agender architect, soon to be engineer too

I want you to write for pleasure—to play. Just listen to the sounds and rhythms of the sentences you write and play with them, like a kid with a kazoo. This isn’t “free writing,” but it’s similar in that you’re relaxing control: you’re encouraging the words themselves—the sounds of them, the beats and echoes—to lead you on. For the moment, forget all the good advice that says good style is invisible, good art conceals art. Show off! Use the whole orchestra our wonderful language offers us! Write it for children, if that’s the way you can give yourself permission to do it. Write it for your ancestors. Use any narrating voice you like. If you’re familiar with a dialect or accent, use it instead of vanilla English. Be very noisy, or be hushed. Try to reproduce the action in the jerky or flowing movement of the words. Make what happens happen in the sounds of the words, the rhythms of the sentences. Have fun, cut loose, play around, repeat, invent, feel free.

If you missed it, a brand new Death-Head's Deal is out. Go read it! 💖

I think people forget that Stratt amnesticized Grace with the goal that Ilyukina and Yao would be there to help him, y’know NOT DIE, and then THEY DIED before he woke up.

i set my name to Paul Enis in the app because then the stickers they put on my grocery deliveries would say P. ENIS. it was like this for months, but now all the sudden they say PAUL E. instead

I am allowed to hold both the concepts of "my country is a nightmare for anyone who isn't rich and the world cup tourists will only see the good parts and that is by design" and "the world cup tourists coming away from this by genuinely falling in love with the good experiences they have here and how there is so much joy even for our weirdest most American shit" simultaneously.