Hello, hello! I'm Ghoul(they/them) and I write fic, like a lot of fic. This is my Directory
I write in second person(you) so all of my fic can be read as x reader, and you can think of any callsigns/nicknames as your own. However, my fic is technically x oc, if that's not for you no problem! I don't include descriptions or names in any of my fics.
I am an adult writing stories about adults for adults, and so Minors and Ageless Blogs Do Not Interact
I do not give consent for my work to be used in ai, be that ai chats or ai writing. This is a hard boundary I will not budge on.
Buy me a Ko-fi! And check out my ao3
Here I am on bluesky!
COD AUs
Cowboys
Fae
Demons
Ballet
Historic Aus
Sin Summer
Ghost!Ghost
Regency Au
Cyberpunk Au
The Ghost Distribution System
Professor Au
I want the Darlings
Sugar Daddy!Hesh
SCP-141
Shining Au
The Price of Fire
Alone on the Holidays?
Hephaestus!Nikto
The Doll Au
Cult Au
Monstober 2025
FAQ:
Can I write Fic with your OCs?
Yep! Just tag me in it if you post it.
Can I tell you about an OC I have for [insert au]?
Of course! OC talk is always open, but posting is contained to the morning.
Can I draw you OCs?
Yes. BUT I try to keep their descriptions vague so people can use them as Reader inserts, so I might not post/reblog it if you submit/post the art.
Do you take requests?
Sort of. If you have thoughts I'd love to hear them and if they inspire me I'll write something, but it might not be exactly what you requested. I tend to use asks as jumping off points rather than direct requests.
Do you cross post to anywhere else?
Yup! My ao3 account is actualPrincess
Could you make a character AI for [insert character or au]?
No. I absolutely abhor ai and hope it crashes and burns before it does any more damage to art and creativity. Role-Play in a discord server like an adult.
Do you have a list of your OCs anywhere?
Yup. Here you go!
Ghoul's Hozier Bullshit
Pillow Princess Ghost
those who plagiarize my work or harass me will be met with misfortune :)
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I'll be honest, I did the rounds before settling in. I tried a couple of the names everyone mentions, candy.ai and ourdream.ai among them, and they're fine in their own right. But when it came to actually designing a companion who felt like she came out of my own head, SweetDream was the one that kept pulling me back. The character creation just goes further.
On sweetdream.ai you're shaping everything that matters, the appearance, the personality, the little quirks, the voice, the backstory that gives her context. And it doesn't stop at setup. The chat is remarkably natural and emotionally tuned, it remembers what you've shared, and the AI-generated photos and videos look beautiful. There are even voice messages and human-sounding calls when you want to hear her.
What sealed it for me was how private and discreet the whole thing stays. Building an AI girlfriend feels personal, and it should stay personal. If you're weighing your options for an AI companion, do what I did, try a few, then build something on SweetDream and see why it's hard to leave.
Ao3 version that lets you open the 'director's cut' where I, the author, explain every detail in excruciating detail to you and what it is in reference to.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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kyle garrick x reader | gifted to anonymous for their donation to the Mikinakoos Children's Fund
prompt: Exhausted but silly and sweet wedding night. Sappy me up please and thank you
You’d stared at him, when the veil had been lifted. The shock of seeing Lord Garrick - Kyle, your Kyle - standing before the priest had nearly made you stumble as you stepped up onto the dais before the priest. Kyle’s eyes light up with his smile as he clasps your gloved hand in his.
CWs: MDNI/18+, cis woman reader, newlywed bliss, first time, oral (f receiving), fingering (f receiving) frotting
Note: Written as a part of this initiative. I'm honored to join some talented writers in gifting fanfic for donations raised to help Indigenous communities in Canada affected by wildfires. if you're interested in donating money and getting a fic gift, please follow the link!
