) is a person who’s thrown in the towel, chosen a reclusive quiet life rather than attending big events (such as her own granddaughter’s Airbending ceremony), and letting the world deal with its own problems. It’s as if she trained the next Avatar in waterbending and she could finally retire; her work was done.
What makes Katara’s adult narrative so diminished isn’t because she was seen primarily as a mom, but because we as fans don’t see much fruit of her labor (both within motherhood and outside it). Yes, she raised Tenzin, Bumi and Kya, but even as middle-aged adults, her kids talk about how they were culturally divided as a family. They don’t visit their mother in the SWT unless it’s deemed necessary. Outside of Kya, we also don’t really see the kids (or grandkids) really connecting with the WaterTribe side of their heritage either. We definitely hear a lot about Katara’s healing abilities, but where is the proof of that? Where are the grand state-of-the-art healing hospitals in Republic City with her statue welcoming everyone, where it’s shown that Katara dedicated her time to train other healers and master new healing techniques? We also hear how she made bloodbending illegal, so why are people like Yakone still making it a problem? Why wasn’t Katara there, making a public statement next to the president regarding this cruel bending technique and making more an effort to monitor all Waterbenders in the SWT and NWT to make sure kids weren’t being trained in that cruelty? All we hear about Katara’s greatness is in side-commentary from other characters in LOK, but compared to Aang, Toph, and Zuko, there isn’t really much we get to see from that greatness.
We can’t even say that Katara brought the next generation of Airbenders, because in LoK season 3, Airbenders randomly come back all over the world.
So, I’m not saying that Katara choosing to be a wife to Aang and mom to the Avatar’s kids in her adult life was a disservice to her character. What I’m saying is that the things she accomplished outside of those roles didn’t really amount to much in the later narratives of ATLA. Katara could’ve changed the world, but her character was reduced to serving the Avatar’s narrative instead.
Fans need to be able to differentiate between fanon and canon. If something created by a fellow fan changed your opinion on a character/ship/etc, that's just your problem
Anyway, this singular piece of artwork has made me dislike Zutara
does this make you hate dislike kataang too
The kataang video is just pure, out-of-character shock value for an edgelord au. It has zero root in canon because Aang is a pacifist who loves Katara. The zutara fanart actually leans into their canon backgrounds and takes the real trauma of the fire nation colonizing Katara's people and turns it into a romantic "Pocahontas" aesthetic. Using Pocahontas of all things makes it so much worse. That movie rewrites historical colonial violence and genocide into a 'forbidden love' trope. When fans use that specific aesthetic for Zutara, they are doing the exact same thing: watering down the Fire Nation's imperialist violence against the Water Tribe just to make a ship look pretty. A lot of zutara fans unironically love feeding into that gross oppressor/oppressed dynamic, and that's exactly why I dislike it. Look, what I'm trying to say is that fanon zutara can be good if it's done properly (mentioned it in the hashtags), but romanticizing colonization is just eeehhhh.....
Lmfao the kataang fandom has been saying, both jokingly and completely seriously, that it's Katara's job to restore the air nomads for twenty years, and that's because of implications already built into the show that have turned off many fans from the ship. Aang canonically favored his airbender child so I don't think it's a stretch to say that the idea that Aang values Katara for her ability to give him airbender children is a misogynistic and racist implication already built into canon. If you can justify the kataang art and distance it from canon, then it's pretty hypocritical to say that the zutara fan art "leans into their canon backgrounds" since zutara's canon arc is about Zuko and Katara working together to end colonization.
Your first statement made sense: if a fan art changes your opinion on a ship, that's your problem, not the artist's (or the fandom's). But I don't actually think the fan art made you dislike zutara, I think you're willing to overlook the exact same things in a ship you like so you dig up a fan art that was almost a decade old to feel validated in spreading hate. If the fan art is so harmful, isn't it kind of strange that you're spreading it around? The answer is that this is performative hate, not about your personal discomfort. It's certainly not about colonization of indigenous people, a topic that you're weaponizing and pretending to care about here.

