Some great additions from the comments.

❣ Chile in a Photography ❣
TVSTRANGERTHINGS

titsay
hello vonnie

★
Sade Olutola

JVL
🪼
YOU ARE THE REASON
Alisa U Zemlji Chuda

Origami Around

Product Placement

Discoholic 🪩
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

roma★
trying on a metaphor
we're not kids anymore.
Peter Solarz

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@wallycaine
Some great additions from the comments.

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Getting the player characters in my Dungeons & Dragons campaign entangled in an extraplanar racing circuit with events sponsored by various cities throughout the Lower Planes and seeing how long I can keep it going before they realise the entire exercise was an excuse to have a major campaign event called "the Dis course".
Seems to be bunny in the trough Thursday
Had sort of a breakthrough moment while thinking about redundancies, just now, in the shower. I'm always a little bit thinking about redundancies because I'm into archiving (family occupation+autism, which is also a family occupation), and frequently I remind myself that they are good things actually (it's good to have a little more groceries than you need, it's good to save more than one copy of your project, it's good to pack enough underwear for more days than you'll be traveling, it's good to have more than one escape route, etc.)-- BUT TODAY I thought: hey this is true of intellectual/creative redundancies as well! Oft I find mineself falling into the trap of thinking 'if I can't make something novel and completely original then it's not worth making', or some version of 'other people have told this story before better than I could', and this is an excellent way to ensure I never finish anything. EXCEPT, I remind myself once more, slapping my forehead, REDUNDANCIES ARE GOOD ACTUALLY, REMEMBER?
No one is going to read all the books, watch all the movies, hear all the stories. Not everyone has access to the same stuff, not all the stuff is made in the same place at the same time by the same people in the same language in the same context. You can say the same thing more than once and that just means there are two different places where people can encounter that idea. Ideas are iterative anyway! If nothing else (says the archivist), a long time down the road, having multiple examples of a thing occurring at a similar time is evidence of a trend in that specific period, and that's valuable in its own right. Tell the same story twice! Put it on VHS and DVD and torrents! It's fine! it's good actually! don't keep stalling yourself (myself) out on a project because you (I) think it's been done before!! That's the sign I'm going to tap whenever I'm next bewailing that my story isn't original and other people have done it better already.

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The reason aang and katara are great friends is because they started with a good ice breaker
#the opening line to Sokka’s best man speech at their wedding (tags via)
What if a very friendly wolf weighed 15 pounds and it roll around on the floor
So funny story actually. One of my friends was hooking up with this girl, they were friends with benefits. She needed a date for some work party so he agreed to go with her. Turns out her dad owns like 3 dental practices and she worked as the business manager for one of them.
Anyway my friend had some not so nice teeth and during dinner the father of his fwb was like “you work where you work, you sleep with him and his teeth look like that? Get him an appointment.”and then bounced. So his fwb made him an appointment at the practice she managed and my friend ended up needing like 3k worth of dental work and his friend with benefits just gave it to him for free.
So that is the story of how my friend not only got sex, but dental out of the friends with benefits deal.
no-dopamine baddies approaching every single list of tasks like "which of these things will cause the most amount of personal suffering to me if left undone"
guess who just read yet another list of "tools to combat decision paralysis" that was mostly reward-based and got mad
hey this is really insightful. do you have any advice about identifying the linchpin task? i mean obviously "think about it really hard" might be all there is to it. basically i think this concept is good and would welcome more commentary from you, if you have more to add
the trouble is that Thinking (or at least applying the Talking Brain to the task) is counterproductive here, because that's the voice going "we need to clean the kitchen, why aren't we cleaning the kitchen??" and in these circumstances, giving that sector of the mind more oversight won't help.
it is necessary instead to sit down and kinda try and quiet that voice, and then start with considering my physical needs, kinda mentally run through the maslow's pyramid from bottom to top as if I'm dealing with a little kid throwing a tantrum. like, did we sleep last night? have we had lunch? am I lonely? should I call my aunt? do I want to finish the book I've been reading? do I want to boil chicken bones today? what's bothering me? I'll then try out a couple of things that seem likely and while they may not be The Thing it's useful to build momentum anyways.
but like, if I give it space, the answer will float upwards into view and it's usually something I've been putting off for a long-ass time.
and it'll sound So Stupid to the Talking Mind, who has important tasks that it's trying to get done, but we're going to tell that voice that the kitchen will wait while we take down the Christmas tree, fold the laundry that's been in the basket for a week, sketch the idea, call my aunt, whatever it is, and inevitably the Linchpin Task will take about half an hour, and once it's done I can feel the weight lifted off my shoulders.
Linchpin Tasks are sometimes that it's time to deal with The Emotions At The Bottom Of The Pile, which is when a pile of stuff builds up to cover whatever is at the bottom being emotionally fraught. (letters, the shirt I wore the day my grandpa died, y'know, The Emotions)
I've gotten better at identifying when those piles are starting to accrete and dealing with them before they get bad, but like, you gotta be able to identify the pile of stuff your eyeballs keep slipping off because it feels too emotionally difficult to deal with right now, and like, learning to ignore the part of the mind that wants to assign task priority levels is a counter-intuitive way to get things done.
I hope this makes sense. basically, when it comes to doing stuff, do the thing that's most emotionally fraught first, especially if you can come up with a bunch of excuses to not do it.
image description: tags reading #I tend to go for "which of these tasks is the secret task my subconscious has decided is the linchpin of my productivity" #sometimes that task is not something that's actually urgent in a normal sense but if I don't do it first I will put myself in waiting mode #and like I don't want to be waiting on myself to do a thing that I'm specifically not doing because it's not important

