Aristide Maillol - Women Wrestlers (1900)
đȘŒ
Cosimo Galluzzi
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă

ellievsbear
macklin celebrini has autism
hello vonnie
todays bird
Mike Driver

shark vs the universe

Love Begins
occasionally subtle

if i look back, i am lost
PUT YOUR BEARD IN MY MOUTH


pixel skylines
I'd rather be in outer space đž
RMH

oozey mess
seen from United States

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@collectionpropaganda
Aristide Maillol - Women Wrestlers (1900)

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This is for new foragers, like my coworker:
'Medicinal' does NOT mean 'good for you and safe to eat all the time'. A plant being 'medicinal' does NOT mean that eating it, without any idea of WHY and HOW it's considered medicinal, is a good idea. It is UNWISE to consume a plant that has a long history of use in a way that DOES NOT have a long history of use.
In addition to learning that a plant is edible, you need to learn how it is eaten, what part is eaten, when it's harvested, and how to harvest it sustainably and in a way that supports its continued existence (unless it's invasive). If people only eat the ripe berries as food, then don't eat unripe berries. Don't. Eat. Unripe. Berries. UNLESS! There's! precedent! For that plant!
I know there's this idea going around that Americans only eat sweet or salty things, and that we've eliminated bitter things from our diet, and we should thus be eating more bitter things. But! Bitter things are bitter for a reason, and sometimes that reason is poison! Some of them are medicinally useful at the correct dose, but! You need to know what that is! You need to be doing it on purpose! DO NOT! Assume that bitter means that it's good for you!
Yes! Foxgloves can be medicinal in the right dose but they're also really poisonous if you just eat them randomly. Willow bark has the compound that can be refined into aspirin but if you eat it it's really easy to give yourself ulcers. Also, you must get a foraging book that is specific to your local environment, poisonous lookalikes vary by region
Eliminated bitter things from our diets? Nonsense, what about coffee?
Anyways, yes. Medicinal plants are medicines. They have drug interactions and side effects. You can overdose. Modern pharmaceuticals are a good thing because you know exactly how much of the active ingredient you are consuming, and there is a lot of information on the safety.
Also, like any food, you can randomly have a sensitivity or an allergy to a plant you haven't eaten before, so maybe only eat a little the first time you eat it.
Overlock Stitch by @clothes_reetzy
Damn, that's useful
Finally a hand sewing tutorial on a hemline that isn't just the ladder stitch! the ladder stitch disappears when you tighten it, but it's not meant for hemlines because it breaks really easily! The overlock stitch is more stable, so it holds much longer, and it won't pucker or warp the fabric!
tags by @gallusrostromegalus
OH HELL THE FUCK YES
hey, dont cry modern doctor who fans, 159 classic who episodes, 517 books, 1952 audio stories, 1267 comics ok?
hey, dont cry modern doctor who fans, 159 classic who episodes, 517 books, 1952 audio stories, 1267 comics ok?
hey podcast creators, or anyone this may apply to, what kind of sound effects do you need? what kinds are hard to find? I'm looking to get into making (free/pwyw) sample packs so if you could let me know what kind of sample packs you think you'd get I would appreciate it + I think I could help make those happen đđ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Important rules for the "age verification" era of the internet that we're living in:
1. Do not do age verification.
2. If you have to do age verification, cheat. Do not under any circumstances give them your real ID.
When reading fanfic keep in mind that for professional literature:Â
Short story: under 7,500
Novelette: between 7,500 and 17,500
Novella: between 17,500 and 40,000
Novel: over 40,000
Fics over 40k are literally a novel written and shared for free. If you have written a 40k+ fic, you have literally written a novel.
Yep. In addition, chapters in published novels are generally around 3,000 words in length.
Fanfic writers go hard.
So I have read several people complaining that they canât be expected to know the âunwritten rulesâ of fandom. So hereâs what I wish people knew:
Fanfiction is fiction.
Fictional people are not real.
Fictional people do not have rights.
Fictional people cannot be abused.
Reading or writing about something does not mean the desire to do or support it in the real world.
If I find art upsetting/triggering/disgusting/outraging/unpleasant/squicky/distressing/offensive, it is on me not to read it, not the creators and hosts to remove it.
Curate your own experience. The back buttons exist for a reason.
