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One Nice Bug Per Day
sheepfilms

blake kathryn
🩵 avery cochrane 🩵
I'd rather be in outer space 🛸

shark vs the universe
YOU ARE THE REASON

Kaledo Art

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let's talk about Bridgerton tea, my ask is open
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KIROKAZE
Monterey Bay Aquarium
Today's Document
Sade Olutola

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Andulka
Three Goblin Art
Keni
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@dreamingofmidnight

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So I just read up on some copyright laws and found out fanart and fanfic are technically illegal. Now I’m laughing at the thought of someone getting sued in court for writing smut about their favorite character 😂
THIS IS NOT TRUE!!!!!
Fanworks are not illegal. Most all fanart and fanfic are “transformative works,” which fall under the protection of Section 107 of the U.S. Copyright Law, the statute of fair use. Fair Use allows you to use sections and elements of copyrighted material to critique, expound on, or create using that material as long as you’re creating something new. You can read about fair use here: https://fairuse.stanford.edu/overview/fair-use/what-is-fair-use/. And learn about how to decide if something is fair use using this simple guide of the four factors of fair use: https://fairuse.stanford.edu/overview/fair-use/four-factors/.
Why is AO3 built by the Organization for TRANSFORMATIVE WORKS???? Because it stands by fair use and creators of new, unique fanworks.
FANWORK IS NOT ILLEGAL. READ ACTUAL COPYRIGHT LAW.
Also know your fandom history Anne Rice used to literally sue our asses over this shit which is why old school LJ fanauthors used to always have the “don’t own not mine just playing” disclaimers on their shit
fwiw, I wrote my thesis on this and fic is neither illegal nor illegal – it’s a legal grey zone that has never been tested in any court (in the US, unless there’s an explicit law about something, we function in a common law system, meaning most of the rule of law in our country is a mish-mash of court precedents, differing and debating between jurisdictions, like this this case). There has never been a lawsuit by the copyright holder of a commercial, fictional work, against someone producing a non-commercial, derivative fictional work; thus, there is no case law about fanfic and we’re all living in the grey zone. There have been a few lawsuits from the copyright owners of commercial, fictional work against commercial, fictional derivative work; one lawsuit from the copyright owners of commercial, fictional work against a commercial, non-fictional derivative work. But the fanwork we all make every day *may* be protected under fair use; fair use is the right the hire a lawyer, being an affirmative defense, and is rarely tested. The other affirmative defense folks might be familiar with is self-defense in the case of a murder – you say ‘yes, your honor, I did murder him, but it’s ok for x, y, z, reasons.’ Then the trial is about deciding if x, y, and z, reasons are good enough, not if you did the murder (since you had to admit it to use the affirmative defense). Using fair use is like saying, ‘yes, I did infringe on their copyright, but I believe it was acceptable’ and then you have to pay lawyers about it. I believe that fair use for non-commercial works should be assumed, and the burden should be on the copyright holder to prove harm and infringement, rather than on the non-commercial producer to prove they are covered by fair use. But, given that there’s no case law, and no explicit laws, tons of high-powered lawyers for commercial content producers like to make stuff up, like to send scary cease and desist letters, like to threaten fans who don’t have the money to fight back. Most major content producers have decided that terrorizing their fans is Bad Business Practice and they’ve stopped calling us all pirates and thieves and are instead madly catering to our whims (often, not always); but that’s a marketing trend, not an indication of any actual change in the status of fan works. If you’re interested in supporting folks working to change copyright law or protect fans within it, the Electronic Frontier Foundation and the Organization for Transformative Works are excellent places to spend a bit of money, if you’re flush. Our current copyright system isn’t fulfilling its constitutional mandate to encourage the arts and sciences, since some of the most amazing creative work in both spaces is happening in exactly the grey zones we all operate in, which is not how it used to be and not how it should be. </copyright-soapbox>
The thing about law, it’s not some Black Box you push Facts in, and you get a Decision out – it follows certain rules that you can easily study and go over yourself.
Common law countries like the US make this more difficult through the vagaries of a system based on precedent and pontification by judges; civil law countries make this more difficult through judges being biased and on power-trips and refusing to read statutory law in the abstract way it is meant to be read, that is: applied to real life at this moment in time, not in their heads, or a distant past.
