if you try to follow me and we don't already have a rapport, you're getting blocked. that's all there is to it. consider this the warning shot that i'm firing off the front porch of my blog.
(if you really wanna follow my writing, my ao3 is here- but an account is required)
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So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really notâbut honestly this is it man.
I love the lawyer metaphor, because whenever I see âJohn knew that...â in prose writing I immediately think âhow? How does he know it?â Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What weâre talking about here are FILTER WORDS (and to some degree verbs of being). Yes, âthoughtâ words are included. But so are âheard, saw, looked, tasted, smelledâ etc.âmost words having to do with the senses.
This isnât black and white advice; sometimes youâll use these words and thatâs okay. Theyâre not WRONG. Theyâre just weaker. And theyâre weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like theyâre experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes theyâre seeing through and thoughts theyâre privy to. So you donât need to tell them âI saw X.â Or âI heard X.â Or âI thought Y.â You can just jump into the action/observation as itâs happening.
This is also where you want to pay attention to verbs of being.
âIt was rainy.â Versus: âThe rain pounded against the roof.â Or âThe rain howled like an injured animal.â Or âThe rain tapped against the window like an anxious lover.â All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
This was one of my all time most powerful writing lessons! This mindset shift makes you a stronger writer immediately in a way that just keeps getting easier and better for you.
The take I always have on advice like this is that "John saw that the curtains were open." and "The curtains were open." are sentences that are telling you two different pieces of information.
Some of this, yes, is about POV distance--but some of it is also about the information being conveyed by the sentence. If you are using a sentence like "John saw that the windows were open" it should be because the information you are seeking to convey is that John saw it.
Maybe this matters because the next time John looks back they are closed, and so he's doubting what he saw. Maybe it matters because he later has to recount information about the room he was in, and it's notable that he specifically saw that the windows were open. The fact and method of his observation is part of the point of the sentence, rather than simply the observation itself.
When we are using sense verbs, it should be because part of the point is the sense. Same with "thought", "felt", etc.: "Mary thought that Susan looked a little thin" is telling us a different piece of information than "Susan looked a little thin."
Contrarily, at least in my opinion, simple telling phrasing like "It was rainy" can sometimes bring us more into a character's head than something showing like "The rain howled like an injured animal." I have read books when a relatively plain-spoken/plain-thinking character suddenly starts having elaborate descriptions of things like scenery or weather, and it is abundantly clear that the author wanted to spruce up their writing and avoid "telling." The problem is that it drags me as the reader out of the character's head and shows me where all of the strings are. I'm suddenly thinking about how the author is worried about being yelled at for "telling" instead of just reading the story.
Your writing, down to the sentence structure and word choice level, should be about what you are trying to accomplish. Is the point to tell us that the window was open, or is it to tell us that John saw that the window was open?
bumping into your really nice alpha neighbour in the hallway (who youâve been on again off again flirting with for weeks now), but squeaking out a little âsorry!â while having to rudely push past him so that you can get into your apartment before your heat gets out of control
vs
him being unable to resist following after you the second you scurry upstairs, every step he takes now getting a little more urgent, his blood hotter, until heâs pacing in front of your door, back and forth, back and forth, back and forth; trying everything in his power to keep himself from knocking because the way he is moving now reminds him of a predator and he doesnât like it - heâs nice, goddammit, heâs nice
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Simon doesn't break into Kyle's place because he has a key. He's invited. Kyle said so.
"Help yourself," he'd said. "Anytime, mi casa es su casa."
So Simon let's himself in at 2am to eat the leftovers he'd been to polite to tell Kyle he'd wanted for himself, only to find Kyle standing in front of his open fridge, scarfing them down as fast as he can.
COMPLETED â call of duty | kyle garrick x reader | 5.6k words | ao3
you haven't said more than three words to your handsome aquafit instructor, Kyle Garrick, until you're stuck together during the 2003 blackout.
tags: cis female reader, early-aughts au, canadian reader, temporarily injured reader, no call of duty knowledge required, aquafit instructor to lover pipeline, romantic, fluff, secret mutual pining, takes place on one day/night, handjob (semi-public)
check ao3 for complete list.