The dress is beautiful and ornate. And you start crying actual tears of mirth and exhaustion when both you and Kyle struggle with all the fiddly little buttons. It takes ages, the two of you standing in front of the dressing table as he works the gown and you focus on the jewelry weighing you down from crown to collar bone. Through giggles, you have to tell Kyle to stop leaning down to kiss your back every time he manages to work a button open.
“You know,” he grumbles as you work on all the little pins. “Riley said he cut his bride out of her dress. I thought he was just being odd and uncouth, but maybe he was onto something.”
“Riley?”
“The Ghost,” he mutters under his breath. “His lady seemed charmed by him, and I hadn’t understood it. But now, I can kind of see why.”
Another giggle bubbles from your throat. “Oh! Do you know I thought I was going to wed him?”
That shocks another laugh from Kyle, which does not help you undress any faster. But eventually, the heavy fabric drops to the ground, leaving you in a simple chemise that feels light as a feather. You set the last of the hair pins and beaded flowers on the table in front of you before turning to face your husband.
Kyle has long stripped down to an undershirt and trousers, and you can’t help but admire the slope of his shoulders, the shape of his arms as he takes you in. His smile and laugh, the way he kept looking to you at the party, is all very much the boy you remember. But now, staring at you with hunger in his eyes, it’s hard not to see the man he’s become. But where other men’s eyes on you feel like something dangerous, Kyle’s eyes are a heat you want to throw yourself into.
“I think,” he whispers, “that tonight I want to kiss you, everywhere.”
You don’t have a chance to ask what he means before he’s sweeping you into his arms and kissing you with much more ardor than he had in front of the priest. When he starts kissing down your neck, drawing you toward the bed, you shiver at the ticklish sensation of his lips brushing sensitive skin.
It shouldn’t be a surprise when he lays you out over the sheets, but you can’t help the gasp that leaves your lips. His mouth drifts lower, pressing nibbling kisses to your collarbones and shoulders. A calloused hand smooths over your breasts until his fingers pluck gently at your nipple through silk. The way he chuckles at you makes the butterflies behind your sternum flutter.
The thin layer between you slides away as if by magic, and then his skin is really against yours. He groans as he cups your breast in his palm, and you echo the noise when his lips tease over the point of your other nipple. The appearance of his tongue surprises you, again, and you can’t help but grab at his shoulders.
“Kyle!”
He huffs a laugh and blows a cool stream of air over your skin. “Yes, my love? Feeling good already?”
Fabric bunches between your lower bodies, and he’s so hard as he rolls his hips into yours. You shiver as you open the cradle of your hips to him, have to drag him up to kiss him again, wet like you’ve only ever been after touching yourself for long minutes alone in the dark. You pant into each other’s mouths as he adjusts himself to shove away the last flimsy barrier between your bodies.
And then he’s pulling away to sit back on his heels, eyes hot as he takes you in. Whatever shyness you might have is overshadowed by your own lust as you drag your eyes down his body. He looks very different from when you were younger. All of the lankiness of youth has long been replaced, his time in the military turning him into a man capable of wielding a sword.
Your eyes dart down between his thighs.
A rather large sword. You giggle to yourself.
Kyle grins. “I never imagined how lovely it would be to see my wife smiling, naked, in my bed.”
Even as your face gets hot, you can’t look away from his eyes. “I had never dreamed I would smile at my husband in his bed.”
“Well,” he declares with a nod to himself. Shuffling back, he drops down until his shoulders are between your thighs. Strong hands arrange you until he can kiss the sensitive skin on the inside of your thighs. “I’d better give you more reasons to smile.”
You think you will be ready when he kisses you where you’re wet, except you very much are not. He moans when you grip at his short hair, and then his tongue touches gently at your pearl and you nearly jump out of your skin. You’d read about this, but even the most flowery prose pales against the reality of him using his lips and tongue to explore you, savor you.
Your husband is ravenous, you realize, as one of his fingers dips into you. The sensation is startling in its intensity, and you can’t help the way your hips pulse into it. Moans you didn’t know you were letting out stutter with your breath. Tension starts to coil in your belly, tighter and tighter as one finger becomes two that stroke at something inside of you, sending lightning up your spine.
