LIKES TO CHARGE REBLOGS TO CAST
you people aren't CASTING
Noah Kahan
EXPECTATIONS
d e v o n
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Andulka

Kiana Khansmith
cherry valley forever
he wasn't even looking at me and he found me

if i look back, i am lost
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Claire Keane
trying on a metaphor


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Today's Document
Mike Driver
will byers stan first human second
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@biblicallyaccuratesandworm
LIKES TO CHARGE REBLOGS TO CAST
you people aren't CASTING

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Alright I want to know something here:
the 🙃 emoji means (approximately)
silly!*
ugh!*
secret third thing you will explain in tags*
*if comfortable doing so, you may include your age range/generation in the tags for helpful demographic data
kindly reblog for bigger sample size, thanks!
materialist-scumbag
THE TICK THAT DREW THE MAP OF THE WEST June 28, 2026
So the longhorn was a garbage animal. Stringy, mean, half-feral, descended from Spanish cattle that had gone loose in the brush country for a couple centuries and bred for survival rather than meat. In Texas after the war it was worth maybe three or four dollars a head, because there were millions of them and nobody to eat them. The local market was Texans, and Texas was broke. Up in Chicago or New York the same animal was worth thirty, forty dollars, because the Union had spent four years eating its way through the eastern cattle supply and the cities were short on beef.
That spread is the whole engine of the cattle drive. You don't need a tick to explain why a man would walk a cow a thousand miles to multiply its value by ten. The arithmetic does it.
What the tick explains is the SHAPE.
Because the thing about the longhorn nobody in the romance mentions is that it was a carrier. Centuries in the brush had given it a shaky immune truce with Babesia bigemina, a protozoan that lived in its blood and rode around on a tick that dropped off into the grass wherever the herd went.
The longhorn itself looked fine. Walked fine, sold fine, butchered fine. But the cattle it walked past, the fat improved Midwestern stock that had never met the parasite, those animals would start pissing blood and die at a rate that touched nine in ten. The Texans, reasonably, refused to believe their healthy-looking cattle were doing it. They took it to the Supreme Court in 1877 and won, on the entirely correct observation that their cows weren't sick. The cows weren't sick. The cows were Typhoid Mary.
(The disease disappeared every winter, too, north of a certain latitude, which baffled everybody for thirty years until somebody worked out that the tick just froze to death up there, no vector, no disease, the whole thing seasonal in a way that made it look like a moral judgment on Texas cattle specifically. It wasn't anybody's leading hypothesis that an insect was committing the murders. The leading hypothesis for a while was that the longhorns were poisoning the grass.)
So now run the two facts together. The cow is worth ten times more up north. The cow kills every other cow it passes on the way up north. What do you get?
You get a line.
You get a bunch of lines, actually. Quarantine lines, drawn and redrawn by Missouri and Kansas legislatures and eventually by the federal government, declaring that Texas cattle could not cross at all, or could only cross in winter when the tick was dead, or could only cross by rail if they were going straight to slaughter and never touched dirt that a local cow might later stand on. Missouri shut its border. Farmers formed Vigilance Committees (which is a polite nineteenth-century way of saying armed men) and turned the herds back at gunpoint. Kansas banned Texas cattle outright in 1885. And every one of those legal and shotgun-enforced lines was a wall the drive had to find a gate in.
The gate was the railhead.
This is the part that rewires the map. The famous cattle town (Abilene, Dodge City, Wichita, Ellsworth, the whole gunfighter pantheon) is not a town that grew up around ranching or water or gold or a river crossing. It's a point where the trail coming up out of the quarantine zone touched a railroad that could take the cow east to the slaughterhouse without it walking through anybody's protected pasture.
Abilene gets invented basically from scratch in 1867 by a man named Joseph McCoy who looked at the map, found a spot on the Kansas Pacific that was far enough WEST that the trail in from Texas could swing around the settled farm country and its quarantine, and built stockyards there. The town is a loading dock. The cowboy at the end of the trail, in the saloon, shooting the place up: he is a longshoreman who has just finished a shift, and the shift was getting the cargo to the one point where it could legally change from hooves to wheels.
And the cargo had to keep moving west precisely because the tick kept the settled east closed. As Kansas farmers spread and the quarantine line marched west with them, the railhead had to march west too. Abilene to Ellsworth to Wichita to Dodge, each town flaring up and dying back as the line of legal infection-free transfer slid across the state. The towns weren't competing on amenities. They were competing on being the current solvent point in a chemistry problem about where a tick could and couldn't survive the trip.
(Dodge City lasts longest because it's furthest out, last to get caught by the advancing farms, sitting out where the quarantine couldn't reach it yet. Its whole mythological career (Wyatt Earp, Boot Hill, the Long Branch) is a few years long and happens because of an agricultural-settlement frontier creeping toward it at the speed of homesteading. When the farms arrive, the party's over. The party was always a function of the farms not having arrived.)
So the geography of the Wild West, which towns exist and why they're where they are and why they boom for five years and empty out and why the trail bends where it bends, is not topography and not destiny and not the romance of open range.
It's the intersection of a price differential and a quarantine map. The price differential said go north. The quarantine map, drawn by the tick, said you may only go north HERE, and HERE, and now not there anymore, here. The cow drew the route and the parasite drew the borders and the men with the guns were just enforcing a public-health regime they didn't know was a public-health regime.
And it all gets zeroed out, eventually, the same way these things always do, not by a hero but by a logistics upgrade. They build the Kansas City stockyards and the packing plants, and then the rail net gets dense enough that the cow doesn't have to walk to the train at all, the train comes to the cow. Refrigerated cars mean you slaughter in Chicago and ship the meat instead of the animal. The long drive, the trail town, the whole apparatus that existed only to get a tick-bearing animal across a quarantine line to a loading point, it just stops being necessary, and the gunfighter towns settle down into being ordinary Kansas, dry and flat and law-abiding, within about a decade of their own legend.
The cattle tick itself they finally beat in 1943, dipping every cow in the South in arsenic for forty years to break the lifecycle. Nobody made a movie about the dipping vats.
Same as it ever was.
We have no choice but to stan a queen 💪❤️👑
Trying to escape military service like: "Poison Seller, I require your weakest poisons."
it's actually so amazing she helped save the lives of the honorable men who did not wish to fight, while killing the most vile men, that is so fucking based

