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I've rewound this 5 times just to watch murphs reactions
a while back i read jane eyre for the first time since high school in anticipation of watching the 2006 wilson/stephens miniseries. it's incredible to reread these classic novels as an adult, because while i got all the words and understood the *content* as a teenager, i didn't at all find the book interesting or fun to read. anyway i think one of the reasons that book stood the test of time isn't so much the gothic intrigue and how fucked up rochester and his wife are . he sucks so bad in so many ways . but he keeps needing rescued from stuff and only jane can do it . he fucking breaks an ankle falling off a horse early in her employment with him and she's the one who helps him back to the house . his attic wife sets his bedroom on fire and jane's the one who finds him and puts it out before he dies of smoke inhalation . then attic wife sets the house on fire after jane leaves and the whole place burns to the ground, grievous death and permanent injuries, etc, etc. jane comes back yippee everything's okay again! austen heroes don't get wounded like that because they're far too sedate and busy engaging in social seasons and heathcliff is like not wounded physically so much as destroyed emotionally . but this dude strikes the balance for readers who best enjoy when a man is collapsing of various problems and literally cant survive a day without some governess to pour water on his four-poster so he doesn't fry to a crisp
ALSO . i particularly was interested in the passages just after jane first meets him where she talks a lot about how if he was a normal polite person, or even just like a normal Lord with like, a sense of propriety and good manor house manners, she'd have been shy and awkward and uncomfortable and would have hated him. but i think where some interpretations get it wrong is that she doesn't think his rudeness is HOT. she thinks it's good for her own confidence, in that she knows her own self-esteem and social comfort levels are so low that all the scripts of peerage and society make her crawl into herself and disappear. she doesn't know how to follow the scripts convincingly, she's been emotionally abused her whole life so she has no sense of self-worth, but he doesn't follow the script. which means she doesn't have to worry about following it either. which does wonders for her confidence levels because when she can just act in ways that make sense to her rather than second-guessing whether she will be Approved Of, she can actually be a person. and that's what she first appreciates about him: his ability to (more or less without trying or even noticing) facilitate that for her.
"The incident had occurred and was gone for me: it was an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something, trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive."

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good evening
If none of them married, how desperate would the Bennett girls actually have been?
Well the only dowry they have is £50 apiece from their mother’s small inheritance, per year; so that’s a total of £250 generated by Mrs. Bennet’s inherited investments per annum.
The Dashwoods (four women) are living on £500 a year when they are forced to live in Barton Cottage (with good-will making the rent presumably ridiculously low thanks to Sir John Middleton’s good nature, to say nothing of all the dinners and outings he invites the ladies to, which will help them economize on housekeeping costs for heavier meals.)
So there would be six Bennet women left to live on half as much as the Dashwoods are barely scraping by on. £250 is roughly considered enough to keep ONE gentleman at a barely-genteel level of leisure (presuming he does not keep a horse or estate or have any major expenses beyond securing his own lodgings/clothes/meals at a level becoming of a gentleman.)
None of the Bennet girls have been educated well enough for them to be governesses to support themselves, so…yes, their situation would heavily rely on mega-charity from others to just help them survive, much less maintain them in the lifestyle they’ve been accustomed to. The Dashwood women have NO social life beyond the outings provided by Sir John and the offer of Mrs. Jennings to host the older girls in London–otherwise they’d be stuck in their cottage, meeting absolutely no eligible men, creating a cycle of being poor and unmarried and too poor to meet anyone with money they could marry.
If the Bennet girls don’t at least have ONE of them marry well enough to help the rest before their father dies, they are really, truly, deeply fucked.
They may joke about beautiful Jane being the saviour of the family, but…it’s true. Mr. Bennet failed his daughters several times over in A) presuming he’d have a son, B) not saving money independently from his income to support his family after his death when it became clear he wasn’t going to have a son, C) not educating them well enough to enable them to support themselves in even in the disagreeable way of being a governess, D) not making any effort to escort his daughters to London or even local assemblies to help their matrimonial chances because he just doesn’t feel like it, E) throwing up his hands and shrugging when faced with the crises of Mr. Collins and Wickham.
