shoutout to everyone dealing with. thhe fucking difficulty
the fact that all of my mutuals immediately reblogged this from me really says something about all of us, doesn't it
::gestures towards the everything, which is currently fucking difficult::
wallacepolsom


Discoholic đŞŠ
I'd rather be in outer space đ¸
cherry valley forever
Lint Roller? I Barely Know Her
Jules of Nature
"I'm Dorothy Gale from Kansas"

oozey mess

⣠Chile in a Photography âŁ
RMH


Kaledo Art
Peter Solarz
Claire Keane

@theartofmadeline
he wasn't even looking at me and he found me
NASA

PR's Tumblrdome
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@chickwhatdigsgiantrobots
shoutout to everyone dealing with. thhe fucking difficulty
the fact that all of my mutuals immediately reblogged this from me really says something about all of us, doesn't it
::gestures towards the everything, which is currently fucking difficult::

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Pride~
One very Pan cat for pride!
I just saw the news about John Blanche. RIP John. Thank you for everything. Absolute legend.
John Blanche, the legendary illustrator whose art helped define the grimdark Warhammer 40,000 setting, has died.

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Vulcan working on her leg
Commission for @spacecow2455!
Girl Pictures by Justine Kurland
og
Putting on a good face
Some old Saska art commissioned over the last year.

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girl help i'm turning 30 in a few days and i've done fuck all with my life
fuck all is a classic 30 year old thing to do. youre right on track
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
Common Loon, Franklin County NY, June 2026
There are no ducks in this post.
we should all take turns bottoming for eachother. we gotta learn how our stuff in there works. someone should be recording it. someone should be taking notes.
i will top all of you if you let one of my friends film it and another to take notes
we will be listening to kill alters during

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if i manage to nobly eek out some small measure of enjoyment from watching a straight youtube man, he should be honored. he should understand how lowly he is. and he should not, under any circumstances, remind me that he is attracted to women.
i get that americans love their cultural imperialism, but it really does piss me off that june is âinternationalâ pride month just because something happened in the united states.
in aotearoa, june isnât our pride, itâs theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that âyou owe your rights to Black trans womenâ is true there, but here we owe our rights to (mostly) MÄori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa donât even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we donât.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. iâm truly sorry that most of you donât see the negative impact your nationâs culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and cultureâs queer history, donât accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.