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gothic horror is when there's a location. cosmic horror is when there's an unauthorized fucking Thing. folk horror is when you're outside.
counterpoint
cosmic horror is when the Thing is Not Familiar, the Location Makes No Fucking Sense, and the Outside is BIG.
gothic horror is when The Thing is Of Your Own Making, the Location has a Deeply Bloody History, and the Outside is Wet and Cold and Is Caging You In.
folk horror is when the Thing Should Be Familiar, But Is Not, the Location Should Be Pleasing, But Is Not, and the Outside is Trying Very Hard To Kill You
Cosmic horror is Big. Gothic horror is Old. Folk horror is Nearby.
I find the "rules are toys" framing of tabletop RPG design useful for several reasons:
The idea that system matters is reducible to recognising that toys have affordances; while there is of course no "wrong" way to play with a toy, no amount of open-mindedness will readily fit a bicycle through a basketball hoop.
It puts a line under one of the main objections to the "why not just freeform it?" thing; if folks are discussing how to make or modify a toy to achieve a particular set of affordances, blundering into the conversation going "why bother with toys when you can Use Your Imagination?" is unlikely to be well received!
Sometimes it's helpful to take a step back from a critique of a particular system and ask yourself: is this set of game mechanics really broken or incomplete, or have I mistaken a bicycle for a basketball?
(I also find that this framing can be a useful way to think about player safety tools. I don't disagree that many games could stand to pay more attention to their players' emotional safety than they do, but I do disagree that the need for external safety tools is a failure mode. Some systems are skateboards; the changes that would be needed to entirely remove the risk of wiping out and cracking your head open on the pavement would also remove the affordances that render them fit for purpose. Sometimes you need to accept the risk and put on the damn helmet!)
I have been enjoying seeing people experience food this World Cup
The person who wrote this has almost certainly never been to Japan- if they had, they would know that Japanese restaurants also offer table appetizers in many contexts. Some of them? Mexican restaurants. You can get free tortilla chips when you eat Mexican food in Tokyo Osaka Kobe Kyoto and rural HIMEJI for fuck’s sake. Those are just places where I’ve personally had free tortilla chips in Japan.
This is chat gpt trash prompted to “sound Japanese” and it’s based off of racist old movie dialogue. There’s zero correlation here to Japanese grammar and how Japanese translates into English or how a native speaker of Japan uses English. It’s slop. It’s racist ai slop rehashing Western exceptionalism, fantasizing about a Japanese person being in awe of how great the USA is. It’s depressing that people fell for this. I know it feels good to think that other people like us, and sometimes they do, but this only works if you assume Japanese people have extremely limited experience and worldview. It’s mortifying.
If someone other than me would push back against this propaganda, it would be nice.
Plus like… "@japan_nobunaga"?
Come on guys…
I have been enjoying seeing people experience food this World Cup
The person who wrote this has almost certainly never been to Japan- if they had, they would know that Japanese restaurants also offer table appetizers in many contexts. Some of them? Mexican restaurants. You can get free tortilla chips when you eat Mexican food in Tokyo Osaka Kobe Kyoto and rural HIMEJI for fuck’s sake. Those are just places where I’ve personally had free tortilla chips in Japan.
This is chat gpt trash prompted to “sound Japanese” and it’s based off of racist old movie dialogue. There’s zero correlation here to Japanese grammar and how Japanese translates into English or how a native speaker of Japan uses English. It’s slop. It’s racist ai slop rehashing Western exceptionalism, fantasizing about a Japanese person being in awe of how great the USA is. It’s depressing that people fell for this. I know it feels good to think that other people like us, and sometimes they do, but this only works if you assume Japanese people have extremely limited experience and worldview. It’s mortifying.
If someone other than me would push back against this propaganda, it would be nice.
I miss the days when, no matter how slow your internet was, if you paused any video and let it buffer long enough, you could watch it uninterrupted
If you use Firefox, you can go to the about:config page, search for "media.mediasource.enabled" and double click on it to set it to false. After you restart Firefox, all youtube videos will load entirely even when paused! This also affects other streaming websites :)
There's more to do actually, now
go to About:config find media.mediasource.enabled and toggle it to false find media.cache_readahead_limit and change it to 9999 find media.cache_resume_threshold and change it to 9999
additionally if you'd prefer mp4 to webm
also in about:config, find: media.encoder.webm.enabled media.mediasource.webm.audio.enabled media.mediasource.webm.enabled media.webm.enabled and toggle them all to false
note! this will limit video to 1080p
and use https://addons.mozilla.org/en-US/firefox/addon/dont-accept-webp/ to kill WebP Fuck Google
We jailbreaking browsers now lmao

