I work at a library. We do this thing where, every so often, we weed the collection. It hurts to see books go, but it's necessary to make sure there's room in the library for new materials.

I have seen so much support for the library in text, and I've seen folks pass around those beautiful "queer your library" flyers. Keep doing that. That's great. Nothing wrong with that. But you HAVE to turn your words into action. We MUST remember to actually go to our local organizations and libraries and actually, with our own fucking hands, interact with these materials we want to see more of.

My branch is medium-sized for a library, maybe a little small. We don't have as many materials as I'd like, but we have fundamentals. Tell me why, even with all the verbal support I've gotten from my local community for the library as a resource for our LGBT+ community, every single trans biography and a good chunk of our vaguely queer theory books were on the list. This isn't a scheme to take the books off the shelves, it isn't another bigoted American governmental push. The only thing we look at when we weed is how long it's been since the last time the item was checked out.

Three years.

No one in my community interacted in any meaningful way with the few books on trans life and history we physically had on the shelves for three fucking years.

I promise you the materials you want and need are there, but this isn't a horde. This isn't a static safety net. You have to use them. You MUST use them or, in the future, maybe in three years, they *won't* be there anymore.

I'm also a librarian and queer books are almost always cut first when we have to weed for space or prioritize new releases over old items because no one reads them

I will say, when I worked at a large downtown location, we had a "browsing card" that we would check out items we found taken off the shelf and left on a table, as an example of a book that had clearly been read, just not checked out by anyone

it's possible queer books do actually get a bit of unfair treatment in this regard because people may be nervous or outright scared to check them out onto an account with their name on it. so they get browsed at a much higher rate, but if a library doesn't have a specific system in place (or need for it) to count browsed items, then it looks like they aren't being used and they get weeded

for other librarians, a browsing card is a great idea if you have enough staff for the extra work / enough items left out to justify it

for patrons, check out queer books even if you don't read them! you're not lying or committing any type of fraud. you're keeping books on the shelf long enough for pride season when people are interested in checking them out again and for people scared to use their own accounts or who don't have library cards

for anyone nervous about using their library card, libraries do not keep search histories of what you check out!! this means even if the government does come back with a warrant, *wet farting noise* too bad! it doesn't exist!

It feels like such a small thing, but all movements are made up of small things! We have this mindset that in order to get everything done, everyone must be doing their (or *the*) absolute best at all times. But not everyone can do the same things, to the same degree, with the same amount of productivity or success. Not everyone can; sometimes, they're the ones that need help. Sometimes people just need help.

This post is very much so intended for the people who can. I've seen a lot of replies from folks who say they don't have to (or don't think about) checking out or requesting queer books from the library specifically because they *can* buy them, can pirate them, or already have them in their house or on their computers or phones. But in instances like that, keeping these books in circulation is less for you and more for the people who can't. The folks who come to the library, who don't have access to internet--or even electricity--at home and would never--have never--been able to interact with this "ubiquitous queer community" we have here online who has made so many of these. materials so avaliable to the rest of us.

And... if I can be a little frank. Sometimes the hyperaccessibility of these materials online (through pirating, cheap e-book copies, etc) gives people a false sense of security. It implies that these things are an infinate resource, good for "When I get around to it".

And often, you won't. There's so much to read and so much to do. So much to download and so much to sit down and stare at for hours. That kind of mental scope puts books in people's hands (or phones), but never in their heads.

I live in a province that is currently trying to ban queer books from libraries, and as a library patron, this is terrifying. 95% of the books I read are from the library and a lot of them are way out of my budget to buy personally.

Making Queer History would not exist without the school library I skipped class in to write articles. It would not exist without my friends with library cards for their universities sharing them and getting me access to rare texts. I would not be able to read as much as I do without Libby and Hoopla. If I have ever given you a book recommendation, know that I likely got it from the library first.

I cannot overstate the importance of protecting libraries and checking out queer books. And I want to say thank you to everyone above for being as passionate as I am about queer books in libraries.

Oh yea? Well guess what bro

Well maybe I don’t WANT to work double as hard as abled people!! Maybe I deserve a BREAK!! Maybe I’ve been working MORE THAN double as hard for MY WHOLE LIFE and it’s led me to immense burnout & caused me to develop several MORE disabilities!! Maybe I should be ACCOMMODATED so I don’t have to KILL MY BODY AND BRAIN over trying to do what abled people can do!! Maybe I DON’T have to work double as hard!! Maybe if there’s the option to let me NOT work double as hard, I should have it, because I’m already working double as hard JUST TO SURVIVE!!

So some fanartist drew a “sexy” (read: booby) version of a (cartoon) character who is traditionally very non-sexualised. Fans of the character got mad about it because it’s kind of groundbreaking how that character is written and portrayed and this art totally ignores the entire point of the character. They demanded the art be deleted. In response to that other people said, well what the fanartist did may be distateful but they have every right to draw what they’re into. The two sides fight for days and each starts a harassment campaign and even report their “opponents’” accounts.

So far so typical. But things eventually come to a head and they decide that this will be settled by votes - not through a poll. Through donations to a children’s education charity via each side’s portal. Whoever can get the highest amount of donation wins.

This is a form of backdoor bigotry from both normative facts (there are more straight than gay relationships) and well represented bigoted beliefs (men are superior to women).

there’s sixteen Colorado counties that their most searched was “wolf furry”, plus thirty-odd counties (not counting either Arapahoe or any of the ones marked here as “Insufficient Data”) which may well have had plenty of searches for “wolf furry”, just fewer than for whatever they’re labeled here

and “skunk furry” searches in Arapahoe County outnumbered “wolf furry” searches in the entire state of Colorado

Rocky mocks Grace when he says that Rocky is distracting him by starting complex conversations while he's Trying To Do Science. "Human brain have to stop activity just because talking question? Useless! One track mind!"

Then Grace is on hour six of his "trying to recreate skittles" hyperfocus and Rocky is like What The Fuck. Statement.

For those who only know the movies, or who imprinted on the movies first, it’s almost a tragedy how wrong PJ got that scene; it’s one of a couple things that he seems to have fundamentally misunderstood what was going on, what a moment or confrontation was actually about, and almost by habit (as far as I can tell) leaned on making it Eldritch and Scary, and by doing so actually … totally undercut the actual power (and terror) of the scene.

Because here’s the thing about Nerwen Artanis Alatiriel, the princess of the Noldor we know by the Sindarinization of her epessë, the name given by her husband the first time he saw her and went “her hair is absolutely fucking amazing, I love her” (I’m not joking!): she is old. 

[cut for length]

For those who only know the movies, or who imprinted on the movies first, it’s almost a tragedy how wrong PJ got that scene; it’s one of a couple things that he seems to have fundamentally misunderstood what was going on, what a moment or confrontation was actually about, and almost by habit (as far as I can tell) leaned on making it Eldritch and Scary, and by doing so actually … totally undercut the actual power (and terror) of the scene.

Because here’s the thing about Nerwen Artanis Alatiriel, the princess of the Noldor we know by the Sindarinization of her epessë, the name given by her husband the first time he saw her and went “her hair is absolutely fucking amazing, I love her” (I’m not joking!): she is old. 

[cut for length]