Well. A study was just published from Stanford that has shown definitively that AI tools use for hiring has a significant adverse effect on Black and Asian job applicants.
Of all applications submitted by Asian and Black applicants, 14.74% and 25.87% are submitted to positions that adversely impact Asian and Black applicants, respectively, according to U.S. employment discrimination standards.
ON TOP OF THAT, there's a phenomenon of "systemic rejection," where the AI assessment score of the applicant's resume is stored for as long as 330 DAYS and used used for EVERY APPLICATION SUBMITTED TO A COMPANY THAT IS USING THAT AI TOOL. No reassessment, no review by human HR professionals.
To everyone who has shared my aid request and sent job listings, I cannot express to you how much it means to us. To everyone still looking for work who has been having a hard time, please know that you're not doing anything wrong. Hiring managers aren't even seeing people's applications and resumes, because the AI tools are interfering so significantly.
Many employers screen job applicants with algorithms built by the same few algorithm vendors. We hypothesize that algorithmic monoculture le
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inspired wholly by this hard of hearing!simon by @ynstark â iâve been plagued by the thought ever since
cw: suggestive
he hears the kettle just fine when it whistles, and he hears the front door when it slams with the wind. what he doesnât hear, almost ever, is you.
âjohn,â you call.
you get nothing in return. heâs got his feet up on the coffee table, his reading glasses sliding down the bridge of his nose, some dense paperback open in his hands.
âjohn,â you try again, huffing.
still nothing. the corner of the room heâs not facing may as well be another county.
you cross to the sofa and stop right in front of him until the shape of you finally registers and he looks up over the rim of his glasses, eyebrows lifting like youâve appeared out of nowhere.
âwhat?â
âi called for you twice.â
âdid you?â he asks, lips pursing slightly.
youâve been dealing with this for a long while. over dinner, leaning across the table, repeating yourself, watching him nod at the wrong moments and answer questions you never asked. in the kitchen, talking to his back, getting no reply. in bed, breathing his name against his neck, not getting the same response from him you wouldâve got a few years ago.
decades of gunfire and breaching charges and the thumping punch of helo rotors, year over year. by the time anyone thought to check, preserving it was out of the question because the damage was already there. the audiologist had been matter-of-fact about it. showed him the chart, the slope of it dropping off. he nodded along like it was someone elseâs ear.
the hearing aids have been sitting in the dish by the bathroom sink for weeks, untouched. theyâre good ones too. tiny things. they sit down in the canal, youâd have to be nose-to-nose with him to spot the little nub of them, and even then youâd have to know to look. nothing hooks over the ear or catches in the light.
he just wont wear them.
âiâm not seventy,â heâd said the once you really pushed it. âmânot puttinâ in hearing aids.â
âyouâre wearing them, john. you already had them fitted.â
âi donât need them,â heâd protested. ânot day to day.â
which is how you ended up here, two weeks later, watching the back of his head while he reads and ignores the sound of you existing.
so you change tactics.
you donât say his name again. you take the book out of his hands gently, dog-ear his page with your thumb, set it on the table next to his feet. and before he can do more than open his mouth you climb into his lap, knees bracketing his thighs, settling yourself down onto him.
his hands land on your hips instinctually, his whole expression changing. the annoyance smooths out and something warm comes up slowly in its place, you can read his thoughts as clearly as if heâd said it out loud â âwell, this is alrightâ.
âwell, hello,â he says low, hands sliding up your sides.
he thinks heâs won something. heâs already tilting his chin up for you, lips looking for yours.
you reach into the pocket of your cardigan and pull them out, cupped in your palm where he can see, and his face drops.
âoh, youâre joking,â his shoulders sink with disappointment.
âhold still,â you grumble, leaning forward.
âi was comfortable,â he complains.
âjohn.â you get the first one in before he can turn his head, fingers careful at his ear, and he huffs through his nose like a dog thatâs been told no. âother side.â
âthis is entrapment.â
âmm-hm.â you fit the second one in, tucking his hair back where itâs gone astray. you sit back against him to look with your hands resting on his chest. âthere,â you grin, satisfied.
