everythings a joke now and its all funny as fuck too but sometimes it makes me sick to my stomach

Andulka
Not today Justin
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Mike Driver
"I'm Dorothy Gale from Kansas"
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Lint Roller? I Barely Know Her

shark vs the universe

bliss lane

Love Begins
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@worldwithoutmiracles
everythings a joke now and its all funny as fuck too but sometimes it makes me sick to my stomach

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consuming media like
shane taking care of ilya âĽď¸
System wallpapers from Windows XP's RTM, Build 2600; Microsoft Co., August 24, 2001.

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advertising lemonade is pointless. the human body already knows it needs it
been stewing on an analytical approach to fiction which I call "is this book afraid of me?" and in order to answer this question you determine how hard the book is trying to make sure you don't come after the writer on twitter
Tags via @deadpanwalking, editor and ass-kicker extraordinaire
Please keep making art. Please make it for yourself. Please donât let everything become even more of the same flat general appeal nonsense that doesnât seem to have anything to say
Step back everyone. This post requires the delicate touch of an annoying gimmick blog
Wordle is running out of words. Only 2,000 five letter words remain. When that supply is exhausted the Creation shall begin. One day the word will be ZHURM, and all shall get it, and all shall understand it to mean "an ache from suddenly remembering a long-ago friend, who meant something to you once, but whose face you can no longer conjure". The next day the word shall be JOROL, and all will get it, and all will know it means "the melancholy confusion of passing by somewhere where you once could have died". The next day it will be GREFT, and all will understand it to be a small brown bird with white streaks found only in South America, and suddenly, it will appear, in the shrubs of the Atacama desert, in the streets of SĂŁo Paulo, and all will know that it once was not there, but now, will always be
idioms are always funnier in languages you do not understand, especially when a native speaker is struggling to explain and actively digesting how ridiculous it is in real time

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Is it socially acceptable to use opaque watercolors, or is that considered gouache?
white usamericans when asked how they're doing, will never say "bad". they'll just say "I'm hanging in there" and that is universally understood as them being so so bad. like. no american is happily hanging in there. we don't like the hang.
YES OMG BRĂNNHILDE
https://thenewinquiry.com/blog/social-media-is-not-self-expression/
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late â80s/early â90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heâs never worked in animation againâheâs effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin âFeet Manâ Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnât actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinâs skull that lodge in Samuel L. Jacksonâs hairpiece). The resultant cuts were actually more permissive than heâd expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iâm not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and âworkingâ for another few hours on a second, âtoned-downâ version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnât some extant physical rubrick of what is and isnât acceptable, itâs the idea that they can have absolute power over someone elseâs creative work. Itâs about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.

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ok are you a guy?
this tweet has been uining me