How The Times Choose To Cast Us

One year ago, trans women held an iconic topless protest outside the Scottish Parliament. I love it when trans women hold topless demonstrations. If they're arrested, the state must admit they're women. If they aren't, it exposes the obvious contradictions of defining trans women as legally male.

It's incredible, it's Jewish, the main character's Judaism is a super important part of her character and plays a significant role in her decisions and actions throughout (rather than the classic mention they're Jewish once and then ignore it for the rest of the book).

When I was younger I was very right-wing. I mean…very right-wing. I won’t go into detail, because I’m very deeply ashamed of it, but whatever you’re imagining, it’s probably at least that bad. I’ve taken out a lot of pain on others; I’ve acted in ignorance and waved hate like a flag; I’ve said and did things that hurt a lot of people.

There are artefacts of my past selves online – some of which I’ve locked down and keep around to remind me of my past sins, some of which I’ve scrubbed out, some of which are out of my grasp. If I were ever to become famous, people could find shit on me that would turn your stomach.

But that’s not me anymore. I’ve learned so much in the last ten years. I’ve become more open to seeing things through others’ eyes, and reforged my anger to turn on those who harm others rather than on those who simply want to exist. I’ve learned patience and compassion. I’ve learned how to recognise my privileges and listen to others’ perspectives. I’ve learned to stand up for others, how to hear, how to help, how to correct myself. And I learned some startling shit about myself along the way – with all due irony, some of the things I used to lash out at others for are intrinsic parts of myself.

You wouldn’t know what I am now from what I was then. You wouldn’t know what I was then from what I am now.

It distresses me deeply to think of someone dredging up my dark, awful past and treating me as though that furiously hateful person is still me. It distresses me to see others dredging up the past for anyone who has made efforts to become a better person, out of some sick obsession with proving they’re “problematic.”

The obsession with finding shit in someone’s past and then claiming that a questionable or even sordid past negates all possibility of a good present needs to become extinct. Gold-star activism and purity culture are bullshit and we need to collectively reject the fuck out of them.

We really need to start asking where this purity bullshit came from. I’m not  Christian and was not raised Christian but there has been a lot evidence that much of gold star activism and purity culture originated in of evangelical youth movements and then infiltrated progressive left-wing and center-left politics when those youth left their churches but failed to leave behind the black-n-white puritanical “you’re going to hell if you stray one inch from the righteous path” style of thinking they were taught.

I distinctly remember some conversations I had in the late 00s and very early 2010s with long time social justice activists who were baffled and disturbed by the new crop of youth activists who were practicing something that was decidedly NOT social justice despite stealing that phrase from us.

In the decade and a half that has passed since then, all of this gold-star activism and purity culture has done exactly what I predicted back then: empowered the far-right while sowing division everywhere.

A random person who had a moderately shady past or fucked up views before shouldn’t need to flog themselves to show how penitent they are beyond just doing better now, just to be able to live their life in peace, but if someone is campaigning to get political power and all they have to say for their life up to that point being a field of red flags, it isn’t enough for them to say “well I’m not like that now” if they haven’t actually achieved anything that makes up for it in the opposite direction.

"Now I've shot so many Nazis, Daddy will have to buy me a sable coat." (From his Wikipedia article).

Neil Munro "Bunny" Roger

June 9, 1911-April 27, 1997.

Bunny Roger killed a bunch of Nazis and then invented Capri pants.

He was expelled from Oxford for his indiscrete gayness (discrete gayness being perfectly fine at Oxford and part of the curriculum until...today probably, at least like 1992?). Then, having been sent down to London, he started his own fashion business, and his first client was Vivien Leigh.

Bunny served in WWII, killing fascists in North Africa and Italy, and often wearing a mauve scarf in the field. Roger claimed that he had gone into a battle brandishing a rolled-up copy of VOGUE and commanding: "When in doubt, powder heavily!"

