It is really offensive to compare Iroh calling Azula crazy because she tried to kill him to women being diagnosed with hysteria because that diagnosis originated with men trying to cover up abuse. It has no place being used to defend Azula from actually facing consequences for her violence.
The person in this scenario that is being portrayed as irrational by posts like these because they spoke out against violence is Iroh.
Azula also frequently engages in this type of manipulation, most often with Zuko, who is repeatedly made to feel like he is crazy for speaking out against abuse. But she did very much fake surrender in order to get that shot in at Iroh.
But on a deeper level, both Zuko and Iroh actually have, as a major part of their narratives, being mistreated and gaslit because they spoke up against violence. Zuko's abuse gets the most attention, but Iroh is absolutely treated like he's irrational because he chose to retreat and stopped fighting the fire nation's war, called "kooky" and lazy and treated like a senile old man and a pariah. And this is also why Azula hates him.
Azula also engages in a more literal version of this in the comics when she takes women who actually have been abused by the mental institution and uses their abuse to convince them to follow her and further mistreat them.
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was watching this tiktok earlier today about why the op felt katara and aang were incompatible (here) and it remind me of something.
in the tiktok, op points out that katara suppresses her negative emotions because she has a subconscious desire to emotionally shield aang. she references the waterbending scroll where katara tells aang to shut his air hole and how his reaction (wide eyed and tearful) makes katara immediately remorseful about her words. after that point, she pretty much never gets angry at aang, even in moments where it would be reasonable to do so (i.e. in the desert episode where she is yelled at).
it made me think of the episode where aang "learns" to firebend from jeong jeong, and accidentally burns katara. canonically, katara is decentered from that experience almost immediately, when she has to reassure aang that she's okay. additionally, she doesn't have any residual thoughts about it at any point in the series after that episode. we are meant to empathize with aang in this scene - how apologetic he is and how sad it is that he is being thrown to the ground by sokka. it becomes this penance that aang fans praise him for, and even find it romantic that he refuses to firebend again -- despite the fact that katara doesn't agree.
over the years, i've seen disturbing comments from people including blaming katara for "not getting out of the way" or "using waterbending to block." arguments like this (as well as overemphasis of the context/how aang feels after) always come from a compulsatory need to protect aang from criticism. which is why i find it ironic that aang/ka fans cannot fathom the idea of katara pedestaling aang when they do it in fandom constantly. Compared to when zuko accidentally burns toph, the emphasis was on toph's feelings (the impact) and not the intentions. Aang asks her directly how she feels about zuko joining the gaang, and toph says it'll give her time to get back at him for burning her feet (lol).
i also agree with a point in the tiktok where she describes that it is not nearly emphasized enough that katara is the last SWT waterbender and she did not get to grow up with masters surrounding her in the way that aang did for 12 years. within canon and even within the fandom, aang's experience as the last airbender is meant to be heavily centered to wash away any critiques. If not, you're being insensitive and (for some reason) antis start to conflate irl and assume that you can't possibly be pro-Palestine.
when katara tells aang, he doesn't understand how she feels in TSR, people have continued to hate on her for that comment FOR YEARS. when aang says the same thing in the new aang movie, "it's valid." the imbalance in the way some kas handle katara and aang's trauma often seems to favor pedestaling aang despite the fact that their trauma is often referenced as something that ka can bond about.
Bro confused about Zutara and canon, I guess! Or, it's just sarcasm for canon?
Talking about Katara's agency and personality wiped in Zutara, when canon don't care about her at all in The Legend of Korra!
Talking about Zuko's fault that he already fixed and he helped her facing her trauma and get over it, like Aang never did something wrong to her (the non-consensual kiss, the way he shouted at her when he frustrated) and never said sorry.
Talking about Zuko was already in love with Mai, when he literally let her get imprisoned because of him and didn't even think to release her after he got the throne.
Talking about how awkward they were when someone else shipped them, while not wondering why people in the show shipped them, it can't be out of nowhere, right?
Talking about chemistry and build-up, when Katara and Aang's dynamic is just like a babysitter and little brother (even Bryke said it themselves) Eww!!!
Talking about Zutara reducing Katara into a trophy when it was literally canon, like we never knew what made Katara go from confused to choosing him in the end, except because he saved the world. So, where is her agency?
"Just because she forgave Zuko doesn't mean she forgets"
No, but "forgets" is being used as a synonym for "forgives." Otherwise, how is it removing her agency and personality? Why would she need to forget what Zuko did in order to be in a relationship with him, since she forgave him? When you ask someone to actually explain this, it's clear they don't actually think Katara forgave him, or don't think she should have. Which is removing Katara's agency and personality, because it means you don't trust her actions or feelings as sincere.
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I just saw a post talking about that scene in natla of Iroh looking at the wall of names that said something like, "we already know Iroh is a war criminal" and it occurred to me that people think war criminal just means someone fought in a war and wasn't on the "correct" side.
Everytime I attempt to get someone to explain what makes him a war criminal the most they manage was "he killed people" or "he seiged Be Sing Se" and no, sorry not war crimes. But then I've had people get real mad at me when I point out shooting retreating soldiers isn't a war crime either.
I think it's telling that him being "middle aged" was brought up in the discussion, as if it has anything to do with anything. I think people use "war crimes" basically to mean "war, but extra bad" which is not what it means. I also think that the reason people use it this way is because they want so badly for the gaang to be "child soldiers" and that puts them in the position of having to defend what they think is good war vs bad war, because like, I hate to break it to the atla fandom, but use of child soldiers is unambiguously a war crime. But none of these kids are child soldiers and Iroh isn't a war criminal.
Here is a particular tightrope concerning the treatment that Zuko and Azula respectively receive from the writing: it's simply true that the story is flippant and derisive about Azula, it's true that Iroh's claim that she's "crazy and needs to go down" is played for laughs even though he's saying this about someone in the clutches of an Ur-Patriarch, it's undeniable that she is depicted with the sort of paternalistic superiority that doctors adopt when they call(ed) women "hysterical". By comparison, Zuko is given the permission to make mistakes and to recover from them. He is allowed the interiority and complexity to change, whereas Azula is treated as an ossified pearl of evil. This is not fair!
It's simultaneously the case that Zuko's wariness of Azula is conditioned by years of abuse. And though this can be ultimately traced to their father, it was often delivered via the proxy of his sister. If Azula ought to have received grace as someone too young to see further than the horizons her father set for her, then Zuko is scarcely better positioned to see beyond his own myriad traumas. These are both characters who have been failed by the adults in their lives—and this includes Iroh's at-bottom misogyny when he reduces Azula to a hollow thrall of evil.
The solution (and now I'm speaking in terms of fanfic, deviation from the limits of the "canon") is not to pull Zuko down from the path of reparation he has laboriously carved out for himself, but to extend the same charity to Azula. Importantly, just as Zuko could not just say sorry and have it be done with, nor can Azula move past the concrete harms she's wrought without a process of making amends. But she's clever, shrewd, more sensitive than she was ever allowed to be: that's a path she can uncover and walk for herself, on the way to a full life which, like Zuko's, will no longer be under the yoke of their father.
I don't think this is an accurate assessment of that scene where Iroh says Azula needs to go down. It's played for laughs because ZUKO says that he expects Iroh to say that Azula is his sister and she should get along with her. The joke is about how Zuko has been conditioned to see himself as the one at fault, not dismissive of Azula. It's also not an assessment of Azula as an "ossified evil," it's simply that right now, in that moment, Zuko needs to know that Azula is the aggressor and that he is not the one at fault for wanting to defend himself from her.
The biggest obstacle to Azula's redemption is herself, not anyone else's assessment of her. No one has said that Azula is a hollow thrall of evil incapable of making the same changes Zuko has made, except Azula herself.
I want this to be true (I was, in the past, reluctant to see Iroh as uncharitable in that moment) but I just can't view it that way:
Iroh's continuous affection and care for Zuko is, for the bulk of the story, in spite of his commitment to his father's project, and in spite of his relentless pursuit of the Avatar. Iroh is supportive of Zuko throughout all of this, always willing to stay patient and have faith (even tho Zuko himself does not give us much reason to have faith until the second season), and in the scene we all adore, he emphasizes that he was only ever worried that Zuko had lost his way.
Iroh is one of the most strongly characterized figures in the show, in that due to a combination of the lines he's given and Mako's (RIP) delivery of them, we come to see him as a fountain of wisdom.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Because craziness invokes a psychiatric boundary (one I don't personally agree with), doesn't it? It's not just that Azula is, at that moment, the enemy: it's that she's on the other side of an insurmountable divide, because she's irrational and cannot be reasoned with. She is, in no uncertain terms here, being described as hysterical. Iroh could have used any phrasing here, but the writers had him call her crazy. Zuko's sister who, by dint of never having been exiled, has spent her life drowning in the proximal abuse that Zuko was at least given some breathing room from, is relegated in Iroh's phrasing to insanity. I just think that's brutally uncharitable.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts), but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Well, the simple answer is that she is trying to kill them. It is NOT for her to decide, because what happened previously (twice!) was that she pretended she wanted to get along in order to try and harm them, and the second time she actually did seriously harm Iroh. They are way past the point of "letting her decide" here.