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Is there a tag on ao3 for Zutara stories with katana’s burn scars on her hands still being present? I’m trying to look for stories where they still exist but I can’t find any
Try "Katara has scars" or "Katara keeps her scars"
I actually did not know that the FN defector in BSS was Jeong Jeong until I read people saying it online because I forgot what he looked like in season one (although I guess that hideous mop on his head should have given it away, lol).
And I wish it wasn't. I think it would have been more impactful if the people in the FN district were just regular people and not someone we already know as good. We already know that there are FN deserters fleeing the war to live in the Earth Kingdom. What I was excited to see when the show introduced the idea of a fire nation district within Ba Sing Se were people fleeing the war for different reasons. People like the people in the Painted Lady episode who experienced poverty or had their homes destroyed by the imperialist regime, or people who were fleeing the rigid restrictions we see in The Headband, or conscientious objectors, or mixed families, or young firebenders fleeing conscription in the military.
I also did not like the conversation with Iroh and Jeong Jeong and Jeong Jeong being the one to invite Iroh into the white lotus. I know they are doing something different with Iroh in an effort to develop his character into a person who realizes he can do good, but one of the things about the original is that Iroh serves as an example long before Jeong Jeong does as a firebender who can choose good. Jeong Jeong always struck me as someone who was too paralyzed by guilt and self-loathing, that's why he can't teach Aang. I know he's in the white lotus later, but that character introduced in the show would not be the one active in making change happen.
Like I feel like natla was trying to address criticisms of Iroh, but Jeong Jeong actually strikes me as the type of character Iroh often gets accused of being, a character so consumed by his own guilt that he is not interested in making things better for others. Like, I've seen some people talk about "colonizer tears" re: Iroh, but Jeong Jeong's "oh woe is me, for I am cursed to be born an oppressor" stuff actually is more like where things like white guilt (the kind that is used to mask discomfort so as to not address racism meaningfully) come from in real life. In the original show, there is a conversation about empathy vs shame that is missing here, because Iroh is the one who brings it up (both when it comes to teaching Zuko and in relation to the broader themes of the show). In natla, I only get the shame part even when Iroh is shown joining the white lotus.
Iroh in the original show is a character deeply consumed by guilt, but he also doesn't let that get in the way of helping people and empathizing with them. The way the show handled this seems like they wanted to show how he got there, but it felt too pat to have Iroh have this sudden realization about helping people (just like it felt too on the nose to have Zuko tell Katara that he wants to help people). Like, Zuko and Iroh as characters are people wrestling with their own guilt and grief and they both help each other in subtle ways in the original show. I know a lot of criticisms of Iroh are that his dramatic arc happens before the show begins, but not every character needs to have that happen onscreen.
I mean, to an extent, I get it. I think what the show is doing is kinda reversing Iroh's development in some ways. In the original show, Iroh's past is sort of slowly revealed to us. The impact of leaves from the vine is that it's one of the few times we see Iroh show his deep sadness, and he's by himself, all alone, after we've seen him try to stay positive and help others. In natla, it doesn't hit as hard because Iroh is constantly sad guy already. The show instead tries to use the moment as Iroh's revelation that he can help others even though he could not help Lu Ten, but idk, it just didn't land.
Again, I feel like it goes back to the empathy vs shame thing. In the original show, the message is not that Iroh can use his grief to help others, it's showing us that this is something Iroh has already done. It deepens the character in a way that is unexpected, which is always going to be more interesting than a linear character arc. It's backwards character development, and it's ultimately also there to develop Zuko as a character, which opens up greater themes that the show wants to establish, like the deconstruction of the limits the show establishes about the characters, the elements, and the world they live in. That is what's missing here.
Oh, also? If there is a metaphor to be gleaned here in relation to what Iroh and later Zuko learn from the firebending masters, it's about the duty to use your power for good instead of being ashamed of it. I do think Jeong Jeong would choose to live in a place where he is forbidden from bending because of his view of firebending as a curse, but then how do we go from that to him being the leader of the white lotus?