âi was reading.â
âand you werenât hearing a single word i said all night.â
âi can hear!â
âso youâre choosing to ignore me then?â
âi wasnâtâ i justâ,â
âyou answered âfineâ when i asked if you wanted chicken or fish for dinner.â
his jaw works. he doesnât have anything to say to that. âthey itch,â he tries instead, pressing a finger against the front of his ear, rubbing the cartilage there.
âthey donât itch. youâre being dramatic.â you shift your weight, just slightly, settling in more solidly against him, and watch his breath catch. âtell me they itch now.â
heâs still scowling, but his hands have tightened on your hips. âi donât see what hearingâs got to do with thisâŚâ he looks down at where youâre pressed to him.
you roll your hips down against him, folding forward, letting your mouth go to the side of his face, right up close to his ear, and you breathe out â soft, the smallest sound, half a moan and half a laugh because you canât help yourself.
you feel him go still beneath you.
you do it again. rocking down against the shape of him through his trousers and let the noise come up out of you naturally, quiet and close and meant only for him, the kind of sound you make without thinking when his hands are on you. his fingers flex and splay and grip harder, his head turns toward you like itâs being pulled.
âthere you are,â you murmur.
ââŚchrist.â
âyou hear that?â
he doesnât answer. his eyes have gone heavy lidded and his handâs come up into your hair and heâs turned fully into you now, chasing it, the small wet sounds of your breath against his ear, the catch in your throat when you press down and he pushes up to meet you.
these little intimate things he stopped hearing a long time ago and never noticed heâd lost because of how gradual it happened. this way you sound when you want him, the quiet things. the things you only ever say just for him, the things youâve been saying into the dark for a year now with no return.
âsay my name,â you breathe.
ââŚwhat?â
âin bed. i always say your name and you neverâ,â you rock against him and his breath stutters, âyou never answer anymore.â
his hand comes up to the side of your face. he pulls back just far enough to look at you, and thereâs something thatâs gone serious under the want, something thatâs caught up with what youâre telling him.
âmâso sorry, love,â he nudges his nose under your jaw, kissing the soft of your neck. âsay it now. again,â he says, rough. âgo on.â heâs gone hard under you, rolling his hips up, hands keeping your hips down. the seam of his zipper pushing through the thin cotton of your joggers
âjohn,â you breathe.
he hears you and you watch him â watch his eyes close for a second like itâs gone straight through him.
âyeah,â he says, his thumb moving slow against your cheek. âheard that.â then your name unfurls from his tongue and you kiss him before he can pretend he wasnât affected, and his arms come all the way around you, and he doesnât say a single word about the hearing aids again.
john wears them after that without making a fuss over it. just puts them in every morning before youâre up. you never mention that you notice. donât wanna spook him.
It always hurts in that big, bright way, like a thousand sticks of dynamite blowing a tunnel open through a mountain, giving you a way to pass to the other side. Like whispering the same wish over and over again until your lips go numb and your voice goes hoarse, your plea still unheard after all these years.
Perhaps it would hurt less to desire if you could fill that hole every once in a while. If you could wet your tongue with the taste of satisfaction, of a want fulfilled, of the opportunity to say to someone, âOh, look what I gotâ or âLook at what all my work has amounted to.â
Thatâs never been the case though, has it? Never been lucky enough for a wish to come true. You work like a dog for the barest scraps of what you know youâre worth (what you know and what every day seems less and less true).
Vacations that you never had enough money to take, jobs that never came to fruition, mistakes that couldnât be undone, memories that you could never remake, friendships that grew apart or that never materialized altogether.Â
Itâs not all doom and gloom. You have a good job and a decent network of friends and acquaintances, parties you attend on occasion and warm nights at home curled up in bed. You have a roof over your head. There's more than enough in your life to be grateful for.
But the wanting never goes away. That, you have in spades. That, you have in heaps and bounds. That multiplies itself tenfold.Â
And it happens that way with your heart too.