As for the use of the word "crazy," I would say it's the kind of casual ableism that ideally should not be there, but to equate it to him saying that Azula is a hysterical woman is wrong. It's more like if I were at the store and someone came in and started shooting, I might say that person was crazy, because a crazy thing just happened to me. And since Azula is the aggressor here, I think it's heavily manipulative to try and police Iroh's rhetoric about someone who just tried to kill him. The theoretical person who shoots up the store probably has a lot going on, but that's not my problem, my first priority is survival. If, like Iroh, I have a child under my care, my other priority is that child.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts)
I think that's a misrepresentation of what I said, since I said nothing about paying off debts or punishment or forgiveness. She's an obstacle to her own redemption because she simply does not want it and has never, ever, showed any inclination whatsoever towards stopping doing harm, and would have continued to do harm if she had been allowed to. That is what I meant. And if you have a distaste for moral calculus, I'm not sure why you are so happy to engage in it with Iroh. If Iroh is brutally uncharitable about Azula, it's because of what I just said, that Azula has never, ever showed any inclination that she would stop trying to cause harm given the chance, and in fact, at this point in the narrative has taken two opportunities to pretend that she'll stop causing harm and used those to cause greater harm, something we also see Azula do as a child and then later in the series. If Iroh is uncharitable to Azula, it's because of her own actions.
but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
I don't think Ozai's rejection of Zuko makes him especially poised for redemption. In fact, I think Ozai's treatment of Zuko made him, in a lot of ways, the worst version of himself that we see at the beginning of the series, and when he's at his hardest trying to emulate his father and sister's cruelty. Zuko and Azula have different circumstances, sure, and they are different people, but I don't think that Ozai is a bigger obstacle in Azula's theoretical redemption than he was in Zuko's, just in a different way. One of the things that made redemption uniquely difficult for Zuko was that Ozai conditioned him to think that his value hinged on loyalty to Ozai. Azula, by contrast, is allowed into the halls of power by Ozai, which makes her conditioning harder to break in a different way, but she also has more freedom to act within that structure because she's assured of Ozai's approval, which is why she bends his orders frequently, for example. If I wanted to write an Azula redemption, I might start there. But then you have to reckon with the question of whether Azula wants redemption, so we're right back there, because that is what it all comes down to.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
It does come across as dismissive and I think even these attempts to be "less extreme" in defense of Azula come across as victim blaming nonsense. I think the proper way to deal with that sort of rhetoric is exactly the way Iroh does, to shut it down with extreme prejudice.
It also is not true that Iroh is supportive and patient with Zuko when he is acting his worst. Iroh frequently dresses down Zuko, especially in the first season, and in all three seasons is willing to act on his own, even opposed to Zuko, at the North Pole, in the catacombs, and during the Day of Black Sun. But it's also true that Zuko was shown to be a kinder child and more empathetic than Azula. I think it is extremely disingenuous to pretend that Iroh should not make that distinction between them or that the only reason he would is because of misogyny.
I also don't really believe you when you say you want this to be true, because it's the most obvious interpretation of what we're shown in the show and a thing that most casual viewers of the show understand even as children. It's only weirdos online who think otherwise, no matter how loud and insistent they are.
My example of "for her to decide" would, of course, have been edited to something a bit more fitting of context if I was getting paid to write the story and not offering a rough example of something more reasonable than what the writers actually wrote. We need not settle for one of two extremes here!
I simply wouldn't use crazy in that way; but, more to the point, I have to insist that this is about what the writers chose to have Iroh say about his own niece, who is not a stranger, but his niece, who he knows to have been the target of over a decade of abuse. I'm not in the business of policing language—people will say what they say—but nor am I in the business of ignoring the implications of the writers arranging their world in this way
I didn't say you said anything about paying off debts. My comment was about the concept of "redemption" in general. I was noting that it bears the connotations of this sort of calculus: that redemption entails the existence of a debt one has to repay. What I was saying has less to do with any claim you specifically made, and was more a parenthetical conveying how I feel about "redemption" as a moral concept. I was just saying that it doesn't interest me (what I find so juicy about Zuko's arc is more complex than what I feel "redemption" captures).
I'm not doing any sort of moral calculus with Iroh! I'm just saying that it's telling how this particular sequence of events and the attendant dialogue is written. I'm not putting him on trial.
I'm not going to mirror the language of redemption here for the reasons I mentioned above; what I will say is that Zuko's status as a fallen angel of sorts means that he simply has less to lose (not nothing—he loses plenty!) than the prodigal child.
Insofar as victim-blaming picks out a structural phenomenon wherein someone blames someone else for inviting structural violence onto themselves, it simply doesn't apply to what I'm saying about Iroh.
I would emphasize that even when Iroh is scolding (or ignoring) Zuko, he is doing this from a place of love, and the resolution to each of these conflicts emphasizes that fact.
You don't have to believe me, but considering that I've done my best to lay out my straightforward claim (maybe he shouldn't have called her "crazy" and maybe that has some unfortunate implications reflecting decisions the writing team made) with my own careful wording and without resort to ad hominem, I suppose I'm left with no choice but to be thought of, not just as one of those "weirdos online", but as a liar. Oh well!
I would say that I don't think you're aware of how condescending and disingenuous your tone comes across, especially in that last bullet point, but I think you're perfectly aware of it.
Just like I think everyone is perfectly aware of what would happen if Iroh were "more charitable" to Azula.
I have to say I'm pretty at a loss. Here's how this has felt from my perspective:
I post into the void reflecting on the fan treatment of Azula vs. Zuko, within which I make a comment on a writing choice in one of Iroh's lines
You raise some objections to what I wrote, quoting terms in ways that I did not mean, and making claims I didn't actually disagree with, which is the sort of thing that just happens in discussions
I try to honestly lay out my reasoning in some more depth and clarify what I meant, while disclaiming my own position as a Zutara-obsessed fic writer
I'm accused of lying and compared to "weirdos online" while being further misunderstood
In an attempt to control the growing sense of upset I have at being misunderstood and maligned, I acknowledge that there's probably nothing I can do to change your mind and try to close off the thread because I would prefer not to escalate
I'm told that this is condescending and disingenuous!
I really don't know what I could have done different here. I'm sorry to have written my thoughts in a manner that came off as condescending. I was, for my part, just feeling a growing frustration at being misunderstood, misrepresented, and accused of personal malice, and that frustration is at its peak now, but I don't know what the permissible way of staking my claim without being treated as a bad actor is. I've clearly failed at expressing that upset, and apparently failed at even expressing my original opinion.
Here are some examples of where the tone of your post comes across as flippant and not particularly in good faith:
"it's simply true....even though he's saying it about someone in the clutches of an Ur-patriarch." This does not address the fact that Iroh said it about someone who is doing harm on the orders of said Ur-patriarch and happy to do it. It simplifies the context in a way that is flippant and disingenuous.
"The sort of parternalistic superiority that doctors used when they called women hysterical" disingenuous attempt to attribute this to misogyny when what we're talking about is a character who tried to kill people. Most women who were victimized this way by doctors were themselves victims, and not the way Azula is a victim turned villain, either. This is a disingenuous, and frankly offensive, argument from the get go
"Zuko is given the permission to make mistakes and recover from them." Disingenuous and vague comparison, whataboutism
"ossified pearl of evil"
"Iroh's at bottom misogyny when he reduces Azula to a hollow thrall of evil." This is over a joke line that is not meant to be a comment on how Iroh feels about Azula, remember?
"the solution...to extend the same charity to Azula." The obvious implication is that this joke line is supposed to be a reflection of how Iroh sees Azula as an "ossified pearl of evil," because he called her crazy that one time after she repeatedly tried to kill him and Zuko.
There's more, but the "I want this to be true" in response to me in particular does not communicate a tone of a friendly discussion. And if you read my response to you as calling you a liar, it's because of that specific wording, instead of something more neutral and less invalidating, like "I disagree."
You then increasingly devolved into blaming me for disagreeing with you, even though, again, you began from a place of not actually wanting to consider another opinion. "Ossified pearl of evil" is a pretty extreme statement from the get-go, meant to illicit an extreme reaction, as was your inappropriate comparison to historical diagnoses of hysteria, which were often used to silence female victims of abuse in the same way that Azula stans often direct blame towards Zuko, Iroh, and Ursa for not allowing Azula to continue to cause harm. If you are confused by how we got here, then you probably should not have led with such wording.
"it's simply true….even though he's saying it about someone in the clutches of an Ur-patriarch." This does not address the fact that Iroh said it about someone who is doing harm on the orders of said Ur-patriarch and happy to do it. It simplifies the context in a way that is flippant and disingenuous.
