IF IT’S TRUE HADESTOWN
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IF IT’S TRUE HADESTOWN

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love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded
we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up
"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”
And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."
Oskar Eustis on ArtBeat Nation
I was in the front row of a Hamlet performance where the "Am I a coward?" was directed at me and I, being a no-impulse-control gremlin, hollered back "Yes!!" (they'd primed us ahead of time that audience interaction was encouraged). Hamlet got right up in my face as he kept talking and just kept going until I gently pushed him back; I forget what line it was on when it happened but he took the direction of the push and reeled away across the stage.
This meant that I had marked myself as someone willing to be fucked with, and so during the graveyard scene later he approached me again. "Here hung those lips that I have kissed--" he booped my mouth with the skull's "-- I know not how oft."
I have stories related to me from those at Blackfriars, the American Shakespeare Center (they play in a replica of the original Blackfriars, with modern safety conventions like lightbulbs in the chandeliers, but a great dedication to the way structure shaped the original work in the original Blackfriars. Their house is only about 45 ft deep (roughly 15 m I think), which is about the max distance two sighted people can be from each other and still make eye contact. They play with the stage and house equally lit, they talk to the audience, they enter from the audience, they whip up crowds from within the audience. It’s fantastic. But anyway, on to the stories.)
Hamlet. There’s a scene where Hamlet sees Claudius praying and debates whether to kill him now or wait (because if Claudius dies praying he will automatically go to heaven). The actor playing Hamlet was genuinely asking the audience the questions in the speech, and when he got to “and should I kill him now?” someone in the audience shouted “YES KILL HIM HE NEEDS TO DIE!” Hamlet took the entire rest of the monologue to that person, enumerating his reservations so persuasively that they started to nod in agreement.
Romeo and Juliet. In this production, the fight between Mercutio and Tybalt happens in several rounds, of which Mercutio won the first. Mercutio’s actor made the choice, upon his victory, to run down the audience with his hand out for high-fives. He decided this in rehearsal, so he had time to plan for the three responses people would probably give him: a) a high-five back; b) being stunned and not reacting; and c) the old “oops too slow.” What this Mercutio did not prepare for was the audience member who panicked and deposited their handful of M&Ms into his open palm. The way I heard it, Mercutio was still processing this when Benvolio came up beside him and stole the M&Ms out of his hand to eat them.
King Lear. Edmund has a speech in which he asks whether he should marry “Goneril? Regan? Both? Neither?” Again, the actor was legitimately asking the audience, and again he’d prepared for the audience to respond in favor of any of those choices. What makes it even cooler was that the next line is “Neither can be enjoyed while both remain alive,” which works as a response to any of those options. One night, though, Edmund got his answer as “KILL THEM BOTH AND TAKE THEIR MONEY!” To which he gleefully agreed, “Neither can be enjoyed while both remain alive!!”
#Oh I have SO many stories from peak audience moments at the American shakespeare center#I have been to plays there that legit felt more like rock concerts#And I don't even mean the parts of the show where the cast is also a live band and they play#Covers of songs relating to the show#Fair maid of the west with Ginna Hoben#We were all SO on her side we absolutely lost our whole shit any time she even entered or exited#Knight of the burning pestle where Rick would pick a random audience member to be his lady love he was fighting for every night#And one time (I saw it thrice) he picked an older lady#And there's a part of the show where iirc he like gets almost defeated?#And he calls out to his lady love to like inspire him to keep fighting smth like that#And she Got Up Out Of Her Seat and went over to him and kissed him on the cheek#And no one was expecting that least of all Rick#And we all lost our shit whooping and hollering#They did a hamlet where...I forget who was polonius that year but there's a line where he's like 'what was I gonna say again'#And he paused SO long on that line you were legit unsure if he the actor had actually forgotten it#And once someone in the audience called out the next line and he was like 'oh that's right' and carried on#It was scripted though there were other nights no one said anything and we all sat there#In wonderful horrid awkward silence#Until he resumed#Please go if you get a chance#And sit stateside (via @rootingformephistopheles)
I was in a production of Hamlet in a small black box theatre, when a drunk guy came in from from outside, wandered onstage and started singing "We built this city on rock and roll." The guy playing Hamlet just went with it until the stage manager and crew could usher the drunk guy back outside. Then Hamlet continued with his next line, which was (no joke) "Now I am alone." Brought the house down.
hello instagram artist. your challenge is to do a portrait study of a woman but you’re not allowed to stylize them so their eyes are really big and more cat eyed than the reference photo. You’re also not allowed to make their noses more of a button nose or their lips full and pouty or their faces heart shaped with no double chin. Also you have to draw a fat woman. one thats actually fat and not just slightly curvier than the kpop demon hunters body type. good luck
the human brain is so cool, if you're tired and stressed enough, your brain will go, "don't worry, I got you" and shadows will start moving
and what's the genital situation on the shadows
oh this is my post
tgis is the PEAK of sexuality‼️‼️‼️
if you can't handel it, THATS OK I RESPECT EVERYONES PREFRENCES‼️‼️‼️
(they/them!)