I actually did not know that the FN defector in BSS was Jeong Jeong until I read people saying it online because I forgot what he looked like in season one (although I guess that hideous mop on his head should have given it away, lol).
And I wish it wasn't. I think it would have been more impactful if the people in the FN district were just regular people and not someone we already know as good. We already know that there are FN deserters fleeing the war to live in the Earth Kingdom. What I was excited to see when the show introduced the idea of a fire nation district within Ba Sing Se were people fleeing the war for different reasons. People like the people in the Painted Lady episode who experienced poverty or had their homes destroyed by the imperialist regime, or people who were fleeing the rigid restrictions we see in The Headband, or conscientious objectors, or mixed families, or young firebenders fleeing conscription in the military.
I also did not like the conversation with Iroh and Jeong Jeong and Jeong Jeong being the one to invite Iroh into the white lotus. I know they are doing something different with Iroh in an effort to develop his character into a person who realizes he can do good, but one of the things about the original is that Iroh serves as an example long before Jeong Jeong does as a firebender who can choose good. Jeong Jeong always struck me as someone who was too paralyzed by guilt and self-loathing, that's why he can't teach Aang. I know he's in the white lotus later, but that character introduced in the show would not be the one active in making change happen.
Like I feel like natla was trying to address criticisms of Iroh, but Jeong Jeong actually strikes me as the type of character Iroh often gets accused of being, a character so consumed by his own guilt that he is not interested in making things better for others. Like, I've seen some people talk about "colonizer tears" re: Iroh, but Jeong Jeong's "oh woe is me, for I am cursed to be born an oppressor" stuff actually is more like where things like white guilt (the kind that is used to mask discomfort so as to not address racism meaningfully) come from in real life. In the original show, there is a conversation about empathy vs shame that is missing here, because Iroh is the one who brings it up (both when it comes to teaching Zuko and in relation to the broader themes of the show). In natla, I only get the shame part even when Iroh is shown joining the white lotus.
Iroh in the original show is a character deeply consumed by guilt, but he also doesn't let that get in the way of helping people and empathizing with them. The way the show handled this seems like they wanted to show how he got there, but it felt too pat to have Iroh have this sudden realization about helping people (just like it felt too on the nose to have Zuko tell Katara that he wants to help people). Like, Zuko and Iroh as characters are people wrestling with their own guilt and grief and they both help each other in subtle ways in the original show. I know a lot of criticisms of Iroh are that his dramatic arc happens before the show begins, but not every character needs to have that happen onscreen.
I mean, to an extent, I get it. I think what the show is doing is kinda reversing Iroh's development in some ways. In the original show, Iroh's past is sort of slowly revealed to us. The impact of leaves from the vine is that it's one of the few times we see Iroh show his deep sadness, and he's by himself, all alone, after we've seen him try to stay positive and help others. In natla, it doesn't hit as hard because Iroh is constantly sad guy already. The show instead tries to use the moment as Iroh's revelation that he can help others even though he could not help Lu Ten, but idk, it just didn't land.
Again, I feel like it goes back to the empathy vs shame thing. In the original show, the message is not that Iroh can use his grief to help others, it's showing us that this is something Iroh has already done. It deepens the character in a way that is unexpected, which is always going to be more interesting than a linear character arc. It's backwards character development, and it's ultimately also there to develop Zuko as a character, which opens up greater themes that the show wants to establish, like the deconstruction of the limits the show establishes about the characters, the elements, and the world they live in. That is what's missing here.
If u can accept General Iroh, The Dragon of the West who laid siege to Ba Sing Se for 600 days and was responsible for the deaths of hundreds if not thousands of people, as someone worthy of redemption, then you can accept the defected fire nation soldiers who Katara protected as worthy of the same. Even if you cant accept that, that doesnt change the fact that Katara DOES.