Roger was known in high society for his themed soirées; Diamond, Amethyst, and Flame Balls were held to celebrate his 60th, 70th, and 80th birthdays. He wore a curious plum colored catsuit with a feathered headdress at his 70th birthday ball in 1981. At his 80th, he made his entrance in a catsuit of scarlet sequins with a cape of orange organza, greeting his guests from behind a wall of fire. His parties were covered by the newspapers, including a New Year's Eve Fetish Ball where the proper upper class mixed with young guests in rubber S/M gear.

From an obituary: "Beneath his mauve mannerisms, Bunny was stalwart, frank, dependable and undeceived; to onlookers a passing peacock, to intimates, a life enhancer and exemplary friend."

From another obituary:

And this in-memoriam piece.

The TikTok Team is back again with a Tag Wrangler Hear Me Out Cake.

Gullah & Early AAVE

Gumbo – From Bantu kingombo (okra), brought by enslaved Africans and became the name of the Creole stew thickened with okra.

Goober – From Kikongo nguba, the Bantu word for peanut that entered American English via enslaved Africans.

Yam – From West African languages (e.g., Wolof nyami, "to eat"), brought over during the slave trade and adopted into Southern cuisine.

Banjo – From a Bantu root (mbanza), the instrument was crafted by enslaved Africans based on West African string instruments.

Bogus – Likely from Hausa boko-boko (deceitful, fraudulent), entering American English through African American speech in the 19th century.

Juke (box/joint) – From Gullah juke (rowdy, disorderly), derived from Wolof dzug (to live wickedly), later attached to roadside bars.

Tote (to carry) – From West African languages (e.g., Kikongo tota, "to pick up"), recorded in Gullah before spreading to mainstream English.

Dig (to understand) – From Wolof degg (to understand), popularized by jazz musicians in the 1930s after entering English through AAVE.

Jazz – Possibly from West African or Creole slang for energy/sex, first documented in AAVE in Chicago around 1912.

Okay (OK) – Though its origin is debated, strong evidence traces it to West African languages (e.g., Wolof waw kay) via enslaved Gullah speakers.

Hip/Hep – From Wolof hipi (to open one's eyes, to be aware), entering jazz slang in the early 1900s before going mainstream.

Hepcat – A compound of "hep" + "cat" (jazz slang for a person), literally meaning "one who has his eyes open" in West African-influenced jazz culture.

Jazz, Blues & 1940s–60s Era

Cool (as in fashionable/calm) – Originated in jazz circles, likely from saxophonist Lester Young, and entered mainstream via West African aesthetic concepts of composure.

Cat – A jazz-era term for a skilled musician or cool person, derived from West African-influenced jive talk.

Crib – Jazz slang for a house or apartment, popularized in the 1940s before becoming mainstream in the 1990s.

Hokum – AAVE slang for nonsense or BS, used in blues and jazz before being adopted more widely.

Diss – Short for "disrespect," coined in AAVE and popularized through hip-hop in the 1980s and 1990s.

Bad (meaning good) – From AAVE, where inversion of meaning creates emphasis (something so "bad" it's actually good), used since early jazz era.

Jive – AAVE slang for deceptive talk or a style of jazz dancing, used by Cab Calloway in his 1930s Hepster Dictionary.

1970s–90s (Hip-Hop & Pre-Internet Era)

Homeboy/Homegirl – AAVE for a close friend from one's neighborhood, popularized in hip-hop and later shortened to "homes" in casual speech.

Dope (meaning great) – Shifted from "stupid" in standard English to "excellent" in AAVE during the 1980s hip-hop era.

Props – Short for "proper respects" in AAVE, used in hip-hop to acknowledge skill or achievement before entering mainstream slang.

Word (as in "I agree") – AAVE interjection ("Word!" or "Word is bond") meaning "I'm telling the truth," derived from Nation of Islam teachings.

Phat (meaning cool/great) – AAVE acronym believed to stand for "Pretty Hot And Tempting," though likely an invented backronym; popularized in 90s hip-hop.

The Bomb – AAVE phrase for something excellent or top-quality, widely used in hip-hop lyrics before mainstream adoption.

Def – AAVE slang for "excellent," popularized by Run-DMC's "King of Rock" and 80s hip-hop culture.

Fresh – AAVE for stylish or excellent, used in early hip-hop and 80s pop culture before spreading globally.