You trip over your tongue as your peak rolls over you. “Kyle!”
“Fuck,” he moans, and then he’s up on his knees again, fingers still inside of you as he strokes and thrusts his cock against your pearl with loud, slick sounds. The feeling makes your hips jump again, jostles his fingers inside of you until you’re shivering and moaning as he spills over and into you.
“Gods.” He kneels there, panting, and slowly keeps stroking his fingers in and out. The noise makes your face heat again, and he chuckles when you cover your face with one hand. “You’re so beautiful.”
He withdraws his hand, slow and easy, and then flops onto the bed at your side. You make a confused noise when he pulls you against his side.
“Are we not…?”
He chuckles, pulling you close so he can press a kiss to your lips. “Not done with you yet, love. Got all night, and the rest of our marriage to learn exactly how to please each other.”
cw: zamboni guy!simon, cock-warming, author made shit up about how zambonis work
the zamboni conks out mid-rink with a broken mechanical whirr, and simon — cock still stuffed inside of you, hands finding your hips to hold you exactly where you are — leans sideways to pop the small panel beside the steering wheel open.
'must be a connection…' he mumbles to the wiry guts of the thing. 'maybe a fuse…'
it’s been five whole minutes of him elbow-deep in wiring, brow furrowed, entirely absorbed, while you sit impaled dead center of the ice. every small shift he makes to reach further into the panel moves him inside of you, slow little drags and presses that he apparently doesn’t even notice, no matter how much it has you shifting where you’re spread wide across his giant thighs.
he’s tracing a wire with two fingers, humming tunelessly, and at some point, starts talking and it takes a second to realize he’s talking to the zamboni and not to you.
'hmm, who did tha’ to you, eh?' a gentle click of his tongue, shaking his head. 'poor thing, the state of you...'
'simon,' you whine breathlessly as he digs into one of his pockets.
'mm?' he shoves his penlight between his teeth, mumbles around it, 'wire’s corroded.'
you clench around him using all of your strength — you don’t exercise kegels for nothing. his hand pauses in the panel for a second then keeps working. but his head tilts slightly, and without looking at you, says, 'do tha’ again and i’ll lose my place. distractin’ me.'
'that’s the point,' you groan, pressing your face into his throat breathing in all engine grease and cold air. he smells you back, nose in your hair, one long inhale like it might help his diagnostics process. 'simon.'
'heard you,' he grumbles as he strips the end of a wire with his thumbnail. 'gimme a minute.'
icy-cold creeps in at your back, but the heat of him against your front keeps you comfortable enough; your whole body narrowed to where you’re stretched around him, full to the point of stupidity, throbbing in time with your pulse. you count his heartbeats through his jacket just to focus on something, anything other than the frustrating ache of him. it’s beating far slower than yours, and every beat you sit there you get wetter and wetter, soaking into his denim; humiliating.
you drop your forehead to his shoulder and make a long suffering sound.
'i know, i know,' he says mildly. to which of you? it’s unclear.
you rock your hips and his free hand clamps down on your hip again, holding you down, thumb finding the crease of your thigh and pressing into the folded flesh, and you make a wretched moan of frustration and feel him go still.
'interestin’,' he murmurs, his hand reaching back into the open panel.
'i hate you.'
'mhm.' the panel clicks shut and the engine turns over, rumbling up through the seat and straight into where you’re joined together, and you moan so loud it echoes around the whole empty rink.
simon pockets the penlight and pats the dashboard twice, 'good girl,' to the machine, and settles back against the seat, which shifts him deeper inside of you, you can tell her felt it too despite how hard he’s trying to be unaffected.
then he puts it in gear, 'left off at the blue line, sit tight.'
you could kill him. and you would if killing him didn’t require getting off his cock, and you’ve been sitting on it so long that the thought of moving makes your thighs shake. so you cling to him instead, arms around his neck, every pass of the ice translating up through the seat, through him, and into you; a low relentless vibration that has you leaking down all over him in waves of desperation.
as you’re shaking apart in his lap, and his eyes stay firmly on his lines, checking the overlap, the amount of water he’s letting out. but every so often his gaze flicks down to you, cataloguing — the sheen on your neck, the way your mouth’s gone slack — and then back to the ice.
you realize that he’s tracking both of you, seeing which one finishes first — you or the zamboni.
a corner turn rolls his hips under you and your nails dig into his shoulders.