If you donât trust yourself to do that, get someone you trust to do it for you.
Fandom is an adult space. Adults create and own and host fandom spaces. If minors want to participate, then the onus is on them and their parents/guardians/trusted adults to ensure they participate appropriately, not on strange adults to stop being adults.
You often donât know the assault status or mental health status or neurotype or race or nationality or religion or gender or sexuality or age of a creator or consumer, and they do not have to disclose to you to justify their fantasy.
AO3 is not a safe space. It is not intended to be a safe space. Proceed accordingly.
Just because you donât like something or find it offensive doesnât mean it is a âproblemâ that âhas to be dealt withâ.
Most characters in anime are not white.
There is no onus on you to reblog or share anything.
Everyone makes mistakes in fandom and is less than their best self sometimes.
Persistent pseudonyms encourage long term relationships.
Ship wars are stupid.
Someone else enjoying things does not impact on your own enjoyment of other things.
Tagging and warning is a courtesy, not a requirement. Assume any fic might contain untagged content.
Rating is an imprecise art, not a science.
Donât hassle IP creators.
Most people who are in fandom are hoping to make connections based on a shared passion.
Trying to profit from transformative fanworks puts us all at risk.
No one is obligated to share your head canon or fanon.
Being kind rarely fails to pay off.
It is okay to block and remove people who make your experience unpleasant. You donât have to placate them. (Learn from my mistakes).
Britpicking is a good thing.
You donât have to justify why you like a canon/pairing/trope/kink. Sometimes navel gazing is fun, but you donât have an obligation to explain yourself, especially to strangers. I share the overwhelming desire to refute an unfair accusation, but the people accusing you are rarely doing so in good faith, so youâre batting a losing wicket.
Iâm not your Mum. (Well, okay, a very few of you can call me Mum or Mom, but if you are one of them you already know who you are â€ïž)
If you arenât mature enough to take responsibility for your online experiences, you arenât mature enough to be in fandom spaces.
This is wonderfully informative. The one about tagging especially resonates with me. I have gotten some nasty comments about not tagging something in my fics that I didnât even realize was an issue until someone pointed it out (in the worst way). It didnât feel fair at the time, but they made me feel like it was my fault they were offended. But, like, books donât come with warning tags. People spend good money on books that tell you almost nothing about their content. Yet itâs my fault youâre traumatized because I failed to tag one scene in a 100 chapter fic that youâre reading for free? ⊠Yeah.
I do my best to tag things, but I may not always realize certain things are triggering for other people. A simple request is all it takes. I will gladly add a tag if you think it should be there, even if you decide you canât read my fic because of the content.
But, at the end of the day, you read at your own risk. If you canât deal/donât like it, stop reading/donât read it. Really. It wonât hurt my feelings, and you need to protect yourself.
I wanna add one more thing:
Respect fandom creators.
Donât steal their stuff (aka posting without crediting, downloading and reuploading without crediting, anything that makes it appear you made that piece instead of them. If you canât find a watermark in the piece or any other form of identification, use reverse image search.)
Donât feed their stuff to AI. If you want to get a specific piece in their style, ask them if they would consider making it. If they say no, RESPECT THAT. Feeding someoneâs stuff into genAI without asking the creator is a shitty, shitty thing to do.
Interact with their stuff in such a way that they can get motivation from the interaction. This can be a reblog on Tumblr (which leaves the credit intact! Reblogs on Tumblr are an excellent thing! Different from re*post*, which is when you download a picture or GIF or whatever, and upload it so it looks like you made it!) It can be a like or kudos, it can be an enthusiastic comment. DO NOT offer concrit unless the creator SPECIFICALLY asks for it. No matter how much you think your input could improve their work, DO NOT. Also (should be obvious but here goes) do not leave hateful comments on someoneâs creation. Corollary: do not put character or ship hate into the tag of that character or ship, or into the comments or reblogs of a positive post for that character or ship. Tag it â[ship] rantâ or â[ship] hateâ or something, but not â[ship]â only. Please and thank you.
aadam jacobs's archive
tree grafting techniques