Wack – AAVE for "bad, inferior, uncool," popularized in hip-hop and later mainstream youth speech as the opposite of "cool."

Hella – AAVE intensifier meaning "very" or "a lot of," originating in Oakland/Bay Area AAVE in the 1970s-80s.

Cap / No Cap – AAVE meaning "lie" and "no lie," popularized by Bay Area rap in the 2010s, derived from "capping" (exaggerating).

1990s–2000s (Internet Adoption & Ballroom Culture)

Slay – From AAVE and Black ballroom culture (Paris is Burning, 1990), meaning to do something extremely well, now mainstream via social media.

Spill the Tea – From AAVE (originally "spill the T," with "T" meaning truth), popularized by drag culture and Black queer communities.

Shade (as in insult) – From Black ballroom culture (documented in Paris is Burning), meaning a subtle insult, now used broadly in pop culture.

Reading (as in insulting) – From ballroom culture ("reading" someone), meaning to publicly insult with wit, immortalized in Paris is Burning.

Kiki – AAVE from ballroom culture meaning a casual gathering for gossip or chatting, later mainstreamed through pop music (e.g., Kesha).

Fierce – AAVE and ballroom term meaning exceptionally good or intense, applied to fashion, performance, or attitude.

Woke – From AAVE meaning socially and politically aware, first used in 1940s Black activism before resurging with Black Lives Matter.

Shook – AAVE meaning startled or upset, used in 1990s New York hip-hop (e.g., Mobb Deep) before mainstream adoption in the 2010s.

On Fleek – AAVE phrase meaning perfectly executed, coined in a 2014 Vine by Peaches Monroee, one of the last pre-AI viral AAVE innovations.

Finna – From AAVE contraction of "fixing to" (preparing to), documented in Southern AAVE for decades before wider use and dictionary recognition.

Chile – A phonetic spelling of "child" in Southern AAVE, used as a term of endearment or exclamation since at least the 1970s (The Wiz, 1978).

2010s–Present (Social Media & Gen Z Slang Pipeline)

Lit – AAVE meaning exciting or excellent (originally "intoxicated" or "on fire"), popularized in hip-hop before becoming a Gen Z staple.

Bae – AAVE term of endearment meaning "before anyone else" or just a shortened form of "babe/baby," mainstreamed in the 2010s.

Ratchet – AAVE originally meaning a rowdy, aggressive woman (from "wretched"), later used to describe anything wild or out of control.

Turnt – AAVE meaning excited or intoxicated, from "turned up" in hip-hop lyrics, mainstreamed in early 2010s party slang.

Clap Back – AAVE for a sharp, witty comeback or retaliation, popularized in hip-hop (e.g., Ja Rule's 2003 song "Clap Back") before internet slang.

Bussin' – AAVE meaning delicious or excellent, applied to food or anything great, popularized on TikTok in the 2020s.

Sus – AAVE shortening of "suspicious" or "shady," used for decades before Among Us made it a global meme in 2020.

Snatched – AAVE originally describing flawless hair/makeup or a tight waist, now used to praise anything perfectly executed.

Periodt – AAVE emphatic form of "period" (meaning "end of discussion"), with a hard "t" for emphasis, popularized on Black Twitter before global use.

It's harder to disagree with, or disapprove of, or convince other people that a likeable person is a bad one. It's so much easier to discredit your victims and sow doubt when everyone likes you.

I see a lot of media criticism of movies and tv shows at the moment, where people deem villains as 'too likeable' and 'too human' and 'its too hard to see him as a villain because of X and Y.'

And that is the whole fucking point.

In one message, in May 2024, two of the defendants agreed to “kill,” “torment,” and “terrorize” their opponents and their families.

One of the suspects said a target’s “entire family” was on his “hit list,” that people “gotta die,” and another said the alleged conspirators should “get” the children of two targets.

A defendant who was a medical student, Ahmet Korkaya, said, “I’m gonna be the dirtiest fucking doctor ever. I’m gonna be [the victim’s] doctor. Poison her ass slowly.” Korkaya also said he would “drive my car into” one person’s homes.