Much as we are relieved on a romantic level that Mr. Bennet’s support of Elizabeth saves her from parental pressure to accept Mr. Collins, Mrs. Bennet is NOT A DICK for pushing for the match, because on a material level it very much means they get to KEEP THEIR HOUSE and gain a connection to the powerful patron Lady Catherine de Bourgh, which could be VERY advantageous for the other unmarried girls.
And the scandal of Wickham very nearly scuppers the chances of ANY of the other girls, and Wickham is a further DRAIN on the family finances, not a man who is going to substantially be able to support them. It is SUCH a disaster, and of course there’s not much Mr. Bennet can do until they are found, but he’s away in London and doing…what, exactly? Mr. Gardiner takes over and manages everything and Mr. Bennet seems happy to just let him.
Mr. Bennet does the ABSOLUTE LEAST, and actively damages his children’s futures by his inaction AND by his one action to support Lizzie’s individual needs being prioritized over the collective gain, which…I mean, Lizzie is going to be JUST as homeless and destitute as her sisters when he dies, so much good being Dad’s Favourite is going to do her. :/
£50 is around £4200 now, so about £21,000 for 6 women to live on today for the Bennets.
The Dashwoods at £500/year are at about £42,000 for 4 women to live on today.
Mr bennet definitely messed up, and mrs b deserves way more respect for the immense amount of pressure she’s under
I wrote an entire essay about this my last year of school, and my teacher thought I had lost the plot. He was my most hated teacher for other reasons, and this did not help his case.
I am Here for the Mrs. Bennet Defense Squad. Yes, she can be unsubtle in a major way, but she is also terrified of the alternative outcome. However, for all her lack of tact, she is also hella strategic, as demonstrated by setting up an “oh no I’m stuck in your house” romance trope situation for Jane and Bingley. She’s a clever lady, and she sees exactly what kind of shitty situation they’re in, and she can’t get her husband to do anything.
It’s really easy to read Mrs. Bennet’s inability to be subtle about anything as a sign of stupidity or inability to understand “society” (and the Bingley sisters are inclined to do this and link it to her very middle-class family because of classism) but she is literally panicking at all times about a very real concern, and everyone is just rolling their eyes. No compassion for her poor nerves indeed!
Ok so I started to scroll by. But the problem with the Mrs. Bennet discourse is that it can too quickly swing too far in the wrong direction. Yes, everything about this is (mostly) true. The Bennet women are in a really delicate position. Their safety and continued financial security hangs on Mr. Bennet’s faintest breath. It is in fact a conversation point several times that the girls are not educated enough to serve as governesses, but are of too high a social status to expect marriage to a tradesman.
The problem is that while Mrs. Bennet is certainly the only one in the Bennet household taking this issue seriously, she’s also gone too far in the opposite direction. The point of the Bennet marriage is that it’s bad for both of them. Mr. Bennet married a beautiful, foolish woman and then didn’t live according to the economy he would have had to in order to leave her a tidy sum once he died. Mrs. Bennet held herself safe under the happy expectation that she would produce a son, who would inherit the estate and provide for her in her own age.
Once it became clear that wouldn’t happen (and remember Lydia is only fifteen when the book opens, so Mrs. Bennet might only have given up the idea that she would have a son possibly a decade before, when Jane was about twelve) Mrs. Bennet had to focus on her daughters’ marriages in order to ensure the family’s well-being. The problem is that she overcompensated beyond what the society she lives in found good form.
Mrs. Bennet is a foolish, vain, nervous woman who is often called out in the narrative as an older woman with Lydia’s naturally foolish and selfish character. Her husband long ago realized he’d someone for looks who he was incompatible with personality-wise. The readers (especially modern readers) see his neglect of family affairs readily, and his gentle (and at times less than gentle) mockery of his family (particularly his wife and his three youngest daughters). But importantly, Mrs. Bennet also is meant to come across as a lesson to the reader. A silly woman who married above her station (it’s mentioned several times she secured the better marriage compared to her own sister) Mrs. Bennet doesn’t have the social graces she should have been expected to, as her husband’s wife.