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Meteor Shower, oil on panel by Mia Bergeron
At the risk of sounding anti-intellectual, I think that college should be free and also not a requirement for employment outside of highly specialized career fields
At the risk of sounding like an effete intellectual, I do actually think you should be allowed to just take college courses indefinitely
technically you can, if you don't care about degrees.
Free Harvard courses. Free Courses from Stanford. Free Courses from MIT. Free courses from Yale. Free courses from Princeton.
Free courses on Coursera.
Free Courses on EDx Free Courses on Alison
For paid, there's The Great Courses+/Wonderium. 20$ a month for unlimited courses.
When searching, the phrases you're looking for are Massive Open Online Courses (MOOCs), or you can do a general search of say, "free online college courses." Oh, and so you don't get surprised like I did, have an avoid: Hillsdale College is a conservative Christian site and not a valid MOOC place. Sign up with them and you will get things like THIS IS WHY THE LEFT IS TURNING YOUR KIDS TRANS AND GAY in your inbox.
@yourunderwaterskies I wanted to say thank you so much for adding these links, seriously, they've been life-changingly helpful to me-
And I also wanted to mention that humanitarian organisations have free courses too, like the Red Cross on international humanitarian law.
Learn more about the Red Cross International Humanitarian Law (IHL) Program to train policy professionals, government officials, academics,
Kaya is a free humanitarian learning platform which offers hundreds of training opportunities across a range of key topics, including the hu
Almée Couture | Spirit of the Forgotten
did u know u could just draw bad and nothing happens did u know that
girlies are u doing ok
oh no girlies
As the spring semester starts for many of us, just wanted to refer everyone to pdf drive!! I got so many of my textbooks free off of it :) I use ad blockers and still have like 7198272 ads perforating libgen & other websites I tend to refer to. PDF drive feels like one of the last websites where itâs not as bad & they have legitimately so many textbooks free (& any other book you could think of). Itâs my go to if I donât find anything on the more popular websites

