Who am I?

but anyway - back to my original point. when you look at the life orihime has very much lived by ichigo's side, you realize she's literally right. orihime had a crush on ichigo before he got his powers, her crush remained strong after he got them, and even when it was tested in the face of his hollow, her love endured and grew stronger. she saw every side of him, every slice of his life, and maintained that assertion of love, just like she said she would. ichigo has lived so many lives since he first got his powers, and orihime has been there for almost all of it up-close. she kept changing as he did, but her love remained the same.

Write it badly or it'll never be written

Write it badly or it'll never be written

Write it badly or it'll never be written

Write it badly or it'll never be written

Spoons can be used pretty much anywhere.

Carnival tickets are only good for the carnival, and it’s only in town for a limited amount of time.

But the kid are absolutely unfazed, arguing that "it's alright they will be together again soon". The normie are so sad for the "children clinging to vain hopes" until Morticia and Gomez get married again two weeks after the divorce.

In the meantime Mama and Uncle Fester fight about which one of them will go to whose custody.

They pretend to argue in court and at meeting with lawyers over the splitting of the properties but that's mostly Gomez insisting to leave more and more thing to his wife in an angry voice.

At home they decided not to talk to each other so Lurch has to (begrudgingly) transmit messages from one to the other, even when they are sat on either side of the table.

her enthusiastic "i'm a very nice and bubbly person, i swear! but i love writing angst and major character death :)" nearly took me the fuck out.

I can't be the only one who noticed that in stories written by women power is often compared to a prison or a cage meanwhile in the ones written by men it's mostly fun and freedom.

It is that women tend to see power as more of an responsibility and men think of it as the ability to do whatever they want?

The apothecary diaries made me think of it first. I discovered with surprise that I actually like the emperor, which I almost never do. Any guy that has relationship with more than one woman at once tends to disgust me, especially if he's in a position of power but for some reason not him.

Because the emperor is as much a prisoner as the 2000 women in the rear palace. Maybe even more because as long as he doesn't touch them, they're allowed to leave.

Like on one hand, he's the most powerful man in the empire. He calls the shots, right?

But on the other hand, he can't even properly protect Lishu from being sold to some pedofile by her father. The only way he could protect her was to make her his concubine and how f*cked up is that? She's like a daughter to him and the only way he could protect her was by marrying her? And then he couldn't even spend time with her anymore because that would be read wrong.

It's the fact that 3 of his children died because there was no proper medic to save them due to the fact that they don't allow non eunuchs to treat them and forbid women practicing medicine... when he doesn't even care about that. He hasn't blinked once at Maomao running around the inner palace and being a doctor.

At first when I was watching the story I thought of how horrible it was that he didn't even visit Lady Lihua after their son died. But then it made me think of how he's literally not allowed to get attached because of his position and how hard it is for him? The fact that he couldn't even provide enough support for Lady Ah-Duo so she doesn't lose her uterus? The fact that she switched their baby with his brother and he had to watch his son grow up "away" from him?

There's so much more to this, especially with Jinshis approach to power and I could go on an on but I think I made my point.

And when I started comparing the stories written by women to those by men... Women tend to write power as more of a burden than a gift.

After watching TAD I watched solo leveling.

And for those of you who don't know, it's basically a story about a guy who suddenly "discovers" that he's like a character in a game (not exactly but it's be too long to explain) and basically finds out that he has endless potential and over the course of the story he becomes the most powerful being in the entire universe.

And there's a moment where he's talking to his little sisters friend that gets very misread as something inappropriate by another character.

This other character points out, kindly, to Sung Jinwoo that the girl is a minor.

Sun Jinwoo doesn't understand so he just looks at him and asks "so?".

And so the guy immediately gets scared and never mentions it again despite the two of them being friends.

This moment is kind of played for laughs. Nothing actually happened, Sung Jinwoo is a good guy so he wouldn't.

But he could. Nobody could do anything to stop him.

And when I watched that I laughed too. But then I thought of how terrifying that is. To have someone be so above the law, this untouchable. Who can do anything he pleases because no one will ever stop him.