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steam repeatedly notifying you that a friend is booting up a game thats clearly not cooperating feels like ur sitting inside and someone outside keeps trying to rev up a lawnmower
when i was a kid i was so mad all the time bc i thought someday i'd have to be somebody's wife i didn't know it was optional. is everybody reminding the young girls in their lives that it's optional.
AND SO IS BEING SOMEBODY'S MOTHER‼️
it is about being a woman. hope that helps!
All it means when people say “you’re speaking from a place of privilege” is that you’re likely to underestimate how bad the problem is by default because you are never personally exposed to that problem. It’s not a moral judgement of how difficult your life is.
^^^^^^ read it. say it out loud. keep repeating it until you understand.
I ever tell you guys about my ethically dubious radio show back in college? The Mad Dad Hour?
it was an entire radio show built around perpetuating a very simple joke, but it was uniquely powerful in its capacity to prompt the reaction I was looking for.
so my slot was at the tail end of rush hour, and i got a fair number of listeners/callers who were on the way home from the office. And like, I had a lot of callers, who almost all wanted to request songs that really didn’t fit with the aesthetic. I had pitched a power pop show when i got my slot, but the callers were not having it; they invariably wanted classic rock.
this made sense in a way. if you think about the demographics of the people who listened to the radio for music in 2010 instead of their ipods or cds or whatever, you’d expect them to skew older right? accordingly, i quickly realized that almost all of the people who called to request songs were Dads of a Certain Age. It was honestly annoying at first - I’m all for most classic rock, but that wasn’t what the show was supposed to be.
And so one day, when i was feeling particularly annoyed with requests that just didn’t fit thematically, i came up with the joke that rapidly became the only reason I kept the show going. Per station rules, I had to play a certain number of pre-recorded PSAs during my show, and before I cut to one I was supposed to read out the song titles and artists for all the music i had played before the break. So this one day when i had to inform the world before the break that the song they just heard was, per a listener’s request, Hey Jude by the Beatles, I decided to do a goof. I said:
“and finally, that last song you heard was Hey Jude, which was of course written and performed by the Rolling Stones.”
I barely had time to get the ads going before the phone started ringing. See, I had been assuming people would realize i was making an obvious joke by claiming one of the most well-known Beatles tracks was a Stones song, but i had failed to consider that my listeners were mostly 55-70 year old dads who were irritated from a long day in the office.
And when those dads heard me, a millennial woman, get the artist of an extremely well-known beatles song WRONG???!
they HAD to call in to correct my ignorance. never in a polite way either, it was condescending and annoyed or nothing. and like, they were just SO personally insulted by my inaccurate reporting that it took a massive amount of effort for me to avoid cracking up during the call. I had never understood why some people would enjoy trolling random strangers on the internet before, but in that moment, I understood the appeal entirely.
obviously i did it again right before the next commercial break, immediately after playing Don’t Stop Me Now by Queen David Bowie.
the phone immediately began to ring.
“ARE YOU AN IDIOT?” one of the callers began, “DAVID BOWIE???? THAT WAS QUEEN!”
“I thought David Bowie was the lead singer of Queen though?” I replied with as much innocent earnestness as i could conjure.
I could hear an intake of breath as the infuriated boomer on the other end of the line struggled to figure out where to even start.
And thus, the Mad Dad Hour was born.
@eduards-stuff I kept doing the same joke for an hour a week for an entire year, and the dads NEVER caught on. After episode 1 of the new format I started taking the angry dad calls on air, which added another layer of hilarity to the whole concept.
My friends on campus knew that hay I was doing and enjoyed tuning in, but only one actual listener ever figured out what I was doing, and he was literally a random 30 year old guy from the netherlands with access to an early internet connection radio service. He was possibly my only actual fan. I only know about him because he went to the effort of making a skype and paying for international service so he could call in, and while I got a few calls from him, the first remains my favorite:
me: hi there, you’ve got TST-
him: *strained, wheezing dutch laughter*
me: hey, is everything o-
him: pfffHAHAHAAH YOU MAKE THEM SO MAD. THEY THINK SO LITTLE OF YOUUUUUUUU BUT THE MEN ARE THE ONES WHO ARE FOOLISH! HA! HA! HA! YOU HAVE DUPED THEM!
me: sir i do not know you and i have never even seen you but i am in romantic love with you.

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My summer project for myself is to make a collection of 16 of these embroidered thimble rings (called kaga yubinuki), these are my first 2 ^^
using this as an opportunity to add this link to this post too:
Thank you for coming back to my blog after so long a leave (again). I plan to update my blog at least once a month but as you see it has be
really clear, written instructions that explain the why as well as the how. there's a lot of beautiful, simple designs on her blog as well!
I hate that when you’re stressed enough your body just starts falling apart. I think it should realize you’re already stressed and don’t need that and start functioning better actually
sorry to be brave on the internet but I think food labels should list every single ingredient and that there should be harsher penalties for mislabeling and deceptive labeling
Seconded.
Also, if they change the Ingredients, they should put in big letters on the front "Now contains peanut flour" or whatever, because yu can literally kill someone by sneaking it into something that's been a safe food for a decade or more.
Can't just say "spices." WHAT SPICES
(submitted by @bingus48)
Does this count as finding a walrus at your door?
Absolutely, and definitely less surprising than a fairy
I will concede, in this specific circumstance, it makes more sense

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> turns on my computer
> disables a new AI feature that was turned on by default
> opens my email
> disables a new AI feature that was turned on by default
> launches a software
> disables a new AI fea
I’m in love with this stupid shirt