You were all able to accept Jeong Jeong and his soldiers turning their backs on the fire nation in the og series, so why not now? You could accept Katara coming to the defence of fire nation citizens not once, not twice, but three times. but not now? She fought along side Jeong Jeong in the animated series as well. She fought against Jet in the animated series. She stood her ground against Aang and Sokka to protect fire nation citizens in the animated series. She believed Zuko was worthy of redemption, was friends with Iroh, felt empathy for Azula. Do I need to remind you?
Yet now, you take issue with it. Interesting. Like it or not, its in character for her to act this way in this situation. Even if it wasn't - its a different show and they are allowed to make different decisions with the characters and plot.
If you just dont like it because it was used as a way for Zuko and Katara to get more screen time together as the Painted Lady and Blue Spirit, well, then, grow up. I dont know what else to say it's literally embarrassing to be getting so mad and defensive about a ship.
and again, you dont have to morally agree with her decisions but u have to understand that this is what she believes. claiming its OOC is so far off base its ridiculous. This is Katara we're talking about.
the shows not a masterpiece i dont think anyone is claiming that but if youre gonna invent reasons to be mad about it at least be consistent. I would say at least try to bring some nuance to the discussion but I genuinely dont think these type of people are capable of that. LOL
I forgot to hit mute on my last post but let me make another anti zutara post again because I never understood why someone keeps commenting under a properly tagged anti zutara post just to *check notes* gets mad that it’s anti zutara. Like again the victim card while refusing to hit the block button or just…ignore me lmaoo. Like obsessed with my post much? Who put them in charge to monitor every anti zutara post that i make?? Like girl just block me.
Because your post linked to a fanart trying to pretend the fanart was racist instead of acknowledging that it was responding to racism, and the post tried to pretend to be against harassment when it was actually joining in on the harassment the artist was already getting. Because you're weaponizing racism to try and win a ship war. And because all your anti zutara posts are directly addressing the fandom and all your posts from today seem to be trying to get attention from me, specifically, because I called you out and stopped responding to you. You didn't forget to hit mute, but you probably won't see this reply because you are blocked, lol. You won't block back, though, because you want my attention.

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Again, I don’t ship or hate either kataang or zutara, but it’s hard to call out kataang shippers when zutara shippers are so loud with their ignorance that it drowns out whatever kataang shippers are saying. It’s not my fault that most of the problematic behavior I see comes from zutara shippers. Every time one of their posts ends up on my timeline, it’s somehow their worst take yet. And if you think I’m siding with kataang shippers, just block me or stop engaging with my posts. If you hate what I’m saying that much, mute the anti zutara tags and block me. Either way, I’m not changing what I’m saying just because you people won’t stop responding to me. 🤷🏾♀️
So yeah, this is not about indigenous people or racism or harassment at all, it's about zutara. I think I already did block this person and they seem like a troll because the rest of their blog is full of wacko posts that barely get any attention.
Mind you, this is a rant blog, dumbass lmao, it’s where I rant whatever I want on my account, yet your wacko ass keeps responding instead of blocking me and staying out of my mentions.
I mean, you could get a diary if you just want to rant. But considering that you were celebrating your 250th note because my reblog of your post got you 230 of those notes, I think you like the attention. Which is where all the pretense of caring about racism is coming from. You just want attention. And I apologize because I thought I already had blocked you. Rest assured that I have no intention of discussing anything with you whatsoever.
not to shake the nest or whatever, but this fandom's obsession with the "perfect victim" is very much a smokescreen for their own obsession with how a particular character is supposed to act. Because why the hell are some of you upset about katara saving subjugated and indoctrinated fire nation citizens who defected from their commanding officers after witnessing the devastation of war, but not another group of also subjugated fire nation citizens whose homes have been systematically destroyed by the industrial complex? To be clear, the latter will almost certainly still happen in the live-action adaptation in season 3
no one’s talking about aang healing the serpent using waterbending with katara’s guidance.
nope, just zutara.
no one’s talking about how toph wasn’t even there when they were crossing the serpent’s pass. this was literally the first episode.
nope, just zutara.
no one’s talking about how azula ordered mai and ty lee to fight to the death as a way to test where their loyalty lies.
nope, just zutara.
no one’s talking about how zuko actually stole from the pregnant woman and her husband, something he refused to do in the original show.
nope, just zutara.
no one’s talking about how ursa tried to escape the fire nation with both zuko and azula during the flashbacks. in fact, she straight up tells azula she loves her before she gets taken away.