(Ya, judges. Can’t live with them; can’t live without ‘em.)
Either way, worry not about your fanfic if you do it the classic way, i.e. if you don’t sell it. There’s a longer reasoning behind that, but I’d consider that the lynchpin reason.
Speaking as one who was affected by the Anne Rice thing when it happened - which was WELL before LJ was a gleam in a Russian bot’s eye - I’d like to clarify that it never got as far as a court of law. She had her lawyer send Cease & Desist orders out to various high-profile members of the fanfic side of fandom. Some of those C&Ds implicated the private businesses of the people involved. Because all of us were poor, we didn’t challenge the C&Ds. Instead we took our stuff off of the websites they knew about and hid the fic away.
Also to be clear: we had warnings on our fic WELL before that (edited to add: I mean the “not mine, no profit made” type warnings). We did that as common courtesy in the fanfic world at the time. And long as I’m going down memory lane and spilling tea along the way, I’m gonna point out that many of us who got those C&Ds also worked hand in hand with Anne, her publisher, and her family business to promote her books and business dealings purely for the love of the fandom. I, personally, left a part-time job at a web company when they asked me to do what amounted to allowing them to profit off of Vampire Chronicles fanfic. When I told them that legally and ethically I could do no such thing they said I could do it or they’d find someone else. I said see ya. (AFAIK they never found someone else).
So the amount of respect those of us in fandom had for Anne’s work and right to profit off of her material was large. What changed in our case was when 1) Anne got some of the rights back to her characters which meant she could profit off of them in ways she couldn’t before and 2) she realized us fans and our fanworks made for GREAT free market research into what her personal company could try to profit off of. The most perfect example of this, and how Anne’s greed ruined so much, was the Talismanic Tour company which was created by fans, worked with Anne and her official biographer to come up with walking tours of New Orleans based on things from Anne’s life and books, fully had Anne’s blessing, then, once it proved successful, Anne gave THEM a C&D and created her own tours at ridiculously jacked up prices.
Karma being what it is, nobody wanted to pay for that bullshit and Anne’s tours ultimately failed. But since she used her lawyers to scare the fan business out of running this then became another example of why Anne is the reason the fandom can’t have nice things.
(Can you tell I have so much tea from the VampChron days? Oh Anne. Bless your fandom-destroying black heart.)
Making this more fandom general, the points to take away here are a few:
Sometimes it’s not about law, or what the law “should” be. If a well known author, or TPTB from a TV show or a movie studio sent you, personally, a C&D letter for your fanworks, would YOU have the ability to thumb your nose at it? Do you have the resources for that lawyer battle and possible court case? Or are you like us Anne Rice fans were, living meager paycheck to paycheck, and not having it in you to even put up the fight with your ISP, let alone a millionaire’s legal team?
The blessing of the original creators means nothing. They love us until they don’t. Relying on their goodwill to keep fanworks safe is like relying on the skills of the person driving you around to keep you out of an accident: sure it’s possible, but you wanna put that seatbelt on and hope the car has airbags just in case.
Appreciate and support those who have done the work to explain WTF fanworks even are, let alone why they should be legally allowed (so let me repeat the earlier links to Electronic Frontier Foundation and the Organization for Transformative Works ). If you can donate money to them, great. If you can’t, at least appreciate and be grateful to the teams of people who took the risk of putting their real names out there (C&Ds are another reason many of us write under pseudonyms) at all, let alone on legal documents, and appeared before the US government in person to defend your right to make fanfic and fanvids.
And all this is why the OTW has its own lawyers.
Really. If you get a c&d because of your fanworks, let us know! If we can’t help you we might know a law school clinic who can!
And a lot of the time, a big legal issue is whether or not someone is profiting off of it.
Like, a big reason that Ao3 is on firm ground legally speaking is that no money is being made out of it. The creator’s aren’t making money, the archive itself is a charity and is funded by donations, it’s not a money-maker. Because if money’s being made, it’s a bigger infringement of copyright and it’s more heavily frowned upon - after all, it’s money that the original creator could theoretically have made.
🪩 🎶 🦀 🦀 🦀 🎶 🪩
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Adding to this list that Eunice Newton Foote was the first to discover the effects of green house gases in climate change, in her paper “On Heat in The Sun’s Rays” which was published in the 1810s
She tested multiple different gases within a sealed chamber and left them outside, testing for the change in temperature.