'breathe,' he says at the halfway mark, and you realize you haven’t taken a breath in a while.
by the far end you’ve given up on dignity — forehead on his collarbone, breath ragged, grinding down in tiny, helpless circles that he permits now without stopping you, one of his gloved palms spread wide and warm over the small of your back, pressing you against him through every shiver.
then suddenly, due just to the engine’s grind and the fullness of him and the drag of another helpless circle, your orgasm hits somewhere low and deep, a hook that yanks. heat floods up from where you’re stretched around him, up through your stomach, spreading across the backs of your taut thighs, and your whole body clamps down; a rolling clench that punches a keening moan out of you, high and cracked and swallowed against his collar. your hands close around his neck for purchase. you can feel yourself fluttering around him, and there’s nothing to do but ride it out with your face hidden in his throat.
you can feel the zamboni drifting, then the small jolt of the wheel correcting, then stopping — and then both of his hands come to your hips, grinding you down through the last of it.
he pulls his glove off with his teeth, tosses it somewhere onto the dash, and leans you back so that he can look at you, taking your jaw in his bare hand, tilting your slack face up.
'couldn’t wait, huh?' he asks.
you try to answer but his grimy thumb presses into your cheek, and that’s when you feel the small restrained tremor in his hand. twenty minutes of sitting stone-still inside you and it’s finally in his fingers, in the flex of his thighs under yours, in the way his breath’s going through his nose too fast now. his hips twitch up involuntarily and he exhales through his teeth.
his whole unperturbed performance crumbles between one breath and the next, and both hands move to hook under your thighs and drag you up, then back down onto him hard enough that the seat creaks and you both shout a different swear.
that’s just about all the warning you get before he’s moving you the way he wants, hauling you up the whole length of him and slamming you back down. you’re still raw from coming — every drop of your hips lands on nerves already rung out, stretched too much, sparks-behind-the-eyes too much, and you sob into his neck and take it anyway.
‘fuckfuckfuck—’ he grits out just before he comes with a long broken groan against your ear, cock pulsing into your sensitive walls, emptying himself.
and you both sit frozen for a moment, heart rates easing, you can feel him twitch one last time inside of you and he sighs against your temple.
‘…still got half a rink to do,’ he mumbles, hips giving one last lazy grind that makes you whimper.
‘simon,’ you sigh.
‘could stay just like this for it.’ a pat on your arse, he’s dead serious. ‘you’d barely notice.’
and before you can dispute it, he’s already started the ice from the beginning again.
——
in direct response to @anneofgreengabagool’s ‘rink rat’
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hi lev!! saw this on twitter and thought u might be interested xx : https://arrokoth486958.itch.io/butcher-me-not
oh wow!!! not only does it look interesting but it also has everything i love:
Being threatened by a butcher ✔️
Having your mouth thoroughly inspected ✔️
Being treated like someone’s property ✔️
will def dig into it a bit more!!!! i found that the art is done by Arrokoth, who lists themselves as the artist and illustrator on their vgen acc. but hopefully a few on the dev team have Daum or Naver Cafe i can stalk for details or post more q&as on twt. thanks!!!!
cw: stalking, past murder, gorey thoughts, sexual thoughts
several times a day, a black car drives around your block, and with it comes every single thought in kyle's head, blasting into your brain like a megaphone spewing violence and pornography.