Thereâs a coffee shop down the street from your office with a decent amount of seating and an app to order your drink ahead of time, and every day at around two, you order your coffee ahead of time and walk over to pick it up, rain or shine.Â
Itâs always busy to some degree when you walk in, a handful of people waiting by the counter and a short line at the register snaking around the merchandise display. The whirr of the coffee grinder hums in the background, just a touch louder than the music, always filling the cafĂŠ with the rich, pleasing scent of freshly ground coffee.
The same chairs are always filled by the same people. Plenty of them youâve even grown to recognize over timeâstudents bent over thick textbooks, elderly men creasing newspapers in ink-stained hands, and laptop screens glowing with blank Word documents, scarcely a sentence added in the time it took to order and finish their coffee.
You recognize most of the takeaway regulars as well.
Theyâre harder to remember at first. Quick to come and quick to go. Hard to commit their faces to memory. But some give you no choiceâsome boisterously loud or ostentatious in dress, eye-catching enough to hook you like a fish, drag your attention down river with them.Â
Then, to him.Â
He, like you, comes in every day around two for his afternoon coffee. He, unlike you, comes striding in full-chested, confidence nipping at his heels, no world-weariness weighing him down.Â
Hard not to notice him. Of course you notice him. He takes up space like a living sun, all bright smiles and radiant energy, handsome in the way that, when men are, they draw people in like moths. You feel no better than a moth sometimes, particularly in his presence.Â
Tea-coloured eyes. What you notice at first is that thereâs a beautiful man waiting for his coffee next to you, a tall man with the sculpted physique of an athlete, all long limbs and broad shoulders tapering into a lean frame, and what you notice next are those tea-coloured eyes, honeying under the sun.Â
You stare so long that you only realize how dry your eyes have gone when the door swings shut behind him.Â
Itâs no wonder then, that you latch onto his presence like so, a little flutter in your chest on your way to the coffee shop every time after that first time, hoping that youâll cross paths again.Â
And you do. Cross paths again, that is. Only a few times those first couple of weeks, and then seemingly all the time, the two of you always in at the same time.Â
That isnât unusual. There are plenty of other familiar faces picking up their afternoon coffees at the same time as you, people that you recognize at the mobile ordering station and laptop stickers that youâve come to memorize, the same people sitting at the same seats. People like routine; youâre no different. Neither is he.Â
It comes over you like an ague, a desperate, eager thing, quiet enough at first when youâve only seen him in bits and pieces, not studied him at length yet, but itâ
It grows.
It grows like a vine in your chest, weaving around your heart and squeezing until you can feel it with every beat.Â
You donât entirely blame yourself. How could you? You swear youâve never seen anyone even half as good-looking as himâbroad-shouldered and lean, perfect smile, perfect teeth. Haircut always fresh, his edges neat. He squints with the force of his smile, always effusive with his gratitude and praise, so earnest in his kindness that it makes your teeth ache.Â
Heâs objectively a handsome man. Perhaps the handsomest man youâve ever seen. What else could you do but go a bit crazy?Â
Want may not be a strong enough word for what youâre experiencing. Itâs more of a torsion of the soul. A desperate, yearning ache that both releases and constricts when he walks into the cafĂŠ to order his coffee.Â
You donât know what to do with yourself when he doesnât show up at the same time as you. Your schedules are so in sync that youâve grown to expect him, fattened and spoiled by the timeliness of his presence. But he doesnât owe it to you to show up, and there are days when he doesnât, held up for some reason, or maybe simply not in the mood for a coffee.
You practically drag your feet on the walk back to the office, a sorry sight. Pathetically despondent. You hardly know what to do with yourself the rest of the afternoon, oscillating between dejection and self-reproach. Itâs pathetic that the mere absence of your crush would reduce you to such a state, hardly able to concentrate on your work because the stranger that youâve become infatuated with wasnât at the coffee shop where you see him for a total of twenty seconds every other day.Â
Forgive yourself though. Nothing youâve ever wanted has come without pain.