I've argued that I don't think this is good reason for him to say that. So we disagree, which is fine! But that doesn't mean I'm being flippant, when I've taken pains to explain myself, nor that I'm disingenuous, because then you're suggesting that I don't mean what I say. But I've thought about this a lot!
"The sort of parternalistic superiority that doctors used when they called women hysterical" disingenuous attempt to attribute this to misogyny when what we're talking about is a character who tried to kill people. Most women who were victimized this way by doctors were themselves victims, and not the way Azula is a victim turned villain, either. This is a disingenuous, and frankly offensive, argument from the get go
We can disagree here, but I've been saying that the way the writers have positioned Azula is reminiscent of the attribution of hysteria to women. I mean it sincerely, so it cannot be disingenuous, and as a woman who has had these accusations levied against me, I don't see how it's offensive either.
"Zuko is given the permission to make mistakes and recover from them." Disingenuous and vague comparison, whataboutism
I don't know why everything I say is ostensibly disingenuous when it's just me saying what I'm thinking. In this case, I'm just observing something about Zuko, not trying to engage in the sort of deflection that "whataboutism" characterizes
"ossified pearl of evil"
I wrote a phrase, and it's fine if you don't like it, but that doesn't license the accusation that I was being disingenuous or acting in bad faith. I like to write.
"Iroh's at bottom misogyny when he reduces Azula to a hollow thrall of evil." This is over a joke line that is not meant to be a comment on how Iroh feels about Azula, remember?
I'm not sure what the contradiction here is. I took my time to argue how the use of "crazy" is reductive in this way. You can disagree, but that doesn't mean I'm acting in bad faith.
"the solution…to extend the same charity to Azula." The obvious implication is that this joke line is supposed to be a reflection of how Iroh sees Azula as an "ossified pearl of evil," because he called her crazy that one time after she repeatedly tried to kill him and Zuko.
I was here referring to the way people discuss Azula and making my suggestion. I'm confused why my observation that one of Iroh's comments has a certain implication has to be taken to mean he always thinks of her that way. Why does it have to be blown out of proportion like this?
And if you read my response to you as calling you a liar, it's because of that specific wording, instead of something more neutral and less invalidating, like "I disagree."
I'm sorry that wording came off as invalidating, sincerely; I wrote it because I wanted to emphasize that I understand your view, but it clearly didn't come off that way and that's my bad. I read your response as calling me a liar, however, because you explicitly said that you do not believe me.
You then increasingly devolved into blaming me for disagreeing with you, even though, again, you began from a place of not actually wanting to consider another opinion.
I'm genuinely confused where I blamed you. Everything I've written (until the previous post) has been a clarification of my position, and not about you! I was taking great pains not to impute anything to you at all, in fact, and just to try and explain myself. I was responsive to your claims and explained where they matched and where they differed from my own. If anything, I've felt as though I'm not being listened to at all.
used to silence female victims of abuse in the same way that Azula stans often direct blame towards Zuko, Iroh, and Ursa for not allowing Azula to continue to cause harm.
I think the analogy here just doesn't work when Zuko and Iroh aren't women
If you are confused by how we got here, then you probably should not have led with such wording.
At this point I can only say that I feel I'm the one being spoken to in bad faith. You previously suggested that I was victim-blaming Iroh, and then proceeded to blame me for the way I was treated as disingenuous, flippant, and untruthful. I'm incredulous. This isn't a way to have a productive conversation with someone who doesn't agree with you! It's deeply unfair.
You're trying to tell me that you really do not understand how you're being reductive when you say that Iroh saying Azula is crazy and needs to go down is dismissive because "he's saying it about someone in the clutches of an Ur-patriarch"? You don't understand how describing Azula this way is leaving out the very important fact of her being a princess with superpowers who is trying to kill people?
This is the same reason why your comparisons to hysteria are offensive. Azula is not an innocent victim, she is a victim who herself has become an abuser and someone who is capable of and has caused great harm. Comparing her to victims of incest and marital rape in order to say that Iroh is being unfair and sexist is victim blaming because it tries to claim that he's discriminating against her in a similar way, when she tried to kill him and Zuko. Iroh is the victim and Azula is the aggressor. Azula is also a victim of Ozai, but she is a victim who went on to victimize others. She is not being discriminated against in the way you are trying to claim by making this comparison. Please do not say you are not trying to make that comparison, because otherwise you would not have brought it up in the first place. And the comparison with Zuko and Iroh is not that they are women, it's that they, like the women you are trying to compare Azula to, are victims of violence being blamed for speaking out against that violence.
You also do not understand how your use of extreme language, like claiming that Iroh views Azula as a "hollow thrall of evil" is reductive? When did Iroh say this about Azula? When did the narrative portray Azula, who we have both agreed is a complex character, as an ossified pearl of evil? Just because she doesn't get a redemption arc?
You keep coming across as disingenuous because you keep denying that you are using language that is reductive and reactionary. The other option, if you are still confused about this, is for me to assume that you are just stupid, if you really want me to believe that you think "Iroh reduces Azula to a hollow thrall of evil" is an honest description of anything that happens in this show.
I just saw a post talking about that scene in natla of Iroh looking at the wall of names that said something like, "we already know Iroh is a war criminal" and it occurred to me that people think war criminal just means someone fought in a war and wasn't on the "correct" side.
I’m curious what you mean here? Iroh laid siege to a walled city for 600 days. That kind of thing usually involves starving the populace into submission. Which is the kind of sweeping atrocity against civilians that can justifiably get you labeled a war criminal, I think. And the 100 Year War was an unprovoked, genocidal war of aggression, so while don’t think that means that every single FN soldier would qualify as a war criminal, a middle-aged general from the ruling family definitely bears culpability.
I’m also curious what the OP was talking about, though, because the fandom seems to mostly forget/overlook ATLA Iroh’s past. I thought the way NATLA expanded on that part of Iroh’s storyline was an improvement.
I gave the specific scene in my post that the OP was referring to. "People died" =/= war crimes. If the scene had said "these were civilians who died due to starvation," that would be a different story. Starving civilians as part of a siege is certainly a war crime, but it's not something that is "usually involved" in a siege. That's why it's considered a war crime.
And "war crime" doesn't cover whether the war was justified or the age or rank of the person involved, unless we're talking about things like generals ordering those of lesser rank to commit war crimes.
I think it's a fairly useless modifier when talking about atla anyway, since it's a legal definition that does not exist in that world, but I gave the exact context up above on what I meant already.
War crimes as a definition also does not cover whether the war is justified. This is not meant to say Iroh's siege was not as bad. Soldiers on the "justified" side of a war can also commit war crimes. Like, for example, those Earth Kingdom soldiers who captured Iroh wanting to break his hands with a hammer to prevent him from escaping.
I just saw a post talking about that scene in natla of Iroh looking at the wall of names that said something like, "we already know Iroh is a war criminal" and it occurred to me that people think war criminal just means someone fought in a war and wasn't on the "correct" side.
Here is a particular tightrope concerning the treatment that Zuko and Azula respectively receive from the writing: it's simply true that the story is flippant and derisive about Azula, it's true that Iroh's claim that she's "crazy and needs to go down" is played for laughs even though he's saying this about someone in the clutches of an Ur-Patriarch, it's undeniable that she is depicted with the sort of paternalistic superiority that doctors adopt when they call(ed) women "hysterical". By comparison, Zuko is given the permission to make mistakes and to recover from them. He is allowed the interiority and complexity to change, whereas Azula is treated as an ossified pearl of evil. This is not fair!
It's simultaneously the case that Zuko's wariness of Azula is conditioned by years of abuse. And though this can be ultimately traced to their father, it was often delivered via the proxy of his sister. If Azula ought to have received grace as someone too young to see further than the horizons her father set for her, then Zuko is scarcely better positioned to see beyond his own myriad traumas. These are both characters who have been failed by the adults in their lives—and this includes Iroh's at-bottom misogyny when he reduces Azula to a hollow thrall of evil.
The solution (and now I'm speaking in terms of fanfic, deviation from the limits of the "canon") is not to pull Zuko down from the path of reparation he has laboriously carved out for himself, but to extend the same charity to Azula. Importantly, just as Zuko could not just say sorry and have it be done with, nor can Azula move past the concrete harms she's wrought without a process of making amends. But she's clever, shrewd, more sensitive than she was ever allowed to be: that's a path she can uncover and walk for herself, on the way to a full life which, like Zuko's, will no longer be under the yoke of their father.
I don't think this is an accurate assessment of that scene where Iroh says Azula needs to go down. It's played for laughs because ZUKO says that he expects Iroh to say that Azula is his sister and she should get along with her. The joke is about how Zuko has been conditioned to see himself as the one at fault, not dismissive of Azula. It's also not an assessment of Azula as an "ossified evil," it's simply that right now, in that moment, Zuko needs to know that Azula is the aggressor and that he is not the one at fault for wanting to defend himself from her.
The biggest obstacle to Azula's redemption is herself, not anyone else's assessment of her. No one has said that Azula is a hollow thrall of evil incapable of making the same changes Zuko has made, except Azula herself.
