Kay

1. If you see this post, highly recommend taking it as an opportunity to set a timer for 15 minutes and switch over to ACTIVITY YOU ENJOY. if after those 15 minutes, you want to go back to scrolling, that's okay!

2. Huge shout out to this popping up in my notifs often, bc I do go back to activity.

summary:

Eva nods again, slowly. “Okay. So. What you’re saying is… your telepathic alien soulmate named Rocky has been helping you brainstorm solutions to the problems in the engineering department.” As soon as the pictures came in from the Venus probe, Eva Stratt got to work. She spoke with every reputable xenobiologist she could find. Every one of them pointed to Dr Ryland Grace. All of them told her, in varying degrees of politeness, that he was a little… unhinged.

When you're talking about the design of the boat, you say "it".

When the boat is still being built, your say "it".

When the boat is nearing completion, you can say "it" or "she".

When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".

When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.

If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").

If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")

If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").

If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.

If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.

But unlike the adult in this strip, Calvin’s dad actually APOLOGIZED for yelling at him when he saw how guilty his kid was:

Harry: Kim, what's following that kid?

Kim: ...

Harry: What?

Kim: What are you talking about?

Inland Empire [80%]

Looks like you're the only one who can see it.

Harry: The... bone monster?

Kim: The bone monster.

THE BONE MONSTER'S KID - "Good morning officers."

YOU - Continue looking at the bone monster.

THE BONE MONSTER - It tilts its head to the side quizzically at you.

YOU - Tilt your head in response.

THE BONE MONSTER - It begins leering over you, grinning even harder.

THE BONE MONSTER'S KID - The kid turns towards you.

PERCEPTION [LEGENDARY: SUCCESS] - For a moment he looked at the bone monster, and then to you.

THE BONE MONSTER'S KID - "Is there a problem, officers?"

KIM - "You will have to forgive my partner, he has quite an active imagination."

THE BONE MONSTER - "You hear that? I'm just a part of your imagination."

"Pardon me officer, I don't think I caught your name?"

"Uh, well that's the thing, I, uh, don't actually remember it at the moment."

Damn him! He knows I need a name to kill, and now he's taunting me! He can see Ryuk, too, so one wrong move could end me! I might have to make the eye deal at this point...

---------------------------------

LOGIC [Medium, failure]: This bone monster is obviously Kira. You are fucked.

Try to make Kim see the bone monster. [Suggestion, Legendary]

Attempt to arrest the bone monster.

Put yourself between the bone monster and Light.

Ask Light for some money.

PERCEPTION [EASY: FAILURE] - You can't tell what gender it is.

YOU - "Excuse me, sir-- or, uh, madam?-- Bone... person..."

THE BONE MONSTER - It laughs, a deep, gutteral sound, like air escaping from the lungs of a corpse. As its jaw moves, you can see rows upon rows of sharp teeth inside its gaping maw.

COMPOSURE [CHALLENGING: SUCCESS] - You stand your ground and manage not to freak out.

YOU - "I'm afraid I'm going to have to ask you to come down to the police station. You... uh, match the description of a suspect... I think."

THE BONE MONSTER - It lets out a loud, phlegmatic belly laugh. "What are you going to do, arrest me?"

AUTHORITY - Damn right you are. Cuff him.

YOU - "Yes, as a matter of fact, I will. You are under arrest on suspicion of being Kira. Put your hands forward, wrists together."

KIM - "How exactly are you going to handcuff a hallucination, Detective?"

THE BONE MONSTER - It laughs again, like this is the funniest thing in the world, before obediently sticking out its arms.

THE BONE MONSTER'S KID - His eyes go wide and his face goes pale as you place the cuffs on the monster's wrists, before his gaze darts to Kim.

KIM - He is staring at the cuffs. He looks bewildered. "Are those handcuffs... floating?"

-----------------------------------

Shit! Ryuk, why did you have to comply?! Is this a game to you? No matter... They still don't realize that I'm Kira, not Ryuk. All I have to do is stay calm and act surprised. I'm sure Ryuk can just escape later, once he gets bored. And this other cop obviously can't see him, so it seems it's only the first one who has touched a Death Note... I just need to make it seem that he's the only one who can see Shinigami. Then I'll seem innocent, and he'll be the suspicious one!

"How did you do that? Is it some kind of magic trick?"

--------------------------------------

SHIVERS [Heroic, Success]: As intimidating as it looks, the bone monster isn't the real threat.

Deduce who the real Kira is [Logic, Godly]

Ask Light what he knows about the bone monster.

Tell Kim I-told-you-so.

Convince Light you are a sorcerer [Drama, Impossible]

no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.

when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.

an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).

advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.

this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!

buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....

Pre-orders and Amazon/Goodreads reviews are used as a gauge by publishers to predict how many copies they are likely to sell and therefore how many copies they want to print. They want to sell most of what they print rather than print too many and end up with a bunch of copies no one wants that they'll have to pay to store or sell at a huge discount or recycle, which is what happens to unsold books. Most publishers have a limited amount of money and manpower to dedicate to any particular book, so if there's a book building up a lot of buzz, that'll give them reason to put their resources towards promoting that book to get a better return on their investment. If the publisher can't make money off a book or author they'll dump them.

Generally, every aspect of the publishing and book industries, including writers, agents, publishing employees, librarians, and booksellers are overworked and underpaid. Unless you're Stephen King or already famous, you don't make money off of books. We do it for sheer love of the game.

[ survey.gendercensus.com ]

The 13th annual international gender census, collecting information about the language we use to refer to ourselves and each other, is now open until 13th August 2026.

It’s short and easy, for most participants it takes 5 minutes or less.

After the survey is closed I’ll process the results and publish a spreadsheet of the data and a report summarising the main findings. Then anyone can use them for academic or business purposes, self-advocacy, tracking the popularity of language over time, and just feeling like we’re part of a huge and diverse community.

If you think you might have friends and followers who’d be interested, please do reblog this blog post, and share the survey URL by email or at AFK social groups or on other social networks. Every share is extremely helpful!

Survey URL: https://survey.gendercensus.com

The survey is open to anyone anywhere who speaks English and feels that the gender binary doesn’t fully describe their experience of themselves and their gender(s) or lack thereof.

Thank you so much!

[ Link to survey ]

PS: You can see some regularly-updated statistics about incoming data here, with lots of demography and graphs to peruse!