What you donât expect is for him to finally notice you.Â
It happens on a day when you cross paths rather than arriving at the same time, him leaving the coffee shop as youâre about to enter. Your heart skips a beat when you look up and see him staring down at you, both of you taken by surprise when you go to pull the door open and heâs already pushing on the other side.Â
âTraffic jam,â he laughs when you both lean left and then right at the same time, trying to let the other go around. âHere, Iâve got you.â
He extends an arm to hold the door wide open and angles his body to let you pass through. You thank him as you pass, your heart pounding against your ribs. His gaze follows you as you step inside, and you nearly jump when his voice calls a farewell after you, leaving through the same door.
You stand near the doorway for far too long, other customers coming in and going around you, cutting you annoyed looks on their way to the cash. Your drink must already be waiting for you on the counter and still you canât move. It takes someone actually stumbling into you to jolt you back into the present.Â
That wasnât part of the plan. Itâs thrilling, initially, a rush so overwhelming, so kaleidoscopic, that you ride it all the way back to the office and all the way home, replaying the memory again and again in your head until even you start to tire of belabouring it.Â
And still you roll around in bed that night thinking about it, heart racing even hours after your short little conversation, picturing it over again in your mindâthe crinkle of the corners of his eyes, the smile nearly pulling across his face, all white teeth and soft, supple lips.Â
The only problem isâ
Now he knows who you are.
You donât expect him to remember you after such a quick encounter. Heâs not the one thatâs been pining these past few weeks. Heâs not the one thatâs been beating himself up for crushing on a stranger.Â
But he does remember you. And not only does he remember you, but he looks for you the next time heâs in.Â
Itâs one of those days when you get there first, coffee already ordered and paid for by the time he walks in, in dark trousers and a quarter-zip today, and filling them both out nicely, the sweater clinging to the muscles of his arms. You expect him to head straight for the cash like he normally does, blessedly and lamentably unaware of your presence.
Instead, your breath hitches when his eyes drift across the cafĂŠ and settle on you, a spark of recognition glinting in them.
His gaze immobilizes you, stronger than any paralytic. Itâs what holds you in place as he approaches, the distance between you halved in an instant, and then fully collapsed, the gorgeous man in front of you doing what Zenoâs Achilles never could.Â
âHey stranger, no dance today, huh?â he asks, clearly addressing you. Â
You donât know what to say. This is your worst case scenario, your category five emergency. In the weeks youâve spent crushing on him from afar, you hadnât considered the possibility of him ever noticing you in return.Â
âSorry?â you croak.
He gestures with his thumb towards the door. âFrom the other day, remember?â
You donât know how youâll make it through this interaction without making a fool of yourself. âRight. Haha. I guess the dance floorâs closed today.â
You could throw up on the spot. Of all the abysmal conversation rejoinders there have ever been in the history of humanity, the one you just offered must rank comfortably near the top.
For whatever reason though, whether divine intervention or something more dastardly, he chuckles, amused. He seems to like talking to you. Seems to like you even. That only becomes clearer when he approaches you the next day, and then the day after that, and then every day when you stop by at two p.m. for your afternoon coffee, your coffees now handed out together by the barista, as if you had ordered them that way.Â
The small talk alone almost makes you consider switching to a different coffee shop. Itâs too much pressure. You feel sick with anxiety at the thought of him figuring you out.Â
And he will figure you out. You havenât exactly played it subtle.Â
Then he gets your number. Somehow. And your name too, pried so easily from you that you donât even notice, like freeing a pearl from a clam; barely a flick of his wrist and you offer it up without a second thought, embarrassingly malleable.Â
You get his too. Kyle Garrick. He spells it for you as he watches you save his number into your phone from over your shoulder, so close to you that your fingers fumble with the keypad, mistyping it almost four times before getting it right. Â
Kyle doesnât seem to care that you can barely seem to string together a sentence in front of him. If anything, it seems to endear him to you. Â
His attraction makes itself apparent in tender words and a new penchant for touch, a hand always reaching out for you.Â
At first, itâs nothing more than the casual brush of his fingers against yours as he picks up your coffee from the bar and passes it to you, no different than a handshake or a high five. Ostensibly perfunctory. But that too changes over time. A fleeting touch becomes a hand at the small of your back as he guides you to a table for a quick chat before heading back to work, fingers squeezing your shoulder when he laughs at a joke you didnât realize you made, and quick hugs that grow a little longer each time.
