An Awesome Turtle Lives Here

PIANO-CHAN!

MY MELODY!

i just barely remember what this game was about because i was 4 but basically you’re a dog and you live on an island and your dog family has a dog sister. or brother. i don’t remember. your dog sibling falls ill with a terminal illness or it is heavily implied that it will be fatal. there is a scene where the ill dog sibling tries to go to a party and they collapse and the audience is led to believe that they died. they do not die but are bedridden. your dog father tries to find a cure overseas but goes missing and is pretty much as close to “confirmed dead” as you can get in an e for everyone title. then you try to find a cure overseas and your boat gets separated and you get lost at sea. you do not die and end up on another island. a doctor is there. from that point i do not remember anything about the game other than giraffes try to attack you or something . i had to stop playing because this game made me So upset i was afraid to touch it. the game looks like this

You don’t just get separated from your boat, no, it’s MUCH more upsetting than that. There’s a storm, and the captain says you won’t be able to make it to the island. The idea of returning home without a cure is so unbearable to you that you jump overboard and try to swim there. You almost drown, but a bird you nursed back to health earlier in the game alerts a resident of the island, who saves your life.

The town’s water supply gets poisoned at one point and everyone gets sick but you. You have to find a healer in the woods because even the town doctor can’t help

A nurse dog on the island is afraid of the color red and is mercilessly bullied by a group of dogs in her town. You have to help her get over this fear. It originated from a traumatic event in her childhood where she thought she killed her best friend.

The doctor who helps your sick sibling also has a traumatic past. His fiancé got terminally ill and because he argued with another doctor on the best treatment, she died. He visits her grave often.

The miracle cure (a flower) you’re searching for to save your sibling? When you find it, it’s wilted. If you can’t find a way to restore it, you know your sibling will almost certainly die.

Also the literal apocalypse has been building up for the entire duration of the story, and you have to literally travel to an alternate dimension to consult the queen of a mythical race on how to save the world

To get a magic stone that will help you save the world, you have to fight a giant dinosaur skeleton referred to as the “Ancient Monster” and it is heavily implied that it fought your father at some point, and may have even killed him. Yes this is still the same game

The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.