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EXCUSE ME THERE IS A PLANT THAT CAN MIMIC FAKE PLANTS?????
IT'S CALLED A BOQUILA TRIOFOLIOLATA AND IT'S FUCKING WITH MY BRAIN
IT APPARENTLY CAN MIMIC OTHER PLANTS AND AT FIRST I WAS LIKE "oh cool man it must take it's genetic code and copy it or feel the roots or something like that!! :3"
AND THEN I READ AN ARTICLE ON IT AND THESE FUCKING PARAGRAPHS HIT ME LIKE A BUS
LIKE READ THIS SHIT
WHAT THE FUCK MOTHER NATURE
I went to find the article. It's fascinating.
In retrospect, consider the number 1 thing every grade-schooler knows about plants is they take in light, the idea they might be able to see should not wreck my shit as hard as it does
Martha and Jonathan find a baby in an ark. There is no note with him, but they see how tenderly he was swaddled, how desperately sent here, and they look at each other and they know. She was on the Kindertransport. He lost his parents to the camps. Martha's eyes say "He is like us." Her voice says, "Moses in the bullrushes."
They take him home. They give him the Hebrew name Kal-El and the American name Clark so he will fit in. They know what it is to be different. There is no Hebrew school in Smallville so they teach him at home, and study Torah together. When he shows special abilities, they wonder to each other if he is the Moshiach. Not for the strength of his body, but for the strength of his kindness. He always seems to be helping others, delivering them from harm, as he was delivered to them. They never tell him this, but they teach him about the obligations without measure. He's a natural.
At school, he is side-eyed for being different. When he displays eccentricities, the villagers shrug and say "maybe it's a Jewish thing." The Kents make sure he values his education, and is always home for Shabbas dinner.
His is bar-mitzva'd at the nearest shul, a few towns over. They didn't know his birthday, so they chose one near Parshat Shemot. Now they worry that was too on-the-nose, but he gives a moving d'var about the obligation to speak truth to power.
As he comes into his own and tries to be a hero, he hides his identity from the public, not out of shame, but to keep his adopted parents safe. They've been persecuted enough.
When he moves to the big city for a job at a newspaper, Pa is so proud he cries. Clark uses his journalistic skills to expose corruption, give voice to the neglected and oppressed, and research his own origins. When he learns the truth about Krypton and his birth parents' desperate bid to send him to safety, Ma and Pa are not at all surprised that they were right.
When Clark brings Lois home, he assures his parents she is a nice Jewish girl, but they're just glad she's a mensch. They step on a glass to remember the destruction of Krypton, and stand under a chuppah quilted by Ma.
A white billionaire spews lies about him, trying to spread fear of the stranger in their midst. He comes out in public and says "There's nothing more American than being an immigrant."
When the government turns against immigrants, he stands on the side of the protestors and protects. Tear gass does nothing to him. He makes himself a shield. He writes article after article in the Daily Planet, making sure the public knows what their government is doing, that immigrants know their rights, that the powerful are put on notice. When they start rounding people up, he says "Never again."
He shows up at immigrant detention centers, armed with miracles. And says "Let my people go."
#i'm not crying you are#this hit me right in the feels#weren't many of the og superman creators jewish?
They were! Superman was created in 1938 by Jerry Siegel and Joe Shuster, two Jewish boys, sons of immigrants.
also thank you!
Under Virginia law, a month had to elapse before the death sentence could be carried out. Governor Wise resisted pressures to move up the execution date because, he said, he wanted everyone to see that Brown's rights had been thoroughly respected.
Brown made it clear repeatedly in his letters and conversations that these were the happiest days of his life. He would be publicly murdered, as he put it, but he was an old man and, he said, near death anyway. Brown was politically shrewd and realized his execution would strike a massive blow against Slave Power, a greater blow than he had made so far or had prospects of making otherwise. His death now had a purpose. In the meantime, the death sentence allowed him to publicize his anti-slavery views through the reporters constantly present in Charles Town, and through his voluminous correspondence.
Before his conviction, reporters were not allowed access to Brown, as the judge and Andrew Hunter feared that his statements, if quickly published, would exacerbate tensions, especially among the enslaved. This was much to Brown's frustration, as he stated that he wanted to make a full statement of his motives and intentions through the press.[54]: 212 Once he had been convicted, the restriction was lifted, and, glad for the publicity, he talked with reporters and anyone else who wanted to see him, except pro-slavery clergy.[46]
Brown received more letters than he ever had in his life. He wrote replies constantly, hundreds of eloquent letters, often published in newspapers,[133]: 43 and expressed regret that he could not answer every one of the hundreds more he received. His words exuded spirituality and conviction. Letters picked up by the Northern press won him more supporters in the North while infuriating many white people in the South.
KING
Just a couple of the quotes about him that I like:
“His zeal in the cause of freedom was infinitely superior to mine. Mine was as the taper light, his was as the burning sun. Mine was bounded by time. His stretched away to the silent shores of eternity. I could speak for the slave. John Brown could fight for the slave. I could live for the slave. John Brown could die for the slave.”
-Frederick Douglass
"That new saint, than whom nothing purer or more brave was ever led by into conflict and death, — the new saint awaiting his martyrdom, and who, if he shall suffer, will make the gallows glorious like the cross."
-Ralph Waldo Emerson
[Image Description: initial tweet by Haymarket Books, at HaymarketBooks. It is dated May 9, Twenty twenty-three. It says "Abolitionist John Brown was born May 9, Eighteen hundred." Beneath the tweet is a grayscale portrait of John Brown, an elderly white man with a long, bushy beard. In reply, Edward Ongweso Jr, @ BigBlackJacobin, tweets "Happy birthday to this crazy ass white boy. One day we are gonna go back in time and give him power armor." End I.D.]
she is a princess and you are a dragon. she will be married tonight. do not keep standing outside of her room like that, go inside. go get her. that is what proper dragons do.
not that you have ever been a good or proper dragon. when you hatched out of your egg, your eggtooth was too smooth. the other dragons were rough with you, put little holes in your wings.
you were not bold. you were odd. you liked rippling water and the shine of chitin when bugs scuttle and of course the movement of the stars. those were all acceptable interests albeit maybe not traditional. perhaps you had inherited these through some great-great-uncle or something. certainly a dragon may be wise, or clever, if they are not bold.
yes, you have been a great deal of a puzzle to the other dragons. your body is smaller and rather more soft than it ought to be. so speed should have been yours, perhaps - your mother said it would be like fighting a shadow. if a dragon is not aggressive, it may instead be cruel, sly; a backstab. but alas your scales - so iridescent that they almost shine like the moon at night, a glow from within - you are not a shadow, you are a beacon like the flash of a knight's blade. your father has said at least you would make a fine egglayer, a nice mate to a good male. a dragon like you may still be a good mother perhaps; and that is a fine thing to be; although of course it would have been better if you'd been a trove-hoarder instead.
what a dragon must not be is kind.
you have watched her now for six moons. what a good and proper dragon would do is to go inside and to snatch her. a very proper dragon would have kidnapped her many times over, but you will be the delight of your brood to princess-snatch even at all. when you catch her in your jaws and bring her home, they will love you, then. they don't think you're capable of it, but you are, because you're a proper dragon. you can show them that. if you go in, now, right now.
you are rather too glossy to hide in the shadows, so instead you have learned how to appear flat and round, a puddle of light. (how your siblings would mock you! a dragon should be matte, to blend with the night). you dapple your flank with mud. you perch in odd angles atop of trees, scuttle like the bugs you love - hither, tither, frantic.
what you must not do is fly with your wings full-out. alight, you will be limned by the moon's corona. you will be a beacon. you must remember this when (not if) you snatch her.
____
you found her because of the lake. this lake in particular was your favorite - nestled deep in the woods, between two mountains. it is very quiet; there is nothing to horde there so no other dragon bothers you. a gentle waterfall spills over into a deep cove, and there are many mossy caves you've spent your afternoons napping in. while it is not proper for a dragon to prefer such things, you like to lay in rolling tenure just under the water. you have become excellent at holding your breath, can do it for hours. it is the easiest way to appear as a patch of sunlight.
she was not sunlight. she was the night's joy. the dark press of water. her face at first concealed by many diaphanous layers. her breathing quick and quiet.
she had pulled them back to drink from her water flask. and there she had been: a princess. your first very-real princess. right there, only the reach of a single talon from you. if you had simply lunged then, you would have been able to take her easily, in one single movement.
but you did not take her.
Hey if you have chronic pain, you gotta remember that the cognitive load of dealing with that is exhausting. Just that alone. Never mind what else you've got going on.
You're not lazy or being dramatic; you're overloaded.

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On a day like any other, Horpin Grills stumbles across an unexpected scene. In a store called Games Poundshop, a group has gathered around a table of science fiction miniatures, waging battles against one another with the roll of a die. This is Horpin’s introduction to Warpounder 40K, and he is immediately hooked.
Unfortunately, Horpin quickly discovers that his new hobby isn’t cheap, but a handsome sentient battleship model is pulling him deeper and deeper into the game. Soon enough, the two of them are intertwined in a hardcore, homoerotic encounter, one that will reveal more about this hand-painted model than Horpin could ever expect.
This erotic tale is 4,000 words of sizzling human on gay Warpounder 40K model action, including anal, blowjobs, rough sex, and painted grimdark science fiction miniature love.
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please enjoy new tingler POUNDED IN THE BUTT BY THE PHYSICAL MANIFESTATION OF SPENDING AN IRRESPONSIBLE PORTION OF MY INCOME ON WARPOUNDER 40K MINIATURES out now here or true buckaroo tier patreon