Maybe. Or maybe youâre imagining it.Â
âSo when are you gonna let me take you out for real?âÂ
That snaps you out of the daydream, reality crashing down with such force that it leaves your ears ringing. His words leave you dumbfounded, gaping up at him in that stupid way that you canât seem to suppress.Â
âFor real?â you repeat.
âOn a date,â Kyle clarifies, as if the word alone werenât enough to wreck you.Â
âOh.âÂ
You tell him yes because the word no evaporates from your vocabulary. By the time it returns, heâs already gone, disappearing into the world (likely an office building around the corner from yours, but it might as well be Timbuktu).Â
This isnât what was supposed to happen. You were supposed to pine in agony until you died.Â
Itâs everything you ever wanted, and yet, you couldnât want it less in the moment, terrified for some reason that you canât quite articulate. You count down the days with growing apprehension, jitters giving way to a full-body sweat.Â
Youâll break it off at a later date. That thought comforts you to a point. At some point, there will be a moment for you to bail entirely.Â
The problem is the longer you say nothing, the harder it is to say anything at all. Already guilt stays your tongue when all you want to do is tell him that you canât do this anymore. You need to leaveâgo anywhere else, run home and lock the door behind you, never go back to the coffee shop again.
But thereâs a text in your phone telling you the time and place, and every time you look at it, it leaves you feeling off-kilter. Sea legs without leaving dry land.Â
What is it about you that you feel the need to run as soon as you get too close? What about this isnât what you want? Do you even know what you want?
Of course you know what you want. You want love and affection.Â
But having is not wanting. Wanting is safe. Itâs the having thatâs dangerous.Â
You contemplate cancelling on him about a dozen times until suddenly itâs too late, the man in question standing in the lobby of your building to pick you up. He must know someone in the building because heâs deep in conversation when you spot him, his head turning to meet yours at the same time, as if even in conversation, he wouldnât allow himself to be distracted enough to miss you. Your heart squeezes when he wraps it up in the same breath, crossing the lobby to meet you.Â
Dinner is a restaurant in a different part of town, one youâve seldom spent time in before, trendy in the way that would unnerve you were it not for the abrupt realization that to everyone else, this is simply a familiar part of town.Â
To some, the restaurant must be familiar as well. There might even be regulars. To you however, the small, dimly lit room with the booths on one side and the chairs lining the bar at the other, an eclectic assortment of framed photos and decorative porcelain plates on the wall beside you, is lovely, uncharted territory.Â
Over dinner, Kyle peppers you with question after question until your head spins, each answer that leaves your lips betraying some nervous tendency towards clandestinity. You have to keep some things to yourself. You have to keep some things private.
You have to shut your mouth before youâ
âA long time,â you reply without thinking, the whole world blowing open when you admit it. When was your last date?Â
Kyle doesnât seem phased by it though, warm smile somehow warmer than the blood boiling under your skin. âI must be one lucky man then.â
He sweet talks you into agreeing to a drink after dinner, probably sensing the nervous animal in you, the fear about to take flight.Â
You assume he means a drink at a bar until youâre standing in the kitchen of your apartment, Kyle standing behind the island with a bottle of wine in one hand, uncorking it with practiced ease. When it pops out, you flinch.Â
What a strange thing, to lose time like that. You lose it again after he pours you both a glass, coming to on the couch with his arm around your shoulders, pinned between him and the side of the couch.Â
He turned the television on, you notice distantly, staring at it through your glass, red wine sloshing from side to side. Itâs not a program either of you would care to pay much attention to, possibly by design.Â
âDo you have, umâŚany plans tomorrow?â you ask, swallowing when he drags his fingers over the bare skin of your upper arm.Â
âNope,â he answers, playing with the sleeve of your shirt now.Â
You can hear it coming from a mile away. He makes it too obvious with his fingers trailing over your skin and the heat of his gaze searing into the side of your face.