NOPE, just zutara.
and there’s literally so much more i could add but you guys are gonna let it slide just because you’re getting your “zutara crumbs” right? you’re gonna praise this shit show over a ship?
This kind of stuff is so funny because like, as many people have already pointed out to you, all of those things are being discussed. I've written about most of them on my blog. I didn't love the show but this reaction about how we need to performatively hate it because Toph wasn't there at the Serpent's Pass is so ridiculous. Like, what is there even to discuss about that? Now, if you wanted to discuss how the show gives us less time for Toph's dynamic with the gaang to grow before they get to Ba Sing Se, that would be a meaningful discussion, but my guess is that no one wants to discuss it with you because your real point is to be annoying about zutara.
Again, I don’t ship or hate either kataang or zutara, but it’s hard to call out kataang shippers when zutara shippers are so loud with their ignorance that it drowns out whatever kataang shippers are saying. It’s not my fault that most of the problematic behavior I see comes from zutara shippers. Every time one of their posts ends up on my timeline, it’s somehow their worst take yet. And if you think I’m siding with kataang shippers, just block me or stop engaging with my posts. If you hate what I’m saying that much, mute the anti zutara tags and block me. Either way, I’m not changing what I’m saying just because you people won’t stop responding to me. 🤷🏾♀️
So yeah, this is not about indigenous people or racism or harassment at all, it's about zutara. I think I already did block this person and they seem like a troll because the rest of their blog is full of wacko posts that barely get any attention.
Zutara shippers only listen to Indigenous people who dismiss the colonialism discussion so they can go, “You support harassing this Indigenous woman,” while conveniently ignoring the Indigenous people who are actually bothered by it. Yeah, I see you. 🤷🏾♀️
Neither side should be harassed for their opinions. But when Indigenous people say they’re uncomfortable with something because of its connection to colonialism, those concerns deserve to be taken seriously instead of brushed aside. Colonialism isn’t a joke, unless someone is personally using humor as a trauma response. Otherwise, it’s a serious topic that shouldn’t be dismissed.
Do you think that every person who harasses zutara shippers for saying that it's a "colonizer" ship is an indigenous person? Do you think they're treating the issue with the seriousness it deserves? If you say yes, you are an idiot.
The reason I said you support harassment is because you made a post in favor of harassment, and when I asked you about the fact that the fanart you were objecting to was a response to harassment and people throwing around the colonizer discussion for the purpose of trying to win a ship war, you were like "lol not my problem." It's very obvious that your problem is with zutara shippers, not with something that might be harmful to indigenous people, and that is why no one is listening to you or taking you seriously.

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Kataangaroos are really competing for the Olympic gold medal of who's the most sexist and ableist.
Literally every comment I see on twitter is like this. It's amazing that the KKK jokes actually were what made people wake up because this kind of language is also disgusting but far more accepted.
This one is my personal favorite
"To show my wokeness, im going to say a slur and with that prove that your take is not as woke as mine"
People see this, clap a little TOO much for it, and then turn around and accuse us of being the most toxic and annoying part of the fandom because some random said something bad about their ship, lol
We need more consequences against these idiots.
Do I get to reclaim "retarded non-woke," since I'm disabled?
K*taang fans are such silly geese for trying to parallel the Painted Lady with A.ang's Kuzon persona like first of all y'all are never beating the allegations that you feed off of Zutara scraps and second of all, Bonzu Pippinpaddleopsicopolis is RIGHT THERE I mean COME ON
I have this theory that Zuko and Katara are going to be Aang's parents in Netflix's version of the Headband and please please please it would be so fucking funny