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Blind people gesture (and why thatâs kind of a big deal)
People who are blind from birth will gesture when they speak. I always like pointing out this fact when I teach classes on gesture, because it gives us an an interesting perspective on how we learn and use gestures. Until now Iâve mostly cited a 1998 paper from Jana Iverson and Susan Goldin-Meadow that analysed the gestures and speech of young blind people. Not only do blind people gesture, but the frequency and types of gestures they use does not appear to differ greatly from how sighted people gesture. If people learn gesture without ever seeing a gesture (and, most likely, never being shown), then there must be something about learning a language that means you get gestures as a bonus.
Blind people will even gesture when talking to other blind people, and sighted people will gesture when speaking on the phone - so we know that people donât only gesture when they speak to someone who can see their gestures.
Earlier this year a new paper came out that adds to this story. Ćeyda OÌzçalıĆkan, CheÌ Lucero and Susan Goldin-Meadow looked at the gestures of blind speakers of Turkish and English, to see if the *way* they gestured was different to sighted speakers of those languages. Some of the sighted speakers were blindfolded and others left able to see their conversation partner.
Turkish and English were chosen, because it has already been established that speakers of those languages consistently gesture differently when talking about videos of items moving. English speakers will be more likely to show the manner (e.g. ârollingâ or bouncingâ) and trajectory (e.g. âleft to rightâ, âdownwardsâ) together in one gesture, and Turkish speakers will show these features as two separate gestures. This reflects the fact that English âroll downâ is one verbal clause, while in Turkish the equivalent would be yuvarlanarak iniyor, which translates as two verbs ârolling descendingâ.
Since we know that blind people do gesture, OÌzçalıĆkanâs team wanted to figure out if they gestured like other speakers of their language. Did the blind Turkish speakers separate the manner and trajectory of their gestures like their verbs? Did English speakers combine them? Of course, the standard methodology of showing videos wouldnât work with blind participants, so the researchers built three dimensional models of events for people to feel before they discussed them.
The results showed that blind Turkish speakers gesture like their sighted counterparts, and the same for English speakers. All Turkish speakers gestured significantly differently from all English speakers, regardless of sightedness. This means that these particular gestural patterns are something thatâs deeply linked to the grammatical properties of a language, and not something that we learn from looking at other speakers.
References
Jana M. Iverson & Susan Goldin-Meadow. 1998. Why people gesture when they speak. Nature, 396(6708), 228-228.
Ćeyda OÌzçalıĆkan, CheÌ Lucero and Susan Goldin-Meadow. 2016. Is Seeing Gesture Necessary to Gesture Like a Native Speaker? Psychological Science, 27(5) 737â747.
Asli Ozyurek & Sotaro Kita. 1999. Expressing manner and path in English and Turkish: Differences in speech, gesture, and conceptualization. In Twenty-first Annual Conference of the Cognitive Science Society (pp. 507-512). Erlbaum.
Almost a decade later and thereâs a fun update to this paper!
Eight years after this original study Ćeyda ĂzçalıĆkan, ChĂ© Lucero and Susan Goldin-Meadow have a sequel.
The original paper showed that blind and sighted people who speak the same language have similar gestures to represent events. These gestures canât have been acquired through visual learning, so this was evidence that gesture and speech must be all bound up together in the brain. But there was still a question about how deeply theyâre tied together. Perhaps this was something that adults settled into as they got older.
In this new paper, ĂzçalıĆkan and team looked at the speech and gesture of blind and sighted Turkish children between the ages of five and ten years old. They used the same methods and targeted the same kind of action verbs and gestures. Itâs worth checking out the paper for the frolicking doll dioramas they set up as part of the experiment.
Even the youngest children showed the same kind of gesture patterns as adult Turkish speakers. This means that these kinds of patterns are part of language learning and not something that gets added on top later in life. That is further evidence for the original argument that speech and gesture are a package deal.
Itâs so great to see this team continuing to refine and support the original findings.
From the âresearch highlightsâ section of the paper:
Gestures, when produced with speech (i.e., co-speech gesture), follow language-specific patterns in event representation in both blind and sighted children.
Gestures, when produced without speech (i.e., silent gesture), do not follow the language-specific patterns in event representation in both blind and sighted children.
Language-specific patterns in speech and co-speech gestures are observable at the same time in blind and sighted children.
The cross-linguistic similarities in silent gestures begin slightly later in blind children than in sighted children.
Citation
ĂzçalıĆkan, Ćeyda, ChĂ© Lucero, and Susan GoldinâMeadow. (2024). Is vision necessary for the timely acquisition of languageâspecific patterns in coâspeech gesture and their lack in silent gesture?. Developmental Science, 27(5), e13507. https://doi.org/10.1111/desc.13507