The sky outside your window is black, the moon only a sliver of its usual brilliance, but your living room is bright, turning the window into a mirror reflecting the two of you, the picture of a couple in repose.Â
You watch his reflection lean over yours in the window, his lips grazing your doubleâs ears, your breath catching when his touch yours as well. âIf I give you an inch, youâre going to run a mile, arenât you?â he murmurs.Â
Thereâs a lump in your throat when you swallow. âNo,â you lie.
He must see right through you though. Must see the creature inside you about to succumb to its instincts.Â
He must be good at chess, you think to yourself, staring down at him with a stupid look on your face as he lowers himself to lie flat on the bed between your legs, spreading your thighs wide enough to wedge his shoulders between them. Any game of strategy.Â
If you never give your opponent a moment to breathe, they canât gather themselves enough to retreat.Â
That thought crumbles to dust when he makes you watch him lick the first stripe up the seam of your pussy, crudely spreading your lips with his tongue. Nothing more substantial materializes after that.Â
He eats pussy like he hasnât had enough to eat. Lips and tongue and hollowed cheeks when he sucks your clit into his mouth and your back nearly arches right off the bed, twisted into such a complex shape that you almost donât know how to unravel yourself. Fingers grasping at his head, his ears; rasping over the coils of his hair, fingers committing the texture to memory.Â
Your thighs tremble and squeeze, pried open again and again every time you try to shut him out. The muscles in his arms barely even bulge with the effort it takes to keep your thighs spread.Â
You are wound up in ways that would be a challenge to anyone, but Kyle doesnât seem to care. He just holds you down and forces you to come on his tongue, rolling it over your clit until you actually start crying. Big, belting caterwauls. His poor baby, he croons.Â
When have you been someoneâs âpoor babyâ? Someoneâs darling, sweetheart, honey, thatâs it, Iâve got you, that felt good, didnât it? God, youâre so pretty, I canât believe you let meâ
He flicks his tongue over your sensitive clit and you yelp, reaching down to slide your hand between his mouth and your swollen sex only for him to lace your fingers together and pull your hand to the side and lick it again.Â
âItâs still sensitive,â you complain, and he lifts a brow, unmoved by your bellyaching.Â
âSo what, you got twitchy little orgasm legs, that means Iâm not allowed to lick your pussy anymore?â
âNo,â you hiss, embarrassment warming the blood already pooled under your cheeks.Â
Warm hands rest on either side of your face as he eases his cock in for the first time, holding your gaze in place as sinks in to the root. All you can do is squeeze your eyes shut.Â
They donât stay shut for long. He pries them open without words, without touch, every ounce of his ardor poured into you and lifting your own to the surface.Â
Sweat drips from his forehead onto yours. The sweat makes his hands slip up and down your face with the force of his thrusts, fingers tugging on your lips and pulling them apart, sliding over your gums and teeth.
âYou are the most beautiful thing Iâve ever seen,â Kyle pants, sweat dripping off his forehead and onto yours, eyes darker than youâve ever seen them, glassy and feverish.
âDonâtâdonât say that,â you gasp.
He dips his head down to press his forehead against yours. âYou canât tell me that. You canât tell me what to do.â
Whatever this is, itâs nothing like anything youâve experienced before. Proper lovemaking. Real kisses with passion, with fervor, with delight; the messiness contained between you, in the sweat rolling down your back and soaking into the sheets, the saliva dripping from his mouth into yours, the squelch of his shaft splitting you over and over, never giving you a second to catch your breath.Â
Coming a second, no, third time is painful, like a thing wrested unwillingly from you, and you fall back on the bed windburned. Kyle follows you down, hips bucking into yours faster and faster, his own end nearly on his heels.Â
He comes with a grunt, without warning; a sudden surge of heat and warmth, his fingers biting into your cheeks where he holds your face in his hands, his lip curling up into a snarl that you swear you can almost hear, andâ
You expect it to be over after that. For him to roll out of bed and pull on his pants, maybe give you a courtesy kiss for a job well done before leaving you to stew in the mire of another rejection, the small win eclipsed by the enormity of losing him.Â
What you donât expect is for him to lay down beside you and pull you into him.Kyle laughs softly when he notices your stiffness, jostling you slightly in an attempt to coax you into relaxing.
