Branwen, Daughter of Llyr @branwendaughterofllyr - Tumblr Blog

the never-ending asoiaf reread

A Game of Thrones

Prologue

Bran I

Catelyn I

Daenerys I

Eddard I

Jon I

Catelyn II

Arya I

#branwen reads asoiaf again

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gotheyjoy

Stark Heir and Stark Bastard

Bolton Heir and Bolton Bastard

flapjacku

best friends 4 eva

annmarcellino

mzr-hsh

Saj Issa - Crocodile Crown

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probuccalfat

nobody actually likes summer or winter you’re all lying and mistaking spring and fall for these fuck ass idiot seasons of misery

ddestroyangels

Tarrasque and Santa Marta by Charles Florent Joseph Lepec, 1874

flapjacku

Jeynsa Twitter event - Day 2: stolen girlhood

stanniscent

jeynsa 2026 | day 1 : childhood & separation

oananovicov

" Long ago, the histories claim, the crannog-men were ruled by the Marsh Kings. Singers tell of them riding on lizard lions and using great frog spears like lances, but that is clearly fancy.

Were these Marsh Kings even truly kings, as we understand it?"- TWOIAF -The Crannogmen of The Neck

Work in progress-The Marsh King...because I will forever be fascinated by The Neck ...😀

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Re:newest chapter

Did you consider letting Jeyne S. survive?

I thought she and her sons were safe (at least until the Dance) and the promised wedding would happen.

You know, I always planned for her to die from the start, though I did come extremely close to changing my mind. There's def in AU in my head where she lives, but she was always meant to die in the Fire at Harrenhal bc I love sadness, etc.

#I promised to not fridge another woman in childbirth #I said nothing about other ways #branwen answers #a poison tree

It's back.

#a poison tree

thesunfyre4446

when you're writing THE most feminist show of all times called house of the dragon and because you're such a feminist your two main characters are women BUT in the original book they're supposed to be enemies and that's like NOT feminist and progressive at all, so of course you'll right the wrongs and make the "BAD" woman see the error of her way and join team women. BUT in order to do that you have to make the BAD woman NOT be a political player for HER OWN TEAM so you really have nothing to do with her character. instead of just giving her LESS screentime as a LESS feminist showrunner might do, you decide to add unnecessary SA scenes EVERY fucking episode.

eimear99

Few ASOIAF bits from my old iPad

#sansastark

Hi! I really enjoyed your story, 'A Poisoned Tree'; I just finished reading it recently. I have a question: since you wrote it before Season 2, the Florents appear simply as Aegon's in-laws. Is Alicent in this story not the daughter of a Florent, or if she is, is she not a member of the main branch?

She's not, I believe I have her mother as a Redwyne? I'll have to check, but I didn't think the Florents made much sense as they went TB in canon.

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peachyubey

first and last

ripley-stark

sometimes with conversations about anti-intellectualism in media, it's hard to gauge what is reality from what is a sensational fearmongering echo chamber. there certainly are a lot of well-written and vigorously edited books being published at all times, and it is the responsibility of good readers to seek those out.

but i do think booktuber marines is correct in her analysis that many mainstream and modern books, especially in fantasy and romance, have seen a sheer drop in the deftness and subtlety of their storytelling in the past 5 or so years. even books with the most intellectual aspirations such as babel are very heavy-handed in their messaging, to the point where they read more like an essay than successful fiction with dimensional characters and organic plotting--despite being lauded as exemplary novels.

and many of the other tentpole books right now are poorly concealed rpf/fanfic or even openly marketed as such, wholly dependent on another author's story and success rather than even attempting to carve their own identity and stance.

this is a result of booktok and readership blowing up after the pandemic, and publishers sacrificing quality for quantity to meet the new market demand. it is genuinely fantastic that more people became readers after the pandemic but there's been an unfortunate breakdown of standards for what qualifies an original, artistic, and engaging work, as well as even what an author ought to be able to accomplish skill-wise before being considered for publication

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