I want this to be true (I was, in the past, reluctant to see Iroh as uncharitable in that moment) but I just can't view it that way:
Iroh's continuous affection and care for Zuko is, for the bulk of the story, in spite of his commitment to his father's project, and in spite of his relentless pursuit of the Avatar. Iroh is supportive of Zuko throughout all of this, always willing to stay patient and have faith (even tho Zuko himself does not give us much reason to have faith until the second season), and in the scene we all adore, he emphasizes that he was only ever worried that Zuko had lost his way.
Iroh is one of the most strongly characterized figures in the show, in that due to a combination of the lines he's given and Mako's (RIP) delivery of them, we come to see him as a fountain of wisdom.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Because craziness invokes a psychiatric boundary (one I don't personally agree with), doesn't it? It's not just that Azula is, at that moment, the enemy: it's that she's on the other side of an insurmountable divide, because she's irrational and cannot be reasoned with. She is, in no uncertain terms here, being described as hysterical. Iroh could have used any phrasing here, but the writers had him call her crazy. Zuko's sister who, by dint of never having been exiled, has spent her life drowning in the proximal abuse that Zuko was at least given some breathing room from, is relegated in Iroh's phrasing to insanity. I just think that's brutally uncharitable.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts), but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Well, the simple answer is that she is trying to kill them. It is NOT for her to decide, because what happened previously (twice!) was that she pretended she wanted to get along in order to try and harm them, and the second time she actually did seriously harm Iroh. They are way past the point of "letting her decide" here.
As for the use of the word "crazy," I would say it's the kind of casual ableism that ideally should not be there, but to equate it to him saying that Azula is a hysterical woman is wrong. It's more like if I were at the store and someone came in and started shooting, I might say that person was crazy, because a crazy thing just happened to me. And since Azula is the aggressor here, I think it's heavily manipulative to try and police Iroh's rhetoric about someone who just tried to kill him. The theoretical person who shoots up the store probably has a lot going on, but that's not my problem, my first priority is survival. If, like Iroh, I have a child under my care, my other priority is that child.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts)
I think that's a misrepresentation of what I said, since I said nothing about paying off debts or punishment or forgiveness. She's an obstacle to her own redemption because she simply does not want it and has never, ever, showed any inclination whatsoever towards stopping doing harm, and would have continued to do harm if she had been allowed to. That is what I meant. And if you have a distaste for moral calculus, I'm not sure why you are so happy to engage in it with Iroh. If Iroh is brutally uncharitable about Azula, it's because of what I just said, that Azula has never, ever showed any inclination that she would stop trying to cause harm given the chance, and in fact, at this point in the narrative has taken two opportunities to pretend that she'll stop causing harm and used those to cause greater harm, something we also see Azula do as a child and then later in the series. If Iroh is uncharitable to Azula, it's because of her own actions.
but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
I don't think Ozai's rejection of Zuko makes him especially poised for redemption. In fact, I think Ozai's treatment of Zuko made him, in a lot of ways, the worst version of himself that we see at the beginning of the series, and when he's at his hardest trying to emulate his father and sister's cruelty. Zuko and Azula have different circumstances, sure, and they are different people, but I don't think that Ozai is a bigger obstacle in Azula's theoretical redemption than he was in Zuko's, just in a different way. One of the things that made redemption uniquely difficult for Zuko was that Ozai conditioned him to think that his value hinged on loyalty to Ozai. Azula, by contrast, is allowed into the halls of power by Ozai, which makes her conditioning harder to break in a different way, but she also has more freedom to act within that structure because she's assured of Ozai's approval, which is why she bends his orders frequently, for example. If I wanted to write an Azula redemption, I might start there. But then you have to reckon with the question of whether Azula wants redemption, so we're right back there, because that is what it all comes down to.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
It does come across as dismissive and I think even these attempts to be "less extreme" in defense of Azula come across as victim blaming nonsense. I think the proper way to deal with that sort of rhetoric is exactly the way Iroh does, to shut it down with extreme prejudice.
It also is not true that Iroh is supportive and patient with Zuko when he is acting his worst. Iroh frequently dresses down Zuko, especially in the first season, and in all three seasons is willing to act on his own, even opposed to Zuko, at the North Pole, in the catacombs, and during the Day of Black Sun. But it's also true that Zuko was shown to be a kinder child and more empathetic than Azula. I think it is extremely disingenuous to pretend that Iroh should not make that distinction between them or that the only reason he would is because of misogyny.
I also don't really believe you when you say you want this to be true, because it's the most obvious interpretation of what we're shown in the show and a thing that most casual viewers of the show understand even as children. It's only weirdos online who think otherwise, no matter how loud and insistent they are.
My example of "for her to decide" would, of course, have been edited to something a bit more fitting of context if I was getting paid to write the story and not offering a rough example of something more reasonable than what the writers actually wrote. We need not settle for one of two extremes here!
I simply wouldn't use crazy in that way; but, more to the point, I have to insist that this is about what the writers chose to have Iroh say about his own niece, who is not a stranger, but his niece, who he knows to have been the target of over a decade of abuse. I'm not in the business of policing language—people will say what they say—but nor am I in the business of ignoring the implications of the writers arranging their world in this way
I didn't say you said anything about paying off debts. My comment was about the concept of "redemption" in general. I was noting that it bears the connotations of this sort of calculus: that redemption entails the existence of a debt one has to repay. What I was saying has less to do with any claim you specifically made, and was more a parenthetical conveying how I feel about "redemption" as a moral concept. I was just saying that it doesn't interest me (what I find so juicy about Zuko's arc is more complex than what I feel "redemption" captures).
I'm not doing any sort of moral calculus with Iroh! I'm just saying that it's telling how this particular sequence of events and the attendant dialogue is written. I'm not putting him on trial.
I'm not going to mirror the language of redemption here for the reasons I mentioned above; what I will say is that Zuko's status as a fallen angel of sorts means that he simply has less to lose (not nothing—he loses plenty!) than the prodigal child.
Insofar as victim-blaming picks out a structural phenomenon wherein someone blames someone else for inviting structural violence onto themselves, it simply doesn't apply to what I'm saying about Iroh.
I would emphasize that even when Iroh is scolding (or ignoring) Zuko, he is doing this from a place of love, and the resolution to each of these conflicts emphasizes that fact.
You don't have to believe me, but considering that I've done my best to lay out my straightforward claim (maybe he shouldn't have called her "crazy" and maybe that has some unfortunate implications reflecting decisions the writing team made) with my own careful wording and without resort to ad hominem, I suppose I'm left with no choice but to be thought of, not just as one of those "weirdos online", but as a liar. Oh well!
I would say that I don't think you're aware of how condescending and disingenuous your tone comes across, especially in that last bullet point, but I think you're perfectly aware of it.
Just like I think everyone is perfectly aware of what would happen if Iroh were "more charitable" to Azula.
I have to say I'm pretty at a loss. Here's how this has felt from my perspective:
I post into the void reflecting on the fan treatment of Azula vs. Zuko, within which I make a comment on a writing choice in one of Iroh's lines
You raise some objections to what I wrote, quoting terms in ways that I did not mean, and making claims I didn't actually disagree with, which is the sort of thing that just happens in discussions
I try to honestly lay out my reasoning in some more depth and clarify what I meant, while disclaiming my own position as a Zutara-obsessed fic writer
I'm accused of lying and compared to "weirdos online" while being further misunderstood
In an attempt to control the growing sense of upset I have at being misunderstood and maligned, I acknowledge that there's probably nothing I can do to change your mind and try to close off the thread because I would prefer not to escalate
I'm told that this is condescending and disingenuous!
I really don't know what I could have done different here. I'm sorry to have written my thoughts in a manner that came off as condescending. I was, for my part, just feeling a growing frustration at being misunderstood, misrepresented, and accused of personal malice, and that frustration is at its peak now, but I don't know what the permissible way of staking my claim without being treated as a bad actor is. I've clearly failed at expressing that upset, and apparently failed at even expressing my original opinion.
Here are some examples of where the tone of your post comes across as flippant and not particularly in good faith:
"it's simply true....even though he's saying it about someone in the clutches of an Ur-patriarch." This does not address the fact that Iroh said it about someone who is doing harm on the orders of said Ur-patriarch and happy to do it. It simplifies the context in a way that is flippant and disingenuous.
"The sort of parternalistic superiority that doctors used when they called women hysterical" disingenuous attempt to attribute this to misogyny when what we're talking about is a character who tried to kill people. Most women who were victimized this way by doctors were themselves victims, and not the way Azula is a victim turned villain, either. This is a disingenuous, and frankly offensive, argument from the get go
"Zuko is given the permission to make mistakes and recover from them." Disingenuous and vague comparison, whataboutism
"ossified pearl of evil"
"Iroh's at bottom misogyny when he reduces Azula to a hollow thrall of evil." This is over a joke line that is not meant to be a comment on how Iroh feels about Azula, remember?