unsuspecting lorry drivers being sniped from miles away, brains splattering against headrests and spraying their passengers. a sopping wet cunt leaving a ring of cream around a thick cock. a man, wide eyed and screaming as his jaw hangs limply from his face, blood pouring from the wound like a faucet. your face, with eyes shining as kyle's cock sinks between your lips. half the remains of a burnt up infant. big broad arse cheeks held apart as cum leaks from a puffy and abused asshole.
it's worse now than it ever was before, and you're left pacing in your flat, wincing at remembered gore and trying desperately to think of a way out of this cage you find yourself in. luckily, there's no vacancies in your building- you'd found a single moment of unadulterated joy as kyle mentally bemoaned his inability to move in and get closer to you- but it hasn't stopped his daily patrols around your block as he searches for you. he lingers in the nearby cafe, skulks around the nearest chicken shop, and loiters near the closest book store- all in hopes of seeing you again. you've so far managed to dodge him fairly easily when you've had to run out for groceries and the mail, but there have been too many close calls that left you breathless and with your heart pounding in your throat.
as far as he knows, you haven't a clue he's nearby, and he's planning to 'run into' you in order to pick things up where he left off. he's already practiced how he'll comfort you when you tell him about your dead 'boyfriend', the way he'll loop an arm around your shoulder and reel you in when your words get watery and eyes go misty as you recount it. he's got it all planned out, step by step, like there's a standard operating procedure to be followed in order to soothe you through your grief and make you his.
for a week, you mostly stay inside, locked away in your flat, debating what to do next. the idea of allowing him access to you again is a total non-starter- you've seen his memories, watched through his eyes as he pushed hans off the subway platform, called and arranged for the cameras to be cut, and managed to giddily slip away without a trace. his violence is no longer contained to battlefields and missions- he brought it here, back home to london, entirely unjustified and unprovoked, and the crossing of that line just solidified what you'd already known: kyle garrick is a monster, a killer, and a war criminal who is capable of rationalizing anything to himself in his pursuit of you.
-but rotting away in your flat isn't sustainable. sure, you've got enough money holed away to last for a while, but it won't last forever, and this game of cat and mouse is wearing on your nerves. by day seven, you've had enough of your self-imposed quarantine. fuck your possessions, fuck your connections, and fuck kyle garrick- you're getting out of here, by whatever means necessary.
your best bet has always been to run, and you can't help but mentally kick yourself for not outright leaving london when you had the chance. it was stupid to think that simply moving to the opposite side of the thames would somehow save you, and now you're paying for that foolishness.
in a fit of desperation you pack your bags, sticking to only the necessities and irreplaceable things, consolidating your entire life to the contents of two suitcases and a backpack. sitting on the edge of your bed, staring at your bags, you feel a strange sense of accomplishment. sure, there's no real plan yet, but packing up to leave feels like the first step of your escape strategy is complete- now all you have to do is formulate the rest of your scheme.
your full government name on a screen, filling the search bars of databases that kyle shouldn't have access to, cursor blinking at the tail end of your surname. voter records. police records. vehicle registry. phone companies. utilities. banks. all he can manage to find is your long-forgotten spotify account- the rest is a frustrating bust for kyle, who tabs over to a grid of street cameras, searching in vain for any recent movement from you- but there's nothing. yet. he's been down your street dozens of times by now, but hasn't caught sight of you. he saw the new hairstyle you've been sporting- it's a good look, babes- and he's keeping a weather eye out for that particular cut and color as he scans the sidewalks, windows, alleyways, and passing taxis.
"come on," he whispers at the screen as he watches hours-old footage of you ducking back into your building with a bag of groceries just before he sees himself round the corner. "come out and play, babes. i've missed you."
your cell phone is in your hand before you can even think about it, phone already ringing as you call the only person you know who might have the means to discretely and safely ferry you out of london.
"d, i need your help." the words pour out of you the second the line connects, and when there's a brief pause you wonder if you accidentally hit the wrong contact number.
"i'm listenin'."