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what they DONT tell you about clarinets is that you have to fucking build the damn thing every single time. "what instrument do you play" fucking legos man idk
about build clarinets damn do DONT every fucking fucking have idk instrument is legos man play" single tell that the they thing time. to what "what you you you
I really need to start reading the blog name because I thought I was having some sort of moment right there.
just a heads up. im gonna do a big curse soon
okay so honestly i wasn’t expecting they’d be able to hide the body for this long
LINDSEY GRAHAM ?
WHICH ONE OF US GOT HIM?!?!?
i think it's worth remembering this xkcd from 2013 that's still equally true
there's probably a better way of wording the last part but like come on it doesn't matter if we're all the same to fascists
No I genuinely don't think there's any better wording of the last part
NOT THE CRABS WE EXPECTED BUT STILL SOME CRABS WE DESERVE!!!

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found out lindsay graham died tonight through this fucking meme how's everyone else's night going?
Disney is doing crazy things in the japanese mobile game sphere rn
you may be familiar with disney twisted wonderland, the gacha game in which various disney villains are used as direct inspiration for handsome anime boys. well that game was so successful that disney is trying to do it again but this time they're just animeboyifying whatever
here's mickey, goofy, donald, and chip & dale. yeah they turned mickey & friends into anime boys. they're an idol unit or something. they're technically not anime boy versions of the source characters, they have different names. mickey's guy is "Neo Michel". not michael, michel, like he's french. chip & dale are "Ruska Moncrief" and "Ranka Monk", they have different last names, they're not brothers anymore so that they can be yaoibait instead, anyways this post isn't actually about these guys I'm just setting the stage for the actual humanizations I wanted to show you
They also did monsters inc. And. Well it's obvious from the designs who mike and sully are. but you will also notice. the blonde one on the left. with glasses. monsters inc is kind of famously about just the two guys so they didn't really have a lot of other non-villain characters to take anime boys inspiration from, I guess, so, well,
Yeah it's her. they made an anime boy version of the mean receptionist slug. her name is roz btw, as all of boygachagame twitter has become extremely aware of in the past 3 days as we speculated prior to the release of the full image who tf the third guy was. the anime boy's name is "noah slugger". at this point no parody of the types of things gacha games will make gijinkas of will ever be able to live up to what disney is officially spending their own real money on designing
Things Doctor Who should be
a showcase for young/early career British acting talent and tv production talent in the UK
fiercely moral and borderline communist Saturday night family telly that's engaging for all ages
slightly parochial
12-14 episodes per series
cheap
Things Doctor Who should not be
open to any kind of input from any kind of USamerican
oops all stuntcasting
expensive
i go to the shop and I ask if they have any raspberries. they say no, they used to sell raspberries, but they haven't had any in stock in the last 15 years. I ask if there's somewhere else I can go to buy raspberries. They say no, with confidence and pride, they're the only shop around who has ever sold or will ever sell raspberries. Other shops might sell other fruit, sure, but they have a monopoly on all raspberries forever. I ask if they're possibly planning on them selling them again in future? they say they can't tell me that.
on the way home, I encounter someone eating raspberries. I ask and they tell me that they grow their own, they got some seeds from the shop back in The Raspberry Days and kept them. They take me to a field of many beautiful raspberry plants and invite me to pick my own, they're free for all the town to pick whenever they'd like.
someone comes up behind us. It's the shop manager, President of Nintendo Shuntaro Furukawa. he hatefully throws a bob-omb that blows up and kills both of us instantly for stealing 200 trillion dollars worth of potential Raspberry Shop That Doesn't Do Raspberries Anymore profits that they weren't making and then he turns around to the camera with a big thumbs up and says don't do piracy or something ok please

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Sunset on the Dreadful Wale