"the solution...to extend the same charity to Azula." The obvious implication is that this joke line is supposed to be a reflection of how Iroh sees Azula as an "ossified pearl of evil," because he called her crazy that one time after she repeatedly tried to kill him and Zuko.
There's more, but the "I want this to be true" in response to me in particular does not communicate a tone of a friendly discussion. And if you read my response to you as calling you a liar, it's because of that specific wording, instead of something more neutral and less invalidating, like "I disagree."
You then increasingly devolved into blaming me for disagreeing with you, even though, again, you began from a place of not actually wanting to consider another opinion. "Ossified pearl of evil" is a pretty extreme statement from the get-go, meant to illicit an extreme reaction, as was your inappropriate comparison to historical diagnoses of hysteria, which were often used to silence female victims of abuse in the same way that Azula stans often direct blame towards Zuko, Iroh, and Ursa for not allowing Azula to continue to cause harm. If you are confused by how we got here, then you probably should not have led with such wording.
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Here is a particular tightrope concerning the treatment that Zuko and Azula respectively receive from the writing: it's simply true that the story is flippant and derisive about Azula, it's true that Iroh's claim that she's "crazy and needs to go down" is played for laughs even though he's saying this about someone in the clutches of an Ur-Patriarch, it's undeniable that she is depicted with the sort of paternalistic superiority that doctors adopt when they call(ed) women "hysterical". By comparison, Zuko is given the permission to make mistakes and to recover from them. He is allowed the interiority and complexity to change, whereas Azula is treated as an ossified pearl of evil. This is not fair!
It's simultaneously the case that Zuko's wariness of Azula is conditioned by years of abuse. And though this can be ultimately traced to their father, it was often delivered via the proxy of his sister. If Azula ought to have received grace as someone too young to see further than the horizons her father set for her, then Zuko is scarcely better positioned to see beyond his own myriad traumas. These are both characters who have been failed by the adults in their lives—and this includes Iroh's at-bottom misogyny when he reduces Azula to a hollow thrall of evil.
The solution (and now I'm speaking in terms of fanfic, deviation from the limits of the "canon") is not to pull Zuko down from the path of reparation he has laboriously carved out for himself, but to extend the same charity to Azula. Importantly, just as Zuko could not just say sorry and have it be done with, nor can Azula move past the concrete harms she's wrought without a process of making amends. But she's clever, shrewd, more sensitive than she was ever allowed to be: that's a path she can uncover and walk for herself, on the way to a full life which, like Zuko's, will no longer be under the yoke of their father.
I don't think this is an accurate assessment of that scene where Iroh says Azula needs to go down. It's played for laughs because ZUKO says that he expects Iroh to say that Azula is his sister and she should get along with her. The joke is about how Zuko has been conditioned to see himself as the one at fault, not dismissive of Azula. It's also not an assessment of Azula as an "ossified evil," it's simply that right now, in that moment, Zuko needs to know that Azula is the aggressor and that he is not the one at fault for wanting to defend himself from her.
The biggest obstacle to Azula's redemption is herself, not anyone else's assessment of her. No one has said that Azula is a hollow thrall of evil incapable of making the same changes Zuko has made, except Azula herself.
I want this to be true (I was, in the past, reluctant to see Iroh as uncharitable in that moment) but I just can't view it that way:
Iroh's continuous affection and care for Zuko is, for the bulk of the story, in spite of his commitment to his father's project, and in spite of his relentless pursuit of the Avatar. Iroh is supportive of Zuko throughout all of this, always willing to stay patient and have faith (even tho Zuko himself does not give us much reason to have faith until the second season), and in the scene we all adore, he emphasizes that he was only ever worried that Zuko had lost his way.
Iroh is one of the most strongly characterized figures in the show, in that due to a combination of the lines he's given and Mako's (RIP) delivery of them, we come to see him as a fountain of wisdom.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Because craziness invokes a psychiatric boundary (one I don't personally agree with), doesn't it? It's not just that Azula is, at that moment, the enemy: it's that she's on the other side of an insurmountable divide, because she's irrational and cannot be reasoned with. She is, in no uncertain terms here, being described as hysterical. Iroh could have used any phrasing here, but the writers had him call her crazy. Zuko's sister who, by dint of never having been exiled, has spent her life drowning in the proximal abuse that Zuko was at least given some breathing room from, is relegated in Iroh's phrasing to insanity. I just think that's brutally uncharitable.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts), but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Well, the simple answer is that she is trying to kill them. It is NOT for her to decide, because what happened previously (twice!) was that she pretended she wanted to get along in order to try and harm them, and the second time she actually did seriously harm Iroh. They are way past the point of "letting her decide" here.
As for the use of the word "crazy," I would say it's the kind of casual ableism that ideally should not be there, but to equate it to him saying that Azula is a hysterical woman is wrong. It's more like if I were at the store and someone came in and started shooting, I might say that person was crazy, because a crazy thing just happened to me. And since Azula is the aggressor here, I think it's heavily manipulative to try and police Iroh's rhetoric about someone who just tried to kill him. The theoretical person who shoots up the store probably has a lot going on, but that's not my problem, my first priority is survival. If, like Iroh, I have a child under my care, my other priority is that child.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts)
I think that's a misrepresentation of what I said, since I said nothing about paying off debts or punishment or forgiveness. She's an obstacle to her own redemption because she simply does not want it and has never, ever, showed any inclination whatsoever towards stopping doing harm, and would have continued to do harm if she had been allowed to. That is what I meant. And if you have a distaste for moral calculus, I'm not sure why you are so happy to engage in it with Iroh. If Iroh is brutally uncharitable about Azula, it's because of what I just said, that Azula has never, ever showed any inclination that she would stop trying to cause harm given the chance, and in fact, at this point in the narrative has taken two opportunities to pretend that she'll stop causing harm and used those to cause greater harm, something we also see Azula do as a child and then later in the series. If Iroh is uncharitable to Azula, it's because of her own actions.
but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
I don't think Ozai's rejection of Zuko makes him especially poised for redemption. In fact, I think Ozai's treatment of Zuko made him, in a lot of ways, the worst version of himself that we see at the beginning of the series, and when he's at his hardest trying to emulate his father and sister's cruelty. Zuko and Azula have different circumstances, sure, and they are different people, but I don't think that Ozai is a bigger obstacle in Azula's theoretical redemption than he was in Zuko's, just in a different way. One of the things that made redemption uniquely difficult for Zuko was that Ozai conditioned him to think that his value hinged on loyalty to Ozai. Azula, by contrast, is allowed into the halls of power by Ozai, which makes her conditioning harder to break in a different way, but she also has more freedom to act within that structure because she's assured of Ozai's approval, which is why she bends his orders frequently, for example. If I wanted to write an Azula redemption, I might start there. But then you have to reckon with the question of whether Azula wants redemption, so we're right back there, because that is what it all comes down to.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
It does come across as dismissive and I think even these attempts to be "less extreme" in defense of Azula come across as victim blaming nonsense. I think the proper way to deal with that sort of rhetoric is exactly the way Iroh does, to shut it down with extreme prejudice.
It also is not true that Iroh is supportive and patient with Zuko when he is acting his worst. Iroh frequently dresses down Zuko, especially in the first season, and in all three seasons is willing to act on his own, even opposed to Zuko, at the North Pole, in the catacombs, and during the Day of Black Sun. But it's also true that Zuko was shown to be a kinder child and more empathetic than Azula. I think it is extremely disingenuous to pretend that Iroh should not make that distinction between them or that the only reason he would is because of misogyny.
I also don't really believe you when you say you want this to be true, because it's the most obvious interpretation of what we're shown in the show and a thing that most casual viewers of the show understand even as children. It's only weirdos online who think otherwise, no matter how loud and insistent they are.
My example of "for her to decide" would, of course, have been edited to something a bit more fitting of context if I was getting paid to write the story and not offering a rough example of something more reasonable than what the writers actually wrote. We need not settle for one of two extremes here!
I simply wouldn't use crazy in that way; but, more to the point, I have to insist that this is about what the writers chose to have Iroh say about his own niece, who is not a stranger, but his niece, who he knows to have been the target of over a decade of abuse. I'm not in the business of policing language—people will say what they say—but nor am I in the business of ignoring the implications of the writers arranging their world in this way
I didn't say you said anything about paying off debts. My comment was about the concept of "redemption" in general. I was noting that it bears the connotations of this sort of calculus: that redemption entails the existence of a debt one has to repay. What I was saying has less to do with any claim you specifically made, and was more a parenthetical conveying how I feel about "redemption" as a moral concept. I was just saying that it doesn't interest me (what I find so juicy about Zuko's arc is more complex than what I feel "redemption" captures).
I'm not doing any sort of moral calculus with Iroh! I'm just saying that it's telling how this particular sequence of events and the attendant dialogue is written. I'm not putting him on trial.
