so, i noticed that in βsinners,β remmick is portrayed as playing a banjo when he performs. that piqued my interest because i know somebody, hannah mayree, who runs something called the βBlack banjo reclamation projectβ which aims to educate people about the banjoβs african origins and history in Black music, accepts donations of banjos to be distributed for free to Black folks who are interested in playing, and offers shows and events oriented toward helping Black people reconnect to their roots through this instrument.
thereβs a campout that starts tomorrow, june 4th, and an online study group that starts this weekend, june 6th, and some events and shows this summer that look really fun. thereβs also a newsletter for any future events!
looks like i canβt put the link to the website, but itβs just the name of the project dot org
I have always loved a good banjo. It's crazy bc it's from Africa, but it always gets a bad rap as a Southern White Hick stereotype. Which, interestingly enough, is probably why they gave it to Remmick. A sort of sign that even in this, he's trying to use Our Music to get Inside to Us. But anyway, somebody shredding on a banjo is π€πΎπ₯
I'd actually love to participate in something like that, because I gave up on this guitar π I don't have the memory and focus anymore to teach myself music.
This seems like a great place to plug the full-length documentary about the all-Black old-time string band Carolina Chocolate Drops:
They formed at a Black Banjo Gathering in North Carolina in 2005 and have been a big influence in the revival of Black traditional/string band/old-time/folk music in general but also from the Piedmont region of the Carolinas.
I especially like this documentary because they talk about how you take a style of music that's been whitewashed/repressed and bring it back for a modern audience, while repairing its ties to and honoring the Black ancestors who played it first. The origins of the banjo are a huge part of that and a huge part of the documentary.