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RYAN GOSLING "I'm Just Ken" wins Best Original Song at the 29th Annual Critics' Choice Awards (January 14, 2024)
you're on a path in the woods..
Is your Dungeons and Dragons character too happy? Are they too settled into their life and thusly require some kind of personal tragedy to motivate them to leave it and take up a life of adventuring? Try Primus Tachonis!
Primus Tachonis is an all-purpose personal tragedy creator sure to spur your character to adventure specifically so they can get his ass. Whether you need an old money asshole muscling in on an institution beloved to your PC or an evil sorcerer to slaughter their entire family Primus Tachonis has the magic and the social station to create whatever tragedy is required to serve your backstory.
Primus Tachonis is so versatile as a backstory tool he has professional D&D players raving:
Primus Tachonis killed my character's best friend and now she has to figure out who she is without him! -Laura Bailey I wrote a light backstory because I was still feeling out the setting and my dungeon master used Primus Tachonis to turn my brother into a statue! -Travis Willingham Primus Tachonis is trying to take over my character's magic school and endangering her students, and she will not have that! -Marisha Rey I had intended my character to have a tense but ultimately repairable relationship with his father, but then my DM used Primus Tachonis to rip his skull from his head. Now my character is on a quest to kill every member of Primus' noble house! -Matthew Mercer My character was a happy and established local playwright until Primus Tachonis had his little brother executed. Now he's taken up the sword again in his brother's stead! -Liam O'Brian I needed someone to murder my character's wife and daughter and my dungeon master suggested Primus Tachonis, and I couldn't be happier with the result! -Robbie Daymond Even works on members of his own family! -Alexander Ward
So don't miss out on the one-man solution to forcing your character to feel the call to adventure, try Primus Tachonis today!
Sick of crusty archmages as your BBEG? Primus Tachonis comes with the novelty of being a sorcerer!
While keeping the innate advantages of his station as a massively powerful magic user, he also possesses a unhealthy dose of entitlement, severe lack of respect for wizardry and the expected punchability of a man who was given everything at birth and still treats his achievements as proof of his own hype.
Order your Primus Tachonis now and receive a dead family member for free!
MY NAME, IS FRICKIN MOON MOON. I’D BE THE MOST IDIOTIC WOLF. ‘OH SHIT WHO BROUGHT FUCKING MOON MOON ALONG?’
the post that started it all
oh god
Never not reblogging.
I’ve only seen this post in screenshots
I’m very surprised this post hasn’t broken a million.
The Gruesome Cup, Fortunino Matania, 1942
( via @fabula-unica )
She had him killed for this. Just FYI.
Frederick Sandys, 1861

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A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.