I'm not going to mirror the language of redemption here for the reasons I mentioned above; what I will say is that Zuko's status as a fallen angel of sorts means that he simply has less to lose (not nothing—he loses plenty!) than the prodigal child.
Insofar as victim-blaming picks out a structural phenomenon wherein someone blames someone else for inviting structural violence onto themselves, it simply doesn't apply to what I'm saying about Iroh.
I would emphasize that even when Iroh is scolding (or ignoring) Zuko, he is doing this from a place of love, and the resolution to each of these conflicts emphasizes that fact.
You don't have to believe me, but considering that I've done my best to lay out my straightforward claim (maybe he shouldn't have called her "crazy" and maybe that has some unfortunate implications reflecting decisions the writing team made) with my own careful wording and without resort to ad hominem, I suppose I'm left with no choice but to be thought of, not just as one of those "weirdos online", but as a liar. Oh well!
I would say that I don't think you're aware of how condescending and disingenuous your tone comes across, especially in that last bullet point, but I think you're perfectly aware of it.
Just like I think everyone is perfectly aware of what would happen if Iroh were "more charitable" to Azula.
Here is a particular tightrope concerning the treatment that Zuko and Azula respectively receive from the writing: it's simply true that the story is flippant and derisive about Azula, it's true that Iroh's claim that she's "crazy and needs to go down" is played for laughs even though he's saying this about someone in the clutches of an Ur-Patriarch, it's undeniable that she is depicted with the sort of paternalistic superiority that doctors adopt when they call(ed) women "hysterical". By comparison, Zuko is given the permission to make mistakes and to recover from them. He is allowed the interiority and complexity to change, whereas Azula is treated as an ossified pearl of evil. This is not fair!
It's simultaneously the case that Zuko's wariness of Azula is conditioned by years of abuse. And though this can be ultimately traced to their father, it was often delivered via the proxy of his sister. If Azula ought to have received grace as someone too young to see further than the horizons her father set for her, then Zuko is scarcely better positioned to see beyond his own myriad traumas. These are both characters who have been failed by the adults in their lives—and this includes Iroh's at-bottom misogyny when he reduces Azula to a hollow thrall of evil.
The solution (and now I'm speaking in terms of fanfic, deviation from the limits of the "canon") is not to pull Zuko down from the path of reparation he has laboriously carved out for himself, but to extend the same charity to Azula. Importantly, just as Zuko could not just say sorry and have it be done with, nor can Azula move past the concrete harms she's wrought without a process of making amends. But she's clever, shrewd, more sensitive than she was ever allowed to be: that's a path she can uncover and walk for herself, on the way to a full life which, like Zuko's, will no longer be under the yoke of their father.
I don't think this is an accurate assessment of that scene where Iroh says Azula needs to go down. It's played for laughs because ZUKO says that he expects Iroh to say that Azula is his sister and she should get along with her. The joke is about how Zuko has been conditioned to see himself as the one at fault, not dismissive of Azula. It's also not an assessment of Azula as an "ossified evil," it's simply that right now, in that moment, Zuko needs to know that Azula is the aggressor and that he is not the one at fault for wanting to defend himself from her.
The biggest obstacle to Azula's redemption is herself, not anyone else's assessment of her. No one has said that Azula is a hollow thrall of evil incapable of making the same changes Zuko has made, except Azula herself.
I want this to be true (I was, in the past, reluctant to see Iroh as uncharitable in that moment) but I just can't view it that way:
Iroh's continuous affection and care for Zuko is, for the bulk of the story, in spite of his commitment to his father's project, and in spite of his relentless pursuit of the Avatar. Iroh is supportive of Zuko throughout all of this, always willing to stay patient and have faith (even tho Zuko himself does not give us much reason to have faith until the second season), and in the scene we all adore, he emphasizes that he was only ever worried that Zuko had lost his way.
Iroh is one of the most strongly characterized figures in the show, in that due to a combination of the lines he's given and Mako's (RIP) delivery of them, we come to see him as a fountain of wisdom.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Because craziness invokes a psychiatric boundary (one I don't personally agree with), doesn't it? It's not just that Azula is, at that moment, the enemy: it's that she's on the other side of an insurmountable divide, because she's irrational and cannot be reasoned with. She is, in no uncertain terms here, being described as hysterical. Iroh could have used any phrasing here, but the writers had him call her crazy. Zuko's sister who, by dint of never having been exiled, has spent her life drowning in the proximal abuse that Zuko was at least given some breathing room from, is relegated in Iroh's phrasing to insanity. I just think that's brutally uncharitable.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts), but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Well, the simple answer is that she is trying to kill them. It is NOT for her to decide, because what happened previously (twice!) was that she pretended she wanted to get along in order to try and harm them, and the second time she actually did seriously harm Iroh. They are way past the point of "letting her decide" here.
As for the use of the word "crazy," I would say it's the kind of casual ableism that ideally should not be there, but to equate it to him saying that Azula is a hysterical woman is wrong. It's more like if I were at the store and someone came in and started shooting, I might say that person was crazy, because a crazy thing just happened to me. And since Azula is the aggressor here, I think it's heavily manipulative to try and police Iroh's rhetoric about someone who just tried to kill him. The theoretical person who shoots up the store probably has a lot going on, but that's not my problem, my first priority is survival. If, like Iroh, I have a child under my care, my other priority is that child.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts)
I think that's a misrepresentation of what I said, since I said nothing about paying off debts or punishment or forgiveness. She's an obstacle to her own redemption because she simply does not want it and has never, ever, showed any inclination whatsoever towards stopping doing harm, and would have continued to do harm if she had been allowed to. That is what I meant. And if you have a distaste for moral calculus, I'm not sure why you are so happy to engage in it with Iroh. If Iroh is brutally uncharitable about Azula, it's because of what I just said, that Azula has never, ever showed any inclination that she would stop trying to cause harm given the chance, and in fact, at this point in the narrative has taken two opportunities to pretend that she'll stop causing harm and used those to cause greater harm, something we also see Azula do as a child and then later in the series. If Iroh is uncharitable to Azula, it's because of her own actions.
but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
I don't think Ozai's rejection of Zuko makes him especially poised for redemption. In fact, I think Ozai's treatment of Zuko made him, in a lot of ways, the worst version of himself that we see at the beginning of the series, and when he's at his hardest trying to emulate his father and sister's cruelty. Zuko and Azula have different circumstances, sure, and they are different people, but I don't think that Ozai is a bigger obstacle in Azula's theoretical redemption than he was in Zuko's, just in a different way. One of the things that made redemption uniquely difficult for Zuko was that Ozai conditioned him to think that his value hinged on loyalty to Ozai. Azula, by contrast, is allowed into the halls of power by Ozai, which makes her conditioning harder to break in a different way, but she also has more freedom to act within that structure because she's assured of Ozai's approval, which is why she bends his orders frequently, for example. If I wanted to write an Azula redemption, I might start there. But then you have to reckon with the question of whether Azula wants redemption, so we're right back there, because that is what it all comes down to.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
It does come across as dismissive and I think even these attempts to be "less extreme" in defense of Azula come across as victim blaming nonsense. I think the proper way to deal with that sort of rhetoric is exactly the way Iroh does, to shut it down with extreme prejudice.
It also is not true that Iroh is supportive and patient with Zuko when he is acting his worst. Iroh frequently dresses down Zuko, especially in the first season, and in all three seasons is willing to act on his own, even opposed to Zuko, at the North Pole, in the catacombs, and during the Day of Black Sun. But it's also true that Zuko was shown to be a kinder child and more empathetic than Azula. I think it is extremely disingenuous to pretend that Iroh should not make that distinction between them or that the only reason he would is because of misogyny.
I also don't really believe you when you say you want this to be true, because it's the most obvious interpretation of what we're shown in the show and a thing that most casual viewers of the show understand even as children. It's only weirdos online who think otherwise, no matter how loud and insistent they are.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving?
The thing about what Zuko says that I don't think gets mentioned enough is the way it echoes what Azula says in the flashback to her mother when she is trying to manipulate Zuko, and she successfully manipulates her mother using the same rhetoric of "we're brother and sister so we should get along" to get around Zuko's wariness of her.
The thing is, I'm not sure that it IS feasible for them to get along. Perhaps it might be some day, but I think it's dangerous for an abuse victim to hold onto that hope. This is why many abuse victims choose to cut off those relationships instead of trying to rehabilitate them, and that's a big reason also why I think Iroh does not try to open things up for a "maybe some day."
Although notably he does say that in the Promise comic, when Azula is less of a threat and Ozai is out of the picture. But giving Azula the benefit of the doubt turns out to be harmful to them all in that comic, too.
Here is a particular tightrope concerning the treatment that Zuko and Azula respectively receive from the writing: it's simply true that the story is flippant and derisive about Azula, it's true that Iroh's claim that she's "crazy and needs to go down" is played for laughs even though he's saying this about someone in the clutches of an Ur-Patriarch, it's undeniable that she is depicted with the sort of paternalistic superiority that doctors adopt when they call(ed) women "hysterical". By comparison, Zuko is given the permission to make mistakes and to recover from them. He is allowed the interiority and complexity to change, whereas Azula is treated as an ossified pearl of evil. This is not fair!
