Varigated Four Leaf Clover ~ Marsilea mutica
Image Source: homedepot.com
sheepfilms

JBB: An Artblog!
art blog(derogatory)

Kiana Khansmith
Cosimo Galluzzi
Three Goblin Art

izzy's playlists!
Jules of Nature

Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
trying on a metaphor
Sade Olutola
Alisa U Zemlji Chuda
Cosmic Funnies

⁂

❣ Chile in a Photography ❣
Show & Tell
DEAR READER
Claire Keane

seen from Italy
seen from Italy

seen from Brunei
seen from United States
seen from United States

seen from United Kingdom
seen from Germany

seen from India
seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from Malaysia
seen from United States

seen from United States

seen from China
seen from South Africa

seen from United States

seen from Norway

seen from United Kingdom
@clovres
Varigated Four Leaf Clover ~ Marsilea mutica
Image Source: homedepot.com

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Hanif Abdurraqib’s contribution to Sad Happens, an anthology exploring sadness & tears, edited by Brandon Stosuy
a girl in an impossible situation can build herself a mask to get out of directly participating in it. the mask can consume the girl. this is the nature of a borrowed face. in certain situations, the minotaur at the heart of the labyrinth can be convinced the girl is not a girl but a part of the labyrinth itself. a girl can move further and further away from the heart of the labyrinth by waiting for the minotaur to sneeze before she takes another step and then returning to being a motionless and compliant flagstone. a girl can breathe silently for the rest of her life and never regain a startle response. a girl can walk around the perimeter of the labyrinth in circles after getting out of it because the face that survives the labyrinth cannot fathom that the wall it follows might come to an end. these things may occur in the context of situations and events unknown to bystanders outside the labyrinth. circumstances transpire. a girl may transpire against them.
ship ask game 😁1 Who would be first to to bite down anc consume the flesh of the other, euphoric in the taste and the heft and the slide of the blood 2. who is the ant and who is the ophiocordyceps fungus? 3. who is the dog and who is the master? 4 when the roles are blurred or reversed who would be first to die and how? would it be by bulletwound? the phallic blade? strangulation? 5. Cocaine or Heroin? 6. who licks up the other’s cigarette ash? 7 who is julius caesar and who is brutus? 8. who is jesus and who is judas? 9. did jesus want it? did julius caesar know it was coming? are the betrayed ever proud? 10. who is irrumatus and who is irrumans? who is pedicatus and who is pedicans? 11. did they ever kiss and why not? 12 if they are two sides of the same coin who is heads and who is tails? 13. and if the coin was the holey dollar? 14. And if the dog bit back? 15 and if the dog bit back? 16 and if the dog bit back? 17 and if the dog bit back? 18 and if the dog bit back? 19 and if the dog bit back? 20. Who buys the other flowers?🥰

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Zombies shouldn't growl or snarl, they should babble a mixture of incomplete word sounds and whole words or sentence fragments. Every zombie should sound almost but not quite like it's trying to tell you something.
this may not be what you're saying, but what I'm hearing is that zombies should make everyone feel like they've developed sudden onset audio processing disorder.
Like if you could just hear it more clearly, you'd understand what they're saying, but in reality it's nonsense and there's nothing to understand.
And damn if it doesn't convince so many folks that their loved ones are still in there, they just need to keep them locked up safely in the barn until someone finds the cure, then everything can go back to the way they were.
THIS is exactly what this particular zombie trope is missing. Like we all understand, conceptually, that this still looks like someone they love, but it would be 1000 times more effective if it still somewhat behaved like someone they love.
oooh muscle memory. i’m not into zombie media enough to tell if this has been done or not but. zombies that will automatically reach into their pocket for their phone when they hear a ring, even if it’s dead, broken or lost. zombies that reach up to play with their hair or necklace, the same way your loved one did. zombies that bite their nails. a zombie rolling up its sleeves with perfect practice while looking at you with the utterly blank eyes of a dead animal
hi yaz 💕 i was wondering if you had any recs to start reading poetry. i like reading dreamy, melancholic or warm concepts? i don’t even know if this is useful. but i literally have no idea where to begin 😢
hi hi hi! omg i’m actually so excited on your behalf... getting into poetry is like opening a door you always knew was there for the very first time and stepping into a brand new world laid out just for u! there is absolutely no wrong way to go about exploring it. 💌
firstly i really recommend signing up for a daily poetry newsletter because i have found so many wonderful poems that way. you can sign up for the poetry foundation newsletter here & the academy of american poets newsletter here & the paris review newsletter here! poetry anthologies are also a wonderful way of getting a taste of a lot of different works centered around a particular time period or theme & poking around in the poetry section for an interesting one next time u find yourself at a bookstore might be very rewarding for you!
and secondly here are some recs that came to mind when i thought of the words dreamy, melancholic, and warm. luckily there are lots of poems out there that fit these parameters. i hope u like them!
heart by dorianne laux
there is a gold light in certain old paintings by donald justice
the shampoo by elizabeth bishop
we have not long to love by tennessee williams
the leaving by brigit pegeen kelly
winter love by linda gregg
your night is of lilac by mahmoud darwish
my mother’s music by emilie buchwald
this morning by jay wright
effort at speech between two people by muriel rukeyser
in the museum of lost objects by rebecca lindenberg
sometimes, when the light by lisel mueller
a girl ago by lucie brock-broido
a song on the end of the world by czesław miłosz
dead butterfly by ellen bass
the spinner by paul valéry
Emplumada by Lorna Dee Cervantes
I want you to write for pleasure—to play. Just listen to the sounds and rhythms of the sentences you write and play with them, like a kid with a kazoo. This isn’t “free writing,” but it’s similar in that you’re relaxing control: you’re encouraging the words themselves—the sounds of them, the beats and echoes—to lead you on. For the moment, forget all the good advice that says good style is invisible, good art conceals art. Show off! Use the whole orchestra our wonderful language offers us! Write it for children, if that’s the way you can give yourself permission to do it. Write it for your ancestors. Use any narrating voice you like. If you’re familiar with a dialect or accent, use it instead of vanilla English. Be very noisy, or be hushed. Try to reproduce the action in the jerky or flowing movement of the words. Make what happens happen in the sounds of the words, the rhythms of the sentences. Have fun, cut loose, play around, repeat, invent, feel free.
Ursula K. Le Guin, Steering The Craft

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
this one
vintage green petal pendant light
night bird
consider the sperm whale and the squid. an ancient rivalry that dates back millions of years. we know the whales eat the squids. we know the squids do not make it easy for them. we know this because of the scars the whales carry, scars on the outside of their body, and on the inside as well. how badly must you want something to endure wounds inside your mouth? inside your gut?
consider the whale, who is harmed by what sustains her. consider the squid, whose flesh is soft and delicious but refuses to go down easy.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ROUND 1
"Hammond B3 Organ Cistern" by Gabrielle Calvocoressi
"Hong Kong" by Sue Zhao
ROUND 1
"someone will remember us" (fragment by Sappho trans. Anne Carson)
"Wait" by Faraj Bou al-Isha trans. Khaled Mattawa