âThatâs right, baby,â he chuckles a touch breathlessly, pressing a kiss to the bridge of your nose before relaxing back down. âIâm not going anywhere.â
Coffee the next day is different than usual. Early for one, the sun still a syrupy morning gold, not yet the starchy afternoon white, and in a different location than usual, the coffee machine on your kitchen counter hissing through its second cup of the day.Â
Kyle maneuvers around your apartment too naturally, a stark contrast to the way you scurry from the bedroom to the bathroom like a stowaway. Heâs entirely at home in your space though, helping himself to coffee and breakfast, only glancing at you for permission, the slightest cock of his head and arch of his brow, and you fold under the pressure instantly.Â
When you try to skirt around him, he wraps an arm around your waist and pulls you into his side, the touch of his lips against your chest shocking you still, electrical impulses still skittering under your skin.Â
âI can feel your heart racing,â Kyle teases, caramel-smooth voice sending a low vibration through your chest.
And why shouldnât he? Your heart is racing after all. âIâm nervous.â
âI know you are, baby,â he murmurs. âThis is hard for you, isnât it?â
It is. A few too many years on your own have turned you to stone, the slightest touch almost too much to handle. Youâve long learned to expect anything you touch to shock you.Â
âWant me to make this easier on you?â he asks gently. Youâre not sure what he means by that, but you have an inkling.Â
And wouldnât it be nice to not have to worry? To not have to second guess what you really want or what you should do?Â
You nod.Â
âOkay, honey. Then you donât have to do it. No telling me to go away. Iâve got it from here.âÂ
When Kyle takes your phone from your hand, you donât stop him, even typing in your password for him when he turns it towards you, watching over his shoulder as he shares your location with his phone.Â
You exhale shakily, the tightness in your shoulders easing. There he goes with that oyster shucker again, opening you up.Â
So be it.Â
What use is there in protecting something thatâs already his?
let's explore that voice for sex a lil more. something maybe about a comms channel left open? something overheard?
The mission is over, technically. Thankfully. Because there's no way that Gaz is maintaining any kind of situational awareness with Ghost huffing and grunting in his ear like this.
At first, he'd thought the sniper was running, had almost made a joke about him getting old and soft from laying about in a nest all day. Hell, the heat is getting to him, too; he's sweating so much he's been fantasizing about a cold shower.
Well all of that comes to a screeching halt when Ghost pants "Gaz, Kyle. Fuck." then grunts like it comes from deep in his belly.
Gaz's brain goes from fantasizing to fantasizing real quick. He imagines the way that tattooed forearm flexes, this his other hand must still be on his service weapon, just in case. Would he still be wearing his gloves? Was cum running down his bare and broken knuckles?
His voice breaks, and he has to clear his throat to answer. "Ghost?
"Fuckin' - " Ghost swears, and things jostle and crack like something's fallen. "The 'ell are you doin' on this channel?"
"It's the same channel we've been on," Gaz points out. His heart races, and he knows, knows, he's playing with fire, but he can't help but ask, "You, uh, you need help over there?"
He'd think Ghost had gone dark if he couldn't hear him still panting like he'd run a marathon. But eventually, he says - growls really - "You wanna 'elp me, Pretty Boy?"
Kyle's whole body goes hot and cold and hot again. He'd be lying if he said that getting a nickname from Ghost hadn't been the highlight of his year, that he'd imagined it being whispered in his ear, just like this. He licks his lips, opens his mouth -
"Not on this channel, he doesn't," Kate interjects, and her dry voice is a bucket of ice water in Kyle's veins.
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