official linguistics post
Blind people gesture (and why thatâs kind of a big deal)
People who are blind from birth will gesture when they speak. I always like pointing out this fact when I teach classes on gesture, because it gives us an an interesting perspective on how we learn and use gestures. Until now Iâve mostly cited a 1998 paper from Jana Iverson and Susan Goldin-Meadow that analysed the gestures and speech of young blind people. Not only do blind people gesture, but the frequency and types of gestures they use does not appear to differ greatly from how sighted people gesture. If people learn gesture without ever seeing a gesture (and, most likely, never being shown), then there must be something about learning a language that means you get gestures as a bonus.
Blind people will even gesture when talking to other blind people, and sighted people will gesture when speaking on the phone - so we know that people donât only gesture when they speak to someone who can see their gestures.
Earlier this year a new paper came out that adds to this story. Ćeyda OÌzçalıĆkan, CheÌ Lucero and Susan Goldin-Meadow looked at the gestures of blind speakers of Turkish and English, to see if the *way* they gestured was different to sighted speakers of those languages. Some of the sighted speakers were blindfolded and others left able to see their conversation partner.
Turkish and English were chosen, because it has already been established that speakers of those languages consistently gesture differently when talking about videos of items moving. English speakers will be more likely to show the manner (e.g. ârollingâ or bouncingâ) and trajectory (e.g. âleft to rightâ, âdownwardsâ) together in one gesture, and Turkish speakers will show these features as two separate gestures. This reflects the fact that English âroll downâ is one verbal clause, while in Turkish the equivalent would be yuvarlanarak iniyor, which translates as two verbs ârolling descendingâ.
Since we know that blind people do gesture, OÌzçalıĆkanâs team wanted to figure out if they gestured like other speakers of their language. Did the blind Turkish speakers separate the manner and trajectory of their gestures like their verbs? Did English speakers combine them? Of course, the standard methodology of showing videos wouldnât work with blind participants, so the researchers built three dimensional models of events for people to feel before they discussed them.
The results showed that blind Turkish speakers gesture like their sighted counterparts, and the same for English speakers. All Turkish speakers gestured significantly differently from all English speakers, regardless of sightedness. This means that these particular gestural patterns are something thatâs deeply linked to the grammatical properties of a language, and not something that we learn from looking at other speakers.
References
Jana M. Iverson & Susan Goldin-Meadow. 1998. Why people gesture when they speak. Nature, 396(6708), 228-228.
Ćeyda OÌzçalıĆkan, CheÌ Lucero and Susan Goldin-Meadow. 2016. Is Seeing Gesture Necessary to Gesture Like a Native Speaker? Psychological Science, 27(5) 737â747.
Asli Ozyurek & Sotaro Kita. 1999. Expressing manner and path in English and Turkish: Differences in speech, gesture, and conceptualization. In Twenty-first Annual Conference of the Cognitive Science Society (pp. 507-512). Erlbaum.
Almost a decade later and thereâs a fun update to this paper!
Eight years after this original study Ćeyda ĂzçalıĆkan, ChĂ© Lucero and Susan Goldin-Meadow have a sequel.
The original paper showed that blind and sighted people who speak the same language have similar gestures to represent events. These gestures canât have been acquired through visual learning, so this was evidence that gesture and speech must be all bound up together in the brain. But there was still a question about how deeply theyâre tied together. Perhaps this was something that adults settled into as they got older.
In this new paper, ĂzçalıĆkan and team looked at the speech and gesture of blind and sighted Turkish children between the ages of five and ten years old. They used the same methods and targeted the same kind of action verbs and gestures. Itâs worth checking out the paper for the frolicking doll dioramas they set up as part of the experiment.
Even the youngest children showed the same kind of gesture patterns as adult Turkish speakers. This means that these kinds of patterns are part of language learning and not something that gets added on top later in life. That is further evidence for the original argument that speech and gesture are a package deal.
Itâs so great to see this team continuing to refine and support the original findings.
From the âresearch highlightsâ section of the paper:
Gestures, when produced with speech (i.e., co-speech gesture), follow language-specific patterns in event representation in both blind and sighted children.
Gestures, when produced without speech (i.e., silent gesture), do not follow the language-specific patterns in event representation in both blind and sighted children.
Language-specific patterns in speech and co-speech gestures are observable at the same time in blind and sighted children.
The cross-linguistic similarities in silent gestures begin slightly later in blind children than in sighted children.
Citation
ĂzçalıĆkan, Ćeyda, ChĂ© Lucero, and Susan GoldinâMeadow. (2024). Is vision necessary for the timely acquisition of languageâspecific patterns in coâspeech gesture and their lack in silent gesture?. Developmental Science, 27(5), e13507. https://doi.org/10.1111/desc.13507
official linguistics post