This is an important plot point. Raising Mrs. Bennet up as the only Bennet aware of their impending doom as Mr. Bennet ages is important and adds depth to her matrimonial scheming on her daughters’ behalves. But vitally the way she goes about her work causes Mr. Darcy to hold the greatest of disdain for her and her family. It’s that disdain that helps induce him to persuade Mr. Bingley to leave Netherfield Park. This isn’t truly questioned by Elizabeth, who understands that her mother’s over-eager grasping immediately raised Mr. Darcy’s concerns. Remember, at this time there was an abundance of women who were deliberately setting out to marry men of good fortune, and desperate to make themselves amiable enough to secure that marriage, regardless of their true feelings. Mr. Darcy (and honestly Mr. Bingley too should have known better) would have spent his entire later youth and then adulthood on the alert for women whose intentions were only for his wealth, and not for his happiness. That’s important, especially after we see the great care Mr. Darcy takes with Pemberly and his dependents.
Mrs. Bennet’s desperation is understandable. Her character (grasping, foolish, too needy and nervous to understand the social graces she must display to appear acceptable to men of the station she wants her daughters to marry) isn’t virtuous. Mr. and Mrs. Bennet are intended by the narrative to stand as examples for what happens when people who are not of similar or compatible characters marry. Mr. Bennet grew so disillusioned with his wife that his reaction to his family’s financial insecurity is to make jokes and wave his wife’s concerns away as foolishness. He’s not really concerned with the future of his female family members. Mrs. Bennet on the other hand, doted on for her beauty then ignored and trivialized after that beauty lost it’s attraction, is left to indulge her worst impulses as she tries to snap up eligible young men for her daughters. Importantly, Mr. Wickham easily fools her as to his true character, even after he runs off with her daughter.
While we look at Mrs. Bennet’s desperation and find it both pitiable and understandable, that doesn’t mean that she’s the better person in the marriage. These two people could have been better than who they became as they aged. The problem is that in their youth they found a spouse who wasn’t compatible with them, and their own character deficiencies were magnified in the marriage. Mr. and Mrs. Bennet are intended as a warning to the reader over marrying for shallow reasons (beauty for him, money for her). Character matters in a marriage, as does mutual compatibility.
@thebibliosphere
I feel like it’s important also to acknowledge that while, yes, Mrs. Bennet pushing Mr. Collins on Elizabeth is completely understandable from a material point of view, it’s also setting up a repeat of the Bennet’s marriage that Mr. Bennet absolutely does not want for any of his daughters. Not just because Elizabeth would be unhappy, but because she’d be unhappy for the same reasons Mr. Bennet is unhappy with Mrs. Bennet.
Mr. Collins is repeatedly shown to be essentially the masculine equivalent of Mrs. Bennet: obsequious, social climbing, and utterly incapable of conducting himself in society without embarrassing himself and anyone connected to him. Charlotte is only able to handle the situation by either a) manipulating him so as to avoid him as much as possible or b) maintaining a stone cold poker face at all times:
When Mr. Collins said anything of which his wife might reasonably be ashamed, which certainly was not seldom, she involuntarily turned her eye on Charlotte. Once or twice she could discern a faint blush; but in general Charlotte wisely did not hear.
This is an objectively shitty situation for Charlotte to be in, but it’s one she went into voluntarily, as the benefits (namely independence in running the house and having space of her own) outweigh the detriments for her. Lizzy would not be doing it voluntarily.