"i need out of london. fast. and i need it to be discreet." you explain, swallowing hard. "there's a man- he's been following me, and he won't stop until he gets his hands on me. i- i can't let him. i can't let him get me. you know people- you know everyone- just get me in contact with someone who can get me out of london. i don't care where i go- just far away. somewhere no one will look. they can drop me off in bloody hull for all i care, just. please. i'm- i'm desperate. i've been hiding in my flat for a week, keeping the curtains drawn and staying away from the windows anyways. i can't keep living like this."
there's a long pause, and when you hear the responding chuckle, your stomach drops.
"and 'ere i thought you could 'andle y'self. managed the austrian olright, didn't ya?"
"i didn't. that's the thing, d. i didn't fucking kill him, but this guy? the one i need away from? he's who did." you swallow hard. "i can't prove it, but. i know. i know he did. he saw me talking to him and got jealous or something and- and now he's looking for me and i- please. d there's nobody else in this city that i trust to get the job done. i need out, and i need to leave no trace."
he's silent for a while before he speaks.
"olright, listen- i like ya, i do. but if wot y'sayin' is true, i don' want mixed up in it none of it either."
grief chokes you, and fathomless despair makes your chest and sinuses ache with the threat of oncoming sobs.
"d-"
"shh, now. listen. you know me, yeah? you know i'll take a risk if i think it's worth it. so make it worth it, sweet'eart. five thousand for a trip out of london, not a quid less."
fuck, that's a lot of fucking money- but it's not an outright no. it almost feels stupid to be surprised, you should've known d would ask for payment. after all, you're not friends, not really. the closest approximation you can think of for your relationship might be 'friendly-ish work rivals', at best.
"two up front, three when i'm settled for three months without sight of him." you manage to say, sounding altogether more put-together than you currently feel.
"nah, other way 'round. three up front, two when you're settled f'two months." d isn't one to barter, you won't get a better bargain than this. there's no repressing the annoyed sigh that rolls out of you- it's too much money for a job like this, but there really aren't any better options available. you're stuck, and he knows it, that motherfucker.
"fucking- fine. all right. deal." you relent.
"attagirl. you 'old tight, an' i'll get it oll arranged." big d assures you.
"how long?" you ask, desperation leaking into your voice.
"day. maybe two. wait f'my call, an' don't do nothin' stupid, yeah? don't tell nobody you're leavin', don't go anywhere 'e might pick you up, and don't go phonin' the bobbies 'bout any o'this."
"course not." you spit back indignantly, and big d rumbles a laugh on the other side of the line.
"attagirl. talk soon." the line disconnects, and a deep sigh rattles it's way out of your lungs, releasing the tension in your shoulders until you slump back onto your mattress, sending over the money you'd stored away for a rainy day over to d's bank account before dropping your phone onto the bed. once you get settled you can worry about getting him the rest, but for now, your focus is getting distance and time away from kyle.
"it's going to be okay." you whisper to yourself, staring up at the ceiling. "i'm going to get out of here. i'm going to get away from him. i'll never see or hear him again. i just have to be patient. it will all be over before i know it."
as you repeat the words to yourself over and over until you finally start to believe them, which slightly soothes your frayed nerves. as you soak in your new mantra, you find yourself wishing that your gift was seeing the future instead of reading minds. it sounds like a quieter, more peaceful existence, in your opinion- but the more you think about it, the more grateful you are that you've been able to see him for who he truly is, to use your abilities to outmaneuver and outsmart him.
god knows if you didn't have a clue what was going on in his head that you'dve fallen for that handsome face and practiced charm. there's a good chance that, in another life, you'd be in his bed right now, keenly unaware of the murders and atrocities he's committed. maybe that version of you would even be happy- but it would all be based on lies. in some ways, even though you're scared and tired and fucking miserable at the moment, this is still better than not knowing. you'd rather be alone and on the verge of leaving everything behind than make your bed with a wolf in sheep's clothing.