But that's never actually adressed in the show other than to show us how cool this is.

It this was written by Natsu Hyūga there'd probably be a million different situations to show us how fucked up this is and how it weighs on the main character.

Umberto Eco, who owned 50,000 books, had this to say about home libraries:

"It is foolish to think that you have to read all the books you buy, as it is foolish to criticize those who buy more books than they will ever be able to read. It would be like saying that you should use all the cutlery or glasses or screwdrivers or drill bits you bought before buying new ones.

"There are things in life that we need to always have plenty of supplies, even if we will only use a small portion.

"If, for example, we consider books as medicine, we understand that it is good to have many at home rather than a few: when you want to feel better, then you go to the 'medicine closet' and choose a book. Not a random one, but the right book for that moment. That's why you should always have a nutrition choice!

Shirt stays: these go around your thighs to hold your shirt down, so that it stays smooth and tucked in. They're usually elastic, with 1-3 clips, and if you wear skirts frequently this is a GREAT way to make sure your top doesn't ride up. The clips will be visible if you're wearing something tight, so loose pants or skirts are where these do best. There's also an insane version that clips to your socks, but that is for lunatics. If you wanted, you could also use one of these clips to hold up thigh-highs.

These do a great job of smoothing and narrowing the waist area by keeping your shirt from bunching there.

Sleeve garters: usually metal, leather, elastic, or silk. These are usually worn with button-down shirts to adjust where your cuff falls on the wrist or hand. They're properly worn on the upper arm, and you pull the fabric of the sleeve above the garter until you cuff is where you want it. Because this creates a puff of sleeve at the bicep, it also broadens the appearance of the shoulders. It's great if you're working with your hands or if your sleeves are often too long for your preference.

Waistband clip or belt adjustment clip/buttons

Three different ways of tightening the waistband of a pair of pants or a skirt. You're not going to get more than an inch or so tighter without weird bunching, and for most of these you'd want them to be hidden under a shirt or jacket, but they do the job if that's something you're having issues with.

Collar pins: There are so many fun ones out there, both with and without chains. They're not terribly practical, though the slight weight may help keep your collar where you want it. Also consider collar tips, which pin (surprise) to the very tips of your collar points.

Sweater clips/guards: meant to hold your sweater or cardigan mostly closed. Great if your cardigan doesn't button, or if you don't like it to be buttoned all the way.

But menswear doesn’t get to have all the fun! Here are a few traditionally womenswear accessories:

Hem weights keep your skirt from flying up. You can get sew in and temporary ones.

Lingerie pins keep the straps of your dress and your bra together! They can be hidden or very cute. You can go for vintage ones if you’re obsessed like me or just find either fancy safety pins or small bar pins.

Some also come in groups of three with chains that keep the straps from sliding off your shoulder.

(Often these will get mistaken for baby or doll pins because they are very small, 2-3 cm in length.)

Glove clips hold your gloves to your belt or purse whole you aren’t wearing them, but keep them close at hand (ha).

✦ first rule: don’t over-explain. once you give me the monster’s exact height, weight, claw count, and dental record, it’s not scary anymore. it’s a pokémon. mystery is the muscle. a shadow that almost looks human will always hit harder than a full description of a swamp beast. leave gaps. let the reader’s brain fill them in with their own worst fear.

✦ physics should not apply. horror monsters are terrifying when they break the rules of the world we think we understand. a body folding in ways it shouldn’t. joints bending the wrong direction. silence in a place that should echo. footsteps that sound like they’re coming from the ceiling instead of the floor. once you warp reality, the reader doesn’t feel safe in their own.

✦ chasing is fine. but waiting is worse. scarier than claws, scarier than snarling—try a monster that just stands in the corner and watches. even scarier? it smiles. because predators don’t smile unless they know something you don’t.

✦ let it act like it knows you. a growl is scary, sure, but a whisper of your name in the dark is worse. a hiss of your birthday. a laugh in your mother’s voice. monsters are no longer “other” once they feel personal. they’re invasive. they’re inside your head.