Sure, Mrs. Bennet’s primary concern is making sure her daughters are not in poverty, but Mr. Bennet’s is making sure they’re not trapped in unhappy marriages for the rest of their lives. In both Jane and Lizzy’s cases, he is only happy when he believes that they’re choosing husbands of good character and compatible personality, and extremely upset if he thinks they’re not. Compare his initial reaction to Bingley’s proposal (which comes after spending significant time with him, during which he confirms his good character and disposition) with Darcy’s (which doesn’t):
Bingley was punctual to his appointment; and he and Mr. Bennet spent the morning together, as had been agreed on. The latter was much more agreeable than his companion expected. There was nothing of presumption or folly in Bingley that could provoke his ridicule, or disgust him into silence; and he was more communicative, and less eccentric, than the other had ever seen him. […] He then shut the door, and, coming up to her, claimed the good wishes and affection of a sister. Elizabeth honestly and heartily expressed her delight in the prospect of their relationship. They shook hands with great cordiality; and then, till her sister came down, she had to listen to all he had to say of his own happiness, and of Jane’s perfections; and in spite of his being a lover, Elizabeth really believed all his expectations of felicity to be rationally founded, because they had for basis the excellent understanding and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself. […] Mrs. Bennet could not give her consent, or speak her approbation in terms warm enough to satisfy her feelings, though she talked to Bingley of nothing else, for half an hour; and when Mr. Bennet joined them at supper, his voice and manner plainly showed how really happy he was. Not a word, however, passed his lips in allusion to it, till their visitor took his leave for the night; but as soon as he was gone, he turned to his daughter and said,— “Jane, I congratulate you. You will be a very happy woman.” Jane went to him instantly, kissed him, and thanked him for his goodness. “You are a good girl,” he replied, “and I have great pleasure in thinking you will be so happily settled. I have not a doubt of your doing very well together. Your tempers are by no means unlike. You are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income.”
Versus:
Her father was walking about the room, looking grave and anxious. “Lizzy,” said he, “what are you doing? Are you out of your senses to be accepting this man? Have not you always hated him?” How earnestly did she then wish that her former opinions had been more reasonable, her expressions more moderate! It would have spared her from explanations and professions which it was exceedingly awkward to give; but they were now necessary, and she assured him, with some confusion, of her attachment to Mr. Darcy. “Or, in other words, you are determined to have him. He is rich, to be sure, and you may have more fine clothes and fine carriages than Jane. But will they make you happy?” “Have you any other objection,” said Elizabeth, “than your belief of my indifference?” “None at all. We all know him to be a proud, unpleasant sort of man; but this would be nothing if you really liked him.” “I do, I do like him,” she replied, with tears in her eyes; “I love him. Indeed he has no improper pride. He is perfectly amiable. You do not know what he really is; then pray do not pain me by speaking of him in such terms.” “Lizzy,” said her father, “I have given him my consent. He is the kind of man, indeed, to whom I should never dare refuse anything, which he condescended to ask. I now give it to you, if you are resolved on having him. But let me advise you to think better of it. I know your disposition, Lizzy. I know that you could be neither happy nor respectable, unless you truly esteemed your husband, unless you looked up to him as a superior. Your lively talents would place you in the greatest danger in an unequal marriage. You could scarcely escape discredit and misery. My child, let me not have the grief of seeing you unable to respect your partner in life. You know not what you are about.” Elizabeth, still more affected, was earnest and solemn in her reply; and, at length, by repeated assurances that Mr. Darcy was really the object of her choice, by explaining the gradual change which her estimation of him had undergone, relating her absolute certainty that his affection was not the work of a day, but had stood the test of many months’ suspense, and enumerating with energy all his good qualities, she did conquer her father’s incredulity, and reconcile him to the match. “Well, my dear,” said he, when she ceased speaking, “I have no more to say. If this be the case, he deserves you. I could not have parted with you, my Lizzy, to anyone less worthy.”
Mr. Bennet clearly isn’t going to forbid Lizzy from marrying for money rather than love – this is what he initially thinks is going on, and he gives consent to both Mr. Darcy and Lizzy anyway – but he really, REALLY doesn’t want her to. He KNOWS what happens if you jump into a bad marriage for the wrong reasons, and he is going to try to talk her out of it by any means possible. He has to be convinced that her attraction isn’t a passing crush or a coldblooded bid for Darcy’s wealth, but something real and capable of being maintained over time, and ONLY THEN is he truly okay with it.
Like, Mrs. Bennet’s concerns are understandable and rational given her situation and that of the family, but so too are Mr. Bennet’s given his own situation.