the black car rolls around your block again- but instead of the usual mental cacophony of gore and sex, there's music playing in kyle's ear, and his focus entirely on the lyrics. it's a track you recognize, one you've loved since forever- and when the music fades and another familiar song begins, it dawns on you that he's listening to one of your playlists, searching for more insight into the kind of person you are as he parks his car and prepares to skulk around your block for the second time today.
kyle's quick pace down the street keeps relative pace with the beat, steps punctuated by manic-sounding piano strokes, and you watch through his eyes as he takes yet another glance into your building's lobby, checking in vain to see if the evening security guard is potentially asleep or on break as the sound of nick cave's voice rasps around in both of your minds.
i wanna tell ya 'bout a girl / you know, she lives in room twenty-nine / why, why? ah, that's the one right up top of mine-
the same dark eyes that haunt your worst dreams scan your building, taking note of which ones have lights on and which don't, crossing a few off his list of potential places you could be holed up in. he's narrowed it down to maybe fifteen flats, and with time he'll narrow it down even further. he knows you're in there, and he'll figure out where you're hiding. he's got a sniper's patience, after all.
manic guitars grind away in both of your ears.
i read her diary on her sheets, scrutinizing every little bit of dirt / tore out a page and stuffed it inside my shirt / i fled outta the window and shinnin' it down the vine / outta her nightmare and back inside mine, mine, mine
he rounds the block, checking for what feels like the hundredth time for weaknesses in your building's security; a propped open door, an open window, or even a scale-able fire escape. still nothing this time- but that doesn't mean there never will be. he'll keep trying over and over and over, waiting until something gives. he'll play this game of hide and go seek for as long as it takes- after all, he's got a lot of free time now, and there's nothing he'd rather do than fill it in pursuit of you.
from her to eternity / cry, cry, cry / from her to eternity / cry, cry, cry
you should've run further. you should've kept the phone off and tossed it. you should've avoided kyle instead of letting him talk to you at that coffee shop-
-but you didn't. and now here you are, waiting on a phone call from a man you barely trust, waiting for him to turn you into a phantom, face-down in the pillow and following nick cage's raspy, half-crooned instructions to cry, cry, cry.
okay so. you're her captive. she keeps you in her basement. she brings you 2-3 meals a day. you think it's cause she likes you strong enough to fight back. but because you don't want to be weak, you eat them. you need to eat
at first she left the meals and cutlery in the room then left you to eat. then she started staying to watch you eat. you didn't want to give her whatever kind of sick satisfaction she'd get from it, but you need to eat. so you put up with it
then she started sitting closer and closer to you while you ate. then she started holding the plate in her lap while you ate from it. it all happened so slowly, so gradually, that you didn't even really notice how strange it was until she started petting your hair while you ate. you tried not to eat for a few days after that. but you need to eat. so you cave. and she keeps petting your hair
one day she ties your wrists behind your back before she brings your meal. when she comes in with the food, she sits in a chair directly in front of you. you think about how much you hate her. you think about how much you hate that you're so used to being close to her. she picks up some of the food and cups it in one palm. then she extends the hand towards you
you stare at the food in her hands. your mouth starts to water. you understand, somewhere deep in you, that if you do this, you will be crossing a line. something in you will snap in a way that can't be fixed. you hate her. you don't want to give her whatever kind of sick satisfaction she'll get from it
reminder that the books themselves also suck ass actually. there's an entire plotline endorsing slavery. the one character who advocates to end slavery is bullied and made fun of. the one slave who doesnt like being enslaved is bullied and treated as an outcast. the bankers are the picture of racist stereotypes of jewish people. the one asian character is named fckn Cho Chang. the worldbuilding SUCKS. fuck harry potter and fuck rowling. stop giving her your money.
This is all true, but we need to talk about how to explain JK Rowling to normies who aren't in any of the circles where JK Rowling's awful choices are discussed regularly. How do you talk to someone who, if you mention Harry Potter, says, "Oh, I really liked those books" or "Oh, I really liked those movies?" and get them to understand what a shitstain she is without seeming to just be calling THEM names for saying they liked something?