It's simultaneously the case that Zuko's wariness of Azula is conditioned by years of abuse. And though this can be ultimately traced to their father, it was often delivered via the proxy of his sister. If Azula ought to have received grace as someone too young to see further than the horizons her father set for her, then Zuko is scarcely better positioned to see beyond his own myriad traumas. These are both characters who have been failed by the adults in their lives—and this includes Iroh's at-bottom misogyny when he reduces Azula to a hollow thrall of evil.
The solution (and now I'm speaking in terms of fanfic, deviation from the limits of the "canon") is not to pull Zuko down from the path of reparation he has laboriously carved out for himself, but to extend the same charity to Azula. Importantly, just as Zuko could not just say sorry and have it be done with, nor can Azula move past the concrete harms she's wrought without a process of making amends. But she's clever, shrewd, more sensitive than she was ever allowed to be: that's a path she can uncover and walk for herself, on the way to a full life which, like Zuko's, will no longer be under the yoke of their father.
I don't think this is an accurate assessment of that scene where Iroh says Azula needs to go down. It's played for laughs because ZUKO says that he expects Iroh to say that Azula is his sister and she should get along with her. The joke is about how Zuko has been conditioned to see himself as the one at fault, not dismissive of Azula. It's also not an assessment of Azula as an "ossified evil," it's simply that right now, in that moment, Zuko needs to know that Azula is the aggressor and that he is not the one at fault for wanting to defend himself from her.
The biggest obstacle to Azula's redemption is herself, not anyone else's assessment of her. No one has said that Azula is a hollow thrall of evil incapable of making the same changes Zuko has made, except Azula herself.
I want this to be true (I was, in the past, reluctant to see Iroh as uncharitable in that moment) but I just can't view it that way:
Iroh's continuous affection and care for Zuko is, for the bulk of the story, in spite of his commitment to his father's project, and in spite of his relentless pursuit of the Avatar. Iroh is supportive of Zuko throughout all of this, always willing to stay patient and have faith (even tho Zuko himself does not give us much reason to have faith until the second season), and in the scene we all adore, he emphasizes that he was only ever worried that Zuko had lost his way.
Iroh is one of the most strongly characterized figures in the show, in that due to a combination of the lines he's given and Mako's (RIP) delivery of them, we come to see him as a fountain of wisdom.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Because craziness invokes a psychiatric boundary (one I don't personally agree with), doesn't it? It's not just that Azula is, at that moment, the enemy: it's that she's on the other side of an insurmountable divide, because she's irrational and cannot be reasoned with. She is, in no uncertain terms here, being described as hysterical. Iroh could have used any phrasing here, but the writers had him call her crazy. Zuko's sister who, by dint of never having been exiled, has spent her life drowning in the proximal abuse that Zuko was at least given some breathing room from, is relegated in Iroh's phrasing to insanity. I just think that's brutally uncharitable.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts), but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
So then why, when Zuko tries to concede that he should get along with Azula (not something false, mind you, just not feasible at the moment), does Iroh not give the sort of nuanced advice he is so often in the habit of giving? Why does he not say "maybe some day, but not today," or "it is for her to decide, there is nothing more you can do right now to reconcile", etc? Why, in particular, does he call her crazy? Why not just that she has to go down?
Well, the simple answer is that she is trying to kill them. It is NOT for her to decide, because what happened previously (twice!) was that she pretended she wanted to get along in order to try and harm them, and the second time she actually did seriously harm Iroh. They are way past the point of "letting her decide" here.
As for the use of the word "crazy," I would say it's the kind of casual ableism that ideally should not be there, but to equate it to him saying that Azula is a hysterical woman is wrong. It's more like if I were at the store and someone came in and started shooting, I might say that person was crazy, because a crazy thing just happened to me. And since Azula is the aggressor here, I think it's heavily manipulative to try and police Iroh's rhetoric about someone who just tried to kill him. The theoretical person who shoots up the store probably has a lot going on, but that's not my problem, my first priority is survival. If, like Iroh, I have a child under my care, my other priority is that child.
I don't disagree that Azula is an obstacle to her own redemption (tho I'm not fond of this sort of moral calculus—tastes too much like paying off debts)
I think that's a misrepresentation of what I said, since I said nothing about paying off debts or punishment or forgiveness. She's an obstacle to her own redemption because she simply does not want it and has never, ever, showed any inclination whatsoever towards stopping doing harm, and would have continued to do harm if she had been allowed to. That is what I meant. And if you have a distaste for moral calculus, I'm not sure why you are so happy to engage in it with Iroh. If Iroh is brutally uncharitable about Azula, it's because of what I just said, that Azula has never, ever showed any inclination that she would stop trying to cause harm given the chance, and in fact, at this point in the narrative has taken two opportunities to pretend that she'll stop causing harm and used those to cause greater harm, something we also see Azula do as a child and then later in the series. If Iroh is uncharitable to Azula, it's because of her own actions.
but to say that she's the biggest obstacle... I don't know. She saw Ozai burn almost half of Zuko's face. The depiction of her glee there is something else we could write entire essays about, but my point is that there's a bigger obstacle looming a full head and shoulders over her. He's trained her from birth not to think any other way, in a way that we have to distinguish from the rejection Zuko has repeatedly experienced.
I don't think Ozai's rejection of Zuko makes him especially poised for redemption. In fact, I think Ozai's treatment of Zuko made him, in a lot of ways, the worst version of himself that we see at the beginning of the series, and when he's at his hardest trying to emulate his father and sister's cruelty. Zuko and Azula have different circumstances, sure, and they are different people, but I don't think that Ozai is a bigger obstacle in Azula's theoretical redemption than he was in Zuko's, just in a different way. One of the things that made redemption uniquely difficult for Zuko was that Ozai conditioned him to think that his value hinged on loyalty to Ozai. Azula, by contrast, is allowed into the halls of power by Ozai, which makes her conditioning harder to break in a different way, but she also has more freedom to act within that structure because she's assured of Ozai's approval, which is why she bends his orders frequently, for example. If I wanted to write an Azula redemption, I might start there. But then you have to reckon with the question of whether Azula wants redemption, so we're right back there, because that is what it all comes down to.
A last disclaimer: I made this whole post because I saw someone berating Zuko's characterization in fanon to a degree I thought was really extreme, so I hope I'm not coming off as dismissive of Zuko by comparison here. I'm kinda obsessed with him.
It does come across as dismissive and I think even these attempts to be "less extreme" in defense of Azula come across as victim blaming nonsense. I think the proper way to deal with that sort of rhetoric is exactly the way Iroh does, to shut it down with extreme prejudice.
It also is not true that Iroh is supportive and patient with Zuko when he is acting his worst. Iroh frequently dresses down Zuko, especially in the first season, and in all three seasons is willing to act on his own, even opposed to Zuko, at the North Pole, in the catacombs, and during the Day of Black Sun. But it's also true that Zuko was shown to be a kinder child and more empathetic than Azula. I think it is extremely disingenuous to pretend that Iroh should not make that distinction between them or that the only reason he would is because of misogyny.
I also don't really believe you when you say you want this to be true, because it's the most obvious interpretation of what we're shown in the show and a thing that most casual viewers of the show understand even as children. It's only weirdos online who think otherwise, no matter how loud and insistent they are.
Here is a particular tightrope concerning the treatment that Zuko and Azula respectively receive from the writing: it's simply true that the story is flippant and derisive about Azula, it's true that Iroh's claim that she's "crazy and needs to go down" is played for laughs even though he's saying this about someone in the clutches of an Ur-Patriarch, it's undeniable that she is depicted with the sort of paternalistic superiority that doctors adopt when they call(ed) women "hysterical". By comparison, Zuko is given the permission to make mistakes and to recover from them. He is allowed the interiority and complexity to change, whereas Azula is treated as an ossified pearl of evil. This is not fair!
It's simultaneously the case that Zuko's wariness of Azula is conditioned by years of abuse. And though this can be ultimately traced to their father, it was often delivered via the proxy of his sister. If Azula ought to have received grace as someone too young to see further than the horizons her father set for her, then Zuko is scarcely better positioned to see beyond his own myriad traumas. These are both characters who have been failed by the adults in their lives—and this includes Iroh's at-bottom misogyny when he reduces Azula to a hollow thrall of evil.
The solution (and now I'm speaking in terms of fanfic, deviation from the limits of the "canon") is not to pull Zuko down from the path of reparation he has laboriously carved out for himself, but to extend the same charity to Azula. Importantly, just as Zuko could not just say sorry and have it be done with, nor can Azula move past the concrete harms she's wrought without a process of making amends. But she's clever, shrewd, more sensitive than she was ever allowed to be: that's a path she can uncover and walk for herself, on the way to a full life which, like Zuko's, will no longer be under the yoke of their father.