I swear I learn more about literature on Tumblr than I ever learned in high school
#I’ve always thought this: #Elizabeth refused Mr. Collins out of fear she’d become her father #but the first time she refused Darcy? she was afraid she’d become her mother. (via @maxiemumdamage)
how dare you leave this in the tags
modern nerd woosterposting and friends
The Posts are going viral again so sure, I'll dig through my drafts. Two of these were written for the same story. Can you guess which ones?
previously: millennial nerd bertie wooster for some reason, millennial nerd woosterposting part 2 act 1 act 1, ukridge buys bitcoin, psmith "meets" elon musk, modern nerd bertie wooster goes viral
Twilight Peach cat in the winter forest by Claudia Barzaeva

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today i found out that my favorite vine has an extended version and i couldnt be happier
(source)
this is what friendship looks like
@generalhuxisgay
this is the greatest thing I’ve ever seen
Hannibal (2013-2015)
alright alright alright alright
you know what’s really crazy about this? especially with it only being season 1. it tells us point blank that house is the other woman from the very beginning.
your husband ditches you on christmas, gives you some lie about being needed at work. and he’s a doctor, he saves lives. so you can’t argue with him, you can’t get mad. you grit your teeth and entertain your guests and rest assured you’re fine, he’s a doctor, you’re used to being alone on the holidays. and he’s at the other woman’s house, they’re eating dinner together, they’re smiling and laughing and your husband is draped over her furniture so causally like that’s exactly where he belongs. he wants to be there and he doesn’t want to be with you.
it doesnt matter that they didn’t have sex, it doesn’t matter if they even kissed. that’s an affair. the fact that house is a man does not change the fact that it’s just pointedly an affair.
average dnd party
Good motherfucking god

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I was reading a fic and genuinely enjoying myself up until the author decided to make a huge deal, in their AN, about how their protagonist is bi. As in ACTUALLY bi, not that stupid "straight with one exception" trash homophobic fujoshits write. I'm a cis man. I am heterosexual with exactly one exception. I don't know why. I went through years telling myself I was just confused. I heard from my queer friends at the time that only being interested in one other man wasn't a thing, that it was actually me being confused in the other direction, hiding all my crushes and desires from myself.
My family was convinced I was straight. My friends were convinced I was bi for a lot of men, I just wasn't admitting it. My now husband was the only one who told me it was fine. He's gay and he had a crush on one woman, once. Exceptions happen.
So at the risk of siding with the dreaded (presumed cis, presumed het, presumed white) enemy known as women, I... actually like the whole "if it's you, it's okay" thing. I don't assume an evil fetishizer who hates queers is writing it. It never reads that way. It reads as a story, just like any other story. A way to be queer just like any other valid option. Queerness is a spectrum. Not everyone is bi in the same way or gay or lesbian or anything else. The Kinsey Scale exists for a reason.
I spent five years in and out of therapy and church trying to fix myself. Being bi in any way was too much for my family. It was "get rid of the gay or get out" territory of panic. I could have a family or I could have my feelings for him. Choosing him involved giving up everyone I had grown up with. It involved years further of "so you can admit now that you had other male crushes, right?" no matter how many times I said no until I had to cut some queer friends out of my life, too.
And I'm not "ACTUALLY bi", apparently. I'm a trashy homophobic stereotype fujoshi came up with. I'm not actually bi. Real bi men have an equal number of women and men they're into. Bi is code for 50/50 or else you're, you know. Basically fictional. Definitely doing it wrong.
Upon some digging, I found out the writer is a lesbian woman. You would think with all the shit lesbians get she'd know better. I've seen people try to tell lesbians they aren't lesbians because "oh you dated a guy once" or "uh, you had sex with a man, you can't be" and all kind of shit that makes no sense whatsoever. So for her to turn around and go, "there is a single correct way to be a bi man" is just insane. Ma'am. Ma'am. You should know that's not how queerness works! You're queer!
This has annoyed me so much that for the first time in nine years I have pulled up a Microsoft Word document and I am writing fanfic. I am going to write so much It's Okay If It's You, one-exception-only queer fanfic.
Because it's fine to be queer even if it's this way, actually. It's fine to be queer, period! There are not rigid rules to it, that's one of the biggest joys of it!
I feel so old and tired and I'm only 40. Jesus Christ. "ACTUALLY bi". Fuck. The world is broken.
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A montage of me doing Dragunov's big launchers because they're hella addictive. This was super early too so my combos weren't good yet 😂 I just love Dragunov sm!!