three hunters โ๏ธ three kings swap
bonus (who put these idiots in charge):
taylor price
Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ

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@ao731
three hunters โ๏ธ three kings swap
bonus (who put these idiots in charge):

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you have to forgive the printer because it's one of the most machine-ass machines we interact with on a day to day basis. that thing says kerchunk. hardly anything says kerchunk these days. you can't get mad at her when she kerchunks up a little.
Crazy that tech has gotten so bad that we're doing printer forgiveness now
tangled gave us so much, but mostly it gave us the beautiful and intense love of a horse and the man he is chasing in order to imprison
i personally believe that maximus was the former captain of the guard who was cursed into horse form pretty recently, and everyoneโs having trouble adjusting to it.
like, heโs entitled to sick leave, he really ought to take a couple months to break the curse and come to terms with whatever the fuck just happened to him, but instead of embarking on a journey of self-discovery and healing he just keeps showing up to work. no one can get captain maximus to go on his fucking voyage of self actualization and fix the curse because heโs obsessed with catching flinn ryder. everyone really fucking hopes that when he finally catches this guy the curse might be broken anyway, but it isnโt.
he just keeps showing up to work. he glares at the stablehands until they saddle him up. everyoneโs gone over the regulations a dozen times but thereโs nothing there saying youโre not allowed to saddle and ride the captain of the guard if he makes you do it. his former second in command rides him around like โsir i really donโt know about thisโ and heโs just like โare we going to catch some criminals or what.โ
you can see in the movie that everyone in the royal guard defers to this horse. itโs absolutely because thatโs their boss. and secondarily because now heโs two thousand pounds of percheron.
there is no evidence against this theory and you cannot prove me wrong.
This is pretty much the only fanon idea I have ever decided to hold personally true. I love it. It is the best.
If you're comfortable accusing anyone of faking disability, you're not a real ally to disabled people
One time when I was a kid a group of girls and I had to treat another student for hypothermia by ourselves because she had so many invisible health issues that the adults we asked for help didn't believe us. The student in question was actively hallucinating. When I finally ran for help the people I grabbed were slow as shit to respond, casually joking about how "dramatic" the person in question was.
The kid was picked up by an ambulance 30 minutes later.
Now as an adult working in security I get SO MANY folks- upper-middle aged mostly- coming to me to 'rat out' people they think are faking it.
I was once sent into a bathroom because a client demanded that the "fucker won't get out, so go drag them out"- I was NEVER going to do that, so I did a wellness check instead. You know who it was? A person recently released from the hospital after a car accident. They had a hole in their skull and major hearing loss. They couldn't answer the owner because they couldn't HEAR the owner.
Another time about a homeless man who got around town by kicking the ground from his wheelchair. "You know he doesn't actually need that thing, his legs work fine, it's just for pity points"- Oh, so he's not paralyzed, his wheelchair is performative? Funny story Dale, I actually know that guy, he was backed over by a truck and has chronic pain from his shattered pelvis. But sure, let's make him stand up and walk everywhere so nobody feels too bad for him and tries to help him or something.
"She doesn't need that scooter, I've seen her get out of it."
"Look how fat he is, because he just rides around and refuses to get up."
"She doesn't really need that cane- she comes here without it all the time"
Sincerely, truly, from the bottom of my heart- as someone who isn't physically disabled but hears this shit all the time- fuck off

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absolutely looosssinggg it. i'm so obsessed with movies which portray the woman MC in a highly specific job because the writers clearly think it's like "off-beat" and "quirky" but have no idea how the field works whatsoever.
i decided to try a romcom i somehow missed i the 2000s 'head over heels' and i got 3 and a half minutes in and we're introduced to the lonely MC with bad taste in men as evidenced by her extremely short list of ex boyfriends, including her first boyfriend when she was 11 or something because i guess that's still relevant in her adult life.
so she's resigned herself to never finding love and prefers to ignore men to focus all her energy into her career.
this job is immediately presented as though it's for spinsters with no hope of ever finding a man.
the mc's lesbian bestie (whose first line involves her being scolded for being too sexual in the workplace, but moving on) points out their colleagues as evidence that they're doomed to a romance-less, sexless life if they don't switch up their shared career path. the colleagues are three old women, so-dubbed "the menopause triplets":
these women are presented as if they have no idea what's going on at any given moment. this is 2001, and presumably this is an entry level job requiring low effort and no experience.
then their boss bursts into the room, unceremoniously bumping a large painting into the door jam and walls, announcing that it's a new project for our MC.
our MC is thrilled to see the painting. apparently it's a light in the daily slog at her dreary job for loser women with nothing going on in their lives.
And that job is? Conservator of paintings (specializing in Renaissance) at the New York City Metropolitan Museum of Art.
The painting being handled like an old couch on its way to the curb?
The Bacchanal of the Andrians by Titian.
Her lesbian colleague who is presumably also a a highly trained & skilled curator finds it depressing that the MC is so excited about the painting.
it's a quirk unique to this MC that she cares so much about paintings, in her department at the metropolitan museum of art, where her colleagues find all that art business rather dreary. because we all know that's what conservators in extremely competitive museum positions are like.
I'm not saying there can't be lifelong love in here somewhere but I also just feel like the monogamous heterosexual marriage you're fantasizing about isn't necessarily best represented by the bacchanal. and that's okay. but i do stand by that.
I rewatched the hobbit movies so I decided to draw Bilbo โจ
WHO tf keeping pads with no wings in production?? Put it in your draws and by the time you walk out the bathroom itโs down the street buying scratch offs at the corner store. Like girl
one of my favorite genres of post is "evocative imagery"

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Happy Pride ๐ | The Golden Girls (1985-1992)
While its eyes are not as big as its mummy's, this baby tawny frogmouth is still using its beady peepers to see the best it can
I cried watching Project Hail Mary btw

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My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
Be honest do you think your mental illness/mood disorder makes you more creative funny or interesting
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