Art from mx_scratch_ on IG

❣ Chile in a Photography ❣

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pixel skylines
NASA
Sade Olutola
noise dept.
tumblr dot com
Xuebing Du
Acquired Stardust

Andulka

JVL
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
Three Goblin Art

Kaledo Art
styofa doing anything
PUT YOUR BEARD IN MY MOUTH
Mike Driver
Lint Roller? I Barely Know Her

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@avelon-hunter
Art from mx_scratch_ on IG

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I finally got a printer/scanner so i can share this minizine i made in july ::-)
Drinking Fountain, mixed media zine, 2025
the great golden baby
queers who unironically hate on furries and kinksters are funny as hell. like awh what's that buddy? you base your moral judgements on your petty disgust rather than intrinsic harm? awh...
you would be homophobic if you were straight.

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“don’t take it personally” how would you like me to take it then? professionally? romantically? academically?
For a city to be walkable. It must also be sittable.
#every time I read this phrase the same thing happens#I read it as shittable and go wait that can't be right#oh right they were talking about public benches that makes more sense#but public bathrooms available without fees should also be a thing tho#cities should definitely be shittable#it happens EVERY SINGLE TIME
it must also be shittable
lestat lestat lestat lestat lestat lestat lestat

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THE VERY FIRST STAR TREK SLASH FIC PUBLISHED
“A Fragment out of Time”, published in 1974. Kirk / Spock. page 1 page 2
I had to share it with you because I can’t stop laughing, and every time I reread it it just gets funnier and fUNNIER
This fan fiction is older than the push-through tabs on soda cans.
Your grandma wrote this on her Commodore 64.
I miss my Commodore 64
Oh my dear, sweet children. The Commodore 64 came out in 1982. This was produced on a typewriter and probably mimeographed. And while it may seem funny now, it took more courage to write and distribute this than you will ever know.
Reblogged for that last comment.
respect your elders
Children, in the olden days fanfiction was written on a typewriter, copied and sent by snail mail. Getting one one of those letters from across the world was every bit as exciting as getting a notification that your favorite writer posted a new fic.
It’s been said before, but the fact that this fic begins with the dialogue assertion “We’re by no means setting a precedent” is endlessly amusing to me.
Diane Marchant changed all our lives. May she rest in peace.
The precedent line is especially amusing when you bear in mind that “A Fragment Out of Time” is not only the first Star Trek slashfic to be published in a widely distributed magazine: it’s believed by some to be the first slashfic of any kind to be widely published.
In 1974 it was illegal to send pornography through the USPS. So distributing fic like this via mailed newsletter was literally dangerous. And they knew it.
[no beers in] do you think im ever going to belong somewhere
“source?” divine intuition, gut instinct, and cryptic symbolism from my dreams
i love pasta and bread and ignoring responsibilities

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“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.
Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”
I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
I’d just like to briefly say even Rockwell’s seemingly feel good Americana pieces are often more political than people today realize for example
likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.
What you may not know is its actual title
“Freedom From Want” it’s a part of a series of 4, including this now famous meme
“Freedom of Speech” These paintings were illustrations of FDR’s “Four Freedoms” speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.
So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry
Rockwell’s work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.
"I saw him every day, every night... and then one day I understood that I don't remember my friends, those who came with me to defend our faith — yet I can picture his face down to the tiniest detail."
~Forever and Ever and More
It's only beginning. I have so many thoughts about this. About them.
I'll keep you updated ❤️