I don't think this is an accurate assessment of that scene where Iroh says Azula needs to go down. It's played for laughs because ZUKO says that he expects Iroh to say that Azula is his sister and she should get along with her. The joke is about how Zuko has been conditioned to see himself as the one at fault, not dismissive of Azula. It's also not an assessment of Azula as an "ossified evil," it's simply that right now, in that moment, Zuko needs to know that Azula is the aggressor and that he is not the one at fault for wanting to defend himself from her.
The biggest obstacle to Azula's redemption is herself, not anyone else's assessment of her. No one has said that Azula is a hollow thrall of evil incapable of making the same changes Zuko has made, except Azula herself.
Your Iroh post had me thinking. One thing that annoys me in this fandom is people, esp Azula fans, INSIST Iroh is a war criminal. But a siege is NOT a war crime. It is a recognized war tactic. And if you bring this up, they go, "Uh, well, its still war, so a crime probably happened, anyway!" When in canon, this is never once hinted at, so this is speculation, not canon. Hell for fun, I even did some research. Some TACTICS sieges use can be war crimes, but given the nature of this series, its unlikely Iroh ever did any of them. But honestly? It doesnt matter bc the show itself mentions no details of what happened. It didnt matter to the show's narrative. And its just missing the point of his character. Yes Iroh did bad things in the past but he changed. So he had the wisdom to guide Zuko as well.
Azula stans act like Iroh's past is a mark against his redemption, when actually, it's there to show us his redemption and highlight the good man he is now. Like, nobody forgot that Iroh did bad things, because that is the fucking point. It's why his redemption is so celebrated and why he is so loved as the kind, patient, compassionate man he is in the series, because he knows what happens when those qualities are absent.
And anyway the reason they keep saying this stuff is because they know their special little girl was never sorry for anything she did and would do it again. This is also why Jet stans tend to be Azula stans, and usually they are Azula stans first and only support Jet in so much as they can try to portray the heroes of the story as villains. I once had someone with a Jet username tell me that we shouldn't be so hard on Azula. Like, what, do you think they would be friends with each other? Jet and Azula's politics don't mesh at all, but what they have in common is that they're both manipulative and unable to change their harmful behaviors, and they both target Iroh, so this is what these people are actually caping for. Interestingly, Iroh canonically thought both Jet and Azula could change for the better, but nonetheless would not support them doing harm, and this is why these kinds of stans hate him so much.
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I have one more ficlet prompt (if you’re still accepting them). Can you write something set after Zuko takes lightning to the chest for Katara, and during that scene where he’s been bandaged up and Mai comes to see him? Except, instead of Mai, it’s Katara who comes to see him and help him bandage his wound and everything. They share some sweet loving moments together, and then maybe Mai sees them together and is annoyed. Katara decides to give them a moment to talk but Zuko stops her from leaving.
“Not so fast,” she says from the doorway, as he’s trying to figure out how to maneuver himself into the crimson robe that’s a lot heavier than it looks. “We need to change the bandages first. I don’t want you bleeding through while you’re being crowned.”
He’s used to her popping in whenever she wants, now, and it doesn't matter that he’s not fully dressed because she’s already seen him in much worse a state. The guards don’t even question her anymore. Katara moves about the palace as freely as the water she bends, freer than he ever did when he grew up here under his father’s shadow.
He hates feeling this helpless, but Katara’s intrusion is not unwelcome. He just wishes her visits could be for a better reason.
And despite his desire to hold onto what was left of his dignity and modesty, he’s glad for the interruption.
“At least I'll already be wearing red,” he tries.
“Not funny,” she says, at his side and gingerly beginning to unwrap the bandages around his chest. “You might collapse before we even know there’s something wrong."
“Better than wearing white,” he grimaces, only half from the pain.
He can tell she doesn't get the joke. “White is for funerals,” he says, and she swallows, wide-eyed, then goes back to her work, this time yanking a strip of bandage a little too hard.
It wasn't that good of a joke.
“Sit down,” she instructs, indicating the bed, and he does, while she carefully peels back the wrappings around the wound. “Not much bleeding. That’s good.”
The wound stings when it’s exposed to the open air, and he lets out a gasp. She puts a water-wreathed hand to his chest and the pain begins to fade, her other hand on his back. “Does that feel better?”
“A lot better,” he says as tension he didn't know he was holding seems to melt away. It’s not just the pain that feels better. Her touch makes him feel grounded, calming his fluttering nerves.
“I wish we could postpone the coronation,” she says, frowning.
‘No,” he says, lifting up an arm so she can wrap the fresh bandages. “It can’t wait any longer. The war needs to officially end. Today. I’m alright, Katara.”
And to prove his point, he stands after she’s done with the new bandages, picking up the robe that he’d discarded earlier. She gets up, too, and helps him into it. He doesn’t protest. She adjusts the collar, her fingers brushing his skin.
There are way too many parts to his outfit, and Katara is not familiar with Fire Nation regalia. He talks her through how to undo the clasps of the enormous shoulder piece, then guides her through helping him tie the complicated topknot. It feels good to have her fingers running through his hair, deft, and impossibly gentle. With fingers still weak and shaky, he takes her hands, small and soft and warm in his, and shows her the motions.
According to custom, she shouldn’t be touching his hair. But the life debt he owes her should be more than enough to buck tradition. Besides, today would be the beginning of a new era, a better one.
There’s the sound of footsteps and voices in the antechamber, and Katara quickly finishes tying the knot, her hands falling to her sides. Zuko looks up.
“You stupid, don’t you know I’m his girlfriend - !”
“Mai!”
Zuko stands up abruptly. Katara does at the same time, and makes a move to go, but Zuko grabs her hand behind his back, and she stops.
Mai looks him up and down, taking in his half-dressed state, the bandages on his chest. Then her eyes land on Katara. “Oh,” she says. “So this is what the new firelord is doing while I’m rotting in prison.”
Her eyes fall back on Zuko, as if expecting him to say something, and he knows he needs to say something, but whatever he’d said has always been the wrong thing, with Mai.
Why had it always been like that, with the people he loved? It shouldn't be this hard, should it?
He’d forgotten how hard it was, these past few days. Uncle had made it seem easy, loving him. And his new friends, for whom it seemed to come naturally. Katara, who loved so easily that it didn't matter that he was like this.
“Well?” She demands. To Katara she says “you can go now,” and waves her hand dismissively.
But Katara’s hand doesn't let go, squeezes his, as if it’s a question. The touch makes him realize how tense he is, and her hand feels like an anchor, preventing him from floating away. His fingers curl around hers unconsciously, and he realizes he doesn't want to let go. She squeezes back in response. It’s okay, I’ve got you.
“I need to spend some more time checking his wound before the coronation,” she says.
Mai turns to her, lifting her chin so that she can look down on Katara, appraisingly. “The firelord needs to spend some time with his girlfriend. Alone.”
“I want her to stay,” Zuko says, and they both turn to him.
Mai narrows her eyes. “Then I’m gone, Zuko.”
The old Zuko might have immediately run after her, tried to take back the words, but Katara’s hand is still keeping him anchored, and he feels like he really will be alright.
Here I am trying to get some new ZK Meta or fan art to reblog but allas I found another person who INSIST on coming into our main tag and scolding us 🙄.
This person is claiming that it's weird of us to use pictures of Dallas and Kiawentiio in interviews for our fan art because "they hate Zutara."
But before I could even type a snarky comment, someone got to it first.
This ZK corrected them and said that the actors don't actually hate Zutara.
This person didn't address the fact that they were wrong and spreading misinformation and doubled down that we are still weird to them.
I decided to step in and reply with this.
Their response is that this is just "their opinion" and we don't have to listen. They're right that we don't HAVE to listen to this random.
What my issue is is that they're back tracking and trying to claim this as an "opinion." It's not. It's quite literally a demand. You're demanding we stop our "weird behavior". That's not how that works bud.
The person called them out for spreading misinformation again.
I called them out for trying to frame their obvious demand as just an opinion.
This person responded by saying "oh shit really?" I'm sorry, did the ZK not initially tell you that the actors don't hate Zutara???
But this is the real kicker!
Bro I wouldn't have found that stupid post if you didn't decide to put it IN THE MAIN TAG!
They soon realized they weren't "winning" and just deleted it. Good thing I knew this would happen and took screenshots beforehand!
When people talk about parasocial behavior, it's usually blaming fans for doing fan things, but I think we need to talk about this bizarre need to "protect" adult actors from innocent drawings that they will most likely never see.
Getting offended on behalf of a public figure whose job it is to create interest in fan interaction. That's why they publicize these photos to begin with. No photo you see online of these actors is just them "hanging out." Even if it's just something the actors posted on their Instagram reel, it's all there for fan consumption. As long as nobody is being hurt, what is the deal?
That's the case with most antis who claim that they didn't realize they were being rude and that what they say is "just their opinion." They knew they were being an ass, but what they expected was for a bunch of people to agree with them.