Yes, she mocks rape victims. She threatens litigation against the mildest criticism against her. She has created an LGB group to make it so very clear that trans people are not welcome where she gives money. She is the funding behind Scotland saying trans women aren't legally women. The list goes on.
But. I promise you, 99% of the people around you don't know she's done any of this because they aren't following her social media or stories about her. To them, she is just the author of those fun wizard books. You gotta talk about how she's SO WEIRD and ISN'T IT SAD.
You need to tell the normies how she uses the funds from all her payout agreements for ALL Harry Potter licensing, including the re-release of these movies.
"It's so fucking weird. It's so fucking off-putting. It's so fucking sad." Say that over and over. Don't try to tie it into larger ideas. This is not how people will listen. "Isn't it just fucking sad she has all this money that could go to literacy or scholarships, and she's using it to attack people who are just living their lives? What a weird fucking choice."
We need to out-Morbius Morbius in terms of this tanking, and the way you do that is talk to normies about how fucking WEIRD and RUDE she is. How ODD that the second Fantastic Beasts movie gave a "actually, fascism isn't too bad" vibe all the way through and especially at the end. How she has complained that the child actors from those movies particularly don't agree with her views on trans people and that she's publicly said that's why she wanted a new show.
What a WEIRD thing to say about child actors you worked with over a decade ago. It's so WEIRD she would care that those child actors have different opinions than her. It's really SAD she apparently has no hobbies except posting on social media about how she hates trans people. A beloved author who could be using her name to raise money for animal rescues and homeless people and all sorts of really great causes that could improve people's lives, and she's out here doing THIS? It just bums me out. I just can't support someone who uses their money to harass and harm other people like this. I don't know WHY she acts like this or WHY she's chosen to make it her whole personality, but it just makes it really hard for me to want to support any Harry Potter stuff, even when I loved it so much. Knowing any money made from that franchise goes into her pocket to just pour out onto orgs and laws that tell adults they can't just live their lives and be left alone is WEIRD.
And then say what you're gonna be doing instead. You know, I'm going to go and find some new fantasy books at the library. I'm going to boardgame day down at the game store. I'm going to a stitching group. I'm going to host a 1980s fantasy fest at my place; do you have any favorites you recommend? We should have a film fest where we watch all the movies that scared the shit out of us as kids.
If the normie goes, "Well, I'm going anyway," say, "Okay," and change the subject. If they try to justify because you clearly aren't into their decision, don't let them. "Hey, do whatever you want. I'll be [doing whatever you said you'd be doing." And then change the subject again. You don't have to threaten to cut someone off or yell at them or say they're terrible. They have to make the decision on their own, but you can make your point in a way that hopefully resonates and also refuse to back down but also refuse to absolve them.
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Of the many things you've said about your lieutenant, ghost, never once would you have expected to say he's...shockingly good with babies.
"Hey lil' man," ghost coos to the baby sat in his lap, happily chewing on the ear of a snoopy plush with a tiny fist wrapped around ghosts pinky. "Having fun? Thinking up some big things, I'm sure."
It looks comical how small a normal, healthy baby looks in his lap. Little arms waving absolutely while it turns to look at ghosts unmasked face. Baby doesn't cry, only stares up at ghost before exclaiming "ahh!! Babbfaaahh!!"
Ghost, he only laughs and holds baby up in his palms so baby can touch all over his scarred face. Little excited "ah ah ah"s and random giggling interspersed whenever ghost pulled a funny face.
"Smart fella, ain't you?" Ghost snorts, sets baby back down to chew on snoopy. He's got this soft, sappy expression on his face. Looks so natural with a baby in his arms. You can't help but snap a few photos.
Next time you baby sit, you'll ask your cousin about letting the twins stay over. You have a strange feeling ghost would love a princess fairy teaparty.